{"title":"Books, CDs, DVDs - By Price: Highest to Lowest","description":"","products":[{"product_id":"french-folk-tunes","title":"French Folk Tunes- 45 Traditional Pieces","description":"\u003cp\u003eFrench Folk Tunes for Accordion is a collection of arrangements for solo accordion, of traditional tunes including a range of styles such as Polkas, Waltzes, Bourrées and more. \u003cbr\u003eExperienced accordionist Murray Grainger provides notes on all of the styles, as well as general advice on interpretation and performance. \u003cspan\u003eThe volume is accompanied by recordings for download of all tunes performed by Murray\u003c\/span\u003e. German and French translations of all texts are available as pdf downloads from the Schott Music website. 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She gained a deep appreciation of traditional music visiting folk festivals and music sessions from childhood. She fell in love with the English Concertina when was given one at the age of ten. An early start, dedication, practice and performance have given her an expertise that many much older players, can still only aspire to.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eDave Mallinson didn‰۪t discover traditional music until the late age of twenty-two and is completely self taught. Hard work, sheer dogged determination and lengthy practice have had to be his way of life. His constant struggle to maintain his skill gives him a unique insight into the problems and difficulties facing beginners and novices.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlex‰۪s enormous skill and knowledge combined with Dave‰۪s affinity with beginners make an ideal combination to present this introduction to the English concertina and traditional music.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eForeword by David Ledsam\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eI became aware of Alex Wade‰۪s concertina playing when judging a Rapper Sword Dance competition in Derby. Right from the first note I knew I was listening to a very special musician and player of the English Concertina. She played with touch, great speed and what was most important, driving rhythm. I awarded her full marks, which is generally unheard of in this competition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSince then I heard her many times playing for dance or at sessions, and I have remained as impressed as when I heard her first. She has a great musical ear and I am very pleased that Mally asked me to contribute to this excellent beginners English Concertina tutor. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMany learners of the English will be inspired by the playing of Alex, and this book will give them an invaluable start in their journey to becoming a player of this most beautiful and portable instrument, the English Concertina.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eForeword by David Ledsam\u003c\/li\u003e\n\u003cli\u003eMusic Basics for Squeezers\u003c\/li\u003e\n\u003cli\u003eFingering Chart\u003c\/li\u003e\n\u003cli\u003eThe English Concertina\u003c\/li\u003e\n\u003cli\u003eThe Scale of C Major\u003c\/li\u003e\n\u003cli\u003eThe Musical Ladder\u003c\/li\u003e\n\u003cli\u003eThe Key of G Major\u003c\/li\u003e\n\u003cli\u003e4\/4 Time\u003c\/li\u003e\n\u003cli\u003ePlay Some Sea 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Irish, English, French, Tex-Mex, French Canadian, Cajun, Morris and Zydeco are all typical examples. This is not intended to be a specialist book but it endeavours to give students a good grounding, helping them to easily move on to whatever music genre takes their fancy. However, the lessons within are completely based on traditional playing styles and tunes from Britain and Ireland.\u003cbr\u003e \u003cbr\u003e In all walks of life, whether it be mathematics, designing aeroplanes or playing the violin, mankind progresses by first being taught what previous generations have learned, before moving on. Unfortunately, in the case of the melodeon, this doesn‰۪t seem to happen; melodeon students all seem to have to start at rock bottom and work things out for themselves. Although things are improving considerably there is still a long way to go; hopefully, this book will make a useful and effective contribution to rectifying this situation.åÊ\u003cbr\u003e \u003cbr\u003e If you want to become proficient on any musical instrument, you must practise. There is no way round this. You can have the best tuition in the world, but without practice it is useless. Unfortunately, without guidance, it is very easy for students to find themselves practising unsound techniques and falling into bad habits and sloppy playing. It is the intention of this book to steer players into acquiring efficient techniques and to help them develop good habits, from day one. It isåÊassumed that readers of this tutor have no previous knowledge of the melodeon or music: all topics start with absolute basics.\u003cbr\u003e \u003cbr\u003e There are many different ways of playing the melodeon. Even sticking rigidly to the methods advocated in this book gives plenty of scope for choice. It is not the intention of this book to lay down hard and fast rules, but to provide information for you to make up your own mind: there are always several ways of playing a tune correctly.\u003c\/p\u003e\n\u003ch4\u003eContents\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eForeword by Andy Cutting\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eThe Squeezebox Family\u003c\/li\u003e\n\u003cli\u003eMusic Basics for Squeezers\u003c\/li\u003e\n\u003cli\u003eIntroducing the D\/G Melodeon\u003c\/li\u003e\n\u003cli\u003eHolding the Melodeon\u003c\/li\u003e\n\u003cli\u003eThe Air Button\u003c\/li\u003e\n\u003cli\u003eThe High Octave\u003c\/li\u003e\n\u003cli\u003eThe Treble Buttons\u003c\/li\u003e\n\u003cli\u003eCounting Time\u003c\/li\u003e\n\u003cli\u003eMajor Keys\u003c\/li\u003e\n\u003cli\u003eMinor Keys\u003c\/li\u003e\n\u003cli\u003eShifting Hand Position\u003c\/li\u003e\n\u003cli\u003eIntroducing the Bass Buttons\u003c\/li\u003e\n\u003cli\u003ePlaying the Bass in Time\u003c\/li\u003e\n\u003cli\u003eVarious Rhythms\u003c\/li\u003e\n\u003cli\u003eCrossing the Rows\u003c\/li\u003e\n\u003cli\u003eThe Basses\u003c\/li\u003e\n\u003cli\u003ePlaying the Other Bass Buttons\u003c\/li\u003e\n\u003cli\u003eUm Cha Through Some Easy Tunes\u003c\/li\u003e\n\u003cli\u003eSmoothing the Bellows Action\u003c\/li\u003e\n\u003cli\u003eThe Other Chord in the key of D\u003c\/li\u003e\n\u003cli\u003eFundamentals and Chords\u003c\/li\u003e\n\u003cli\u003ePlaying the Bass in Harmony\u003c\/li\u003e\n\u003cli\u003ePercussive Bass : No Bass\u003c\/li\u003e\n\u003cli\u003eDrones and Snappy Off-Beats\u003c\/li\u003e\n\u003cli\u003eAccidentals\u003c\/li\u003e\n\u003cli\u003eA minor and B minor\u003c\/li\u003e\n\u003cli\u003eSlides and Slip Jigs\u003c\/li\u003e\n\u003cli\u003eThe Key of A\u003c\/li\u003e\n\u003cli\u003eThe Variable Buttons\u003c\/li\u003e\n\u003cli\u003eTransposingåÊ\u003c\/li\u003e\n\u003cli\u003eåÊ\u003c\/li\u003e\n\u003cli\u003eTunes\u003c\/li\u003e\n\u003cli\u003eåÊ\u003c\/li\u003e\n\u003cli\u003eHot Cross Buns!\u003c\/li\u003e\n\u003cli\u003eBaa Baa Black Sheep\u003c\/li\u003e\n\u003cli\u003eJingle Bells\u003c\/li\u003e\n\u003cli\u003eLittle Brown Jug\u003c\/li\u003e\n\u003cli\u003eMulberry Bush\u003c\/li\u003e\n\u003cli\u003eOranges and Lemons\u003c\/li\u003e\n\u003cli\u003eBobby Shaftoe\u003c\/li\u003e\n\u003cli\u003eThree Blind Mice\u003c\/li\u003e\n\u003cli\u003eWhip Jamboree\u003c\/li\u003e\n\u003cli\u003eDrunken Sailor\u003c\/li\u003e\n\u003cli\u003eSilent Night\u003c\/li\u003e\n\u003cli\u003eThe Best of Society\u003c\/li\u003e\n\u003cli\u003eFr̬re Jacques\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eWhat Can the Matter Be?\u003c\/li\u003e\n\u003cli\u003eCock of the North\u003c\/li\u003e\n\u003cli\u003eKatie Bairdie\u003c\/li\u003e\n\u003cli\u003eThe Keel Row\u003c\/li\u003e\n\u003cli\u003ePolly Put the Kettle On\u003c\/li\u003e\n\u003cli\u003eSkip to My Lou\u003c\/li\u003e\n\u003cli\u003eShepherds‰۪ Hey\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eI Have a Bonnet\u003c\/li\u003e\n\u003cli\u003eDonkey Riding\u003c\/li\u003e\n\u003cli\u003eBuffalo Girls\u003c\/li\u003e\n\u003cli\u003eUncle Bernard‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eRakes of Mallow\u003c\/li\u003e\n\u003cli\u003eDavy Davy Knick Knack\u003c\/li\u003e\n\u003cli\u003eTwinkle Twinkle Little Star\u003c\/li\u003e\n\u003cli\u003eBonny Green Garters\u003c\/li\u003e\n\u003cli\u003eRodney\u003c\/li\u003e\n\u003cli\u003eLiza Jane\u003c\/li\u003e\n\u003cli\u003eConstant Billy\u003c\/li\u003e\n\u003cli\u003eThe Twenty-Ninth of May\u003c\/li\u003e\n\u003cli\u003eSweet Jenny Jones\u003c\/li\u003e\n\u003cli\u003eMy Darling Asleep\u003c\/li\u003e\n\u003cli\u003eThe Steamboat\u003c\/li\u003e\n\u003cli\u003eSonny‰۪s Mazurka\u003c\/li\u003e\n\u003cli\u003eSpeed the Plough\u003c\/li\u003e\n\u003cli\u003eSoldiers‰۪ Joy\u003c\/li\u003e\n\u003cli\u003eStaten Island\u003c\/li\u003e\n\u003cli\u003eA Trip to the Cottage\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eTripping Upstairs\u003c\/li\u003e\n\u003cli\u003eThe Scattery Island Slide\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003cli\u003eBill Sullivan's Polka\u003c\/li\u003e\n\u003cli\u003eSweeney‰۪s Polka\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4163494871081,"sku":"AM101","price":9.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Screen_Shot_2017-12-02_at_14.13.05.png?v=1527263076"},{"product_id":"d-g-melodeon-book-absolute-beginners-cd-dave-mallinson","title":"D\/G Melodeon Book Absolute Beginners CD - Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThis is the CD to accompany the book of the same name by Dave Mallinson\u003c\/p\u003e\n\u003cp\u003eThe aim of this book is to get students off to the best possible start on the D\/G melodeon, by presenting information that might otherwise take years to accumulate.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e There are many styles of traditional music where the melodeon and its siblings play a major role. 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Although things are improving considerably there is still a long way to go; hopefully, this book will make a useful and effective contribution to rectifying this situation.åÊ\u003cbr\u003e \u003cbr\u003e If you want to become proficient on any musical instrument, you must practise. There is no way round this. You can have the best tuition in the world, but without practice it is useless. Unfortunately, without guidance, it is very easy for students to find themselves practising unsound techniques and falling into bad habits and sloppy playing. It is the intention of this book to steer players into acquiring efficient techniques and to help them develop good habits, from day one. It isåÊassumed that readers of this tutor have no previous knowledge of the melodeon or music: all topics start with absolute basics.\u003cbr\u003e \u003cbr\u003e There are many different ways of playing the melodeon. Even sticking rigidly to the methods advocated in this book gives plenty of scope for choice. It is not the intention of this book to lay down hard and fast rules, but to provide information for you to make up your own mind: there are always several ways of playing a tune correctly.\u003c\/p\u003e\n\u003ch4\u003eContents\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eForeword by Andy Cutting\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eThe Squeezebox Family\u003c\/li\u003e\n\u003cli\u003eMusic Basics for Squeezers\u003c\/li\u003e\n\u003cli\u003eIntroducing the D\/G Melodeon\u003c\/li\u003e\n\u003cli\u003eHolding the Melodeon\u003c\/li\u003e\n\u003cli\u003eThe Air Button\u003c\/li\u003e\n\u003cli\u003eThe High Octave\u003c\/li\u003e\n\u003cli\u003eThe Treble Buttons\u003c\/li\u003e\n\u003cli\u003eCounting Time\u003c\/li\u003e\n\u003cli\u003eMajor Keys\u003c\/li\u003e\n\u003cli\u003eMinor Keys\u003c\/li\u003e\n\u003cli\u003eShifting Hand Position\u003c\/li\u003e\n\u003cli\u003eIntroducing the Bass Buttons\u003c\/li\u003e\n\u003cli\u003ePlaying the Bass in Time\u003c\/li\u003e\n\u003cli\u003eVarious Rhythms\u003c\/li\u003e\n\u003cli\u003eCrossing the Rows\u003c\/li\u003e\n\u003cli\u003eThe Basses\u003c\/li\u003e\n\u003cli\u003ePlaying the Other Bass Buttons\u003c\/li\u003e\n\u003cli\u003eUm Cha Through Some Easy Tunes\u003c\/li\u003e\n\u003cli\u003eSmoothing the Bellows Action\u003c\/li\u003e\n\u003cli\u003eThe Other Chord in the key of D\u003c\/li\u003e\n\u003cli\u003eFundamentals and Chords\u003c\/li\u003e\n\u003cli\u003ePlaying the Bass in Harmony\u003c\/li\u003e\n\u003cli\u003ePercussive Bass : No Bass\u003c\/li\u003e\n\u003cli\u003eDrones and Snappy Off-Beats\u003c\/li\u003e\n\u003cli\u003eAccidentals\u003c\/li\u003e\n\u003cli\u003eA minor and B minor\u003c\/li\u003e\n\u003cli\u003eSlides and Slip Jigs\u003c\/li\u003e\n\u003cli\u003eThe Key of A\u003c\/li\u003e\n\u003cli\u003eThe Variable Buttons\u003c\/li\u003e\n\u003cli\u003eTransposingåÊ\u003c\/li\u003e\n\u003cli\u003eåÊ\u003c\/li\u003e\n\u003cli\u003eTunes\u003c\/li\u003e\n\u003cli\u003eåÊ\u003c\/li\u003e\n\u003cli\u003eHot Cross Buns!\u003c\/li\u003e\n\u003cli\u003eBaa Baa Black Sheep\u003c\/li\u003e\n\u003cli\u003eJingle Bells\u003c\/li\u003e\n\u003cli\u003eLittle Brown Jug\u003c\/li\u003e\n\u003cli\u003eMulberry Bush\u003c\/li\u003e\n\u003cli\u003eOranges and Lemons\u003c\/li\u003e\n\u003cli\u003eBobby Shaftoe\u003c\/li\u003e\n\u003cli\u003eThree Blind Mice\u003c\/li\u003e\n\u003cli\u003eWhip Jamboree\u003c\/li\u003e\n\u003cli\u003eDrunken Sailor\u003c\/li\u003e\n\u003cli\u003eSilent Night\u003c\/li\u003e\n\u003cli\u003eThe Best of Society\u003c\/li\u003e\n\u003cli\u003eFr̬re Jacques\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eWhat Can the Matter Be?\u003c\/li\u003e\n\u003cli\u003eCock of the North\u003c\/li\u003e\n\u003cli\u003eKatie Bairdie\u003c\/li\u003e\n\u003cli\u003eThe Keel Row\u003c\/li\u003e\n\u003cli\u003ePolly Put the Kettle On\u003c\/li\u003e\n\u003cli\u003eSkip to My Lou\u003c\/li\u003e\n\u003cli\u003eShepherds‰۪ Hey\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eI Have a Bonnet\u003c\/li\u003e\n\u003cli\u003eDonkey Riding\u003c\/li\u003e\n\u003cli\u003eBuffalo Girls\u003c\/li\u003e\n\u003cli\u003eUncle Bernard‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eRakes of Mallow\u003c\/li\u003e\n\u003cli\u003eDavy Davy Knick Knack\u003c\/li\u003e\n\u003cli\u003eTwinkle Twinkle Little Star\u003c\/li\u003e\n\u003cli\u003eBonny Green Garters\u003c\/li\u003e\n\u003cli\u003eRodney\u003c\/li\u003e\n\u003cli\u003eLiza Jane\u003c\/li\u003e\n\u003cli\u003eConstant Billy\u003c\/li\u003e\n\u003cli\u003eThe Twenty-Ninth of May\u003c\/li\u003e\n\u003cli\u003eSweet Jenny Jones\u003c\/li\u003e\n\u003cli\u003eMy Darling Asleep\u003c\/li\u003e\n\u003cli\u003eThe Steamboat\u003c\/li\u003e\n\u003cli\u003eSonny‰۪s Mazurka\u003c\/li\u003e\n\u003cli\u003eSpeed the Plough\u003c\/li\u003e\n\u003cli\u003eSoldiers‰۪ Joy\u003c\/li\u003e\n\u003cli\u003eStaten Island\u003c\/li\u003e\n\u003cli\u003eA Trip to the Cottage\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eTripping Upstairs\u003c\/li\u003e\n\u003cli\u003eThe Scattery Island Slide\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003cli\u003eBill Sullivan's Polka\u003c\/li\u003e\n\u003cli\u003eSweeney‰۪s Polka\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4163496345641,"sku":"AM101C","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/71i8lRhVs8L._SL1000.jpg?v=1527263077"},{"product_id":"the-piano-accordion-absolute-beginners-karen-tweed-and-dave-mallinson","title":"The Piano Accordion Absolute Beginners : Karen Tweed and Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eKaren Tweed has played the piano accordion from the age of eleven and studied for several years with high quality tutors. Years of unrelenting dedication, practice and performance have given her a deep understanding of traditional music, and her skill on the piano accordion can only be described as awesome.\u003cbr\u003e \u003cbr\u003e Dave Mallinson didn‰۪t discover traditional music until the late age of twenty-two and is completely self taught. Hard work, sheer dogged determination and lengthy practice have had to be his way of life. His constant struggle to maintain his skill gives him a unique insight into the problems and difficulties facing beginners and novices.\u003cbr\u003e Karen‰۪s enormous skill and knowledge combined with Dave‰۪s affinity with beginners make an ideal combination to present this introduction to the piano accordion and traditional music.\u003cbr\u003e \u003cbr\u003e Foreword by Sam Pirt\u003cbr\u003e \u003cbr\u003e I first met Karen Tweed at the 1994 Folkworks Youth Summer School. I was much younger and quieter then, but Karen‰۪s warmth and fantastic teaching style, as well as her lovely smile, soon brought out the best in me. I can remember she encouraged me to play in the ‰Û÷over to you‰۪ concert. I only knew the tune Winster Gallop (page 17) and I got an encore!! Since then she has remained a close friend, and a major musical influence on my playing.\u003cbr\u003e \u003cbr\u003e Karen has a wonderful style; she has the ability to really make the tunes speak for themselves. Any tune sounds great in her hands, but I know that this has come through her determination and dedication, also as a result of playing in many, many sessions, jams and gatherings. She is always up for learning new tunes and loves to encourage new players just taking up the accordion, as she did with me.\u003cbr\u003e \u003cbr\u003e I have known Dave Mallinson, or ‰Û÷Mally‰۪ as he is affectionately known, even longer than I have known Karen. The connection is Whitby Folk Week, to which I have been 31 times out of my 32 years. Mally was always there, in fact he was probably going to Whitby before I was born!! Whenever I think of Dave Mallinson, I think of music sessions. He is a great player, and always up for learning a tune or teaching one. His repertoire of tunes from brilliant sessions is second to none, and this becomes a great asset when putting a book like this together.\u003cbr\u003e \u003cbr\u003e Karen and Dave make a great team, Karen with her piano accordion expertise, and Dave with his vast session repertoire. Two masters to give you absolutely everything you need to know to get started on the Piano Accordion.\u003c\/p\u003e\n\u003ch4\u003eContents\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eForeword by Sam Pirt\u003c\/li\u003e\n\u003cli\u003eMusic Basics for Squeezers\u003c\/li\u003e\n\u003cli\u003eHistory and Construction\u003c\/li\u003e\n\u003cli\u003eThe Piano Accordion\u003c\/li\u003e\n\u003cli\u003eThe Treble Keyboard\u003c\/li\u003e\n\u003cli\u003eThe Right Hand Keys\u003c\/li\u003e\n\u003cli\u003eThe Key of C Major\u003c\/li\u003e\n\u003cli\u003eThe Key of G Major\u003c\/li\u003e\n\u003cli\u003e4\/4 Time\u003c\/li\u003e\n\u003cli\u003eThe Musical Ladder\u003c\/li\u003e\n\u003cli\u003eThe Cycle of Fifths\u003c\/li\u003e\n\u003cli\u003eThe Left Hand Buttons\u003c\/li\u003e\n\u003cli\u003eBoth Hands Together\u003c\/li\u003e\n\u003cli\u003eThe Three Chord Trick\u003c\/li\u003e\n\u003cli\u003eTraditional Music\u003c\/li\u003e\n\u003cli\u003eSingle Reels and Polkas\u003c\/li\u003e\n\u003cli\u003eThe Key of D Major\u003c\/li\u003e\n\u003cli\u003eMinor Chords\u003c\/li\u003e\n\u003cli\u003e3\/4 Time\u003c\/li\u003e\n\u003cli\u003eWaltzes and Mazurkas\u003c\/li\u003e\n\u003cli\u003eSeventh Chords\u003c\/li\u003e\n\u003cli\u003e6\/8 Time\u003c\/li\u003e\n\u003cli\u003eSingle Jigs\u003c\/li\u003e\n\u003cli\u003eMilitary Two-Steps\u003c\/li\u003e\n\u003cli\u003eAlternating Bass Technique\u003c\/li\u003e\n\u003cli\u003eThe Key of E Minor\u003c\/li\u003e\n\u003cli\u003eSlip Jigs and Slides\u003c\/li\u003e\n\u003cli\u003eThe Key of A Minor\u003c\/li\u003e\n\u003cli\u003e2\/4 Time\u003c\/li\u003e\n\u003cli\u003eAmerican Reels\u003c\/li\u003e\n\u003cli\u003eIrish Polkas\u003c\/li\u003e\n\u003cli\u003eThe Key of A Major\u003c\/li\u003e\n\u003cli\u003eHornpipes and Schottisches\u003c\/li\u003e\n\u003cli\u003eDouble Jigs and Irish Music\u003c\/li\u003e\n\u003cli\u003eRants and Double Reels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eTunes\u003c\/strong\u003e \u003cstrong\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJingle Bells\u003c\/li\u003e\n\u003cli\u003eWhen the Saints\u003c\/li\u003e\n\u003cli\u003eTwinkle Little Star\u003c\/li\u003e\n\u003cli\u003eBaa Baa Black Sheep\u003c\/li\u003e\n\u003cli\u003eSouth Australia\u003c\/li\u003e\n\u003cli\u003eBritish Grenadiers\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003cli\u003eSkip to My Lou\u003c\/li\u003e\n\u003cli\u003eBobby Shaftoe\u003c\/li\u003e\n\u003cli\u003eWinster Processional\u003c\/li\u003e\n\u003cli\u003eDonkey Riding\u003c\/li\u003e\n\u003cli\u003eShepherds‰۪ Hey\u003c\/li\u003e\n\u003cli\u003eShave the Donkey\u003c\/li\u003e\n\u003cli\u003eYoung Collins\u003c\/li\u003e\n\u003cli\u003eBanbury Bill\u003c\/li\u003e\n\u003cli\u003eThe Rose Tree\u003c\/li\u003e\n\u003cli\u003eWinster Gallop\u003c\/li\u003e\n\u003cli\u003eNelly Bligh\u003c\/li\u003e\n\u003cli\u003eBonny Breast Knot\u003c\/li\u003e\n\u003cli\u003eMichael Turner‰۪s Waltz\u003c\/li\u003e\n\u003cli\u003eSweet Jenny Jones\u003c\/li\u003e\n\u003cli\u003eThe South Wind\u003c\/li\u003e\n\u003cli\u003eShoe the Donkey\u003c\/li\u003e\n\u003cli\u003eSonny‰۪s Mazurka\u003c\/li\u003e\n\u003cli\u003eI Have a Bonnet\u003c\/li\u003e\n\u003cli\u003eRodney\u003c\/li\u003e\n\u003cli\u003eThe Man in the Moon\u003c\/li\u003e\n\u003cli\u003eCock of the North\u003c\/li\u003e\n\u003cli\u003eBalance the Straw\u003c\/li\u003e\n\u003cli\u003eConstant Billy\u003c\/li\u003e\n\u003cli\u003eMacNamara‰۪s Band\u003c\/li\u003e\n\u003cli\u003eUncle Bernard‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eThe Lass o‰۪ Dallowgill\u003c\/li\u003e\n\u003cli\u003eThe Derry Boat\u003c\/li\u003e\n\u003cli\u003eThe Bear Dance\u003c\/li\u003e\n\u003cli\u003eThe Rigged Ship\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003cli\u003eScotland\u003c\/li\u003e\n\u003cli\u003eScattery Island\u003c\/li\u003e\n\u003cli\u003eO‰۪Keeffe‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eSpancil Hill\u003c\/li\u003e\n\u003cli\u003eCamptown Races\u003c\/li\u003e\n\u003cli\u003ePeat Fire Flame\u003c\/li\u003e\n\u003cli\u003eBallydesmond Polka\u003c\/li\u003e\n\u003cli\u003eUncle Reuben\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eSweeney‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eHundred Pipers\u003c\/li\u003e\n\u003cli\u003eThe Keel Row\u003c\/li\u003e\n\u003cli\u003eKatie Bairdie\u003c\/li\u003e\n\u003cli\u003eRoxburgh Castle\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eIrish Washerwoman\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eDurham Rangers\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4183958519849,"sku":"AM102","price":9.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/61STwrYKrUL._SX352_BO1_204_203_200.jpg?v=1527265611"},{"product_id":"the-piano-accordion-absolute-beginners-cd-karen-tweed-and-dave-mallinson","title":"The Piano Accordion Absolute Beginners CD : Karen Tweed and Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThis is the CD to accompany the book of the same name.\u003c\/p\u003e\n\u003cp\u003eKaren Tweed has played the piano accordion from the age of eleven and studied for several years with high quality tutors. Years of unrelenting dedication, practice and performance have given her a deep understanding of traditional music, and her skill on the piano accordion can only be described as awesome.\u003cbr\u003e \u003cbr\u003e Dave Mallinson didn‰۪t discover traditional music until the late age of twenty-two and is completely self taught. Hard work, sheer dogged determination and lengthy practice have had to be his way of life. His constant struggle to maintain his skill gives him a unique insight into the problems and difficulties facing beginners and novices.\u003cbr\u003e Karen‰۪s enormous skill and knowledge combined with Dave‰۪s affinity with beginners make an ideal combination to present this introduction to the piano accordion and traditional music.\u003cbr\u003e \u003cbr\u003e Foreword by Sam Pirt\u003cbr\u003e \u003cbr\u003e I first met Karen Tweed at the 1994 Folkworks Youth Summer School. I was much younger and quieter then, but Karen‰۪s warmth and fantastic teaching style, as well as her lovely smile, soon brought out the best in me. I can remember she encouraged me to play in the ‰Û÷over to you‰۪ concert. I only knew the tune Winster Gallop (page 17) and I got an encore!! Since then she has remained a close friend, and a major musical influence on my playing.\u003cbr\u003e \u003cbr\u003e Karen has a wonderful style; she has the ability to really make the tunes speak for themselves. Any tune sounds great in her hands, but I know that this has come through her determination and dedication, also as a result of playing in many, many sessions, jams and gatherings. She is always up for learning new tunes and loves to encourage new players just taking up the accordion, as she did with me.\u003cbr\u003e \u003cbr\u003e I have known Dave Mallinson, or ‰Û÷Mally‰۪ as he is affectionately known, even longer than I have known Karen. The connection is Whitby Folk Week, to which I have been 31 times out of my 32 years. Mally was always there, in fact he was probably going to Whitby before I was born!! Whenever I think of Dave Mallinson, I think of music sessions. He is a great player, and always up for learning a tune or teaching one. His repertoire of tunes from brilliant sessions is second to none, and this becomes a great asset when putting a book like this together.\u003cbr\u003e \u003cbr\u003e Karen and Dave make a great team, Karen with her piano accordion expertise, and Dave with his vast session repertoire. Two masters to give you absolutely everything you need to know to get started on the Piano Accordion.\u003c\/p\u003e\n\u003ch4\u003eContents\u003c\/h4\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstrong\u003eTunes\u003c\/strong\u003e \u003cstrong\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJingle Bells\u003c\/li\u003e\n\u003cli\u003eWhen the Saints\u003c\/li\u003e\n\u003cli\u003eTwinkle Little Star\u003c\/li\u003e\n\u003cli\u003eBaa Baa Black Sheep\u003c\/li\u003e\n\u003cli\u003eSouth Australia\u003c\/li\u003e\n\u003cli\u003eBritish Grenadiers\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003cli\u003eSkip to My Lou\u003c\/li\u003e\n\u003cli\u003eBobby Shaftoe\u003c\/li\u003e\n\u003cli\u003eWinster Processional\u003c\/li\u003e\n\u003cli\u003eDonkey Riding\u003c\/li\u003e\n\u003cli\u003eShepherds‰۪ Hey\u003c\/li\u003e\n\u003cli\u003eShave the Donkey\u003c\/li\u003e\n\u003cli\u003eYoung Collins\u003c\/li\u003e\n\u003cli\u003eBanbury Bill\u003c\/li\u003e\n\u003cli\u003eThe Rose Tree\u003c\/li\u003e\n\u003cli\u003eWinster Gallop\u003c\/li\u003e\n\u003cli\u003eNelly Bligh\u003c\/li\u003e\n\u003cli\u003eBonny Breast Knot\u003c\/li\u003e\n\u003cli\u003eMichael Turner‰۪s Waltz\u003c\/li\u003e\n\u003cli\u003eSweet Jenny Jones\u003c\/li\u003e\n\u003cli\u003eThe South Wind\u003c\/li\u003e\n\u003cli\u003eShoe the Donkey\u003c\/li\u003e\n\u003cli\u003eSonny‰۪s Mazurka\u003c\/li\u003e\n\u003cli\u003eI Have a Bonnet\u003c\/li\u003e\n\u003cli\u003eRodney\u003c\/li\u003e\n\u003cli\u003eThe Man in the Moon\u003c\/li\u003e\n\u003cli\u003eCock of the North\u003c\/li\u003e\n\u003cli\u003eBalance the Straw\u003c\/li\u003e\n\u003cli\u003eConstant Billy\u003c\/li\u003e\n\u003cli\u003eMacNamara‰۪s Band\u003c\/li\u003e\n\u003cli\u003eUncle Bernard‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eThe Lass o‰۪ Dallowgill\u003c\/li\u003e\n\u003cli\u003eThe Derry Boat\u003c\/li\u003e\n\u003cli\u003eThe Bear Dance\u003c\/li\u003e\n\u003cli\u003eThe Rigged Ship\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003cli\u003eScotland\u003c\/li\u003e\n\u003cli\u003eScattery Island\u003c\/li\u003e\n\u003cli\u003eO‰۪Keeffe‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eSpancil Hill\u003c\/li\u003e\n\u003cli\u003eCamptown Races\u003c\/li\u003e\n\u003cli\u003ePeat Fire Flame\u003c\/li\u003e\n\u003cli\u003eBallydesmond Polka\u003c\/li\u003e\n\u003cli\u003eUncle Reuben\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eSweeney‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eHundred Pipers\u003c\/li\u003e\n\u003cli\u003eThe Keel Row\u003c\/li\u003e\n\u003cli\u003eKatie Bairdie\u003c\/li\u003e\n\u003cli\u003eRoxburgh Castle\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eIrish Washerwoman\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eDurham Rangers\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4184037654569,"sku":"AM102C","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/thepianoaccordion_dmpcd1106.jpg?v=1527265611"},{"product_id":"the-anglo-concertina-absolute-beginners-chris-sherburn-and-dave-mallinson","title":"The Anglo Concertina Absolute Beginners : Chris Sherburn and Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\nChris Sherburn has played the Anglo Concertina from the age of eight. His parents organised Goole Folk Club, then gave lodgings to the artists. Monday nights he watched them perform. Tuesday morning he played truant and got a free lesson. Chris was mad keen for the music and practised incessantly. After honing his talent at innumerable Irish music sessions, he went on to perform at major events and folk festivals.\u003cbr\u003e \u003cbr\u003e Dave Mallinson didn‰۪t discover traditional music until the late age of twenty-two and is completely self taught. Hard work, sheer dogged determination and lengthy practice have had to be his way of life. His constant struggle to maintain his skill gives him a unique insight into the problems and difficulties facing beginners and novices.\u003cbr\u003e Chris‰۪s enormous skill and knowledge combined with Dave‰۪s affinity with beginners make an ideal combination to present this introduction to the Anglo concertina and traditional music.\u003cbr\u003e \u003cbr\u003e Foreword by John Spiers\u003cbr\u003e \u003cbr\u003e A mop of hair bobbing up and down and a leg tapping wildly to the rhythm of the amazing and complex music, coming from a seemingly tiny instrument in the middle of this frenzy of motion ‰ÛÒ that was my first impression of Chris Sherburn and his Anglo Concertina when I was just beginning to get in to folk music. He seemed to be ever-present on the scene, whether playing a concert or festival, with his long-standing duo partner Denny Bartley, or just in a pub session. Any occasion is raised a gear with the addition of his wicked sense of humour, his cheeky grin and, most of all, his spellbinding music.\u003cbr\u003e \u003cbr\u003e He has been a permanent fixture on the scene ever since, including his part in the massively successful band Last Night‰۪s Fun. Every time I saw Chris play I wanted to have a go at playing the Anglo, until in 2004 I bought one, in a moment of unprecedented impulse buying. I haven‰۪t looked back since. It is a fascinating, beautiful instrument, with the ability to play both euphoric dance music and melancholic airs. It is also very portable!\u003cbr\u003e \u003cbr\u003e This book comes as a very welcome addition to the sparse amount of teaching material that currently exists for the Anglo Concertina. Modern advances in developing reliable cheaper instruments for the beginner should hopefully see more people discovering its unique charm. Armed with this excellent tutor, you are well on your way!\u003cbr\u003e\u003cbr\u003e\n\u003ch4\u003eContents\u003c\/h4\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eForeword by John Spiers\u003c\/li\u003e\n\u003cli\u003eMusic Basics for Squeezers\u003c\/li\u003e\n\u003cli\u003eThe Anglo Concertina\u003c\/li\u003e\n\u003cli\u003eAnglo Concertina Keyboard\u003c\/li\u003e\n\u003cli\u003eTunes on the Left Hand Keys\u003c\/li\u003e\n\u003cli\u003eTunes on the Right Hand Keys\u003c\/li\u003e\n\u003cli\u003eTunes on Both the Sides\u003c\/li\u003e\n\u003cli\u003eThe Key of C Major\u003c\/li\u003e\n\u003cli\u003eIntroducing 4\/4 Time\u003c\/li\u003e\n\u003cli\u003ePlay Some Sea Songs\u003c\/li\u003e\n\u003cli\u003eThe Key of D Minor\u003c\/li\u003e\n\u003cli\u003eThe Key of G Major - G Row\u003c\/li\u003e\n\u003cli\u003eIntroducing 6\/8 Time\u003c\/li\u003e\n\u003cli\u003eCotswold Morris Tunes\u003c\/li\u003e\n\u003cli\u003eTraditional Music\u003c\/li\u003e\n\u003cli\u003eKey of G Major - C Row\u003c\/li\u003e\n\u003cli\u003eKey of G Major - G \u0026amp; C Rows\u003c\/li\u003e\n\u003cli\u003ePlay Some Single Reels\u003c\/li\u003e\n\u003cli\u003eThe Key of D Major\u003c\/li\u003e\n\u003cli\u003eSlip Jigs and Slides\u003c\/li\u003e\n\u003cli\u003eIntroducing 2\/4 Time\u003c\/li\u003e\n\u003cli\u003eIrish Polkas\u003c\/li\u003e\n\u003cli\u003eAmerican Reels\u003c\/li\u003e\n\u003cli\u003eThe Key of A Minor\u003c\/li\u003e\n\u003cli\u003eThe Key of E Minor\u003c\/li\u003e\n\u003cli\u003eIntroducing 3\/4 Time\u003c\/li\u003e\n\u003cli\u003ePlay a Welsh Tune\u003c\/li\u003e\n\u003cli\u003eThe Key of A Major\u003c\/li\u003e\n\u003cli\u003eThe Hornpipe Rhythm\u003c\/li\u003e\n\u003cli\u003ePlay Some Double Jigs\u003c\/li\u003e\n\u003cli\u003ePlay Some Easy Melodies\u003c\/li\u003e\n\u003cli\u003ePlay Some Irish Tunes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eTunes\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJingle Bells\u003c\/li\u003e\n\u003cli\u003eTwinkle Twinkle Little Star\u003c\/li\u003e\n\u003cli\u003eWhen the Saints\u003c\/li\u003e\n\u003cli\u003eSkip to My Lou\u003c\/li\u003e\n\u003cli\u003eLightly Row\u003c\/li\u003e\n\u003cli\u003eBobby Shaftoe\u003c\/li\u003e\n\u003cli\u003eLittle Brown Jug\u003c\/li\u003e\n\u003cli\u003eThe Muffin Man\u003c\/li\u003e\n\u003cli\u003eLoch Lomond\u003c\/li\u003e\n\u003cli\u003eYankee Doodle\u003c\/li\u003e\n\u003cli\u003eWinster Processional\u003c\/li\u003e\n\u003cli\u003ePolly Put the Kettle On\u003c\/li\u003e\n\u003cli\u003eBaa Baa Black Sheep\u003c\/li\u003e\n\u003cli\u003eSouth Australia\u003c\/li\u003e\n\u003cli\u003eDonkey Riding\u003c\/li\u003e\n\u003cli\u003eNew York Girls\u003c\/li\u003e\n\u003cli\u003eDrunken Sailor\u003c\/li\u003e\n\u003cli\u003eThe Bear Dance\u003c\/li\u003e\n\u003cli\u003eWhip Jamboree\u003c\/li\u003e\n\u003cli\u003eWinster Gallop\u003c\/li\u003e\n\u003cli\u003eI Have a Bonnet\u003c\/li\u003e\n\u003cli\u003eButtered Peas\u003c\/li\u003e\n\u003cli\u003eCock of the North\u003c\/li\u003e\n\u003cli\u003eThe Haymakers‰۪ Jig\u003c\/li\u003e\n\u003cli\u003eShepherds‰۪ Hey\u003c\/li\u003e\n\u003cli\u003eShave the Donkey\u003c\/li\u003e\n\u003cli\u003eHey Away\u003c\/li\u003e\n\u003cli\u003eSwaggering Boney\u003c\/li\u003e\n\u003cli\u003eJohnny Come Down to Hilo\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003cli\u003eA Hundred Pipers\u003c\/li\u003e\n\u003cli\u003eRodney\u003c\/li\u003e\n\u003cli\u003eSpeed the Plough\u003c\/li\u003e\n\u003cli\u003eThe Duke of Perth\u003c\/li\u003e\n\u003cli\u003eOyster Girl\u003c\/li\u003e\n\u003cli\u003eConstant Billy\u003c\/li\u003e\n\u003cli\u003eThe Tip Top Polka\u003c\/li\u003e\n\u003cli\u003ePortsmouth\u003c\/li\u003e\n\u003cli\u003eRakes of Mallow\u003c\/li\u003e\n\u003cli\u003eYoung Collins\u003c\/li\u003e\n\u003cli\u003eMuckin‰۪ o‰۪ Geordie‰۪s Byre\u003c\/li\u003e\n\u003cli\u003eLass o‰۪ Dallowgill\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003cli\u003eDennis Enright‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eScotland\u003c\/li\u003e\n\u003cli\u003eEgans Polka\u003c\/li\u003e\n\u003cli\u003eEliza Jane\u003c\/li\u003e\n\u003cli\u003eBuffalo Girls\u003c\/li\u003e\n\u003cli\u003eMaggie in the Wood\u003c\/li\u003e\n\u003cli\u003eUncle Reuben\u003c\/li\u003e\n\u003cli\u003eCamptown Races\u003c\/li\u003e\n\u003cli\u003eJohn Egan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eThe Ballydesmond Polka\u003c\/li\u003e\n\u003cli\u003eO‰۪Keeffe‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eGod Rest Ye Merry Gentlemen\u003c\/li\u003e\n\u003cli\u003eThe Rigged Ship\u003c\/li\u003e\n\u003cli\u003eThe Man in the Moon\u003c\/li\u003e\n\u003cli\u003eMichael Turner‰۪s Waltz\u003c\/li\u003e\n\u003cli\u003eThe South Wind\u003c\/li\u003e\n\u003cli\u003eSweet Jenny Jones\u003c\/li\u003e\n\u003cli\u003eMiss McLeod‰۪s Reel\u003c\/li\u003e\n\u003cli\u003eKatie Bairdie\u003c\/li\u003e\n\u003cli\u003eRoxburgh Castle\u003c\/li\u003e\n\u003cli\u003eThe Bush on the Hill\u003c\/li\u003e\n\u003cli\u003eLarry O‰۪Gaff\u003c\/li\u003e\n\u003cli\u003eFiery Clock Face\u003c\/li\u003e\n\u003cli\u003eGoodbye Girls\u003c\/li\u003e\n\u003cli\u003eThe Ash Grove\u003c\/li\u003e\n\u003cli\u003eThe Enniskillen Dragoon\u003c\/li\u003e\n\u003cli\u003eRolling in the Ryegrass\u003c\/li\u003e\n\u003cli\u003eThe Home Ruler\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4184092606505,"sku":"AM104","price":9.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/51aQB10t-QL._SX352_BO1_204_203_200.jpg?v=1527265607"},{"product_id":"the-anglo-concertina-absolute-beginners-cd-chris-sherburn-and-dave-mallinson","title":"The Anglo Concertina Absolute Beginners CD: Chris Sherburn and Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThis is the CD to accompany the book of the same name.\u003c\/p\u003e\n\u003cp\u003eChris Sherburn has played the Anglo Concertina from the age of eight. His parents organised Goole Folk Club, then gave lodgings to the artists. Monday nights he watched them perform. Tuesday morning he played truant and got a free lesson. Chris was mad keen for the music and practised incessantly. After honing his talent at innumerable Irish music sessions, he went on to perform at major events and folk festivals.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Dave Mallinson didn‰۪t discover traditional music until the late age of twenty-two and is completely self taught. Hard work, sheer dogged determination and lengthy practice have had to be his way of life. His constant struggle to maintain his skill gives him a unique insight into the problems and difficulties facing beginners and novices.\u003cbr\u003e Chris‰۪s enormous skill and knowledge combined with Dave‰۪s affinity with beginners make an ideal combination to present this introduction to the Anglo concertina and traditional music.\u003cbr\u003e \u003cbr\u003e Foreword by John Spiers\u003cbr\u003e \u003cbr\u003e A mop of hair bobbing up and down and a leg tapping wildly to the rhythm of the amazing and complex music, coming from a seemingly tiny instrument in the middle of this frenzy of motion ‰ÛÒ that was my first impression of Chris Sherburn and his Anglo Concertina when I was just beginning to get in to folk music. He seemed to be ever-present on the scene, whether playing a concert or festival, with his long-standing duo partner Denny Bartley, or just in a pub session. Any occasion is raised a gear with the addition of his wicked sense of humour, his cheeky grin and, most of all, his spellbinding music.\u003cbr\u003e \u003cbr\u003e He has been a permanent fixture on the scene ever since, including his part in the massively successful band Last Night‰۪s Fun. Every time I saw Chris play I wanted to have a go at playing the Anglo, until in 2004 I bought one, in a moment of unprecedented impulse buying. I haven‰۪t looked back since. It is a fascinating, beautiful instrument, with the ability to play both euphoric dance music and melancholic airs. It is also very portable!\u003cbr\u003e \u003cbr\u003e This book comes as a very welcome addition to the sparse amount of teaching material that currently exists for the Anglo Concertina. Modern advances in developing reliable cheaper instruments for the beginner should hopefully see more people discovering its unique charm. Armed with this excellent tutor, you are well on your way!\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eContents\u003c\/h4\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eTunes\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eJingle Bells\u003c\/li\u003e\n\u003cli\u003eTwinkle Twinkle Little Star\u003c\/li\u003e\n\u003cli\u003eWhen the Saints\u003c\/li\u003e\n\u003cli\u003eSkip to My Lou\u003c\/li\u003e\n\u003cli\u003eLightly Row\u003c\/li\u003e\n\u003cli\u003eBobby Shaftoe\u003c\/li\u003e\n\u003cli\u003eLittle Brown Jug\u003c\/li\u003e\n\u003cli\u003eThe Muffin Man\u003c\/li\u003e\n\u003cli\u003eLoch Lomond\u003c\/li\u003e\n\u003cli\u003eYankee Doodle\u003c\/li\u003e\n\u003cli\u003eWinster Processional\u003c\/li\u003e\n\u003cli\u003ePolly Put the Kettle On\u003c\/li\u003e\n\u003cli\u003eBaa Baa Black Sheep\u003c\/li\u003e\n\u003cli\u003eSouth Australia\u003c\/li\u003e\n\u003cli\u003eDonkey Riding\u003c\/li\u003e\n\u003cli\u003eNew York Girls\u003c\/li\u003e\n\u003cli\u003eDrunken Sailor\u003c\/li\u003e\n\u003cli\u003eThe Bear Dance\u003c\/li\u003e\n\u003cli\u003eWhip Jamboree\u003c\/li\u003e\n\u003cli\u003eWinster Gallop\u003c\/li\u003e\n\u003cli\u003eI Have a Bonnet\u003c\/li\u003e\n\u003cli\u003eButtered Peas\u003c\/li\u003e\n\u003cli\u003eCock of the North\u003c\/li\u003e\n\u003cli\u003eThe Haymakers‰۪ Jig\u003c\/li\u003e\n\u003cli\u003eShepherds‰۪ Hey\u003c\/li\u003e\n\u003cli\u003eShave the Donkey\u003c\/li\u003e\n\u003cli\u003eHey Away\u003c\/li\u003e\n\u003cli\u003eSwaggering Boney\u003c\/li\u003e\n\u003cli\u003eJohnny Come Down to Hilo\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003cli\u003eA Hundred Pipers\u003c\/li\u003e\n\u003cli\u003eRodney\u003c\/li\u003e\n\u003cli\u003eSpeed the Plough\u003c\/li\u003e\n\u003cli\u003eThe Duke of Perth\u003c\/li\u003e\n\u003cli\u003eOyster Girl\u003c\/li\u003e\n\u003cli\u003eConstant Billy\u003c\/li\u003e\n\u003cli\u003eThe Tip Top Polka\u003c\/li\u003e\n\u003cli\u003ePortsmouth\u003c\/li\u003e\n\u003cli\u003eRakes of Mallow\u003c\/li\u003e\n\u003cli\u003eYoung Collins\u003c\/li\u003e\n\u003cli\u003eMuckin‰۪ o‰۪ Geordie‰۪s Byre\u003c\/li\u003e\n\u003cli\u003eLass o‰۪ Dallowgill\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003cli\u003eDennis Enright‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eScotland\u003c\/li\u003e\n\u003cli\u003eEgans Polka\u003c\/li\u003e\n\u003cli\u003eEliza Jane\u003c\/li\u003e\n\u003cli\u003eBuffalo Girls\u003c\/li\u003e\n\u003cli\u003eMaggie in the Wood\u003c\/li\u003e\n\u003cli\u003eUncle Reuben\u003c\/li\u003e\n\u003cli\u003eCamptown Races\u003c\/li\u003e\n\u003cli\u003eJohn Egan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eThe Ballydesmond Polka\u003c\/li\u003e\n\u003cli\u003eO‰۪Keeffe‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eGod Rest Ye Merry Gentlemen\u003c\/li\u003e\n\u003cli\u003eThe Rigged Ship\u003c\/li\u003e\n\u003cli\u003eThe Man in the Moon\u003c\/li\u003e\n\u003cli\u003eMichael Turner‰۪s Waltz\u003c\/li\u003e\n\u003cli\u003eThe South Wind\u003c\/li\u003e\n\u003cli\u003eSweet Jenny Jones\u003c\/li\u003e\n\u003cli\u003eMiss McLeod‰۪s Reel\u003c\/li\u003e\n\u003cli\u003eKatie Bairdie\u003c\/li\u003e\n\u003cli\u003eRoxburgh Castle\u003c\/li\u003e\n\u003cli\u003eThe Bush on the Hill\u003c\/li\u003e\n\u003cli\u003eLarry O‰۪Gaff\u003c\/li\u003e\n\u003cli\u003eFiery Clock Face\u003c\/li\u003e\n\u003cli\u003eGoodbye Girls\u003c\/li\u003e\n\u003cli\u003eThe Ash Grove\u003c\/li\u003e\n\u003cli\u003eThe Enniskillen Dragoon\u003c\/li\u003e\n\u003cli\u003eRolling in the Ryegrass\u003c\/li\u003e\n\u003cli\u003eThe Home Ruler\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4233433743401,"sku":"AM104C","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/51aQB10t-QL._SX352_BO1_204_203_200_f11005c5-6bed-46da-9d15-3b9202383891.jpg?v=1527265608"},{"product_id":"english-pub-session-tunes-english-pub-session-series-cd-dave-mallinson","title":"English Pub Session Tunes English Pub Session Series CD: Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis is the CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe tunes are suitable for every instrument associated with traditional music, and only 14 notes are required to play them all. They are eminently suitable for playing at country dances, ceilidhs, barn dances and hoe-downs and most have been recorded by notable bands and personalities.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo facilitate musicians identifying repertoire suitable for their current personal ability, the tunes in each book are presented in order of difficulty, and start and finish progressively harder throughout the series, in the order listed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIntroduction to the series\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA friend remarked at Sidmouth Folk Week, ‰ÛÏMally, I‰۪m going to recommend your Easy Peasy book to everybody, it‰۪s great! It reflects very closely the repertoire we play at our local session.‰۝ Another friend commented at Cleethorpes Folk Festival, ‰ÛÏMally, you do a gross injustice to some really good and useful tunes by labelling them ‰Û÷Easy Peasy‰۪, it gives the impression that they are only of any use to beginners to cut their teeth on.‰۝ ‰ÛÏVery true,‰۝ I thought, ‰ÛÏI play many of these tunes myself at dances, in sessions and for the morris dancers. Wouldn‰۪t it be a great to extend Easy Peasy into a series.‰۝ The idea was born, and soon developed into this set of four books which contain the most popular tunes that are played in English pub sessions, at folk festivals and by country dance musicians and morris players. Each book has its own theme and identity. Given average luck, with these tunes under your belt, you‰۪ll be able to join in most of the time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBecause most traditional airs only require the fourteen notes D, E, F sharp, G, A, B, C, C sharp, D, E, F sharp, G, A and B, I decided it would be a good idea to continue the theme, meaning all the tunes can be played in the first position on the top three strings of the fiddle, all the notes are in the range of the wooden flute and tin whistle and all the music is within the scope of the D\/G melodeon without accidentals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout these books are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou‰۪ll notice many of the tunes are not English. It‰۪s the pubs, sessions, folk festivals, ceilidhs etc. that are English. In, what might be termed, a general English session, melodies from Northumberland, Ireland, Scotland, America, France and Scandinavia are to be heard alongside English airs, which tend to be associated with the more southern regions of the country\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHundreds of personalities, records, bands, books and sessions have, unknowingly, made tiny, almost imperceptible contributions to the settings and choice of the tunes found in these books (some of the more influential are listed below). They have also been moulded further by the limitations of my instrument, the D\/G melodeon, and, of course, the fourteen note rule. All the settings are my own versions and every tune has, to a greater or lesser degree, my own personal stamp on it. But, I‰۪m sure you‰۪ll find all the tunes ‰Û÷session friendly‰۪, you can learn them exactly as written and have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eThe Muffin Man\u003c\/li\u003e\n\u003cli\u003eJohnny Come Down to Hilo\u003c\/li\u003e\n\u003cli\u003eKelly, the Boy from Killan\u003c\/li\u003e\n\u003cli\u003ePlanxty Irwin\u003c\/li\u003e\n\u003cli\u003eSheebeg, Sheemore\u003c\/li\u003e\n\u003cli\u003eThe Munster Cloak\u003c\/li\u003e\n\u003cli\u003eThe Man in the Moon\u003c\/li\u003e\n\u003cli\u003eThe Drunken Sailor\u003c\/li\u003e\n\u003cli\u003eSaint Mary's Polka\u003c\/li\u003e\n\u003cli\u003eThe Wren\u003c\/li\u003e\n\u003cli\u003eA Starry Night for a Ramble\u003c\/li\u003e\n\u003cli\u003eNapoleon Crossing the Rhine\u003c\/li\u003e\n\u003cli\u003eClee Hill\u003c\/li\u003e\n\u003cli\u003eO‰۪Connor‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eAndrew Carr\u003c\/li\u003e\n\u003cli\u003eDennis Murphy's Polka\u003c\/li\u003e\n\u003cli\u003eThe Officer's Polka\u003c\/li\u003e\n\u003cli\u003eThe Tip Top Polka\u003c\/li\u003e\n\u003cli\u003eThe Ballydesmond Polka\u003c\/li\u003e\n\u003cli\u003eThe Ton\u003c\/li\u003e\n\u003cli\u003eThe Butterfly\u003c\/li\u003e\n\u003cli\u003eOrange in Bloom\u003c\/li\u003e\n\u003cli\u003eSonny's Mazurka\u003c\/li\u003e\n\u003cli\u003eBecause He Was a Bonny Lad\u003c\/li\u003e\n\u003cli\u003eDark Girl Dressed in Blue\u003c\/li\u003e\n\u003cli\u003eThe Quaker\u003c\/li\u003e\n\u003cli\u003eThe Sloe\u003c\/li\u003e\n\u003cli\u003eRig-a-Jig\u003c\/li\u003e\n\u003cli\u003eThe Evesham Stick Dance\u003c\/li\u003e\n\u003cli\u003eMichael Turner's Waltz\u003c\/li\u003e\n\u003cli\u003eChurch Street\u003c\/li\u003e\n\u003cli\u003eThe Seven Stars\u003c\/li\u003e\n\u003cli\u003eHexham Races\u003c\/li\u003e\n\u003cli\u003eRochdale Coconut Dance\u003c\/li\u003e\n\u003cli\u003eThe Heel and Toe Polka\u003c\/li\u003e\n\u003cli\u003eUncle‰۪s Jig\u003c\/li\u003e\n\u003cli\u003eThe Redowa Polka\u003c\/li\u003e\n\u003cli\u003eSmash the Windows\u003c\/li\u003e\n\u003cli\u003eThe Gasp̩ Reel\u003c\/li\u003e\n\u003cli\u003eThe Kirkgate Hornpipe\u003c\/li\u003e\n\u003cli\u003eLemmie Brazil‰۪s Hornpipe\u003c\/li\u003e\n\u003cli\u003eUpton upon Severn Stick Dance\u003c\/li\u003e\n\u003cli\u003eOver the Hills and Far Away\u003c\/li\u003e\n\u003cli\u003eFoul Weather Call\u003c\/li\u003e\n\u003cli\u003eWaiting for the Federals\u003c\/li\u003e\n\u003cli\u003eScan Tester's Polka No. 1\u003c\/li\u003e\n\u003cli\u003eScan Tester's Polka No. 2\u003c\/li\u003e\n\u003cli\u003eFoxhunter's Jig\u003c\/li\u003e\n\u003cli\u003eThe Fiery Clock Face\u003c\/li\u003e\n\u003cli\u003eMerrily Kiss the Quaker\u003c\/li\u003e\n\u003cli\u003eRoxburgh Castle\u003c\/li\u003e\n\u003cli\u003eGirl with the Blue Dress on\u003c\/li\u003e\n\u003cli\u003eOld Joe Clarke\u003c\/li\u003e\n\u003cli\u003eBonnie Kate\u003c\/li\u003e\n\u003cli\u003eHarper's Frolic\u003c\/li\u003e\n\u003cli\u003eJohn of Paris\u003c\/li\u003e\n\u003cli\u003eLiberty\u003c\/li\u003e\n\u003cli\u003eFamily Jig\u003c\/li\u003e\n\u003cli\u003eEnrico\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer's Polka No. 1\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer's Polka No. 2\u003c\/li\u003e\n\u003cli\u003eThe Little Burnt Potato\u003c\/li\u003e\n\u003cli\u003eMickey Chewing Bubble Gum\u003c\/li\u003e\n\u003cli\u003eThe Rocky Road to Dublin\u003c\/li\u003e\n\u003cli\u003eThe Lady in the Boat\u003c\/li\u003e\n\u003cli\u003eThe White Cockade\u003c\/li\u003e\n\u003cli\u003eSoldiers‰۪ Joy\u003c\/li\u003e\n\u003cli\u003eHot Punch\u003c\/li\u003e\n\u003cli\u003eThe Boys of Bluehill\u003c\/li\u003e\n\u003cli\u003eTripping Upstairs\u003c\/li\u003e\n\u003cli\u003eThe Rakes of Kildare\u003c\/li\u003e\n\u003cli\u003eSleep Soond i‰۪ da Moarning\u003c\/li\u003e\n\u003cli\u003eSaddle the Pony\u003c\/li\u003e\n\u003cli\u003eNavvy on the Line\u003c\/li\u003e\n\u003cli\u003eLa Bastringue\u003c\/li\u003e\n\u003cli\u003eStaten Island\u003c\/li\u003e\n\u003cli\u003eThe Redesdale Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Steamboat\u003c\/li\u003e\n\u003cli\u003eFrost Is All Over\u003c\/li\u003e\n\u003cli\u003eOff to California\u003c\/li\u003e\n\u003cli\u003eWillafjord\u003c\/li\u003e\n\u003cli\u003eFather O‰۪Flynn\u003c\/li\u003e\n\u003cli\u003eThe Eighth of January\u003c\/li\u003e\n\u003cli\u003eShandon Bells\u003c\/li\u003e\n\u003cli\u003eThe Irish Washerwoman\u003c\/li\u003e\n\u003cli\u003eSpeed the Plough\u003c\/li\u003e\n\u003cli\u003eHarvest Home\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eThe Marquis of Lorne\u003c\/li\u003e\n\u003cli\u003eThe Belfast Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Trumpet Hornpipe\u003c\/li\u003e\n\u003cli\u003eRickett's Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eWoodland Revels\u003c\/li\u003e\n\u003cli\u003eAthole Highlanders\u003c\/li\u003e\n\u003cli\u003eSir Sydney Smith's March\u003c\/li\u003e\n\u003cli\u003eThe Fairy Dance\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003cli\u003eThe College Hornpipe\u003c\/li\u003e\n\u003cli\u003eMiss McLeod's Reel\u003c\/li\u003e\n\u003cli\u003eThe Merry Blacksmith\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4240703619113,"sku":"AM303C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypub_9a818f03-524d-4607-a49e-db3ff0551217.jpg?v=1527263097"},{"product_id":"popular-english-session-tunes-english-pub-session-series-cd-dave-mallinson","title":"Popular English Session Tunes English Pub Session Series CD: Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis isåÊthe CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe tunes are suitable for every instrument associated with traditional music, and only 14 notes are required to play them all. They are eminently suitable for playing at country dances, ceilidhs, barn dances and hoe-downs and most have been recorded by notable bands and personalities.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo facilitate musicians identifying repertoire suitable for their current personal ability, the tunes in each book are presented in order of difficulty, and start and finish progressively harder throughout the series, in the order listed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIntroduction to the series\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA friend remarked at Sidmouth Folk Week, ‰ÛÏMally, I‰۪m going to recommend your Easy Peasy book to everybody, it‰۪s great! It reflects very closely the repertoire we play at our local session.‰۝ Another friend commented at Cleethorpes Folk Festival, ‰ÛÏMally, you do a gross injustice to some really good and useful tunes by labelling them ‰Û÷Easy Peasy‰۪, it gives the impression that they are only of any use to beginners to cut their teeth on.‰۝ ‰ÛÏVery true,‰۝ I thought, ‰ÛÏI play many of these tunes myself at dances, in sessions and for the morris dancers. Wouldn‰۪t it be a great to extend Easy Peasy into a series.‰۝ The idea was born, and soon developed into this set of four books which contain the most popular tunes that are played in English pub sessions, at folk festivals and by country dance musicians and morris players. Each book has its own theme and identity. Given average luck, with these tunes under your belt, you‰۪ll be able to join in most of the time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBecause most traditional airs only require the fourteen notes D, E, F sharp, G, A, B, C, C sharp, D, E, F sharp, G, A and B, I decided it would be a good idea to continue the theme, meaning all the tunes can be played in the first position on the top three strings of the fiddle, all the notes are in the range of the wooden flute and tin whistle and all the music is within the scope of the D\/G melodeon without accidentals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout these books are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou‰۪ll notice many of the tunes are not English. It‰۪s the pubs, sessions, folk festivals, ceilidhs etc. that are English. In, what might be termed, a general English session, melodies from Northumberland, Ireland, Scotland, America, France and Scandinavia are to be heard alongside English airs, which tend to be associated with the more southern regions of the country\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHundreds of personalities, records, bands, books and sessions have, unknowingly, made tiny, almost imperceptible contributions to the settings and choice of the tunes found in these books (some of the more influential are listed below). They have also been moulded further by the limitations of my instrument, the D\/G melodeon, and, of course, the fourteen note rule. All the settings are my own versions and every tune has, to a greater or lesser degree, my own personal stamp on it. But, I‰۪m sure you‰۪ll find all the tunes ‰Û÷session friendly‰۪, you can learn them exactly as written and have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eThe Railway\u003c\/li\u003e\n\u003cli\u003eOn Top of Old Smokey\u003c\/li\u003e\n\u003cli\u003eAuld Lang Syne\u003c\/li\u003e\n\u003cli\u003eThe Back o' Bennachie\u003c\/li\u003e\n\u003cli\u003eThe Lass o‰۪ Dallowgill\u003c\/li\u003e\n\u003cli\u003ePenny on the Water\u003c\/li\u003e\n\u003cli\u003eLeather Away the Whattle\u003c\/li\u003e\n\u003cli\u003eThe Rigged Ship\u003c\/li\u003e\n\u003cli\u003eMarie's Wedding\u003c\/li\u003e\n\u003cli\u003eBricks and Mortar\u003c\/li\u003e\n\u003cli\u003eThe Brown Banner\u003c\/li\u003e\n\u003cli\u003eScotland\u003c\/li\u003e\n\u003cli\u003eThe Big Ship\u003c\/li\u003e\n\u003cli\u003eNancy‰۪s Fancy\u003c\/li\u003e\n\u003cli\u003eLord Inchiquin\u003c\/li\u003e\n\u003cli\u003eTill the Tide Comes In\u003c\/li\u003e\n\u003cli\u003eThe Tombigbee Waltz\u003c\/li\u003e\n\u003cli\u003eThe Frisky Jig\u003c\/li\u003e\n\u003cli\u003eCaptain Maguire\u003c\/li\u003e\n\u003cli\u003eBabes in the Wood\u003c\/li\u003e\n\u003cli\u003eThe Stool of Repentance\u003c\/li\u003e\n\u003cli\u003eLouis' Waltz\u003c\/li\u003e\n\u003cli\u003eThe Feathers\u003c\/li\u003e\n\u003cli\u003eThe Nutting Girl\u003c\/li\u003e\n\u003cli\u003eAuld Donald\u003c\/li\u003e\n\u003cli\u003eHere's to a Maiden\u003c\/li\u003e\n\u003cli\u003eThe Road to Lisdoonvarna\u003c\/li\u003e\n\u003cli\u003eThe Derry Boat\u003c\/li\u003e\n\u003cli\u003eAll the Way to Galway\u003c\/li\u003e\n\u003cli\u003eThe Shaalds o' Foula\u003c\/li\u003e\n\u003cli\u003eGreenholm\u003c\/li\u003e\n\u003cli\u003eGreen Mountain Petronella\u003c\/li\u003e\n\u003cli\u003eHewlet\u003c\/li\u003e\n\u003cli\u003eThe Star Above the Garter\u003c\/li\u003e\n\u003cli\u003eFarewell to Whiskey\u003c\/li\u003e\n\u003cli\u003eTeahan's Polka\u003c\/li\u003e\n\u003cli\u003eSeventy Second's Farewell\u003c\/li\u003e\n\u003cli\u003eRattle the Cash\u003c\/li\u003e\n\u003cli\u003eBill Collins' Jig\u003c\/li\u003e\n\u003cli\u003eSister Jean\u003c\/li\u003e\n\u003cli\u003eThursday Night\u003c\/li\u003e\n\u003cli\u003eBonnets so Blue\u003c\/li\u003e\n\u003cli\u003eThe Barnacle Redowa\u003c\/li\u003e\n\u003cli\u003eThe Boys of Wexford\u003c\/li\u003e\n\u003cli\u003eWard's Brae\u003c\/li\u003e\n\u003cli\u003eThe Lass o' Patie's Mill\u003c\/li\u003e\n\u003cli\u003eLiberton Pipe Band\u003c\/li\u003e\n\u003cli\u003eThe Minstrel‰۪s Fancy\u003c\/li\u003e\n\u003cli\u003eThe Grahaemsie Jig\u003c\/li\u003e\n\u003cli\u003eMorgan Rattler\u003c\/li\u003e\n\u003cli\u003eThe Matelot\u003c\/li\u003e\n\u003cli\u003eLamshaw's Fancy\u003c\/li\u003e\n\u003cli\u003eThe Hullichan Jig\u003c\/li\u003e\n\u003cli\u003eGarryowen\u003c\/li\u003e\n\u003cli\u003eThe Boys of School Hill\u003c\/li\u003e\n\u003cli\u003eThe Lady of the Lake\u003c\/li\u003e\n\u003cli\u003eThe Saint Lawrence Jig\u003c\/li\u003e\n\u003cli\u003eLamb Skinnet\u003c\/li\u003e\n\u003cli\u003ePaddy Whack\u003c\/li\u003e\n\u003cli\u003eThe Shepton Hornpipe\u003c\/li\u003e\n\u003cli\u003eOne More Dance and Then\u003c\/li\u003e\n\u003cli\u003eKitty McGee\u003c\/li\u003e\n\u003cli\u003eO'Donnell Abu\u003c\/li\u003e\n\u003cli\u003eKate Dalrymple\u003c\/li\u003e\n\u003cli\u003eMerrily Danced Quaker's Wife\u003c\/li\u003e\n\u003cli\u003eElsie Marley\u003c\/li\u003e\n\u003cli\u003eThe Harmonica\u003c\/li\u003e\n\u003cli\u003eThe Kesh Jig\u003c\/li\u003e\n\u003cli\u003eThe Colosseum\u003c\/li\u003e\n\u003cli\u003eThe Pet o' the Pipers\u003c\/li\u003e\n\u003cli\u003eMorrison's Jig\u003c\/li\u003e\n\u003cli\u003eLa Grande Chaine\u003c\/li\u003e\n\u003cli\u003eWhinham's Reel\u003c\/li\u003e\n\u003cli\u003eOut on the Ocean\u003c\/li\u003e\n\u003cli\u003eThe Greencastle Hornpipe\u003c\/li\u003e\n\u003cli\u003eRory O'More\u003c\/li\u003e\n\u003cli\u003eBielbie‰۪s Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Wonder Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Breakdown\u003c\/li\u003e\n\u003cli\u003eStrike the Gay Harp\u003c\/li\u003e\n\u003cli\u003eThe Lark in the Morning\u003c\/li\u003e\n\u003cli\u003eThe Liverpool Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Maid Behind the Bar\u003c\/li\u003e\n\u003cli\u003eThe Teetotaller\u003c\/li\u003e\n\u003cli\u003ePigtown Fling\u003c\/li\u003e\n\u003cli\u003eDonald Blue\u003c\/li\u003e\n\u003cli\u003eJack Broke da Prison Door\u003c\/li\u003e\n\u003cli\u003eFlowers of Edinburgh\u003c\/li\u003e\n\u003cli\u003eFar from Home\u003c\/li\u003e\n\u003cli\u003eThe Bellingham Boat\u003c\/li\u003e\n\u003cli\u003eSally Gardens\u003c\/li\u003e\n\u003cli\u003ePig Ankle Rag\u003c\/li\u003e\n\u003cli\u003eAngeline the Baker\u003c\/li\u003e\n\u003cli\u003eColored Aristocracy\u003c\/li\u003e\n\u003cli\u003eThe Devil Among the Taylors\u003c\/li\u003e\n\u003cli\u003eThe Random Jig\u003c\/li\u003e\n\u003cli\u003eThe Mason's Apron\u003c\/li\u003e\n\u003cli\u003eThe High Road to Linton\u003c\/li\u003e\n\u003cli\u003eThe High Level Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe New High Level\u003c\/li\u003e\n\u003cli\u003eRagtime Annie\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4240802480169,"sku":"AM304C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypopeng_5d13ac05-341b-4d23-b228-83d7d8596095.jpg?v=1527265571"},{"product_id":"101-easy-irish-session-tunes-cd-dave-mallinson","title":"101 Easy Irish Session Tunes CD : Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis is the CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDave Mallinson has been known as Mally since his first day at school. He has been involved in music since the age of nine, when he learned to play the recorder. In his mid teens he played the pop music of the era on guitar, but his interest was always little more than half-hearted. In his late teens he discovered folk music but still the guitar was unable to inspire him.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt the age of twenty two, Mally discovered the melodeon and immediately felt the musical stimulation he had unconsciously been seeking for many years. Practice was no longer a chore, it was his favourite occupation, an addiction even.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough starting late in life makes virtuoso status unattainable, it is still possible to reach a good standard. Mally, through lengthy practice, hard work and dogged determination, has managed to achieve a high level of competence and has become a well respected player. However, his constant struggle to maintain his skill makes his days as a beginner never seem far away. He is well able to recognise, and is very much aware of, the problems and difficulties facing beginners and novices.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDuring the early days of learning a musical instrument, many budding musicians fall by the wayside. They soon tire of playing the same half dozen tunes over and over again and, because they are unable to find other suitable melodies to sustain their interest, they drop out. To prevent boredom getting the upper hand, it is necessary to quickly build up a reasonably sized repertoire. Mally has identified 101 relatively simple, but interesting, Irish tunes and presents them here, in graded order, to increase your chances of success. This book will help you quickly boost your repertoire and get you up and running in the Irish sessions in no time, giving you many hours of enjoyment in the process.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all ‰Û÷session friendly‰۪, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, it can be unwise to learn a tune from only one source and, when possible, it‰۪s best, when learning a new tune, to pay heed to other books, recordings and live performances. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAll the Way To Galway\u003c\/li\u003e\n\u003cli\u003eAnother Jig Will Do\u003c\/li\u003e\n\u003cli\u003eAnything for Jonjo?\u003c\/li\u003e\n\u003cli\u003eBallydesmond Polka, The\u003c\/li\u003e\n\u003cli\u003eBarnacle Redowa, The\u003c\/li\u003e\n\u003cli\u003eBarney Brannigan\u003c\/li\u003e\n\u003cli\u003eBelieve Me, If All Those Endearing Young Charms\u003c\/li\u003e\n\u003cli\u003eBill Harte‰۪s Jig\u003c\/li\u003e\n\u003cli\u003eBlack Velvet Band, The\u003c\/li\u003e\n\u003cli\u003eBlackthorn Stick, The\u003c\/li\u003e\n\u003cli\u003eBoolavogue\u003c\/li\u003e\n\u003cli\u003eBoys of Bluehill\u003c\/li\u003e\n\u003cli\u003eBoys of Wexford, The\u003c\/li\u003e\n\u003cli\u003eBritches Full of Stitches, The\u003c\/li\u003e\n\u003cli\u003eBrosna Slide, The\u003c\/li\u003e\n\u003cli\u003eBuachaill On Eirne\u003c\/li\u003e\n\u003cli\u003eBunratty Boys\u003c\/li\u003e\n\u003cli\u003eButterfly, The\u003c\/li\u003e\n\u003cli\u003eCaptain White\u003c\/li\u003e\n\u003cli\u003eCockles and Mussels\u003c\/li\u003e\n\u003cli\u003eDennis Enright‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eDennis Murphy‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eDerry Boat, The\u003c\/li\u003e\n\u003cli\u003eDin Tarrant‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eDingle Regatta\u003c\/li\u003e\n\u003cli\u003eDonegal Mazurka\u003c\/li\u003e\n\u003cli\u003eDown By the Sally Gardens\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eEnniskillen Dragoon, The\u003c\/li\u003e\n\u003cli\u003eFar From Home\u003c\/li\u003e\n\u003cli\u003eFine Toast to Hewlett, A\u003c\/li\u003e\n\u003cli\u003eFinnegan‰۪s Wake\u003c\/li\u003e\n\u003cli\u003eFoggy Dew, The\u003c\/li\u003e\n\u003cli\u003eFoxhunters‰۪ Jig\u003c\/li\u003e\n\u003cli\u003eFrost is all Over\u003c\/li\u003e\n\u003cli\u003eGreen Grow the Rushes-O\u003c\/li\u003e\n\u003cli\u003eHarp That Once Through Tara‰۪s Halls, The\u003c\/li\u003e\n\u003cli\u003eHarvest Home\u003c\/li\u003e\n\u003cli\u003eHills of Tara, The\u003c\/li\u003e\n\u003cli\u003eI‰۪ll Tell Me Ma\u003c\/li\u003e\n\u003cli\u003eIrish Washerwoman, The\u003c\/li\u003e\n\u003cli\u003eJohn Egan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eJohn Ryan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey Barry‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eKathleen Hehir‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eKelly, the Boy from Killan\u003c\/li\u003e\n\u003cli\u003eKerry Polka Number 1, The\u003c\/li\u003e\n\u003cli\u003eKerry Polka Number 2, The\u003c\/li\u003e\n\u003cli\u003eKesh Jig, The\u003c\/li\u003e\n\u003cli\u003eLakes of Sligo, The\u003c\/li\u003e\n\u003cli\u003eLannigan‰۪s Ball\u003c\/li\u003e\n\u003cli\u003eLeather Away the Wattle-O\u003c\/li\u003e\n\u003cli\u003eLeg of the Duck, The\u003c\/li\u003e\n\u003cli\u003eLeslie‰۪s Hornpipe\u003c\/li\u003e\n\u003cli\u003eLittle Diamond\u003c\/li\u003e\n\u003cli\u003eMadame Bonaparte\u003c\/li\u003e\n\u003cli\u003eMaggie in the Wood\u003c\/li\u003e\n\u003cli\u003eMagic Slipper, The\u003c\/li\u003e\n\u003cli\u003eMerrily Kissed the Quaker\u003c\/li\u003e\n\u003cli\u003eMickey Chewing Bubble Gum\u003c\/li\u003e\n\u003cli\u003eMountains of Mourne, The\u003c\/li\u003e\n\u003cli\u003eMuirsheen Durkin\u003c\/li\u003e\n\u003cli\u003eNew Rigged Ship, The\u003c\/li\u003e\n\u003cli\u003eO‰۪Connor‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eO‰۪Donnell Abu\u003c\/li\u003e\n\u003cli\u003eOff She Goes\u003c\/li\u003e\n\u003cli\u003eÌÒrÌ_ ‰Û÷S̩ Do Bheatha ‰Û÷Bhaile\u003c\/li\u003e\n\u003cli\u003ePlanxty Fanny Power\u003c\/li\u003e\n\u003cli\u003ePlanxty Irwin\u003c\/li\u003e\n\u003cli\u003ePortlÌÁirge\u003c\/li\u003e\n\u003cli\u003eRakes of Kildare\u003c\/li\u003e\n\u003cli\u003eRakes of Mallow\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003cli\u003eRoad to Lisdoonvarna, The\u003c\/li\u003e\n\u003cli\u003eRocky Road to Dublin, The\u003c\/li\u003e\n\u003cli\u003eRosin the Beau\u003c\/li\u003e\n\u003cli\u003eSaddle the Pony\u003c\/li\u003e\n\u003cli\u003eSaint Mary‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eScartaglen Polka, The\u003c\/li\u003e\n\u003cli\u003eScattery Island Slide, The\u003c\/li\u003e\n\u003cli\u003eSean South of Garryowen\u003c\/li\u003e\n\u003cli\u003eShoo the Donkey\u003c\/li\u003e\n\u003cli\u003eSi Bheag, Si Mhor\u003c\/li\u003e\n\u003cli\u003eSome Say the Devil‰۪s Dead\u003c\/li\u003e\n\u003cli\u003eSonny‰۪s Mazurka\u003c\/li\u003e\n\u003cli\u003eSouth Wind, The\u003c\/li\u003e\n\u003cli\u003eSpancil Hill\u003c\/li\u003e\n\u003cli\u003eSpanish Lady\u003c\/li\u003e\n\u003cli\u003eStack of Wheat, The\u003c\/li\u003e\n\u003cli\u003eStar Above the Garter, The\u003c\/li\u003e\n\u003cli\u003eSweets of May, The\u003c\/li\u003e\n\u003cli\u003eTenpenny Bit\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eTripping Upstairs\u003c\/li\u003e\n\u003cli\u003eTureengarbh Glen\u003c\/li\u003e\n\u003cli\u003eWaxies‰۪ Dargle, The\u003c\/li\u003e\n\u003cli\u003eWearing of the Green, The\u003c\/li\u003e\n\u003cli\u003eWild Colonial Boy, The\u003c\/li\u003e\n\u003cli\u003eWild Rover, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4240870408233,"sku":"AM305C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yeasyirish_eb2f7dc0-ad2d-40a1-8cf2-3e5bbec229d4.jpg?v=1527263028"},{"product_id":"100-enduring-irish-session-tunes","title":"100 Enduring Irish Session Tunes","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis book of Irish session tunes diverges from the usual pattern in that the emphasis is not on the reels. Loosely speaking, the jigs and reels found in this book are the next most popular after those found in 100 Essential Irish Session Tunes. Another major feature of this book is the prominence given to the various other types of tune, such as slides, set dances, hornpipes etc. They always come a poor third to reels and jigs, but they constantly crop up in the sessions with such a significant frequency that they cannot be ignored. There are hornpipes, marches, a strong selection of jigs, some slip jigs and one or two other well-known melodies to spice up your repertoire.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e100 tunes (14 hornpipes, 15 slides, 34 jigs, 23 reels and 14 miscellaneous tunes) with chords, classified and alphabetical (with alternative titles) indexes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImportant note from Mally\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all 'session friendly', i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to settings in other books, on recordings and what you hear down the pub. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon. I've made a conscious effort to allow this to happen in order to give the book its own unique character. The list below would constitute an excellent nucleus towards forming a valuable Irish music library, many of them are available from mally.com. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says 'Learn to Play the Banjo', don't think it's of no use if you play the tin whistle.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of these books is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eReels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAnything for Jonjo?åÊ\u003c\/li\u003e\n\u003cli\u003eBlackthorn ReelåÊ\u003c\/li\u003e\n\u003cli\u003eClooneåÊ\u003c\/li\u003e\n\u003cli\u003eCraig's PipesåÊ\u003c\/li\u003e\n\u003cli\u003eCroghan HillåÊ\u003c\/li\u003e\n\u003cli\u003eFermoy LassesåÊ\u003c\/li\u003e\n\u003cli\u003eFlowers of EdinburghåÊ\u003c\/li\u003e\n\u003cli\u003eGreen Groves of ErinåÊ\u003c\/li\u003e\n\u003cli\u003eHigh Road to LintonåÊ\u003c\/li\u003e\n\u003cli\u003eHills of ClogheråÊ\u003c\/li\u003e\n\u003cli\u003eHunter's HouseåÊ\u003c\/li\u003e\n\u003cli\u003eJohnny Cronin's FancyåÊ\u003c\/li\u003e\n\u003cli\u003eJohnny MacclejohnåÊ\u003c\/li\u003e\n\u003cli\u003eLad O'Beirne'såÊ\u003c\/li\u003e\n\u003cli\u003eLucy CampbellåÊ\u003c\/li\u003e\n\u003cli\u003eMason's ApronåÊ\u003c\/li\u003e\n\u003cli\u003eNew CopperplateåÊ\u003c\/li\u003e\n\u003cli\u003eO'Rourke'såÊ\u003c\/li\u003e\n\u003cli\u003eOtter's HoltåÊ\u003c\/li\u003e\n\u003cli\u003eReel of RioåÊ\u003c\/li\u003e\n\u003cli\u003eSunny BanksåÊ\u003c\/li\u003e\n\u003cli\u003eSwallow's TailåÊ\u003c\/li\u003e\n\u003cli\u003eTrim the Velvet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigsåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBill Harte'såÊ\u003c\/li\u003e\n\u003cli\u003eBoys of the Town Bride's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eConnie O'Connell'såÊ\u003c\/li\u003e\n\u003cli\u003eCook in the KitchenåÊ\u003c\/li\u003e\n\u003cli\u003eEavesdropperåÊ\u003c\/li\u003e\n\u003cli\u003eFasten the Leggin'åÊ\u003c\/li\u003e\n\u003cli\u003eFrieze BritchesåÊ\u003c\/li\u003e\n\u003cli\u003eGander in the Pratie HoleåÊ\u003c\/li\u003e\n\u003cli\u003eGarrett Barry'såÊ\u003c\/li\u003e\n\u003cli\u003eGillian's ApplesåÊ\u003c\/li\u003e\n\u003cli\u003eGold RingåÊ\u003c\/li\u003e\n\u003cli\u003eHag at the ChurnåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of EnnistymonåÊ\u003c\/li\u003e\n\u003cli\u003eKilfenoraåÊ\u003c\/li\u003e\n\u003cli\u003eKnights of Saint PatrickåÊ\u003c\/li\u003e\n\u003cli\u003eLegacyåÊ\u003c\/li\u003e\n\u003cli\u003eLilting FishermanåÊ\u003c\/li\u003e\n\u003cli\u003eMaid in the MeadowåÊ\u003c\/li\u003e\n\u003cli\u003eMooncoin JigåÊ\u003c\/li\u003e\n\u003cli\u003eOld Joe'såÊ\u003c\/li\u003e\n\u003cli\u003ePipe on the Hob no. 1åÊ\u003c\/li\u003e\n\u003cli\u003ePipe on the Hob no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eRambling PitchforkåÊ\u003c\/li\u003e\n\u003cli\u003eRose in the HeatheråÊ\u003c\/li\u003e\n\u003cli\u003eStrike the Gay HarpåÊ\u003c\/li\u003e\n\u003cli\u003eTobin's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eTommy Peoples'åÊ\u003c\/li\u003e\n\u003cli\u003eTone Rowe'såÊ\u003c\/li\u003e\n\u003cli\u003eTrip to the Cottage Tune the FiddleåÊ\u003c\/li\u003e\n\u003cli\u003eWhelan'såÊ\u003c\/li\u003e\n\u003cli\u003eWhen Sick, is it TeaåÊ\u003c\/li\u003e\n\u003cli\u003eWillie Coleman's\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipesåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCity of SavannahåÊ\u003c\/li\u003e\n\u003cli\u003eCronin'såÊ\u003c\/li\u003e\n\u003cli\u003eDelahunty'såÊ\u003c\/li\u003e\n\u003cli\u003eFlowing TideåÊ\u003c\/li\u003e\n\u003cli\u003eGalwayåÊ\u003c\/li\u003e\n\u003cli\u003eGolden EagleåÊ\u003c\/li\u003e\n\u003cli\u003eHome RuleråÊ\u003c\/li\u003e\n\u003cli\u003eKing of the FairiesåÊ\u003c\/li\u003e\n\u003cli\u003eKitty's WeddingåÊ\u003c\/li\u003e\n\u003cli\u003eLittle BeggarmanåÊ\u003c\/li\u003e\n\u003cli\u003eRights of ManåÊ\u003c\/li\u003e\n\u003cli\u003eStack of BarleyåÊ\u003c\/li\u003e\n\u003cli\u003eStack of WheatåÊ\u003c\/li\u003e\n\u003cli\u003eSunshine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003eåÊ\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDan O'Keeffe's no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eDan O'Keeffe's no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eClogåÊ\u003c\/li\u003e\n\u003cli\u003eConnie Walsh'såÊ\u003c\/li\u003e\n\u003cli\u003eDenis Murphy'såÊ\u003c\/li\u003e\n\u003cli\u003eGoing to the Well for Water John Kelly'såÊ\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey'såÊ\u003c\/li\u003e\n\u003cli\u003eKathleen O'HehiråÊ\u003c\/li\u003e\n\u003cli\u003eLonesome Road to DingleåÊ\u003c\/li\u003e\n\u003cli\u003eOld FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003ePÌÁdraig O'Keeffe'såÊ\u003c\/li\u003e\n\u003cli\u003eRoad to LisdoonvarnaåÊ\u003c\/li\u003e\n\u003cli\u003eSiobhÌÁn Hurl'såÊ\u003c\/li\u003e\n\u003cli\u003eStar above the Garter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eMiscellanyåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBlackbirdåÊ\u003c\/li\u003e\n\u003cli\u003eBoys of BallisodareåÊ\u003c\/li\u003e\n\u003cli\u003eBrian Boru's MarchåÊ\u003c\/li\u003e\n\u003cli\u003eButterfly Carolan's ConcertoåÊ\u003c\/li\u003e\n\u003cli\u003eGive me your HandåÊ\u003c\/li\u003e\n\u003cli\u003eHalting MarchåÊ\u003c\/li\u003e\n\u003cli\u003eHardiman the FiddleråÊ\u003c\/li\u003e\n\u003cli\u003eHewlettåÊ\u003c\/li\u003e\n\u003cli\u003eHunt Kid on the MountainåÊ\u003c\/li\u003e\n\u003cli\u003eO'Neill's CavalcadeåÊ\u003c\/li\u003e\n\u003cli\u003eSonny's MazurkaåÊ\u003c\/li\u003e\n\u003cli\u003eWhinny Hills of Leitrim\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eåÊ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241039720489,"sku":"AM402","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yend.jpg?v=1527263019"},{"product_id":"100-evergreen-irish-session-tunes-cd","title":"100 Evergreen Irish Session Tunes CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis is the CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll the tunes in this book are again firm session favourites, particularly the reels. It follows on from Essential and Enduring by providing another 100 of the most popular Irish session tunes. The book echos the format of a typical Irish session; lots of reels, some jigs and a few hornpipes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e100 tunes ( 65 reels, 25 jigs, 10 hornpipes) with chords, classified and alphabetical (with alternative titles) indexes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImportant note from Mally\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all 'session friendly', i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to settings in other books, on recordings and what you hear down the pub. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon. I've made a conscious effort to allow this to happen in order to give the book its own unique character. The list below would constitute an excellent nucleus towards forming a valuable Irish music library, many of them are available from mally.com. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says 'Learn to Play the Banjo', don't think it's of no use if you play the tin whistle.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of these books is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReelsåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAh, Surely ...åÊ\u003c\/li\u003e\n\u003cli\u003eAnderson'såÊ\u003c\/li\u003e\n\u003cli\u003eAsh PlantåÊ\u003c\/li\u003e\n\u003cli\u003eBig Reel of CallightownåÊ\u003c\/li\u003e\n\u003cli\u003eBlackberry BlossomåÊ\u003c\/li\u003e\n\u003cli\u003eBoy in the GapåÊ\u003c\/li\u003e\n\u003cli\u003eBoys of the LoughåÊ\u003c\/li\u003e\n\u003cli\u003eBunker HillåÊ\u003c\/li\u003e\n\u003cli\u003eCameronianåÊ\u003c\/li\u003e\n\u003cli\u003eCaptain KellyåÊ\u003c\/li\u003e\n\u003cli\u003eCathal McConnell'såÊ\u003c\/li\u003e\n\u003cli\u003eCollege GrovesåÊ\u003c\/li\u003e\n\u003cli\u003eConnemara StockingsåÊ\u003c\/li\u003e\n\u003cli\u003eCrossing the ShannonåÊ\u003c\/li\u003e\n\u003cli\u003eDown the BroomåÊ\u003c\/li\u003e\n\u003cli\u003eDuke of LeinsteråÊ\u003c\/li\u003e\n\u003cli\u003eDwyer'såÊ\u003c\/li\u003e\n\u003cli\u003eFairy ReelåÊ\u003c\/li\u003e\n\u003cli\u003eFar from HomeåÊ\u003c\/li\u003e\n\u003cli\u003eFive Mile ChaseåÊ\u003c\/li\u003e\n\u003cli\u003eFlax in BloomåÊ\u003c\/li\u003e\n\u003cli\u003eFlower of the FlockåÊ\u003c\/li\u003e\n\u003cli\u003eFred Finn'såÊ\u003c\/li\u003e\n\u003cli\u003eGlentownåÊ\u003c\/li\u003e\n\u003cli\u003eGrogan's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eHand Me Down the Tackle Holy LandåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of CarrigaholtåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of LissadellåÊ\u003c\/li\u003e\n\u003cli\u003eIn the Tap RoomåÊ\u003c\/li\u003e\n\u003cli\u003eJenny's WeddingåÊ\u003c\/li\u003e\n\u003cli\u003eJohn Stenson'såÊ\u003c\/li\u003e\n\u003cli\u003eJosie McDermott'såÊ\u003c\/li\u003e\n\u003cli\u003eKilfenoraåÊ\u003c\/li\u003e\n\u003cli\u003eKilavel FancyåÊ\u003c\/li\u003e\n\u003cli\u003eKiss Me KateåÊ\u003c\/li\u003e\n\u003cli\u003eLads of LaoisåÊ\u003c\/li\u003e\n\u003cli\u003eLast Night's FunåÊ\u003c\/li\u003e\n\u003cli\u003eMaguire'såÊ\u003c\/li\u003e\n\u003cli\u003eMaids of CastlebaråÊ\u003c\/li\u003e\n\u003cli\u003eMaids of Mount CiscoåÊ\u003c\/li\u003e\n\u003cli\u003eMan of the HouseåÊ\u003c\/li\u003e\n\u003cli\u003eMaster McDermott'såÊ\u003c\/li\u003e\n\u003cli\u003eMatt Molloy'såÊ\u003c\/li\u003e\n\u003cli\u003eMiss Johnston'såÊ\u003c\/li\u003e\n\u003cli\u003eMiss Thornton's\u003c\/li\u003e\n\u003cli\u003eMy Love is in AmericaåÊ\u003c\/li\u003e\n\u003cli\u003eO'Brien'såÊ\u003c\/li\u003e\n\u003cli\u003eOak TreeåÊ\u003c\/li\u003e\n\u003cli\u003ePaddy Lynn's DelightåÊ\u003c\/li\u003e\n\u003cli\u003ePatsy CampbellåÊ\u003c\/li\u003e\n\u003cli\u003eReturn to Camden TownåÊ\u003c\/li\u003e\n\u003cli\u003eSailor on the Rock Saint Ruth's BushåÊ\u003c\/li\u003e\n\u003cli\u003eSandmountåÊ\u003c\/li\u003e\n\u003cli\u003eSeÌÁn Sa C̩o\u003c\/li\u003e\n\u003cli\u003eSheila Coyle'såÊ\u003c\/li\u003e\n\u003cli\u003eSporting PaddyåÊ\u003c\/li\u003e\n\u003cli\u003eSword in HandåÊ\u003c\/li\u003e\n\u003cli\u003eTim MoloneyåÊ\u003c\/li\u003e\n\u003cli\u003eTommy Peoples'åÊ\u003c\/li\u003e\n\u003cli\u003eTravelleråÊ\u003c\/li\u003e\n\u003cli\u003eTravers'åÊ\u003c\/li\u003e\n\u003cli\u003eVirginiaåÊ\u003c\/li\u003e\n\u003cli\u003eWithin a Mile of DublinåÊ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigsåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eApples in WinteråÊ\u003c\/li\u003e\n\u003cli\u003eBurnt Old ManåÊ\u003c\/li\u003e\n\u003cli\u003eCherish the LadiesåÊ\u003c\/li\u003e\n\u003cli\u003eColeman's CrossåÊ\u003c\/li\u003e\n\u003cli\u003eFair Haired BoyåÊ\u003c\/li\u003e\n\u003cli\u003eFraher'såÊ\u003c\/li\u003e\n\u003cli\u003eGeese in the BogåÊ\u003c\/li\u003e\n\u003cli\u003eHappy to Meet, SorryåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of BallyloughlinåÊ\u003c\/li\u003e\n\u003cli\u003eJimmy Ward's FancyåÊ\u003c\/li\u003e\n\u003cli\u003eKnocknagowåÊ\u003c\/li\u003e\n\u003cli\u003eMillpondåÊ\u003c\/li\u003e\n\u003cli\u003eMist Covered Mountain MonaghanåÊ\u003c\/li\u003e\n\u003cli\u003eOld Grey GooseåÊ\u003c\/li\u003e\n\u003cli\u003eOld Hag, You Have KilledåÊ\u003c\/li\u003e\n\u003cli\u003ePaddy O'RaffertyåÊ\u003c\/li\u003e\n\u003cli\u003ePatsy Geary'såÊ\u003c\/li\u003e\n\u003cli\u003ePortarlingtonåÊ\u003c\/li\u003e\n\u003cli\u003eQueen of the FairåÊ\u003c\/li\u003e\n\u003cli\u003eSwallow's NeståÊ\u003c\/li\u003e\n\u003cli\u003eTatter Jack WalshåÊ\u003c\/li\u003e\n\u003cli\u003eTell Her I AmåÊ\u003c\/li\u003e\n\u003cli\u003eTrip to AthloneåÊ\u003c\/li\u003e\n\u003cli\u003eWandering Minstrel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipesåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAlexander'såÊ\u003c\/li\u003e\n\u003cli\u003eChief O'Neill's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eFairies'\u003c\/li\u003e\n\u003cli\u003eFisher'såÊ\u003c\/li\u003e\n\u003cli\u003eFriendly VisitåÊ\u003c\/li\u003e\n\u003cli\u003eHoneysuckleåÊ\u003c\/li\u003e\n\u003cli\u003eJapaneseåÊ\u003c\/li\u003e\n\u003cli\u003eLiverpoolåÊ\u003c\/li\u003e\n\u003cli\u003ePretty Maggie MorrisseyåÊ\u003c\/li\u003e\n\u003cli\u003eSmell of the Bog\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241246421033,"sku":"AM403C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yever_2b9dde9f-f20a-4719-b980-3c8d11bf378a.jpg?v=1527263023"},{"product_id":"100-vital-irish-session-tunes","title":"100 Vital Irish Session Tunes","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eMany of the tunes found in 100 Vital Irish Session Tunes might be described as \"old hat\" and would be shunned by many seasoned players. However, it's absolutely vital that you are familiar with these tunes, as you'll find them cropping up time and time again. They are the foundation on which Irish music sessions are built. You could say that these tunes are even more essential than those in 100 Essential Irish Session Tunes. Every type of dance tune is represented: reels, jigs, hornpipes, polkas, slides, slip jigs, marches, set dances, waltzes, mazurkas, flings, a varsovienne, a barn dance, a single reel and a single jig\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all ‰Û÷session friendly‰۪, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon (an accordion system rarely found in Irish music circles - B\/C and C sharp\/D are the norm). I‰۪ve made a conscious effort to allow this to happen in order to give the book its own unique character. The list below would constitute an excellent nucleus towards forming a valuable Irish music library. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says ‰Û÷Learn to Play the Banjo‰۪, don‰۪t think it‰۪s of no use if you play the tin whistle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout this book are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReels\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSheehan‰۪s\u003c\/li\u003e\n\u003cli\u003eCome West Along the Road\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003cli\u003eMaid in the Cherry Tree\u003c\/li\u003e\n\u003cli\u003eThe Old Torn Petticoat\u003c\/li\u003e\n\u003cli\u003eThe Donegal\u003c\/li\u003e\n\u003cli\u003eThe Wild Irishman\u003c\/li\u003e\n\u003cli\u003eThe Primrose Lass\u003c\/li\u003e\n\u003cli\u003eGreen Fields of America\u003c\/li\u003e\n\u003cli\u003eThe Teetotaller\u003c\/li\u003e\n\u003cli\u003eThe Flannel Jacket\u003c\/li\u003e\n\u003cli\u003eThe Heather Breeze\u003c\/li\u003e\n\u003cli\u003eRolling in the Ryegrass\u003c\/li\u003e\n\u003cli\u003eJohn Brennan‰۪s\u003c\/li\u003e\n\u003cli\u003eThe Scholar\u003c\/li\u003e\n\u003cli\u003eThe Fairy Dance\u003c\/li\u003e\n\u003cli\u003eA Rainy Day\u003c\/li\u003e\n\u003cli\u003eThe Kilmaley\u003c\/li\u003e\n\u003cli\u003eMiss McLeod‰۪s\u003c\/li\u003e\n\u003cli\u003ePigtown Fling\u003c\/li\u003e\n\u003cli\u003eThe Galway Rambler\u003c\/li\u003e\n\u003cli\u003eBonny Kate\u003c\/li\u003e\n\u003cli\u003eMorning Star\u003c\/li\u003e\n\u003cli\u003eThe Road to Lisdoonvarna\u003c\/li\u003e\n\u003cli\u003eThe Woman of the House\u003c\/li\u003e\n\u003cli\u003eThe Merry Blacksmith\u003c\/li\u003e\n\u003cli\u003eBoys of Ballinahinch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFather Kelly‰۪s\u003c\/li\u003e\n\u003cli\u003eShandon Bells\u003c\/li\u003e\n\u003cli\u003eRakes of Kildare\u003c\/li\u003e\n\u003cli\u003eLarry O‰۪Gaff\u003c\/li\u003e\n\u003cli\u003eThe Idle Road\u003c\/li\u003e\n\u003cli\u003eThe Irish Washerwoman\u003c\/li\u003e\n\u003cli\u003eFrost Is All Over\u003c\/li\u003e\n\u003cli\u003eSaddle the Pony\u003c\/li\u003e\n\u003cli\u003eGallagher‰۪s Frolics\u003c\/li\u003e\n\u003cli\u003eThe Sweets of May\u003c\/li\u003e\n\u003cli\u003eHumours of Donnybrook\u003c\/li\u003e\n\u003cli\u003ePaddy Whack\u003c\/li\u003e\n\u003cli\u003eTop of the Cork Road\u003c\/li\u003e\n\u003cli\u003eMunster Buttermilk\u003c\/li\u003e\n\u003cli\u003eThe Black Rogue\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eThe Mist on the Meadow\u003c\/li\u003e\n\u003cli\u003eThe Humours of Lisheen\u003c\/li\u003e\n\u003cli\u003ePay the Reckoning\u003c\/li\u003e\n\u003cli\u003eTongs by the Fire\u003c\/li\u003e\n\u003cli\u003eThe Maid on the Green\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eHaste to the Wedding\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBoys of Bluehill\u003c\/li\u003e\n\u003cli\u003eThe Plains of Boyle\u003c\/li\u003e\n\u003cli\u003eThe Belfast\u003c\/li\u003e\n\u003cli\u003eOff to California\u003c\/li\u003e\n\u003cli\u003eDunphy‰۪s\u003c\/li\u003e\n\u003cli\u003eHarvest Home\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePolkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Siege of Ennis\u003c\/li\u003e\n\u003cli\u003eMaggie in the Wood\u003c\/li\u003e\n\u003cli\u003eThe German Beau\u003c\/li\u003e\n\u003cli\u003eLeslie‰۪s HornpipeåÊ\u003c\/li\u003e\n\u003cli\u003eDennis Murphy‰۪s\u003c\/li\u003e\n\u003cli\u003eJohn Ryan‰۪s\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDingle Regatta\u003c\/li\u003e\n\u003cli\u003ePete Bradley‰۪s\u003c\/li\u003e\n\u003cli\u003eScattery Island\u003c\/li\u003e\n\u003cli\u003eThe Cat Rambles to the Child‰۪s Saucepan\u003c\/li\u003e\n\u003cli\u003eBunratty Boys\u003c\/li\u003e\n\u003cli\u003eThe Weaver‰۪s\u003c\/li\u003e\n\u003cli\u003eMerrily Kiss the Quaker\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlip Jigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFoxhunters‰۪ Jig\u003c\/li\u003e\n\u003cli\u003eBarney Brannigan\u003c\/li\u003e\n\u003cli\u003eTo Limerick We Will Go\u003c\/li\u003e\n\u003cli\u003eThe Rocky Road to Dublin\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eMarches\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eNapoleon Crossing the Rhine\u003c\/li\u003e\n\u003cli\u003eThe Boys of Wexford\u003c\/li\u003e\n\u003cli\u003eThe Triumphal\u003c\/li\u003e\n\u003cli\u003eThe Centenary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSet Dances\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThree Sea Captains\u003c\/li\u003e\n\u003cli\u003eSaint Patrick‰۪s Day\u003c\/li\u003e\n\u003cli\u003eMaggie Brown‰۪s Favourite\u003c\/li\u003e\n\u003cli\u003eThe Downfall of Paris\u003c\/li\u003e\n\u003cli\u003eMadam Bonaparte\u003c\/li\u003e\n\u003cli\u003eThe Piper through the Meadow Straying\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eWaltzes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePlanxty Irwin\u003c\/li\u003e\n\u003cli\u003eSi Bheag, Si Mhor\u003c\/li\u003e\n\u003cli\u003ePlanxty Fanny Power\u003c\/li\u003e\n\u003cli\u003eThe South Wind\u003c\/li\u003e\n\u003cli\u003eThe Munster Cloak\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eMazurkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Barnacle Redowa\u003c\/li\u003e\n\u003cli\u003eDonegal Mazurka\u003c\/li\u003e\n\u003cli\u003eVarsovienne\u003c\/li\u003e\n\u003cli\u003eShoo the Donkey\u003c\/li\u003e\n\u003cli\u003eBarn Dance\u003c\/li\u003e\n\u003cli\u003eThe Curlew Hills\u003c\/li\u003e\n\u003cli\u003eFlings\u003c\/li\u003e\n\u003cli\u003eLove, Will You Marry Me?\u003c\/li\u003e\n\u003cli\u003eGreen Grow the Rushes-o\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSingle Jig\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSmash the Windows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSingle Reel\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eRakes of Mallow\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241427202089,"sku":"AM405","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yvital.jpg?v=1527263026"},{"product_id":"100-popular-irish-session-tunes","title":"100 Popular Irish Session Tunes","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eMally says \"The tune settings in this book are all ‰Û÷session friendly‰۪, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon (an accordion system rarely found in Irish music circles - B\/C and C sharp\/D are the norm). I‰۪ve made a conscious effort to allow this to happen in order to give the book its own unique character. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says ‰Û÷Learn to Play the Banjo‰۪, don‰۪t think it‰۪s of no use if you play the tin whistle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout this book are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eSuggested ornamentation has been kept to a minimum and is indicated by the symbol ~.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReels\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAmbrose Maloney's\u003c\/li\u003e\n\u003cli\u003eBag of Potatoes, The\u003c\/li\u003e\n\u003cli\u003eBelles of Tipperary, The\u003c\/li\u003e\n\u003cli\u003eBoys of Malin, The\u003c\/li\u003e\n\u003cli\u003eCastle Kelly\u003c\/li\u003e\n\u003cli\u003eColonel Frazer\u003c\/li\u003e\n\u003cli\u003eDairy Maid, The\u003c\/li\u003e\n\u003cli\u003eDinkie's\u003c\/li\u003e\n\u003cli\u003eDrunken Tinker, The\u003c\/li\u003e\n\u003cli\u003eDublin Reel, The\u003c\/li\u003e\n\u003cli\u003eEel in the Sink, The\u003c\/li\u003e\n\u003cli\u003eFarewell to Erin\u003c\/li\u003e\n\u003cli\u003eFirst Month of Summer, The\u003c\/li\u003e\n\u003cli\u003eFoxhunters' Reel\u003c\/li\u003e\n\u003cli\u003eGaltee Rangers\u003c\/li\u003e\n\u003cli\u003eGatehouse Maid, The\u003c\/li\u003e\n\u003cli\u003eGeorge White's Fancy\u003c\/li\u003e\n\u003cli\u003eGreen Mountain, The\u003c\/li\u003e\n\u003cli\u003eJackson's\u003c\/li\u003e\n\u003cli\u003eJenny Picking Cockles\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 1, The\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 2, The\u003c\/li\u003e\n\u003cli\u003eKing of the Clans\u003c\/li\u003e\n\u003cli\u003eLaington's\u003c\/li\u003e\n\u003cli\u003eLiffey Banks, The\u003c\/li\u003e\n\u003cli\u003eLucky in Love\u003c\/li\u003e\n\u003cli\u003eMamma's Pet\u003c\/li\u003e\n\u003cli\u003eMayor Harrison's Fedora\u003c\/li\u003e\n\u003cli\u003eMcDonagh's\u003c\/li\u003e\n\u003cli\u003eMcFadden's Handsome Daughter\u003c\/li\u003e\n\u003cli\u003eMichael Creamer's\u003c\/li\u003e\n\u003cli\u003eMichael Reilly's\u003c\/li\u003e\n\u003cli\u003eMilliner's Daughter, The\u003c\/li\u003e\n\u003cli\u003eMolloy's\u003c\/li\u003e\n\u003cli\u003eMonsignor's Blessing\u003c\/li\u003e\n\u003cli\u003eMountain Top, The\u003c\/li\u003e\n\u003cli\u003eMullingar Races\u003c\/li\u003e\n\u003cli\u003eMusic in the Glen\u003c\/li\u003e\n\u003cli\u003eMy Love and I in the Garden\u003c\/li\u003e\n\u003cli\u003ePaddy Cronin's\u003c\/li\u003e\n\u003cli\u003ePeter Street\u003c\/li\u003e\n\u003cli\u003ePiper's Despair, The\u003c\/li\u003e\n\u003cli\u003eRattigan's\u003c\/li\u003e\n\u003cli\u003eReconciliation, The\u003c\/li\u003e\n\u003cli\u003eRed Haired Lass, The\u003c\/li\u003e\n\u003cli\u003eStenson's\u003c\/li\u003e\n\u003cli\u003eStoney Steps, The\u003c\/li\u003e\n\u003cli\u003eSwinging on a Gate\u003c\/li\u003e\n\u003cli\u003eTom Ward's Downfall\u003c\/li\u003e\n\u003cli\u003eUnion Reel, The\u003c\/li\u003e\n\u003cli\u003eVolunteer, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBank of Turf, The\u003c\/li\u003e\n\u003cli\u003eBill Collins'\u003c\/li\u003e\n\u003cli\u003eBrian O'Lynn\u003c\/li\u003e\n\u003cli\u003eBush on the Hill, The\u003c\/li\u003e\n\u003cli\u003eButchers' March, The\u003c\/li\u003e\n\u003cli\u003eCome Have a Drink With Me\u003c\/li\u003e\n\u003cli\u003eCon Cassidy's\u003c\/li\u003e\n\u003cli\u003eGet Up Old Woman and Shake\u003c\/li\u003e\n\u003cli\u003eHole in the Hedge, The\u003c\/li\u003e\n\u003cli\u003eJerry's Beaver Hat\u003c\/li\u003e\n\u003cli\u003eKinnegad Slashers\u003c\/li\u003e\n\u003cli\u003eLeg of the Duck, The\u003c\/li\u003e\n\u003cli\u003eLeitrim Fancy\u003c\/li\u003e\n\u003cli\u003eOld Man Dillon\u003c\/li\u003e\n\u003cli\u003eOrphan, The\u003c\/li\u003e\n\u003cli\u003ePaddy Taylor's\u003c\/li\u003e\n\u003cli\u003eRambler, The\u003c\/li\u003e\n\u003cli\u003eRichard Brennan's Favourite\u003c\/li\u003e\n\u003cli\u003eRose's Delight\u003c\/li\u003e\n\u003cli\u003eScatter the Mud\u003c\/li\u003e\n\u003cli\u003eSeamus Cooley's\u003c\/li\u003e\n\u003cli\u003eSliabh Russell\u003c\/li\u003e\n\u003cli\u003eTrip to Sligo, A\u003c\/li\u003e\n\u003cli\u003eVisit to Ireland, A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eByrne's\u003c\/li\u003e\n\u003cli\u003eDerry, The\u003c\/li\u003e\n\u003cli\u003eHigh Level, The\u003c\/li\u003e\n\u003cli\u003ePoppy Leaf, The\u003c\/li\u003e\n\u003cli\u003eShowman‰۪s Fancy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePolkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAnnaghbeg, The\u003c\/li\u003e\n\u003cli\u003eGullane No. 2, The\u003c\/li\u003e\n\u003cli\u003eJohnny O'Leary's\u003c\/li\u003e\n\u003cli\u003eMany a Wild Night\u003c\/li\u003e\n\u003cli\u003ePete Bradleys\u003c\/li\u003e\n\u003cli\u003eTimmy O'Connors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlip Jigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eBarn Dances\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHills of Tara, The\u003c\/li\u003e\n\u003cli\u003ePeach Blossoms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241490837545,"sku":"AM406","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypopirish.jpg?v=1527263025"},{"product_id":"100-popular-irish-session-tunes-cd","title":"100 Popular Irish Session Tunes CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis CD is to accompany the book by the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMally says \"The tune settings in this book are all ‘session friendly’, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon (an accordion system rarely found in Irish music circles - B\/C and C sharp\/D are the norm). I’ve made a conscious effort to allow this to happen in order to give the book its own unique character. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says ‘Learn to Play the Banjo’, don’t think it’s of no use if you play the tin whistle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout this book are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eSuggested ornamentation has been kept to a minimum and is indicated by the symbol ~.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReels\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAmbrose Maloney's\u003c\/li\u003e\n\u003cli\u003eBag of Potatoes, The\u003c\/li\u003e\n\u003cli\u003eBelles of Tipperary, The\u003c\/li\u003e\n\u003cli\u003eBoys of Malin, The\u003c\/li\u003e\n\u003cli\u003eCastle Kelly\u003c\/li\u003e\n\u003cli\u003eColonel Frazer\u003c\/li\u003e\n\u003cli\u003eDairy Maid, The\u003c\/li\u003e\n\u003cli\u003eDinkie's\u003c\/li\u003e\n\u003cli\u003eDrunken Tinker, The\u003c\/li\u003e\n\u003cli\u003eDublin Reel, The\u003c\/li\u003e\n\u003cli\u003eEel in the Sink, The\u003c\/li\u003e\n\u003cli\u003eFarewell to Erin\u003c\/li\u003e\n\u003cli\u003eFirst Month of Summer, The\u003c\/li\u003e\n\u003cli\u003eFoxhunters' Reel\u003c\/li\u003e\n\u003cli\u003eGaltee Rangers\u003c\/li\u003e\n\u003cli\u003eGatehouse Maid, The\u003c\/li\u003e\n\u003cli\u003eGeorge White's Fancy\u003c\/li\u003e\n\u003cli\u003eGreen Mountain, The\u003c\/li\u003e\n\u003cli\u003eJackson's\u003c\/li\u003e\n\u003cli\u003eJenny Picking Cockles\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 1, The\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 2, The\u003c\/li\u003e\n\u003cli\u003eKing of the Clans\u003c\/li\u003e\n\u003cli\u003eLaington's\u003c\/li\u003e\n\u003cli\u003eLiffey Banks, The\u003c\/li\u003e\n\u003cli\u003eLucky in Love\u003c\/li\u003e\n\u003cli\u003eMamma's Pet\u003c\/li\u003e\n\u003cli\u003eMayor Harrison's Fedora\u003c\/li\u003e\n\u003cli\u003eMcDonagh's\u003c\/li\u003e\n\u003cli\u003eMcFadden's Handsome Daughter\u003c\/li\u003e\n\u003cli\u003eMichael Creamer's\u003c\/li\u003e\n\u003cli\u003eMichael Reilly's\u003c\/li\u003e\n\u003cli\u003eMilliner's Daughter, The\u003c\/li\u003e\n\u003cli\u003eMolloy's\u003c\/li\u003e\n\u003cli\u003eMonsignor's Blessing\u003c\/li\u003e\n\u003cli\u003eMountain Top, The\u003c\/li\u003e\n\u003cli\u003eMullingar Races\u003c\/li\u003e\n\u003cli\u003eMusic in the Glen\u003c\/li\u003e\n\u003cli\u003eMy Love and I in the Garden\u003c\/li\u003e\n\u003cli\u003ePaddy Cronin's\u003c\/li\u003e\n\u003cli\u003ePeter Street\u003c\/li\u003e\n\u003cli\u003ePiper's Despair, The\u003c\/li\u003e\n\u003cli\u003eRattigan's\u003c\/li\u003e\n\u003cli\u003eReconciliation, The\u003c\/li\u003e\n\u003cli\u003eRed Haired Lass, The\u003c\/li\u003e\n\u003cli\u003eStenson's\u003c\/li\u003e\n\u003cli\u003eStoney Steps, The\u003c\/li\u003e\n\u003cli\u003eSwinging on a Gate\u003c\/li\u003e\n\u003cli\u003eTom Ward's Downfall\u003c\/li\u003e\n\u003cli\u003eUnion Reel, The\u003c\/li\u003e\n\u003cli\u003eVolunteer, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBank of Turf, The\u003c\/li\u003e\n\u003cli\u003eBill Collins'\u003c\/li\u003e\n\u003cli\u003eBrian O'Lynn\u003c\/li\u003e\n\u003cli\u003eBush on the Hill, The\u003c\/li\u003e\n\u003cli\u003eButchers' March, The\u003c\/li\u003e\n\u003cli\u003eCome Have a Drink With Me\u003c\/li\u003e\n\u003cli\u003eCon Cassidy's\u003c\/li\u003e\n\u003cli\u003eGet Up Old Woman and Shake\u003c\/li\u003e\n\u003cli\u003eHole in the Hedge, The\u003c\/li\u003e\n\u003cli\u003eJerry's Beaver Hat\u003c\/li\u003e\n\u003cli\u003eKinnegad Slashers\u003c\/li\u003e\n\u003cli\u003eLeg of the Duck, The\u003c\/li\u003e\n\u003cli\u003eLeitrim Fancy\u003c\/li\u003e\n\u003cli\u003eOld Man Dillon\u003c\/li\u003e\n\u003cli\u003eOrphan, The\u003c\/li\u003e\n\u003cli\u003ePaddy Taylor's\u003c\/li\u003e\n\u003cli\u003eRambler, The\u003c\/li\u003e\n\u003cli\u003eRichard Brennan's Favourite\u003c\/li\u003e\n\u003cli\u003eRose's Delight\u003c\/li\u003e\n\u003cli\u003eScatter the Mud\u003c\/li\u003e\n\u003cli\u003eSeamus Cooley's\u003c\/li\u003e\n\u003cli\u003eSliabh Russell\u003c\/li\u003e\n\u003cli\u003eTrip to Sligo, A\u003c\/li\u003e\n\u003cli\u003eVisit to Ireland, A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eByrne's\u003c\/li\u003e\n\u003cli\u003eDerry, The\u003c\/li\u003e\n\u003cli\u003eHigh Level, The\u003c\/li\u003e\n\u003cli\u003ePoppy Leaf, The\u003c\/li\u003e\n\u003cli\u003eShowman’s Fancy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePolkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAnnaghbeg, The\u003c\/li\u003e\n\u003cli\u003eGullane No. 2, The\u003c\/li\u003e\n\u003cli\u003eJohnny O'Leary's\u003c\/li\u003e\n\u003cli\u003eMany a Wild Night\u003c\/li\u003e\n\u003cli\u003ePete Bradleys\u003c\/li\u003e\n\u003cli\u003eTimmy O'Connors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlip Jigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eBarn Dances\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHills of Tara, The\u003c\/li\u003e\n\u003cli\u003ePeach Blossoms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241511022633,"sku":"AM406C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypopirish_f9f6eaed-ba56-4f7f-bcd0-a5c015ef0b18.jpg?v=1527263025"},{"product_id":"nick-barbers-english-choice-nick-barber","title":"Nick Barber's English Choice : Nick Barber","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eWhat are the one hundred best session tunes? Ask a group of traditional musicians that question and you will provoke a great deal of thought, and, of course, end up with a completely different answer from each one.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is such an amazing wealth and variety of tunes out there, constantly shifting as they pass from person to person, medium to medium; song tunes, dance tunes, marches, polkas, waltzes, love songs, ancient tunes, dirges, made up tunes, sad tunes...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNick Barber has been part of traditional English music sessions up and down the country for many years. Recently he has been spotted playing melodeon, horn and recorder a bit less and asking about tunes a bit more. His copious scribbled notes have resulted in this tune book.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tunes are accurately transcribed, referring to original sources wherever possible. Also included is information about each tune, with Nick’s choice of chords suitable for squeezebox and guitar players alike.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf you’d like to join in with the delights of sharing tunes with others in an English session, this book is a good reference point. Every tune is a gem, tried and tested not just by Nick on melodeon and his wife Mary on fiddle, but by generations of players who, over the years, have made the tunes what they are.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlexandra Park\u003c\/li\u003e\n\u003cli\u003eAll in a Garden Green\u003c\/li\u003e\n\u003cli\u003eAnything for John Joe\u003c\/li\u003e\n\u003cli\u003eAye Me\u003c\/li\u003e\n\u003cli\u003eBattle of Prague\u003c\/li\u003e\n\u003cli\u003eBear Dance\u003c\/li\u003e\n\u003cli\u003eBeatrice Hill’s Three-Handed Reel\u003c\/li\u003e\n\u003cli\u003eBill Hall’s No. 1\u003c\/li\u003e\n\u003cli\u003eBill Hall’s No. 2\u003c\/li\u003e\n\u003cli\u003eBlack Nag\u003c\/li\u003e\n\u003cli\u003eBonny Kate\u003c\/li\u003e\n\u003cli\u003eCaptain Lanoe’s Quick March\u003c\/li\u003e\n\u003cli\u003eCentenary March\u003c\/li\u003e\n\u003cli\u003eDark Girl Dressed in Blue\u003c\/li\u003e\n\u003cli\u003eDoctor Fausters’ Tumblers\u003c\/li\u003e\n\u003cli\u003eDusty Miller, The\u003c\/li\u003e\n\u003cli\u003eEnrico\u003c\/li\u003e\n\u003cli\u003eFair Jenny\u003c\/li\u003e\n\u003cli\u003eFoul Weather Call\u003c\/li\u003e\n\u003cli\u003eFour Seasons\u003c\/li\u003e\n\u003cli\u003eFrom Night Till Morn\u003c\/li\u003e\n\u003cli\u003eGanglat fran Appelbo\u003c\/li\u003e\n\u003cli\u003eGanivelle\u003c\/li\u003e\n\u003cli\u003eGloucestershire Hornpipe\u003c\/li\u003e\n\u003cli\u003eGrandfather’s Tune\u003c\/li\u003e\n\u003cli\u003eGreen Mountain Petronella\u003c\/li\u003e\n\u003cli\u003eGypsies’ Hornpipe\u003c\/li\u003e\n\u003cli\u003eHarper’s Frolick\u003c\/li\u003e\n\u003cli\u003eHerbert the Sherbert\u003c\/li\u003e\n\u003cli\u003eHorses Brawl\u003c\/li\u003e\n\u003cli\u003eHunt the Squirrel\u003c\/li\u003e\n\u003cli\u003eIron Legs\u003c\/li\u003e\n\u003cli\u003eJamaic\u003c\/li\u003e\n\u003cli\u003eJeannet and Jeannot\u003c\/li\u003e\n\u003cli\u003eJust as the Tide Was Flowing\u003c\/li\u003e\n\u003cli\u003eKerry Mills Barn Dance\u003c\/li\u003e\n\u003cli\u003eKershaws\u003c\/li\u003e\n\u003cli\u003eKing’s Polka\u003c\/li\u003e\n\u003cli\u003eLast of June\u003c\/li\u003e\n\u003cli\u003eLe Canal en Octobre\u003c\/li\u003e\n\u003cli\u003eLemmie Brazil’s No. 2\u003c\/li\u003e\n\u003cli\u003eLodge Roa\u003c\/li\u003e\n\u003cli\u003eLondon Schottische\u003c\/li\u003e\n\u003cli\u003eLong Odds\u003c\/li\u003e\n\u003cli\u003eLovely Nancy\u003c\/li\u003e\n\u003cli\u003eMad Moll of the Cheshire Hunts\u003c\/li\u003e\n\u003cli\u003eMarch des Cabrettaires\u003c\/li\u003e\n\u003cli\u003eMichael Turner’s Jig\u003c\/li\u003e\n\u003cli\u003eMichael Turner’s Waltz\u003c\/li\u003e\n\u003cli\u003eMidnight on the Water\u003c\/li\u003e\n\u003cli\u003eMiss Richards’ Hornpipe\u003c\/li\u003e\n\u003cli\u003eMundess\u003c\/li\u003e\n\u003cli\u003eNipper\u003c\/li\u003e\n\u003cli\u003eOld Lancashire Reel\u003c\/li\u003e\n\u003cli\u003eOnce I Loved a Maiden Fair\u003c\/li\u003e\n\u003cli\u003eOne More Dance and Then\u003c\/li\u003e\n\u003cli\u003eOscar Woods' Jig\u003c\/li\u003e\n\u003cli\u003eOscar Woods’ Polka\u003c\/li\u003e\n\u003cli\u003ePepper in the Brandy\u003c\/li\u003e\n\u003cli\u003ePlane Tree, The\u003c\/li\u003e\n\u003cli\u003ePortobello\u003c\/li\u003e\n\u003cli\u003ePrince William\u003c\/li\u003e\n\u003cli\u003eQuarter Brawl\u003c\/li\u003e\n\u003cli\u003eRecovery\u003c\/li\u003e\n\u003cli\u003eRedowa Polka\u003c\/li\u003e\n\u003cli\u003eRochdale Coconut Dance\u003c\/li\u003e\n\u003cli\u003eRogues’ March\u003c\/li\u003e\n\u003cli\u003eRufty Tufty\u003c\/li\u003e\n\u003cli\u003eScan Tester’s Polka No. 1\u003c\/li\u003e\n\u003cli\u003eScan Tester’s Polka No. 2\u003c\/li\u003e\n\u003cli\u003eSchottis fran Idre\u003c\/li\u003e\n\u003cli\u003eSerpentiner och Konfetti\u003c\/li\u003e\n\u003cli\u003eSeven Stars\u003c\/li\u003e\n\u003cli\u003eSir Sidney Smith’s March\u003c\/li\u003e\n\u003cli\u003eSloe, The\u003c\/li\u003e\n\u003cli\u003eSonny Brogan’s Mazurka\u003c\/li\u003e\n\u003cli\u003eSpaniard, The\u003c\/li\u003e\n\u003cli\u003eSpirit of the Dance\u003c\/li\u003e\n\u003cli\u003eSportsman’s Hornpipe\u003c\/li\u003e\n\u003cli\u003eStaffordshire Hornpipe\u003c\/li\u003e\n\u003cli\u003eSteamboat Hornpipe\u003c\/li\u003e\n\u003cli\u003eSun Assembly\u003c\/li\u003e\n\u003cli\u003eSwiss Boy\u003c\/li\u003e\n\u003cli\u003eCentenary March\u003c\/li\u003e\n\u003cli\u003eThree Around Three\u003c\/li\u003e\n\u003cli\u003eThree Rusty Swords\u003c\/li\u003e\n\u003cli\u003eTip Top Polka\u003c\/li\u003e\n\u003cli\u003eVarsoviana\u003c\/li\u003e\n\u003cli\u003eWals voor Polle\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer’s Polka No. 1\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer’s Polka No. 2\u003c\/li\u003e\n\u003cli\u003eWaterloo Dance\u003c\/li\u003e\n\u003cli\u003eWeavers’ March\u003c\/li\u003e\n\u003cli\u003eWhen Daylight Shines\u003c\/li\u003e\n\u003cli\u003eWill You Patch My Pants for Me?\u003c\/li\u003e\n\u003cli\u003eWorcestershire Hornpipe\u003c\/li\u003e\n\u003cli\u003eYoung May Moon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4242029510697,"sku":"AM107","price":11.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ybarber.jpg?v=1527263186"},{"product_id":"john-kirkpatricks-english-choice","title":"John Kirkpatrick's English Choice","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eIn this lively romp through seven centuries of English dance music, John Kirkpatrick shares the passion that has led him to become one of the foremost champions and interpreters of our native traditions. Driven always by his love of dancing, John has constantly been striving to inject the maximum amount of energy and life into these lovely simple old tunes. In fact, as any dance musician will tell you, the simpler the tune is, the more opportunity you are allowed to add your own kind of zest into its performance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere John presents 101 examples that are tailor-made for the strong rhythmic approach inspired by English dance steps and rhythms. With melody, chords and variations, the book is ideally suited for any instrument, but one of the prime factors in the selection of the tunes has been the fact that they sit so happily on the push-pull squeeze-box scale. Although the melodeon came along long after the style and substance of this music was well established, it's breathtaking how perfectly the one can match the other. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith over forty years' playing experience behind him, you couldn't be in safer hands. This collection is an absolute must not only for melodeon players, but for anybody who likes their music with an uncompromising English accent.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlexandra\u003c\/li\u003e\n\u003cli\u003eAlf Gray's Jig\u003c\/li\u003e\n\u003cli\u003eBattle of Prague, The\u003c\/li\u003e\n\u003cli\u003eBig Ship, The\u003c\/li\u003e\n\u003cli\u003eBlack Joak, The\u003c\/li\u003e\n\u003cli\u003eBobby Shafto\u003c\/li\u003e\n\u003cli\u003eBonnets So Blue\u003c\/li\u003e\n\u003cli\u003eBrickmakers, The\u003c\/li\u003e\n\u003cli\u003eBrunswick\u003c\/li\u003e\n\u003cli\u003eCaptain Macintosh\u003c\/li\u003e\n\u003cli\u003eCharming Maid, The\u003c\/li\u003e\n\u003cli\u003eColosseum, The\u003c\/li\u003e\n\u003cli\u003eContented Farmer, The\u003c\/li\u003e\n\u003cli\u003eCroaking Cardinal, The\u003c\/li\u003e\n\u003cli\u003eDam It\u003c\/li\u003e\n\u003cli\u003eDandy Dancer, The\u003c\/li\u003e\n\u003cli\u003eDannish Waltz, The\u003c\/li\u003e\n\u003cli\u003eDennis Crowther's No. 3\u003c\/li\u003e\n\u003cli\u003eDerby Hunt, The\u003c\/li\u003e\n\u003cli\u003eDouble Change Sides\u003c\/li\u003e\n\u003cli\u003eDown the Sides and Up the Middle\u003c\/li\u003e\n\u003cli\u003eDr. Fausters’ Tumblers\u003c\/li\u003e\n\u003cli\u003eDutch Pins\u003c\/li\u003e\n\u003cli\u003eEvesham Stick Dance, The\u003c\/li\u003e\n\u003cli\u003eFairy Prince, The\u003c\/li\u003e\n\u003cli\u003eFirst of September, The\u003c\/li\u003e\n\u003cli\u003eFlaxley Green Dance, The\u003c\/li\u003e\n\u003cli\u003eGarrick's Delight\u003c\/li\u003e\n\u003cli\u003eGeneral Hill's Favourite\u003c\/li\u003e\n\u003cli\u003eGoathland Square Eight, The\u003c\/li\u003e\n\u003cli\u003eGood Old Way, The\u003c\/li\u003e\n\u003cli\u003eGypsies' Round, The\u003c\/li\u003e\n\u003cli\u003eHaphazard\u003c\/li\u003e\n\u003cli\u003eHasty Money\u003c\/li\u003e\n\u003cli\u003eHexham Races\u003c\/li\u003e\n\u003cli\u003eHolborn March\u003c\/li\u003e\n\u003cli\u003eHunt the Hare\u003c\/li\u003e\n\u003cli\u003eHunt the Squirrel (Polka)\u003c\/li\u003e\n\u003cli\u003eHunt the Squirrel (Hornpipe)\u003c\/li\u003e\n\u003cli\u003eHunting the Squirrel (Jig)\u003c\/li\u003e\n\u003cli\u003eHyde Park\u003c\/li\u003e\n\u003cli\u003eIrish Washerwoman, The\u003c\/li\u003e\n\u003cli\u003eJack's Alive\u003c\/li\u003e\n\u003cli\u003eJingling Geordie, The\u003c\/li\u003e\n\u003cli\u003eJohn of Paris\u003c\/li\u003e\n\u003cli\u003eJohn of the Greeny Cheshire Way\u003c\/li\u003e\n\u003cli\u003eJohn Peel\u003c\/li\u003e\n\u003cli\u003eKing Edward The Second's Jig\u003c\/li\u003e\n\u003cli\u003eKirkgate Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eLass of Dallogill, The\u003c\/li\u003e\n\u003cli\u003eLeap Over The Garter\u003c\/li\u003e\n\u003cli\u003eLilliburlero\u003c\/li\u003e\n\u003cli\u003eLong Odds\u003c\/li\u003e\n\u003cli\u003eMerry Wakefield\u003c\/li\u003e\n\u003cli\u003eMilesian, The\u003c\/li\u003e\n\u003cli\u003eMilitia, The\u003c\/li\u003e\n\u003cli\u003eMiss Gayton's Hornpipe\u003c\/li\u003e\n\u003cli\u003eMr. Cosgill's Delight\u003c\/li\u003e\n\u003cli\u003eNew White Hart Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eNymph, The\u003c\/li\u003e\n\u003cli\u003eOrlando's Return\u003c\/li\u003e\n\u003cli\u003eOscar Woods’ Jig\u003c\/li\u003e\n\u003cli\u003ePenny on the Water\u003c\/li\u003e\n\u003cli\u003ePhilibelula All The Way\u003c\/li\u003e\n\u003cli\u003ePhysical Snob, The\u003c\/li\u003e\n\u003cli\u003ePolly Put The Kettle On\u003c\/li\u003e\n\u003cli\u003ePrince of Wales’ Jig, The\u003c\/li\u003e\n\u003cli\u003ePrince Regent, The\u003c\/li\u003e\n\u003cli\u003ePrince William\u003c\/li\u003e\n\u003cli\u003ePrincess Caroline's Waltz\u003c\/li\u003e\n\u003cli\u003eRadstock Jig, The\u003c\/li\u003e\n\u003cli\u003eRed Joak, The\u003c\/li\u003e\n\u003cli\u003eRed Lion Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eRegent's Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eRufty Tufty\u003c\/li\u003e\n\u003cli\u003eRunaway, The\u003c\/li\u003e\n\u003cli\u003eRussian Cavalry\u003c\/li\u003e\n\u003cli\u003eSailor's Delight, The\u003c\/li\u003e\n\u003cli\u003eShepton Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eSheringham Breakdown, The\u003c\/li\u003e\n\u003cli\u003eShrewsbury Waltz, The\u003c\/li\u003e\n\u003cli\u003eSick And Very Bad\u003c\/li\u003e\n\u003cli\u003eSoldier's Wedding, The\u003c\/li\u003e\n\u003cli\u003eSquirrel, The\u003c\/li\u003e\n\u003cli\u003eSussex Bonny Breast Knot, The\u003c\/li\u003e\n\u003cli\u003eTank, The\u003c\/li\u003e\n\u003cli\u003eTempest, The\u003c\/li\u003e\n\u003cli\u003eThorpe Malsor Trumpet Tune\u003c\/li\u003e\n\u003cli\u003eTink A Tink\u003c\/li\u003e\n\u003cli\u003eTouch the Thing\u003c\/li\u003e\n\u003cli\u003eTouchstone, The\u003c\/li\u003e\n\u003cli\u003eTrip to the Cottage\u003c\/li\u003e\n\u003cli\u003eTrue Joak, The\u003c\/li\u003e\n\u003cli\u003eWashington Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eWe Will Down with the French\u003c\/li\u003e\n\u003cli\u003eWelch Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eWhite Joak, The\u003c\/li\u003e\n\u003cli\u003eWhitehaven Volunteers, The\u003c\/li\u003e\n\u003cli\u003eWilson's Favourite\u003c\/li\u003e\n\u003cli\u003eWiltshire Six-Hand Reel, The\u003c\/li\u003e\n\u003cli\u003eYellow Joak, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4242066276393,"sku":"AP108","price":12.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ykirkpatrick.jpg?v=1527263148"},{"product_id":"100-irish-polkas-dave-mallinson","title":"100 Irish Polkas - Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThe title says it all, a book crammed with juicy polkas to get your teeth into. A must for polka lovers as well as any other musician who is perhaps looking for easier Irish repertoire. Why not give yourself a break from the reels and jigs occasionally?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"The lowly, oft scorned polka\": take no notice, don't believe a word. In this book you'll find 100 really smashing tunes, some familiar, many not so familiar; play some slow, play some fast, play some very fast. With good phrasing and rhythm these tunes will stand their ground against reels and jigs any day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e100 tunes (100 polkas) with chords, classified and alphabetical (with alternative titles) indexes. The book also contains a comprehensive bibliography and discography listing every single book and recording referred to whilst researching the tunes.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAll the Way to Galway \u003c\/li\u003e\n\u003cli\u003eAs I went Out upon Ice \u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 1 \u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 2 \u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 3 \u003c\/li\u003e\n\u003cli\u003eBallynahulla no. 1 \u003c\/li\u003e\n\u003cli\u003eBallynahulla no. 2 \u003c\/li\u003e\n\u003cli\u003eBallyvournie \u003c\/li\u003e\n\u003cli\u003eBattle of Aughrim \u003c\/li\u003e\n\u003cli\u003eBelles of Ballinderry \u003c\/li\u003e\n\u003cli\u003eBiddy Martin's \u003c\/li\u003e\n\u003cli\u003eBill Sullivan's \u003c\/li\u003e\n\u003cli\u003eCamptown Races \u003c\/li\u003e\n\u003cli\u003eCaptain Byng \u003c\/li\u003e\n\u003cli\u003eCaptain Maguire \u003c\/li\u003e\n\u003cli\u003eCarroll's \u003c\/li\u003e\n\u003cli\u003eChurch Street \u003c\/li\u003e\n\u003cli\u003eClare Dragoons \u003c\/li\u003e\n\u003cli\u003eCousins' Delight \u003c\/li\u003e\n\u003cli\u003eDalaigh's \u003c\/li\u003e\n\u003cli\u003eDan Coakley's \u003c\/li\u003e\n\u003cli\u003eDan Mac's \u003c\/li\u003e\n\u003cli\u003eDark Girl \u003c\/li\u003e\n\u003cli\u003eDenis Doody's \u003c\/li\u003e\n\u003cli\u003eDenis Murphy's Din Tarrant's \u003c\/li\u003e\n\u003cli\u003eDin Tarrant's no. 3 \u003c\/li\u003e\n\u003cli\u003eDoyle's \u003c\/li\u003e\n\u003cli\u003eFarewell to Whiskey \u003c\/li\u003e\n\u003cli\u003eFinnegan's Wake \u003c\/li\u003e\n\u003cli\u003eFirst of May \u003c\/li\u003e\n\u003cli\u003eForty-two Pound Cheque \u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 1 \u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 2 \u003c\/li\u003e\n\u003cli\u003eAn Gallope \u003c\/li\u003e\n\u003cli\u003eGirl with the Blue Dress \u003c\/li\u003e\n\u003cli\u003eGlen Cottage no. 1 \u003c\/li\u003e\n\u003cli\u003eGlen Cottage no. 2 \u003c\/li\u003e\n\u003cli\u003eGneevgullia \u003c\/li\u003e\n\u003cli\u003eGullane \u003c\/li\u003e\n\u003cli\u003eHigh Caul'd Cap \u003c\/li\u003e\n\u003cli\u003eI have a Bonnet \u003c\/li\u003e\n\u003cli\u003eBonnet Trimmed with Blue \u003c\/li\u003e\n\u003cli\u003eJack Reedy's \u003c\/li\u003e\n\u003cli\u003eJer the Rigger \u003c\/li\u003e\n\u003cli\u003eJim Keeffe's \u003c\/li\u003e\n\u003cli\u003eJim Keeffe's no. 1 \u003c\/li\u003e\n\u003cli\u003eJimmy Doyle's Favourite \u003c\/li\u003e\n\u003cli\u003eJohn Egan's \u003c\/li\u003e\n\u003cli\u003eJohn McGovern's Johnny Ghabba \u003c\/li\u003e\n\u003cli\u003eJohnny, I Do Miss You! \u003c\/li\u003e\n\u003cli\u003eJohnny Leary's\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey Barry's \u003c\/li\u003e\n\u003cli\u003eJohn Walsh's \u003c\/li\u003e\n\u003cli\u003eJulia Clifford's \u003c\/li\u003e\n\u003cli\u003eKerry no. 1 \u003c\/li\u003e\n\u003cli\u003eKerry no. 2 \u003c\/li\u003e\n\u003cli\u003eKnocknaboul no. 1 \u003c\/li\u003e\n\u003cli\u003eKnocknaboul no. 2 \u003c\/li\u003e\n\u003cli\u003eLackagh Cross \u003c\/li\u003e\n\u003cli\u003eLakes of Sligo \u003c\/li\u003e\n\u003cli\u003eLisdoonvarna \u003c\/li\u003e\n\u003cli\u003eLittle Diamond \u003c\/li\u003e\n\u003cli\u003eMack's Rambles \u003c\/li\u003e\n\u003cli\u003eMagic Slipper \u003c\/li\u003e\n\u003cli\u003eMary Girl \u003c\/li\u003e\n\u003cli\u003eMatt Hayes' no. 1 \u003c\/li\u003e\n\u003cli\u003eMatt Hayes' no. 2 \u003c\/li\u003e\n\u003cli\u003eMike Coen's \u003c\/li\u003e\n\u003cli\u003eMrs Crowley's \u003c\/li\u003e\n\u003cli\u003eMrs Ryan's \u003c\/li\u003e\n\u003cli\u003eMunster Bank \u003c\/li\u003e\n\u003cli\u003eMurroe \u003c\/li\u003e\n\u003cli\u003eNewmarket O'Connor's \u003c\/li\u003e\n\u003cli\u003eO'Keeffe's \u003c\/li\u003e\n\u003cli\u003eO'Sullivan's Fancy \u003c\/li\u003e\n\u003cli\u003eBritches full of Stitches \u003c\/li\u003e\n\u003cli\u003ePaddy Kenny's \u003c\/li\u003e\n\u003cli\u003ePatsy Baker \u003c\/li\u003e\n\u003cli\u003eRose Tree \u003c\/li\u003e\n\u003cli\u003eSaint Mary's \u003c\/li\u003e\n\u003cli\u003eSéamus Cussen's \u003c\/li\u003e\n\u003cli\u003eSliabh Luachra \u003c\/li\u003e\n\u003cli\u003eSpanish Lady \u003c\/li\u003e\n\u003cli\u003eSprig of Shillelagh \u003c\/li\u003e\n\u003cli\u003eSweeney's \u003c\/li\u003e\n\u003cli\u003eTerry Teahan's \u003c\/li\u003e\n\u003cli\u003eTom Sullivan's \u003c\/li\u003e\n\u003cli\u003eTop of Maol \u003c\/li\u003e\n\u003cli\u003eTuar Mór no. 1 \u003c\/li\u003e\n\u003cli\u003eTuar Mór no. 2 \u003c\/li\u003e\n\u003cli\u003eTuar Mór no. 3 \u003c\/li\u003e\n\u003cli\u003eTureengarbh Glen \u003c\/li\u003e\n\u003cli\u003eUp and Away \u003c\/li\u003e\n\u003cli\u003eUp on the Waggon \u003c\/li\u003e\n\u003cli\u003eUpperchurch no. 1 \u003c\/li\u003e\n\u003cli\u003eUpperchurch no. 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A must for polka lovers as well as any other musician who is perhaps looking for easier Irish repertoire. Why not give yourself a break from the reels and jigs occasionally?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"The lowly, oft scorned polka\": take no notice, don't believe a word. In this book you'll find 100 really smashing tunes, some familiar, many not so familiar; play some slow, play some fast, play some very fast. With good phrasing and rhythm these tunes will stand their ground against reels and jigs any day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e100 tunes (100 polkas) with chords, classified and alphabetical (with alternative titles) indexes. 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ByngåÊ\u003c\/li\u003e\n\u003cli\u003eCaptain MaguireåÊ\u003c\/li\u003e\n\u003cli\u003eCarroll'såÊ\u003c\/li\u003e\n\u003cli\u003eChurch StreetåÊ\u003c\/li\u003e\n\u003cli\u003eClare DragoonsåÊ\u003c\/li\u003e\n\u003cli\u003eCousins' DelightåÊ\u003c\/li\u003e\n\u003cli\u003eDalaigh'såÊ\u003c\/li\u003e\n\u003cli\u003eDan Coakley'såÊ\u003c\/li\u003e\n\u003cli\u003eDan Mac'såÊ\u003c\/li\u003e\n\u003cli\u003eDark GirlåÊ\u003c\/li\u003e\n\u003cli\u003eDenis Doody'såÊ\u003c\/li\u003e\n\u003cli\u003eDenis Murphy's Din Tarrant'såÊ\u003c\/li\u003e\n\u003cli\u003eDin Tarrant's no. 3åÊ\u003c\/li\u003e\n\u003cli\u003eDoyle'såÊ\u003c\/li\u003e\n\u003cli\u003eFarewell to WhiskeyåÊ\u003c\/li\u003e\n\u003cli\u003eFinnegan's WakeåÊ\u003c\/li\u003e\n\u003cli\u003eFirst of MayåÊ\u003c\/li\u003e\n\u003cli\u003eForty-two Pound ChequeåÊ\u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eAn 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Once these skills are mastered you will be ready to explore and develop your own musical tastes and styles. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDouble-sided disc in both NTSC and PAL format\u003c\/span\u003e\u003c\/p\u003e","brand":"Folk Academy","offers":[{"title":"Default Title","offer_id":19756470665304,"sku":"dvdcp","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/61IFySQa1xL.jpg?v=1552083921"},{"product_id":"beginners-melodeon-tunes-and-techniques-book-dave-mallinson","title":"Beginners' Melodeon Tunes and Techniques Book - Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis fine collection of traditional music introduces dance tunes from various regions of Britain, Ireland and North America They are all excellent tunes, well-known and popular, but not over-played, hackneyed or obscure. Most of the tunes can be heard on recordings by notable bands and personalities, they are all currently in use by traditional musicians and are regularly played at concerts, dances and pub sessions. All of the tunes introduce some aspect of melodeon playing, and they are all presented in their normal keys. Learn 75 traditional tunes from England, Scotland, Wales, Shetland, Orkney, Ireland, France, Flanders, Canada and America. Morris and Playford tunes. Reels, jigs, hornpipes, polkas, slides, mazurkas, waltzes, barn dances, marches, rants, slip jigs and triple hornpipes. The tunes are perfect for pub sessions, country dances, ceilidhs, barn dances and hoedowns.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Welcome to my melodeon book. It's full to bursting with useful ideas, hints, tricks, tips, techniques and great tunes to improve your playing style, speed up the learning process and to give you a better understanding of the instrument. It's been a massive project, but it's been well worth it, I've learned such a lot by writing it. When I got my first instrument there wasn't a single D\/G tutor book on the market, and even now, fifty years on, you'll be lucky to find a dozen, so acquire every book you can. If you are new to the instrument, use this book in conjunction with simpler tutors. The lessons start at rock bottom, but the degree of difficulty rises steeply. Above the music, in addition to the fingering instructions, there are icons with names you might find corny and mildly amusing. However, they are essential to describe the fingering patterns, and a useful handle to help you apply them to other tunes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou might think this book is a bit too complicated to be called “Beginners”. Yes, that may be so, but if you want to become proficient, you must practise, and without guidance you can easily find yourself practising unsound techniques. It's no use waiting until you've formed bad habits before you think you are ready to tackle these lessons. Once you've learned a tune thoroughly, it can be very difficult to change the way you play it, after discovering a superior fingering pattern. Presented in this book is knowledge that has slowly trickled in during half a century of study. It's my hope and desire that it will inspire players, boost their progress, propel their playing to excellence, and spur them on to perform with far greater skill, dexterity and aplomb, than I have been able to achieve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstant Melodeon, Absolute Beginners and Tunes and Techniques are three melodeon tuition books designed to be used simultaneously, not in any particular sequence.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eForeword by Saul Rose\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eThe D\/G Melodeon\u003c\/li\u003e\n\u003cli\u003eThe Treble and Bass Layout\u003c\/li\u003e\n\u003cli\u003eSupporting and Playing the Melodeon\u003c\/li\u003e\n\u003cli\u003eMusical Notes\u003c\/li\u003e\n\u003cli\u003eMusical Time\u003c\/li\u003e\n\u003cli\u003eThe Musical Ladder\u003c\/li\u003e\n\u003cli\u003eThe Circle of Firths\u003c\/li\u003e\n\u003cli\u003eThe Circle of Fourths\u003c\/li\u003e\n\u003cli\u003eFull Diamond\u003c\/li\u003e\n\u003cli\u003eHal Diamond\u003c\/li\u003e\n\u003cli\u003eQuick Cross\u003c\/li\u003e\n\u003cli\u003eSnappy Bellows\u003c\/li\u003e\n\u003cli\u003eChanging Hand Position Along the Row\u003c\/li\u003e\n\u003cli\u003eChanging Hand Position Using Row Crossing\u003c\/li\u003e\n\u003cli\u003eThe Bass Buttons\u003c\/li\u003e\n\u003cli\u003eChords\u003c\/li\u003e\n\u003cli\u003eCreating the Harmony Line\u003c\/li\u003e\n\u003cli\u003eThe Chord Symbols\u003c\/li\u003e\n\u003cli\u003ePlaying the Accompaniment\u003c\/li\u003e\n\u003cli\u003eOvercoming the Limitations and the Missing Minors\u003c\/li\u003e\n\u003cli\u003eTraditional Music\u003c\/li\u003e\n\u003cli\u003eTUNES\u003c\/li\u003e\n\u003cli\u003eCountry Gardens\u003c\/li\u003e\n\u003cli\u003eLittle Brown Jug\u003c\/li\u003e\n\u003cli\u003ePolly Wolly Doodle\u003c\/li\u003e\n\u003cli\u003eThe Market Rasen Quickstep\u003c\/li\u003e\n\u003cli\u003eNot for Joe\u003c\/li\u003e\n\u003cli\u003eThe Leeds Polka\u003c\/li\u003e\n\u003cli\u003ePercy Brownʼs Polka\u003c\/li\u003e\n\u003cli\u003eAlbert Farmerʼs Bonfire Tune\u003c\/li\u003e\n\u003cli\u003eThe Morisco\u003c\/li\u003e\n\u003cli\u003eMoston Rushcart\u003c\/li\u003e\n\u003cli\u003eMy Love My Love\u003c\/li\u003e\n\u003cli\u003eOne More Ribber\u003c\/li\u003e\n\u003cli\u003eThe Rogueʼs March\u003c\/li\u003e\n\u003cli\u003eCaptain Lanoeʼs Quick March\u003c\/li\u003e\n\u003cli\u003eWhose Jig?\u003c\/li\u003e\n\u003cli\u003eThe Squirrel in the Tree\u003c\/li\u003e\n\u003cli\u003eBurning Bridges\u003c\/li\u003e\n\u003cli\u003eThe Lollipop Man\u003c\/li\u003e\n\u003cli\u003eThe Rose Tree\u003c\/li\u003e\n\u003cli\u003eLord of the Dance\u003c\/li\u003e\n\u003cli\u003eMount Hills\u003c\/li\u003e\n\u003cli\u003eDark Girl\u003c\/li\u003e\n\u003cli\u003eUp and Away\u003c\/li\u003e\n\u003cli\u003eFred Pidgeonʼs Polka\u003c\/li\u003e\n\u003cli\u003eIʼll Go Enlist for a Sailor\u003c\/li\u003e\n\u003cli\u003eJack Robinson\u003c\/li\u003e\n\u003cli\u003eOwenʼs Jig\u003c\/li\u003e\n\u003cli\u003eThe Hills of Glenorchy\u003c\/li\u003e\n\u003cli\u003ePaddy Carey\u003c\/li\u003e\n\u003cli\u003eTripping to the Well\u003c\/li\u003e\n\u003cli\u003eThe West Kerry Polka\u003c\/li\u003e\n\u003cli\u003eMany a Wild Night\u003c\/li\u003e\n\u003cli\u003eThe Scartaglen Slide\u003c\/li\u003e\n\u003cli\u003eMoyglass Fair\u003c\/li\u003e\n\u003cli\u003eJoe Cooleyʼs Jig\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eUp Leitrim\u003c\/li\u003e\n\u003cli\u003eThe Streets of Laredo\u003c\/li\u003e\n\u003cli\u003eThe Cumberland Waltz\u003c\/li\u003e\n\u003cli\u003eSéamus McManusʼs Waltz\u003c\/li\u003e\n\u003cli\u003eRed Haired Mary\u003c\/li\u003e\n\u003cli\u003eFairlop Park\u003c\/li\u003e\n\u003cli\u003eSir Philip McHugh\u003c\/li\u003e\n\u003cli\u003eThe Dusty Miller\u003c\/li\u003e\n\u003cli\u003eThe Rusty Gulley\u003c\/li\u003e\n\u003cli\u003eThe Old Lancashire Hornpipe\u003c\/li\u003e\n\u003cli\u003eRig-a-Jig\u003c\/li\u003e\n\u003cli\u003eThe Spirit of the Dance\u003c\/li\u003e\n\u003cli\u003eThe Farmersʼ Jamboree\u003c\/li\u003e\n\u003cli\u003eWoodland Flowers\u003c\/li\u003e\n\u003cli\u003ePostmanʼs Knock\u003c\/li\u003e\n\u003cli\u003eThe Little Burnt Potato\u003c\/li\u003e\n\u003cli\u003eThe Bodmin Riding March\u003c\/li\u003e\n\u003cli\u003eMoonshine\u003c\/li\u003e\n\u003cli\u003eColored Aristocracy\u003c\/li\u003e\n\u003cli\u003eThe Yarmouth Hornpipe\u003c\/li\u003e\n\u003cli\u003eValentine\u003c\/li\u003e\n\u003cli\u003eThe Auvergne Mazurka\u003c\/li\u003e\n\u003cli\u003eThe Old Donegal Mazurka\u003c\/li\u003e\n\u003cli\u003eMuch Wenlock Stick Dance\u003c\/li\u003e\n\u003cli\u003eJennyʼs Bawbee\u003c\/li\u003e\n\u003cli\u003eMarching Through Georgia\u003c\/li\u003e\n\u003cli\u003eMacNamaraʼs Band\u003c\/li\u003e\n\u003cli\u003eIf There Werenʼt Any Women\u003c\/li\u003e\n\u003cli\u003eThe Stack of Oats\u003c\/li\u003e\n\u003cli\u003eThe Shannon Waves\u003c\/li\u003e\n\u003cli\u003eGlise de Sherbrooke\u003c\/li\u003e\n\u003cli\u003eDurham Rangers\u003c\/li\u003e\n\u003cli\u003eThe Hesleyside Reel\u003c\/li\u003e\n\u003cli\u003eMonaʼs Delight\u003c\/li\u003e\n\u003cli\u003eThe Old Polka\u003c\/li\u003e\n\u003cli\u003eThe Portheinon Whim\u003c\/li\u003e\n\u003cli\u003eSheehanʼs Reel\u003c\/li\u003e\n\u003cli\u003eDa Mirrie Boys oʼ Greenland\u003c\/li\u003e\n\u003cli\u003eThree Jolly Sheepskins\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":20047665823832,"sku":"AM106","price":11.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/272c8e_522f083195fb4bcc9fc2b62c88efb21e_mv2_d_1600_1600_s_2.jpg?v=1553898225"},{"product_id":"beginners-melodeon-tunes-and-techniques-cd-dave-mallinson","title":"Beginners' Melodeon Tunes and Techniques CD - Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThis CD accompanies the book of the same name.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis fine collection of traditional music introduces dance tunes from various regions of Britain, Ireland and North America They are all excellent tunes, well-known and popular, but not over-played, hackneyed or obscure. Most of the tunes can be heard on recordings by notable bands and personalities, they are all currently in use by traditional musicians and are regularly played at concerts, dances and pub sessions. All of the tunes introduce some aspect of melodeon playing, and they are all presented in their normal keys. Learn 75 traditional tunes from England, Scotland, Wales, Shetland, Orkney, Ireland, France, Flanders, Canada and America. Morris and Playford tunes. Reels, jigs, hornpipes, polkas, slides, mazurkas, waltzes, barn dances, marches, rants, slip jigs and triple hornpipes. The tunes are perfect for pub sessions, country dances, ceilidhs, barn dances and hoedowns.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Welcome to my melodeon book. It's full to bursting with useful ideas, hints, tricks, tips, techniques and great tunes to improve your playing style, speed up the learning process and to give you a better understanding of the instrument. It's been a massive project, but it's been well worth it, I've learned such a lot by writing it. When I got my first instrument there wasn't a single D\/G tutor book on the market, and even now, fifty years on, you'll be lucky to find a dozen, so acquire every book you can. If you are new to the instrument, use this book in conjunction with simpler tutors. The lessons start at rock bottom, but the degree of difficulty rises steeply. Above the music, in addition to the fingering instructions, there are icons with names you might find corny and mildly amusing. However, they are essential to describe the fingering patterns, and a useful handle to help you apply them to other tunes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou might think this book is a bit too complicated to be called “Beginners”. Yes, that may be so, but if you want to become proficient, you must practise, and without guidance you can easily find yourself practising unsound techniques. It's no use waiting until you've formed bad habits before you think you are ready to tackle these lessons. Once you've learned a tune thoroughly, it can be very difficult to change the way you play it, after discovering a superior fingering pattern. Presented in this book is knowledge that has slowly trickled in during half a century of study. It's my hope and desire that it will inspire players, boost their progress, propel their playing to excellence, and spur them on to perform with far greater skill, dexterity and aplomb, than I have been able to achieve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstant Melodeon, Absolute Beginners and Tunes and Techniques are three melodeon tuition books designed to be used simultaneously, not in any particular sequence.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTrack Listing\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e  1. Scale 1\u003c\/li\u003e\n\u003cli\u003e  2. Scale 2\u003c\/li\u003e\n\u003cli\u003e  3. Scale 3\u003c\/li\u003e\n\u003cli\u003e  4. Scale 4\u003c\/li\u003e\n\u003cli\u003e  5. Scale 5\u003c\/li\u003e\n\u003cli\u003e  6. Scale 6\u003c\/li\u003e\n\u003cli\u003e  7. Scale 7\u003c\/li\u003e\n\u003cli\u003e  8. Scale 8\u003c\/li\u003e\n\u003cli\u003e  9. Country Gardens Mini\u003c\/li\u003e\n\u003cli\u003e10. Country Gardens\u003c\/li\u003e\n\u003cli\u003e11. Little Brown Jug\u003c\/li\u003e\n\u003cli\u003e12. Polly Wolly Doodle\u003c\/li\u003e\n\u003cli\u003e13. Market Rasen Quickstep\u003c\/li\u003e\n\u003cli\u003e14. Not for Joe\u003c\/li\u003e\n\u003cli\u003e15. The Leeds Polka\u003c\/li\u003e\n\u003cli\u003e16. Percy Brown’s Polka\u003c\/li\u003e\n\u003cli\u003e17. Albert Farmer’s\u003c\/li\u003e\n\u003cli\u003e18. The Morisco\u003c\/li\u003e\n\u003cli\u003e19. Moston Rushcart\u003c\/li\u003e\n\u003cli\u003e20. My Love My Love\u003c\/li\u003e\n\u003cli\u003e21. One More Ribber\u003c\/li\u003e\n\u003cli\u003e22. The Rogue’s March\u003c\/li\u003e\n\u003cli\u003e23. Captain Lanoe’s\u003c\/li\u003e\n\u003cli\u003e24. Whose Jig?\u003c\/li\u003e\n\u003cli\u003e25. The Squirrel in the Tree\u003c\/li\u003e\n\u003cli\u003e26. Burning Bridges\u003c\/li\u003e\n\u003cli\u003e27. The Lollipop Man Mini\u003c\/li\u003e\n\u003cli\u003e28. The Lollipop Man\u003c\/li\u003e\n\u003cli\u003e29. The Rose Tree\u003c\/li\u003e\n\u003cli\u003e30. Lord of the Dance\u003c\/li\u003e\n\u003cli\u003e31. Mount Hills Mini\u003c\/li\u003e\n\u003cli\u003e32. Mount Hills\u003c\/li\u003e\n\u003cli\u003e33. Dark Girl\u003c\/li\u003e\n\u003cli\u003e34. Up and Away\u003c\/li\u003e\n\u003cli\u003e35. Fred Pidgeon’s Polka\u003c\/li\u003e\n\u003cli\u003e36. I’ll Go Enlist for a Sailor\u003c\/li\u003e\n\u003cli\u003e37. Jack Robinson\u003c\/li\u003e\n\u003cli\u003e38. Owen’s Jig\u003c\/li\u003e\n\u003cli\u003e39. Hill of Glenorchy Mini\u003c\/li\u003e\n\u003cli\u003e40. Hills of Glenorchy\u003c\/li\u003e\n\u003cli\u003e41. Paddy Carey\u003c\/li\u003e\n\u003cli\u003e42. Tripping to the Well Mini\u003c\/li\u003e\n\u003cli\u003e43. Tripping to the Well\u003c\/li\u003e\n\u003cli\u003e44. The West Kerry Polka\u003c\/li\u003e\n\u003cli\u003e45. Many a Wild Night\u003c\/li\u003e\n\u003cli\u003e46. The Scartaglen Slide\u003c\/li\u003e\n\u003cli\u003e47. Moyglass Fair\u003c\/li\u003e\n\u003cli\u003e48. Joe Cooley’s Jig\u003c\/li\u003e\n\u003cli\u003e49. The Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003e50. Up Leitrim\u003c\/li\u003e\n\u003cli\u003e51. The Streets of Laredo\u003c\/li\u003e\n\u003cli\u003e52. The Cumberland Waltz\u003c\/li\u003e\n\u003cli\u003e53. Séamus McManus’s\u003c\/li\u003e\n\u003cli\u003e54. Red Haired Mary\u003c\/li\u003e\n\u003cli\u003e55. Fairlop Park\u003c\/li\u003e\n\u003cli\u003e56. Sir Philip McHugh\u003c\/li\u003e\n\u003cli\u003e57. Dusty Miller\u003c\/li\u003e\n\u003cli\u003e58. Dusty Miller, less bass\u003c\/li\u003e\n\u003cli\u003e59. Rusty Gulley\u003c\/li\u003e\n\u003cli\u003e60. Rusty Gulley, less bass\u003c\/li\u003e\n\u003cli\u003e61. Old Lancashire\u003c\/li\u003e\n\u003cli\u003e62. Old Lancashire, less bass \u003c\/li\u003e\n\u003cli\u003e63. Rig-a-Jig\u003c\/li\u003e\n\u003cli\u003e64. The Spirit of the Dance\u003c\/li\u003e\n\u003cli\u003e65. The Farmers’ Jamboree\u003c\/li\u003e\n\u003cli\u003e66. Woodland Flowers\u003c\/li\u003e\n\u003cli\u003e67. Postman's Knock Mini\u003c\/li\u003e\n\u003cli\u003e68. Postman’s Knock\u003c\/li\u003e\n\u003cli\u003e69. The Little Burnt Potato\u003c\/li\u003e\n\u003cli\u003e70. Bodmin Riding March\u003c\/li\u003e\n\u003cli\u003e71. Moonshine\u003c\/li\u003e\n\u003cli\u003e72. Colored Aristocracy Mini\u003c\/li\u003e\n\u003cli\u003e73. Colored Aristocracy\u003c\/li\u003e\n\u003cli\u003e74. Yarmouth Hornpipe Mini\u003c\/li\u003e\n\u003cli\u003e75. The Yarmouth Hornpipe\u003c\/li\u003e\n\u003cli\u003e76. Valentine\u003c\/li\u003e\n\u003cli\u003e77. The Auvergne Mazurka\u003c\/li\u003e\n\u003cli\u003e78. Old Donegal Mazurka\u003c\/li\u003e\n\u003cli\u003e79. Much Wenlock\u003c\/li\u003e\n\u003cli\u003e80. Jenny’s Bawbee\u003c\/li\u003e\n\u003cli\u003e81. Marching Thro’ Georgia\u003c\/li\u003e\n\u003cli\u003e82. MacNamara’s Band\u003c\/li\u003e\n\u003cli\u003e83. If There Weren’t Any\u003c\/li\u003e\n\u003cli\u003e84. The Stack of Oats\u003c\/li\u003e\n\u003cli\u003e85. The Shannon Waves\u003c\/li\u003e\n\u003cli\u003e86. Glise de Sherbrooke Mini\u003c\/li\u003e\n\u003cli\u003e87. Glise de Sherbrooke\u003c\/li\u003e\n\u003cli\u003e88. Durham Ranges Mini\u003c\/li\u003e\n\u003cli\u003e89. Durham Rangers\u003c\/li\u003e\n\u003cli\u003e90. The Hesleyside Reel\u003c\/li\u003e\n\u003cli\u003e91. Mona’s Delight\u003c\/li\u003e\n\u003cli\u003e92. The Old Polka\u003c\/li\u003e\n\u003cli\u003e93. The Portheinon Whim\u003c\/li\u003e\n\u003cli\u003e94. Sheehan’s Reel\u003c\/li\u003e\n\u003cli\u003e95. Da Mirrie Boys\u003c\/li\u003e\n\u003cli\u003e96. Three Jolly Sheepskins\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":20047914467416,"sku":"AM106","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/272c8e_adbc51faf5b746059a5e98aeb27a5327_mv2.jpg?v=1553898225"},{"product_id":"untold-cd-from-the-ciderhouse-rebellion","title":"Untold - CD from The Ciderhouse Rebellion","description":"\u003cp\u003eUNTOLD is a unique, three track 50 minute improvisation recorded live in a single take. This is the debut album from new duo The Ciderhouse Rebellion: fiddle player Adam Summerhayes and master accordionist Murray Grainger.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/theciderhouserebellion.com\/?fbclid=IwAR2p0q7M3ehKOCpE9x1R24Q9nfgVQ8r4qWhTvswbq-BLK56NOz81gCplTlE\" data-ft='{\"tn\":\"-U\"}' rel=\"nofollow\" data-lynx-mode=\"origin\" data-lynx-uri=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Ftheciderhouserebellion.com%2F%3Ffbclid%3DIwAR2p0q7M3ehKOCpE9x1R24Q9nfgVQ8r4qWhTvswbq-BLK56NOz81gCplTlE\u0026amp;h=AT044ouVQC79fekz-h1GsC2oZjc7DdgtpckR_TxorGqQdh9d-j_877mtmpu7CflkhvPiN3sfxTCOmWworxlQS6B2LSzkxLx2-YLhl5HOjIu5qk_B1Fd9S6FX-mocoyfSvMBF7NSX5MoGuUMjWz8mg5zqPu4x5PoIg1RRXYmoBhIC8glVzb7zCH4tfmEl_WcgIbtHuYTn0xMNgN-q3Csd_skEYBAglPJD-SddT9_Lsvf_FIoL5yMg0CLRVj5kc3OYLhBG4Paq8Esvvzwjgmrc0BEn58b43UpHK-aOazkw4XOS4gO0hUtuqvNaxzLUbDOl8cZ7t8JcQRwGaex6wh15wXrLHm39EaP96cVNo514gtuu7mpLSmu7p0lXCtL8CNI4qN7Pu45bFED9YQlh5hQ0xgVEE0gFBgwJiQNy3x0nnZbSeBtEdQHWLKG1LdG4fXURHZyGo6TfHHZUNqecECLD39lZa_7pmBgjTzvKuOBLC6JzQjVE4WizWdz3BNN25XgDUjY5gUREVvd6MQ5u-Q5dglF0G2WhlIHGB_xYhpc-JJ8xG28Gn2W9SdLQ1qJCl-8n\" target=\"_blank\"\u003etheciderhouserebellion.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\"Two virtuoso musicians playing some of the most startling and original music you will ever encounter. Compelling, exciting and utterly original\" Phil Beer\u003c\/p\u003e\n\u003cdiv class=\"text_exposed_show\"\u003e\n\u003cp\u003e\"I became utterly bewitched by the beauty of what Summerhayes and Grainger had created. It could justifiably be described as a folk symphony, possessing cyclical completeness yet creating a form that is, at once, both elemental and pastoral.\" - David Auckland Fatea Magazine\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFor bookings and press, contact katie@fromthewhitehouse.com\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"...a stunningly beautiful track from the debut album from new duo The Ciderhouse Rebellion featuring fiddle player Adam Summerhayes and master accordionist Murray Grainger… UNTOLD is a unique three-track 50-minute improvisation recorded live in a single take. As you can hear below, the improvisational flow of their music has an almost cinematic feel, carried aloft by an air\u003c\/span\u003e\u003cspan class=\"text_exposed_show\"\u003e of emotion that registers on a deeper level with the listener immediately. It’s quite unlike anything else in the field and I applaud them both. It’s a stunningly beautiful creation, do yourself a favour, buy it and escape for 50-minutes.\" - Folk Radio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":32307450118232,"sku":"TCR","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/front.jpg?v=1581719735"},{"product_id":"the-haar-cd-album-from-the-haar","title":"The Haar - CD Album from The Haar","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThe Haar introduces the fresh talent of traditional Irish singer Molly Donnery combined with three of the most exciting instrumentalists on the folk and traditional music circuit: Cormac Byrne (Instrumentalist of the Year 2019, FATEA Magazine Music Awards), Adam Summerhayes (‘a Paganini of the traditional violin’ fROOTS) and Murray Grainger (‘Gorgeous stuff’ BBC Radio 3). Like the eponymous sea-mist, which rolls in both east and west from the Irish and North Seas, the music in their debut record varies in denseness and viscosity. It is at once tangible and fleeting, headily thick one moment and thinly dispersed the next. Three masterful instrumentalists provide an improvised space from which Molly’s pure and unadulterated vocals can emerge. The Haar is a collection of traditional Irish songs tackling love, poverty and oppression – common subjects that link the peoples of these islands. This is music that is not afraid to transcend borders - whilst recognisably born of the traditional musics that all members have grown up with and absorbed, it is unapologetic in pushing at the edges in order to create the band’s own unique and compelling sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTHE HAAR – THE ALBUM \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMolly Donnery – vocals\u003c\/p\u003e\n\u003cp\u003eCormac Byrne – bodhrán and percussion\u003c\/p\u003e\n\u003cp\u003eMurray Grainger – accordion\u003c\/p\u003e\n\u003cp\u003eAdam Summerhayes – fiddle\u003c\/p\u003e\n\u003cp\u003eTwo musicians stand in a crowded pub on the Irish island of Inis Oírr; a flame-haired girl silences the room with a quiet unaccompanied song – Molly’s voice was worth the silence.\u003c\/p\u003e\n\u003cp\u003eAn impulsive decision follows, and at sunset the next day, Molly, Adam and Cormac meet at a timeless shipwreck on the wild Atlantic shoreline. They sit on a rock and a simple traditional song emerges – just voice, fiddle and bodhrán. No rehearsal, no arrangement – the song performed intuitively … the seed of an idea that grows into The Haar, the lineup completed when Molly and Murray (accordion) meet for the first time in the studio to record Irish traditional songs tackling love, poverty and oppression –subjects that link the peoples of these islands.\u003c\/p\u003e\n\u003cp\u003eIn the studio, the music flows from the bands first notes together – reminiscent of the haar, a sea mist that rolls in from the Irish and North Seas: fleeting, intangible, headily thick, suddenly overwhelming and then unexpectedly clearing for a glimpse of precious sunlight. The band make no plans, just letting the music create itself; the tracks on the album are the first and only versions, as unpredictable and ephemeral as the haar itself.\u003cbr\u003e\u003c\/p\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":32704693731416,"sku":"TheHaarCD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/TheHaar-1.jpg?v=1587769080"},{"product_id":"the-incider-sessions-cd-from-the-ciderhouse-rebellion","title":"The InCider Sessions- CD from The Ciderhouse Rebellion","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eA LIMITED EDITION CD 'The InCider Sessions' is now released. A selection of tunes from the InCider Sessions broadcasts. 100 copies await you, signed and numbered.\u003c\/p\u003e\n\u003cp\u003eThe InCider Sessions CD is the second album from folk improv duo \u003ca class=\"profileLink\" href=\"https:\/\/www.facebook.com\/TheCiderhouseRebellion\/?__tn__=K-R\u0026amp;eid=ARCJHOkfN0MkM6Izcj96cVhdMKJjczXJA6O__h8Q22mNrPgxVNueGeCQkv7T4j_f5K0vKf8oMyC85kIJ\u0026amp;fref=mentions\u0026amp;__xts__%5B0%5D=68.ARDQimE7uwZI4ZVTqtXULPWrNRY5cMNp2SxenljRaKKjWVxkos27XakwimRTkrtYFeeBr1o3OPy0ynp6svkIEtEtVkEjH5wOpbOWP24y2x27R4NtA7qnF-r-b2IjJdQWTQrz_W5VQ7i1kdv_UAZGY2-aM2oyOwI5Z3zTh9FykX4kPNIWC_FB7ieXzpov40hQZ5hiPoj1eQD_F5b9SdyEIE-KlfSkhtfG15oy5AgIXoUmr3byCH0E7MdVfoasRbMX8TCvIE0Ez3xlw08I2kRWAQ9YbSjSbijZQjudZMH-XeSqfv7YLZObUG-8lLyyks5MgIymky2kyO94AMZql3Mp6cr0yYXh\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=1580266695440711\u0026amp;extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARCJHOkfN0MkM6Izcj96cVhdMKJjczXJA6O__h8Q22mNrPgxVNueGeCQkv7T4j_f5K0vKf8oMyC85kIJ%22%2C%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\"\u003eThe Ciderhouse Rebellion\u003c\/a\u003e. This is a limited edition of 100, signed and numbered CDs; a compilation of an extraordinary new body of music: 12 traditional and original tunes born of social distancing, forged in lockdown and created despite isolation. The album represents a refusal by master accordionist Murray Grainger and fiddle player Adam Summerhayes to let the potential to connect musically with each other, and with the world, be wiped out.\u003c\/p\u003e\n\u003cdiv class=\"text_exposed_show\"\u003e\u003c\/div\u003e\n\u003cp\u003eSupported by \u003ca class=\"profileLink\" href=\"https:\/\/www.facebook.com\/dunkertonsorganiccider\/?__tn__=K-R\u0026amp;eid=ARA6O-GF5FDy_gzo5-9hdWHojkSlIyoBcJzJRaZeb3y8Cgvw4ikCawpPffVx-9QOdihXoRU-rp6ot1rg\u0026amp;fref=mentions\u0026amp;__xts__%5B0%5D=68.ARDQimE7uwZI4ZVTqtXULPWrNRY5cMNp2SxenljRaKKjWVxkos27XakwimRTkrtYFeeBr1o3OPy0ynp6svkIEtEtVkEjH5wOpbOWP24y2x27R4NtA7qnF-r-b2IjJdQWTQrz_W5VQ7i1kdv_UAZGY2-aM2oyOwI5Z3zTh9FykX4kPNIWC_FB7ieXzpov40hQZ5hiPoj1eQD_F5b9SdyEIE-KlfSkhtfG15oy5AgIXoUmr3byCH0E7MdVfoasRbMX8TCvIE0Ez3xlw08I2kRWAQ9YbSjSbijZQjudZMH-XeSqfv7YLZObUG-8lLyyks5MgIymky2kyO94AMZql3Mp6cr0yYXh\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=506315566169710\u0026amp;extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARA6O-GF5FDy_gzo5-9hdWHojkSlIyoBcJzJRaZeb3y8Cgvw4ikCawpPffVx-9QOdihXoRU-rp6ot1rg%22%2C%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\"\u003eDunkertons Cider\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":32738195963992,"sku":"InCider","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Dunkertonsincider.jpg?v=1589583464"},{"product_id":"cd-from-the-ciderhouse-rebellion","title":"Rúnian, Words of a Fiddler’s Daughter - CD from The Ciderhouse Rebellion with Jessie Summerhayes","description":"\u003cp\u003eThe Ciderhouse Rebellion with Jessie Summerhayes\u003cbr\u003e\u003cbr\u003eThe Ciderhouse Rebellion’s third album - a new three way real-time collaboration with wordsmith Jessie Summerhayes that is something wholly new, built upon the foundations of The Ciderhouse Rebellion’s previous work, but with the added intimacy and connection of the human voice.\u003cbr\u003e\u003cbr\u003eJessie’s words are steeped in the same history and folklore that flows through the music of her father, Adam, inhabiting the protagonists and landscape of her beloved North East of England with her fresh and timeless voice. With these meticulously researched poems, drawing on the historical records and literary creations of the early-medieval period — The Magna Carta, the writings of The Venerable Bede, the Norse Sagas — it became clear that this body of evocative work should stand alone, and Words From a Fiddler’s Daughter was born.\u003c\/p\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":33141448507480,"sku":"Woafd-cd","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/171F3F50-4349-460B-8CCD-9DB5A4846B7B.jpg?v=1594728316"},{"product_id":"runian-collection-of-poetry-by-jessie-summerhayes","title":"Rúnian,  collection of poetry by Jessie Summerhayes","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cstrong\u003eRúnian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJessie Summerhayes\u003c\/p\u003e\n\u003cp\u003eIllustrated by Jessie \u0026amp; Adam Summerhayes\u003c\/p\u003e\n\u003cp\u003eA poem cycle — newly minted folk tales that feel centuries old — brought into being by inspiration from The Ciderhouse Rebellion’s InCider Sessions. Meticulously researched poems, drawing on the historical records and literary creations of the early-medieval period — The Magna Carta, the writings of The Venerable Bede, the Norse Sagas.\u003c\/p\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":33141452439640,"sku":"Woafd-bk","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/D8A8FEF8-BA99-4F1E-A4B2-B9A6B30A6A09.jpg?v=1594728240"},{"product_id":"copy-of-runian-words-of-a-fiddler-s-daughter-cd-and-book-from-the-ciderhouse-rebellion-with-jessie-summerhayes","title":"Rúnian, Words of a Fiddler’s Daughter - CD and Book from The Ciderhouse Rebellion with Jessie Summerhayes","description":"\u003ch4\u003e\u003c\/h4\u003e\n\u003cp\u003eWords Of A Fiddler\/s Daughter: Rúnian\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDisc and Book bundle\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Ciderhouse Rebellion’s third album - a new three way real-time collaboration with wordsmith Jessie Summerhayes - and the accompanying book of the poem cycle with remarkable and striking illustrations by Jessie and Adam Summerhayes.\u003c\/p\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":33141459386456,"sku":"Woafd-cdbk","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/309AFB95-8DA8-4E03-8A97-EFBB9339A307.jpg?v=1594728290"},{"product_id":"dodo-street-natural-selection-cd","title":"Dodo Street - Natural Selection CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eReturning from 300 years of extinction, Dodo Street have recorded a trailblazing, joyously wild musical odyssey, encompassing melodies from the shores of the Hebrides to the mountains of Eastern-Europe. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheir history-defying existence brings extreme velocity and inhuman precision from Adam Summerhayes ('astonishing, all-out virtuosity' New York Times) and Piers Adams ('superhuman' Washington Post) and the rest of the band is equally virtuosic. Master accordionist Murray Grainger and one of Europe's most renowned bass players, Malcolm Creese, provide the powerful core of the band as well as dynamic solos. The livewire Cormac Byrne, king of Irish percussion and BBC Folk Award-winning bodhran player, can easily steal the show. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut it is the music that is really remarkable. There is nothing predictable about their tunes. On Natural Selection, a famous Irish melody might take a wild Klezmer twist, an ancient Scottish wedding song is recast in a mesmeric soundscape that evokes the lonely island from which it came, gypsy tunes and Eastern European rhythms spiral faster and faster, impossible not to dance to. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstrumental limits are pushed to the extreme, but the band never lose control or tightness and the music is, above all, driven by potent melodies, whether centuries old or newly penned.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"This bunch of dodos is alive and doing fine. Do not be distracted by their hats their madness is medicated with jaw-dropping instrumental skills. Adam Summerhayes (violin and composition), Malcolm Creese (bass), Murray Grainger (accordion), Cormac Byrne (bodhran and percussion) and Piers Adams (recorder) have been round the musical block more times than they care to admit. But it is this experience and unsurpassed individual virtuosity that makes Natural Selection nothing short of phenomenal. From the delicate pianissimos of St Kilda through the wondrous melancholy of Dodos and Neil Gow s Laments to the soaring scapes of Larking, Flight of the Dodo or Cock at Sunrise, the musical precision and discipline are breathtaking as themes are moved masterfully between instruments. Klezmer, tango, Gypsy and Celtic echoes linger almost imperceptibly in these ear-worms. Hats off to the Dodo s collective genius.\" --MorningStar\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Dodo Street consists of five musicians. It would be a much longer piece to describe the background of the musicians in any way other than to quote from their publicity material. The band combine unbelievable fiddle virtuosity from international star Adam Summerhayes; outrageous brilliance from world number one recorder genius, Piers Adams; incredibly high-ABV insanity from accordion master, Murray Grainger; positively feverish power from bass legend, Malcolm Creese; and dazzling bodhran playing from king of folk percussion, Cormac Byrne . Any one of the five has a musical pedigree that you can only admire, collectively they work superbly together and it makes for a stunning sound (which they call Celtic Gypsy Klezmer) melding Scottish\/Irish folk, gypsy and Eastern European tunes and rhythms. The other aspect to mention is the humour. The album tracks are titled in some way to give a link to the dodo. To give a couple of examples: Flight Of The Dodo is described as Commemorating the invention of a mechanical flying machine by dodos in 1803 (and the subsequent suppression of the fact by humans) ; and Track 8 is called Historic 1632 recording of Dodo calls (Courtesy of the descendants of Midshipman Alex Whammond). The publicity material is unusually self-deprecating and, of many gems, my favourite is the description of Cormac Byrnes bodhran playing as complex morse-code-based rhythm patterns which he broadcasts from his bedroom to try and contact the intergalactic Space Dodos. You can only be this irreverent about your playing if you are very good or if you are sufficiently novice that you're unaware of it. Dodo Street are definitely not a band of novices.\"  --Folking.com\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003c\/h4\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":33395363315800,"sku":"DODOCD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/71-fAxn6RkL._AC_SL1371.jpg?v=1601760676"},{"product_id":"paperbird-cd-with-murray-grainger-and-amy-thatcher","title":"Paperbird - CD with Murray Grainger and Amy Thatcher","description":"\u003ch4\u003eDescription \u003c\/h4\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA cult classic known in the dark circles of the accordion world, this album displays all the talents of Amy Thatcher at age 16. She joins forces with virtuoso Murray Grainger to produce an extraordinary collection of accordion duets. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is a mix of traditional tunes and original compositions for this album entitled ‘Paper Bird’, a popular Mike McGoldrick tune featured on the recording. \u003c\/span\u003e\u003c\/p\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":33395373604952,"sku":"MGATCDPap","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Amy_Thatcher_and_Murray_Grainger_-_Paper_Bird.jpg?v=1601760881"},{"product_id":"copy-of-paperbird-cd-with-murray-grainger-and-amy-thatcher","title":"LinnTilla - CD featuring Irish and Electronic music","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTaking Irish tunes and songs and blending them with the finest electronic grooves, this album will take you on a journey of groove and passion.\u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul class=\"list_no_style\"\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eAccordion, Keyboards\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/3859390-Murray-Grainger\" target=\"_blank\"\u003eMurray Grainger\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eArt Direction, Design\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/6337816-Kristofer-Massey\" target=\"_blank\"\u003eKristofer Massey\u003c\/a\u003e, \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/6337812-Neil-Frost\" target=\"_blank\"\u003eNeil Frost\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eDouble Bass, Electric Bass, Bass [Fretless]\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/2662731-Nye-Parsons\" target=\"_blank\"\u003eNye Parsons\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eDrums, Body Percussion [Hand]\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/4632840-Dave-Neville\" target=\"_blank\"\u003eDave Neville\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eFiddle, Viola, Cello\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/515908-Saskia-Tomkins\" target=\"_blank\"\u003eSaskia Tomkins\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eKeyboards, Guitar\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/116936-Declan-Flynn\" target=\"_blank\"\u003eDeclan Flynn\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eManagement\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/3859390-Murray-Grainger\" target=\"_blank\"\u003eMurray Grainger\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eMastered By\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/815905-Jason-Goz\" target=\"_blank\"\u003eJason Gosling\u003c\/a\u003e*\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003ePainting [Front Cover]\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/6337813-Suzanne-Ross\" target=\"_blank\"\u003eSuzanne Ross\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eProducer\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/70782-Al-Pha-X\" target=\"_blank\"\u003eAl-Pha-X\u003c\/a\u003e, \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/116936-Declan-Flynn\" target=\"_blank\"\u003eDeclan Flynn\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eUilleann Pipes, French Horn [French Pipes], Whistle, Flute, Clarinet [Turkish Clarinet], Oboe, Woodwind [Ethnic], Guitar, Guitar [Tenor], Bodhrán, Body Percussion [Hand]\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/361259-Ste%C3%A1f%C3%A1n-Hannigan\" target=\"_blank\"\u003eSteáfán Hannigan\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eVocals, Keyboards\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/1913203-Cecilia-Le-Poer-Power\" target=\"_blank\"\u003eCecilia Le Poer Power\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":33395381960792,"sku":"LinnT","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/R-11646596-1519988963-2048_jpeg.jpg?v=1601761029"},{"product_id":"heretique-cd","title":"Hérétique - CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eHérétique create fresh and innovative music based on foot-stomping traditional dance tunes and sensational songs from all over Europe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDazzling vocals and the unique sounds of accordion, bagpipe and hurdy-gurdy combine to create a powerful blend of infectious melodies and driving rhythm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInterlacing elements of jazz, classical music and furtive references to popular culture, every live performance is a riot of hilarity, virtuosity, laughter and showmanship. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGuaranteed to excite and entertain, Hérétique’s electrifying fusion of energy and humour will have audiences leaping to their feet and dancing in the aisles!\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA seriously talented and spirited performance throughout which also provides a long-overdue reminder that even top-quality music can be (indeed, ought to be) fun! You will never regret getting hold of this album!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e'I think the music is gorgeous...'\u003c\/p\u003e\n\u003cp\u003eGenevieve Tudor BBC Radio\u003c\/p\u003e\n\u003cul class=\"list_no_style\"\u003e\u003c\/ul\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":33395429965912,"sku":"H001CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/HeretiqueAlbum.jpg?v=1601762073"},{"product_id":"heretique-last-mango-in-paris-cd","title":"Hérétique - Last Mango in Paris CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp align=\"center\"\u003e2 years in creation, 'Last Mango in Paris' is the latest CD.\u003c\/p\u003e\n\u003cp align=\"center\"\u003e \u003c\/p\u003e\n\u003cp align=\"center\"\u003eGuaranteed to excite and entertain, Hérétique’s electrifying fusion of energy and humour will have listeners leaping to their feet and dancing! \u003c\/p\u003e\n\u003cp align=\"center\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHérétique create fresh and innovative music based on foot-stomping traditional dance tunes and sensational songs from all over Europe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDazzling vocals and the unique sounds of accordion, bagpipe and hurdy-gurdy combine to create a powerful blend of infectious melodies and driving rhythm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInterlacing elements of jazz, classical music and furtive references to popular culture, every live performance is a riot of hilarity, virtuosity, laughter and showmanship. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGuaranteed to excite and entertain, Hérétique’s electrifying fusion of energy and humour will have audiences leaping to their feet and dancing in the aisles!\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA seriously talented and spirited performance throughout which also provides a long-overdue reminder that even top-quality music can be (indeed, ought to be) fun! You will never regret getting hold of this album!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e'I think the music is gorgeous...'\u003c\/p\u003e\n\u003cp\u003eGenevieve Tudor BBC Radio\u003c\/p\u003e\n\u003cul class=\"list_no_style\"\u003e\u003c\/ul\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":33395433209944,"sku":"H002CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/mango.jpg?v=1601762276"},{"product_id":"the-ciderhouse-rebellion-tune-book","title":"The Ciderhouse Rebellion Tune Book","description":"\u003cp\u003eThe Ciderhouse Rebellion is an exciting instrumental duo bringing together two seasoned musicians: violinist Adam Summerhayes and master accordionist Murray Grainger.\u003c\/p\u003e\n\u003cp\u003eThe pair specialise in creating within the moment, a rare alchemy whereby a performance is as likely to spring from a single, spontaneous phrase or note offered by one to the other, as from a favourite traditional tune.\u003c\/p\u003e\n\u003cp\u003eThis book is a compilation of an extraordinary body of music: traditional (often from the North East), original tunes and melodies born from the moment – it’s this unusually improvisatory focus that is uniquely magical. The extraordinary results of their quest to create music in the moment, with no conscious thought between conception and playing have been included and notated here for the first time.\u003c\/p\u003e\n\u003cp\u003eAn insight into a deeper and perhaps more revealing narrative and way of playing.\u003c\/p\u003e\n\u003cp\u003e“Gorgeous stuff” (BBC Radio 3).\u003c\/p\u003e\n\u003cp\u003e“Two virtuoso musicians playing some of the most startling and original music you will ever encounter. Compelling, exciting and utterly original” Phil Beer\u003c\/p\u003e\n\u003cdiv class=\"text_exposed_show\"\u003e\n\u003cp\u003e\"I became utterly bewitched by the beauty of what Summerhayes and Grainger had created. It could justifiably be described as a folk symphony, possessing cyclical completeness yet creating a form that is, at once, both elemental and pastoral.\" - David Auckland Fatea Magazine\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFor bookings and press, contact katie@fromthewhitehouse.com\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text_exposed_show\"\u003e66 pages\u003c\/div\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":33596016885848,"sku":"TCR-TB","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/TCRTBfront.jpg?v=1608055998"},{"product_id":"the-encyclopaedia-of-accordion-chords-book","title":"The Encyclopaedia of Accordion Chords - Book","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eFinally, an easy and comprehensive reference book of chords for the accordionist!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis indispensable book is an exhaustive source of reference for the accordionist looking to expand the range of chords available to them on their instrument.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor years accordionists have felt constrained by a minimal selection of just four simple chords, making them unable to realise songs fully, instead being forced to simplify the harmony. Here Murray shows us how, by combining chords, it is possible to create a vast array of different chords, increasing immensely the harmonic pallet available.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrganised by key, every chord you could possibly need is here, from the simple to the most complex. With over 500 chords, shown in both tablature and notation, you will at last be able to unlock the full potential of your accordion.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned for 120 bass accordions; some chords not suitable for smaller keyboards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Author:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMurray Grainger is established as one of Britain’s most influential and innovative accordionists.\u003c\/p\u003e\n\u003cp\u003eHaving studied at the Royal Academy of Music, his exceptional ability to move between genres has seen him crossing boundaries throughout the entire musical spectrum from traditional, through classical and jazz, to commercial and popular music.\u003c\/p\u003e\n\u003cp\u003eHe has performed with the BBC Symphony Orchestra, Liverpool Philharmonic, and Opera North; at Glastonbury Festival of Arts, Sidmouth International Folk Festival, Edinburgh Festival, and Celtic Connections; and collaborated with many of the world’s top performers, including Cormac Byrne, Piers Adams, Adam Summerhayes, Miranda Sykes and Martitn Allcock.\u003c\/p\u003e\n\u003cp\u003eMurray is a respected educator, teaching at Halsway Manor, Hands on Music in Witney and is former head of accordion studies at Chetham’s School of Music.\u003c\/p\u003e\n\u003ch4\u003eSpecification\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eover 500 chords for the accordionist\u003c\/li\u003e\n\u003cli\u003eboth tablature and notation\u003c\/li\u003e\n\u003cli\u003e366 pages\u003c\/li\u003e\n\u003cli\u003eDetailed advice for all keyboard sizes\u003c\/li\u003e\n\u003cli\u003eISBN 978-1-5272-9258-1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e\u003c\/h4\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":39390993809496,"sku":"EncCho-MG","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/1_18a5b3ef-78c7-4067-b7ca-e8377002d256.jpg?v=1620226978"},{"product_id":"the-whitby-rose","title":"The Whitby Rose","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Ciderhouse Rebellion, the “free-flowing, ambitious and fiercely creative” (The Strad) folk-improv duo, have deep roots in traditional and classical music of all forms, and in particular the music of the North of England. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhilst these roots often emerge throughout their improvised-repertoire, new tune ‘The Whitby Rose’, released on April 9th, has a particularly poignant link to the trades and traditions of the Yorkshire coast. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThroughout 2020 Adam Summerhayes and Murray Grainger kept themselves busy with a startling variety of projects - radio shows, live broadcasts, recording improvised music down the landline telephone, and releasing two full length albums - and for one YouTube broadcast Adam put together some footage his grandfather had filmed of a boat being constructed for the Whitby fishing company he once partly-owned. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe footage was accompanied by an audio recording of Adam’s great-grandmother on her 100th birthday, but the images so connected with his family’s past resonated with Adam and, as is often the case, a tune began to form in his mind. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn Adam’s\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e own words: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“the melody felt gentle and somehow old already and in some way linked to the old film. We recorded it as the basis for one of our improvisations the next week as one of the many tunes we released over the period - four a week!” \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInitially released as part of the ‘InCider Sessions’ YouTube series, when it came to compiling compositions for an often-requested Tune Book that \"gentle and somehow old” melody was one that both Adam and Murray wanted to include. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRevisiting the old footage that had sparked the melody, a title emerged: The Whitby Rose. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Grandpa had two boats, the Whitby Rose and the Stakesby Rose. The boat being built in the film is the Stakesby Rose, but we see my young and radiant looking mother, a Whitby Rose if ever there was one, launching the boat and so the title became obvious.” \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFreshly accompanied by the archive footage, The Whitby Rose becomes more evocative and moving; tender and wrought through with authentic nostalgia without resorting to sentimentality: like all of The Ciderhouse Rebellion’s music it takes you on “a musical journey that will touch every conceivable human emotion\" (FATEA). \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat a piece of music created in the moment, without planning or preparation, could match the emotions and pathos of this footage so perfectly is no mere coincidence: Murray and Adam’s ability to conjure magic seemingly from thin air is testament to the deep well of musical thought and experience that these masterful musicians can draw upon. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Folk Radio UK have said of the duo \"their musical relationship is deep and intuitive and their confidence in performing improvised music is utterly sound”\u003c\/span\u003e","brand":"Single Music","offers":[{"title":"Digital Download","offer_id":39445794062424,"sku":"UKX8X2100001","price":1.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/47c62522-d3fc-4da0-b30d-de7fdb22f26010858931594552903257-LARGE.jpg?v=1623076940"},{"product_id":"the-skinny-orphan","title":"The Skinny Orphan","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eThe Skinny Orphan was originally commissioned by the winner of a 'Folk Corona' auction on Facebook. The tune is based on an ancient Sorbian melody. Adam Summerhayes has created a charming, if slightly unnerving, animation with a twist on Little Red Riding Hood folk. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleased February 19, 2021 \u003cbr data-mce-fragment=\"1\"\u003eAdam Summerhayes - violin \u003cbr data-mce-fragment=\"1\"\u003eMurray Grainger - accordion\u003c\/div\u003e","brand":"Single Music","offers":[{"title":"Digital Download","offer_id":39445804548184,"sku":"UKX8X2000022","price":1.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/78586d45-45f4-49c7-8a74-10e06f14d4ed8435043603163159026-LARGE.jpg?v=1623077401"},{"product_id":"genius-loci-1-white-peak-cd-from-the-ciderhouse-rebellion","title":"Genius Loci 1 : white peak - CD from The Ciderhouse Rebellion","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cdiv class=\"\"\u003e\n\u003cb class=\"\"\u003e\u003cspan class=\"\"\u003eGenius Loci 1 : white peak\u003c\/span\u003e\u003cspan class=\"\"\u003e\u003cbr class=\"\"\u003e \u003c\/span\u003e\u003cspan class=\"\"\u003eThe Ciderhouse Rebellion\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"\"\u003e\u003cbr class=\"\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cb class=\"\"\u003e\u003cspan class=\"\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e“The natural and almost instinctive interplay… makes for an evocative journey around the White Peak and confirms this close-knit duo’s reputation as the masters of impressionistic folk music.” - Bright Young Folk\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003eThe atmospheric audio from The Ciderhouse Rebellion’s video series \u003c\/span\u003e\u003cspan class=\"\"\u003eGenius Loci 1: White Peak. \u003c\/span\u003e\u003cspan class=\"\"\u003e\u003cbr class=\"\"\u003e \u003c\/span\u003e\u003cspan class=\"\"\u003e\u003cbr class=\"\"\u003e \u003c\/span\u003e\u003cspan class=\"\"\u003eThere was an idea, long ago, in classical Roman religion, that every part of the world had its own little god, its own spirit. Folk-improv duo The Ciderhouse Rebellion, featuring Adam Summerhayes on fiddle and Murray Grainger on accordion, drew on this spirit of place in their six-part video series, ‘Genius Loci’. Season One - White Peak -  was filmed over two walks on the White Peak in the Derbyshire countryside, combining stunning drone and still-camera footage which aired on YouTube and Facebook in June\/July 2021. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003eAdam Summerhayes and Murray Grainger are not only superb musicians who have been described as \u003c\/span\u003e \u003cspan class=\"\"\u003e“astonishing, all-out virtuosity” (New York Times)\u003c\/span\u003e\u003cspan class=\"\"\u003e and \u003c\/span\u003e\u003cspan class=\"\"\u003e“free-flowing, ambitious and fiercely creative” (The Strad),\u003c\/span\u003e\u003cspan class=\"\"\u003e they are also great friends, whose warm and natural demeanour and humour with each other is as essential to their personal relationship as it is to their musical one. Together, as The Ciderhouse Rebellion, the duo specialise in creating music in the moment, with no conscious thought between conception and playing, an unusually improvisatory focus that is uniquely magical.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003e\u003cbr class=\"\"\u003e \u003c\/span\u003e\u003cspan class=\"\"\u003eAdam and Murray would set off on foot until they happened upon a spot where the spirit of place pulled upon their musical antennae. Once they had set up to record, they allowed the landscape to inspire them, and the first note of an entirely new piece of music was played.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eThis willingness to open themselves up to the inspiration of moment, place and time is what sets the music of The Ciderhouse Rebellion apart, with Adam and Murray acting as a conduit for the musical conversation that flows between them and the landscape. \u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eThe scene for each of the six tracks is set by Jessie Summerhayes, wordsmith (and, for this project, pathfinder and beauty gazer) with six short poems, concurring images of the landscape from which the music flows.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003e\u003cbr class=\"\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003e\u003cbr class=\"\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003e***\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003e\u003cbr class=\"\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e1 Setting i (0:46)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e2 First Corner (8:30)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e3 Setting ii (0:37)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e4 Troll Wood (5:23) \u003c\/div\u003e\n\u003cdiv class=\"\"\u003e5 Setting iii (0:50)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e6 River (4:55)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e7 Setting iv (0:33)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e8 Rose (4:52) \u003c\/div\u003e\n\u003cdiv class=\"\"\u003e9 Setting v (0:38)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e10 Ruin (5:38)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e11 Setting vi (0:36)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e12 Rocks (8:39)\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eSettings - written and spoken by Jessie Summerhayes\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eMusic - Created in the moment by Adam Summerhayes - violin \u0026amp; Murray Grainger - accordion \u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eProduced, mixed and mastered by Murray Grainger\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eRecorded live in the hills of the White Peak by Murray Grainger \u0026amp; Adam Summerhayes \u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eCatalogue: UTE001 \u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch4\u003e\u003c\/h4\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":39607696916568,"sku":"UTE001","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/image_22c9aa75-fcba-4dc4-a4cc-199303b297c3.jpg?v=1632054725"},{"product_id":"genius-loci-2-the-valley-of-iron-the-ciderhouse-rebellion-cd","title":"Genius Loci 2 : the valley of iron - The Ciderhouse Rebellion - CD","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"bd\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn-the-moment folk improvisers The Cider House Rebellion are releasing their next album Genius Loci 2: The Valley of Iron on Friday 1 April this year. Master accordionist Murray Grainger and award-winning fiddle player Adam Summerhayes have recorded a collection of spontaneous tunes, inspired by the Rosedale Valley and its incredible industrial history. The album forms part of a wider multi-media project, Ironstone Tales, to be rolled out throughout 2022.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith backing from Arts Council England, the album is their fourth since 2020 and its story has already gained traction after being featured on Matthew Bannister’s Folk on Foot podcast.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese nine tunes were inspired by, and created on the spot in, the Rosedale Valley and its incredible industrial history. The album forms part of a wider multi-media project, Ironstone Tales, to be rolled out throughout 2022.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdam and Murray\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“I became utterly bewitched by the beauty of what Summerhayes and Grainger had created. It could justifiably be described as a folk symphony, possessing cyclical completeness yet creating a form that is, at once, both elemental and pastoral.” Fatea Magazine\u003cbr data-mce-fragment=\"1\"\u003e“A work of startling, immediate beauty” Folk Radio UK\u003cbr data-mce-fragment=\"1\"\u003e“Grainger’s accordion with Summerhayes’s fiddle is especially beautiful.” Songlines\u003cbr data-mce-fragment=\"1\"\u003e“free-flowing, ambitious and fiercely creative..” The Strad\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ereleased April 1, 2022\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMusic created in the moment by Adam Summerhayes on violin \u0026amp; Murray Grainger on accordion | Produced, mixed and mastered Under The Eaves by Murray Grainger Recorded live in Rosedale on the North York Moors by Murray Grainger \u0026amp; Adam Summerhayes | Self published Under The Eaves Records Catalogue: UTE004\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\" data-mce-fragment=\"1\"\u003eall rights reserved\u003c\/div\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":39904005685336,"sku":"GL2-CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/6bfa39e6-fdb3-4e28-b095-d3ec330a12a05604242981914214701-LARGE_18c32f66-0d3f-4743-844c-7c6618356a94.jpg?v=1649377206"},{"product_id":"where-old-ghosts-meet-cd-album-from-the-haar","title":"Where Old Ghosts Meet - CD Album from The Haar","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eInnovative Anglo-Irish quartet The Haar release their second album. Their debut, eponymous, album was described as “a splendid balance of swirling instrumental magic and beautifully sung narratives” by Folk Radio UK, and Where Old Ghosts Meet promises more magic across eight traditional Irish songs.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatching the fresh talent of traditional Irish singer Molly Donnery with three of the most exciting instrumentalists on the folk and traditional music circuit: Cormac Byrne (Uiscedwr, Seth Lakeman), Adam Summerhayes and Murray Grainger (The Ciderhouse Rebellion, Words of a Fiddler’s Daughter), the band’s music is characterised by ‘live reactive composition’ – an improvised space from which Molly’s pure and \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eunadulterated vocals\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e can emerge.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eThey take familiar tunes and turn them into something fresh that mysteriously feels as if you have known it forever. As the band themselves say: “We let our imaginations run free with these old favourites.” The result is breathtaking beautiful, audaciously ambitious in its scope and, most importantly, a living document that proves the vitality of these ‘old favourites’.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eA product of free-thinking and intuitive musicians at the very height of their powers. The concept might seem oxymoronic, but if you’re looking for the cutting edge of traditional music, it is here.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTHE HAAR – THE ALBUM \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMolly Donnery – vocals\u003c\/p\u003e\n\u003cp\u003eCormac Byrne – bodhrán and percussion\u003c\/p\u003e\n\u003cp\u003eMurray Grainger – accordion\u003c\/p\u003e\n\u003cp\u003eAdam Summerhayes – fiddle\u003c\/p\u003e\n\u003cp\u003eTwo musicians stand in a crowded pub on the Irish island of Inis Oírr; a flame-haired girl silences the room with a quiet unaccompanied song – Molly’s voice was worth the silence.\u003c\/p\u003e\n\u003cp\u003eAn impulsive decision follows, and at sunset the next day, Molly, Adam and Cormac meet at a timeless shipwreck on the wild Atlantic shoreline. They sit on a rock and a simple traditional song emerges – just voice, fiddle and bodhrán. No rehearsal, no arrangement – the song performed intuitively … the seed of an idea that grows into The Haar, the lineup completed when Molly and Murray (accordion) meet for the first time in the studio to record Irish traditional songs tackling love, poverty and oppression –subjects that link the peoples of these islands.\u003c\/p\u003e\n\u003cp\u003eIn the studio, the music flows from the bands first notes together – reminiscent of the haar, a sea mist that rolls in from the Irish and North Seas: fleeting, intangible, headily thick, suddenly overwhelming and then unexpectedly clearing for a glimpse of precious sunlight. The band make no plans, just letting the music create itself; the tracks on the album are the first and only versions, as unpredictable and ephemeral as the haar itself.\u003cbr\u003e\u003c\/p\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":40005829230680,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/WhereOldGhostsMeetFrontCover.jpg?v=1658868225"},{"product_id":"ironstone-tales-cd-from-words-of-a-fiddlers-daughter","title":"Ironstone Tales - CD from Words of a Fiddler's Daughter","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eRosedale. A valley that once reeled under the exploitation of Victorian industry, filled with smoke, the roar of furnaces and the clamour of three thousand workers. \u2028\u2028The Yorkshire Klondike, as it was known. \u003cbr\u003e\u003cbr\u003eNow, ruins act as monuments to ambition and failure - the extraordinary engineering of the railway, the mines and the kilns never really paid off. \u003cbr\u003e\u003cbr\u003eMore sheep than people now watch the stones fall and the buildings crumble. Ring ouzels perch where exhausted men once slept, peregrine falcons startle and fly from the inside of cold furnaces, curlews and lapwings compete in spring to create the valley’s soundtrack. \u003cbr\u003e\u003cbr\u003eJessie’s poems spiral out from the real stories of the valley, facts and history combining with her love of folk tales and memories of her childhood playing amongst the ruins. \u003cbr\u003e\u003cbr\u003eHere in the very spots that inspired each poem, she interweaves her words with music created in the moment by Adam and Murray.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased July 1, 2022 \u003cbr\u003e\u003cbr\u003eThis is Words of a Fiddler’s Daughter - the words of Jessie Summerhayes \u003cbr\u003eInteraction, in the moment, with the music of Th eCiderhouse Rebellion \u003cbr\u003e\u003cbr\u003eProduced, mixed and mastered by Murray Grainger \u003cbr\u003eRecorded live in Rosedale on the North York Moors by Murray Grainger \u003cbr\u003eUTE005\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"info license\" id=\"license\"\u003e\n\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003eall rights reserved\u003c\/div\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":40127470665816,"sku":"UTE005","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/a0544383958_10-3.jpg?v=1665140195"},{"product_id":"the-tears-of-jenny-greenteeth-cd-from-words-of-a-fiddlers-daughter","title":"The Tears of Jenny Greenteeth - CD from Words of a Fiddler's Daughter","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe third album from trio Words of a Fiddler’s Daughter and sound track to the new ‘folk ballet’ The Tears of Jenny Greenteeth. \u003cbr\u003e\u003cbr\u003e1 The Stilled Wheel 1:57 \u2028 \u003cbr\u003e2 The Lovers 3:38 \u003cbr\u003e\u20283 Dreamer - trees 2:19 \u003cbr\u003e4 Meet Briony 2:50\u2028 \u003cbr\u003e5 Grief Stikes Like a Storm 3:08 \u003cbr\u003e\u20286 Terrible in his Sorrow 5:14\u2028 \u003cbr\u003e7 Greenwater Suffers 3:40\u2028 \u003cbr\u003e8 Revelations and a Fateful Journey 8:07 \u003cbr\u003e\u20289 Sun and Stones 5.21 \u003cbr\u003e10 Gone is the Wraith 5.06 \u003cbr\u003e11 The Consequences 3.56 \u003cbr\u003e12 The Tears of Jenny Greenteeth 2.14 \u003cbr\u003e13 The Valley Green 3.09 \u003cbr\u003e14 The Tickity Trees are Dancing 1:39\u2028 \u003cbr\u003e\u003cbr\u003eThe words of storyteller\/poet Jessie Summerhayes combine, in the moment, with the spontanous music of The Ciderhouse Rebellion - Adam Summerhayes (fiddle) and Murray Grainger (accordion). \u003cbr\u003e\u003cbr\u003eThe Tears of Jenny Greenteeth is an adaptation of the\u003cspan class=\"bcTruncateMore\"\u003e traditional folk tale Jenny Greenteeth, written and narrated by poet Jessie Summerhayes (as heard on BBC Radio 4’s Power Lines). It is a tale from a time younger than ours, where love and forgiveness overcome fear, sadness and greed; where nature triumphs over the poison of industry. \u003cbr\u003e\u003cbr\u003eA Miller’s daughter is swept away in the mill race, her parents left transformed by grief. The people of Greenwater live in fear as their children disappear - suspecting they are being taken and drowned by the Miller - Jenny - whilst her devastated husband creates an industrial complex and an army of workers, his skills as a magical toymaker transformed to pursue wealth. Many in the town benefit from the riches, but the society becomes divided and a social wasteland mirrors the industrial one. An unexpected return precipitates change - but it’s a race between disaster and redemption.  \u003cbr\u003e\u003cbr\u003eThe narrative was written by Jessie for a collaborative live production with Ballet Folk. In the resultant show she shares the stage with the musicians (Murray and Adam) and six dancers. All nine interact throughout, transporting the audience to the valley of Greenwater in order to witness the unfolding of a dark yet triumphant story. The production is originally the brainchild of Ballet Folk UK founder and pioneering Director\/Choreographer Deborah Norris and co-produced by Katie Whitehouse, From The Whitehouse. So far performed live at Cambridge Folk Festival, Purbeck Valley Folk Festival and Summer By The River Festival, with more shows to be announced.\u2028\u2028Both “mesmerising and hypnotic” [Songlines] Murray and “intoxicating – virtuoso fiddle player” [The Times] Adam wondered how this would work, being used to creating their  music, whether live or recorded, on the spot. Recent experience writing for a BBC Radio 4 play Lud-In-The-Mist gave them the confidence to create a skeletal structure, allowing them to improvise within sections of the story, and to respond to themes laid out by Jessie’s writing: “I wrote the poem in collaboration with Deborah Norris and talking to the team,” says Jessie. “It’s a huge narrative – 23 pages - drawing on fundamental human concerns such as the environment, concerns about over industrialisation and the flow of the river. The story has a traditional feel but is very relevant to current times.” The location for the story was inspired by Stott Park Mill and the surrounding Lake District and the underlying narrative is that of conservation and protection of the riverways of Britain. \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eA tale by poet\/storyteller\/narrator Jessie Summerhayes \u003cbr\u003eMusic by Adam Summerhayes - violin and Murray Grainger - accordion \u003cbr\u003ecreated with Deborah Norris and Ballet Folk \u003cbr\u003eRecorded, produced and mixed by Murray Grainger UNDER THE EAVES UTE 006 \u2028Mastered by Jon Astley. Artwork by Anna Smith \u003cbr\u003e© and ℗ 2022 Adam Summerhayes, Jessie Summerhayes \u0026amp; Murray Grainger\u003c\/div\u003e\n\u003cdiv class=\"info license\" id=\"license\"\u003e\n\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003eall rights reserved\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":40127472828504,"sku":"UTE 006 \u2028","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/a2767856262_10.jpg?v=1665140450"},{"product_id":"the-devils-on-the-mast-cd-from-the-ciderhouse-rebellion-kirsty-merryn","title":"The Devil's on the Mast - CD from The Ciderhouse Rebellion \u0026 Kirsty Merryn","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe Ciderhouse Rebellion (duo) is releasing a trio album - The Devil’s On The Mast - with Kirsty Merryn \u003cbr\u003e\u003cbr\u003eOver a winter’s week in the heart of the Yorkshire Moors, Adam, Kirsty and Murray devised and recorded an album of brand new music. \u003cbr\u003e\u003cbr\u003eThe format of the physical release is a beautifully illustrated booklet, with a CD. \u003cbr\u003e\u003cbr\u003eBetween stories of wreckers and smugglers, midwives and hedge-witches, snake-catchers and nightmen, the new trio Cider With Kirsty reveal the hidden lives that were the historic heartbeat of the country. Originally meeting through folk legends Show Of Hands, The Ciderhouse Rebellion found that their create seascapes and laments, prayers and evocations danced perfectly with Merryn’s poignant and angelic vocals. Their prolific original songwriting led to an incredible album The Devil’s On The Mast - out June 2nd 2023. \u003cbr\u003e\u003cbr\u003eMaster improvisers, the Ciderhouse Rebellion works differently to most artists — rather than engaging in a process of rehearsing and refining, Adam Summerhayes (fiddle) and Murray Grainger (accordion) create music in the moment, through improvisation and instinct, honed over years of working together, two lifetimes of\u003cspan class=\"bcTruncateMore\"\u003e musical study and a rare, magical connection. Kirsty Merryn has been working for many years as a solo performer and songwriter, and brought her own skills and experience to the project. \u003cbr\u003e\u003cbr\u003eThe creative process: Adam and Kirsty wrote the lyrics for all of the tracks, bar two with older words, and then, in separate rooms, connected by headphones and the freezing silence of the moors, the trio just ... made music. The songs you hear are almost all first takes — not only the first time that they were recorded, but the first time they were played ... something captured in the moment of its creation. This dynamic, challenging and — for Kirsty — entirely new way of working takes a remarkable amount of trust, but the end result is something organic and beautiful that couldn’t be captured in any other way. \u003cbr\u003e“How is it that we, in our long history, denigrate and ignore so many of the folk who are the lifeblood of our society?” - sleeve notes from debut album The Devil’s On The Mast \u003cbr\u003e\u003cbr\u003eThe Ciderhouse Rebellion have cooked up a bit of a storm in just three years with five albums, multiple FATEA awards and sensational live sets across the country - including at The Manchester Folk Festival. Known for creating music through improvisation and instinct, honed over years of working at the highest level and a lifetime of musical study, they continue to produce prolifically and keep audiences enthralled and fully engaged. Meanwhile, the huge talent of Kirsty Merryn - celebrated for many years as a solo performer and songwriter (‘her voice a treat for the soul’ - The Guardian ☆☆☆☆), brought her own virtuoso skills and experience to the project. The end result is a dynamic, enrapturing set of uniquely magical songs.\u003c\/span\u003e\u003cspan\u003e  \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases June 2, 2023 \u003cbr\u003e\u003cbr\u003eMusic by Adam Summerhayes, Murray Grainger and Kirsty Merryn Produced and mixed by Murray Grainger. \u003cbr\u003eUTE007 (Under The Eaves Records) \u003cbr\u003eMastered by Jon Astley \u003cbr\u003eArtwork - Adam Summerhayes \u003cbr\u003e© \u0026amp; ℗ 2023 Adam Summerhayes, Murray Grainger \u0026amp; Kirsty Merryn \u003cbr\u003e\u003cbr\u003eFor press\/media\/bookings please contact \u003ca href=\"mailto:katie@fromthewhitehouse.com\"\u003ekatie@fromthewhitehouse.com\u003c\/a\u003e 07832 200980\u003cbr\u003e\u003ca href=\"http:\/\/theciderhouserebellion.com\/\" rel=\"nofollow ugc\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003etheciderhouserebellion.com\u003c\/a\u003e \u003cbr\u003e\u003ca href=\"http:\/\/kirstymerryn.com\/\" rel=\"nofollow ugc\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ekirstymerryn.com\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\"\u003e\n\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003eall rights reserved\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":44980861305151,"sku":"TDOTM-CD-TCR","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/files\/a3379908468_10.jpg?v=1682974224"},{"product_id":"the-devils-on-the-mast-download-from-the-ciderhouse-rebellion-kirsty-merryn","title":"The Devil's on the Mast - Album Download from The Ciderhouse Rebellion \u0026 Kirsty Merryn","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThe Ciderhouse Rebellion (duo) is releasing a trio album - The Devil’s On The Mast - with Kirsty Merryn \u003cbr\u003e\u003cbr\u003eOver a winter’s week in the heart of the Yorkshire Moors, Adam, Kirsty and Murray devised and recorded an album of brand new music. \u003cbr\u003e\u003cbr\u003eThe format of the physical release is a beautifully illustrated booklet, with a unique download code to allow you to download a high quality version of the audio tracks. \u003cbr\u003e\u003cbr\u003eBetween stories of wreckers and smugglers, midwives and hedge-witches, snake-catchers and nightmen, the new trio Cider With Kirsty reveal the hidden lives that were the historic heartbeat of the country. Originally meeting through folk legends Show Of Hands, The Ciderhouse Rebellion found that their create seascapes and laments, prayers and evocations danced perfectly with Merryn’s poignant and angelic vocals. Their prolific original songwriting led to an incredible album The Devil’s On The Mast - out June 2nd 2023. \u003cbr\u003e\u003cbr\u003eMaster improvisers, the Ciderhouse Rebellion works differently to most artists — rather than engaging in a process of rehearsing and refining, Adam Summerhayes (fiddle) and Murray Grainger (accordion) create music in the moment, through improvisation and instinct, honed over years of working together, two lifetimes of\u003cspan class=\"bcTruncateMore\"\u003e musical study and a rare, magical connection. Kirsty Merryn has been working for many years as a solo performer and songwriter, and brought her own skills and experience to the project. \u003cbr\u003e\u003cbr\u003eThe creative process: Adam and Kirsty wrote the lyrics for all of the tracks, bar two with older words, and then, in separate rooms, connected by headphones and the freezing silence of the moors, the trio just ... made music. The songs you hear are almost all first takes — not only the first time that they were recorded, but the first time they were played ... something captured in the moment of its creation. This dynamic, challenging and — for Kirsty — entirely new way of working takes a remarkable amount of trust, but the end result is something organic and beautiful that couldn’t be captured in any other way. \u003cbr\u003e“How is it that we, in our long history, denigrate and ignore so many of the folk who are the lifeblood of our society?” - sleeve notes from debut album The Devil’s On The Mast \u003cbr\u003e\u003cbr\u003eThe Ciderhouse Rebellion have cooked up a bit of a storm in just three years with five albums, multiple FATEA awards and sensational live sets across the country - including at The Manchester Folk Festival. Known for creating music through improvisation and instinct, honed over years of working at the highest level and a lifetime of musical study, they continue to produce prolifically and keep audiences enthralled and fully engaged. Meanwhile, the huge talent of Kirsty Merryn - celebrated for many years as a solo performer and songwriter (‘her voice a treat for the soul’ - The Guardian ☆☆☆☆), brought her own virtuoso skills and experience to the project. The end result is a dynamic, enrapturing set of uniquely magical songs.\u003c\/span\u003e\u003cspan\u003e  \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases June 2, 2023 \u003cbr\u003e\u003cbr\u003eMusic by Adam Summerhayes, Murray Grainger and Kirsty Merryn Produced and mixed by Murray Grainger. \u003cbr\u003eUTE007 (Under The Eaves Records) \u003cbr\u003eMastered by Jon Astley \u003cbr\u003eArtwork - Adam Summerhayes \u003cbr\u003e© \u0026amp; ℗ 2023 Adam Summerhayes, Murray Grainger \u0026amp; Kirsty Merryn \u003cbr\u003e\u003cbr\u003eFor press\/media\/bookings please contact \u003ca href=\"mailto:katie@fromthewhitehouse.com\"\u003ekatie@fromthewhitehouse.com\u003c\/a\u003e 07832 200980\u003cbr\u003e\u003ca href=\"http:\/\/theciderhouserebellion.com\/\" rel=\"nofollow ugc\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003etheciderhouserebellion.com\u003c\/a\u003e \u003cbr\u003e\u003ca href=\"http:\/\/kirstymerryn.com\/\" rel=\"nofollow ugc\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ekirstymerryn.com\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\"\u003e\n\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003eall rights reserved\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":44980878311743,"sku":"TDOTM-DL-TCR","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/files\/a3379908468_10_390464ec-e73c-4002-820b-cd81fae6c97f.jpg?v=1682974396"},{"product_id":"a-little-bit-slanted-audio-cd-and-book-from-the-ciderhouse-rebellion-and-molly-donnery","title":"A Little Bit Slanted - Audio CD and book from The Ciderhouse Rebellion and Molly Donnery","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe Ciderhouse Rebellion’s collaboration with The Haar singer Molly Donnery has resulted in the release of a new album ‘A Little Bit Slanted’.\u003cbr\u003e\u003cbr\u003eAn album born on the road, out of friendship and late-night laughter, ‘A Little Bit Slanted’ was recorded in just two days on the North Yorkshire Moors with the Irish singer Molly Donnery, who collaborates with the duo in their lauded project The Haar (alongside bodhrán player Cormac Byrne). \u003cbr\u003e\u003cbr\u003eA mid-winter break during a tour spontaneously turned into a four hour drive to lay down 9 songs, springing from a casual conversation between the three about touring in this configuration of violin, voice and accordion. \u003cbr\u003e\u003cbr\u003e“Shall we do a little tour, then?” remarked Adam. Molly responded “Vibes. I was thinking of doing some songs I haven’t done in a while, from when I was a kid?”. “Cool. Nice” affirmed Murray and the project was then in motion, almost effortlessly. \u003cbr\u003e\u003cbr\u003eTheir intention to capture some of the joy and magic they had been feeling during their live sets resulted in this collection of traditional songs, performed in entirely new ways. \u003cbr\u003e\u003cbr\u003eIt proved to be much more than simply looking back\u003cspan class=\"bcTruncateMore\"\u003e, with Molly finding catharsis singing songs from her childhood in Gaelic and English - now honoured by the spontaneous musical worlds conjured by Adam Summerhayes and Murray Grainger. For Molly these are also the songs through which she developed her craft and then won the All-Ireland Scór na nÓg with - so there’s a real passion at play here. \u003cbr\u003e\u003cbr\u003eAs Grainger says: “Molly is probably the finest singer I’ve ever worked with. She’s ridiculously good.” Singing in English and Irish Gaelic, she brings a wonderfully contemporary timbre to these traditional songs. “She is such a capable and imaginative singer,” adds Summerhayes. “In the same way as we react to her, she absolutely reacts to us. So if we’ve suddenly taken a song in a different direction, she will absolutely go with it without a pause. I don’t know any other singer who’s quite as flexible.”\u003c\/span\u003e\u003cspan\u003e  \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased June 7, 2024 \u003cbr\u003e\u003cbr\u003eUNDER THE EAVES RECORDS CAT# UTE 009 \u003cbr\u003eVocals: Molly Donnery \u003cbr\u003eInstrumentals: Adam Summerhayes (fiddle), Murray Grainger (accordion \/ stomp box) \u003cbr\u003eRecorded, produced and mixed by Murray Grainger \u003cbr\u003eMastered by Jon Astley \u003cbr\u003eArtwork by Adam Summerhayes \u003cbr\u003eRecorded at Under The Eaves studio, Rosedale. \u003cbr\u003eLyric Book: \u003cbr\u003eIllustrated by Adam Summerhayes. \u003cbr\u003e© \u0026amp; P 2024 Adam Summerhayes, Murray Grainger \u0026amp; Molly Donnery\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"info license\" id=\"license\"\u003e\n\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003eall rights reserved\u003c\/div\u003e\n\u003c!----\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":49379931291967,"sku":"TCR-MD-SlantCD","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/files\/a2943439348_10.jpg?v=1719858367"},{"product_id":"and-even-the-sheep-shall-dance-audio-cd-and-book-from-the-ciderhouse-rebellion","title":"And Even the Sheep Shall Dance - Audio CD and Book from The Ciderhouse Rebellion","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn the spring of 2023, we were overcome by a concept for a new disc and decided to fit it in before we set off to Sweden to record with our Sami friend out in the wilds of the north. The disc is a reflection of the idea that as the world seems to be a tricky and dispiriting place in so many ways, one way of dealing with things is to listen and dance to upbeat music, a sort of ‘fiddling whilst Rome burns’ approach, a bit like what sparked the Jazz Age during the Great Depression of the 1920s and 30s. The disc is entitled ‘And Even The Sheep Shall Dance’ after what Adam claims is a passage from Ezekiel “and when the world is lost in strife and the end times appear to upon us, cider shall be drunk, the music shall rise and even the sheep shall dance”. Apparently, this passage only exists in a few, rare\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, medieval \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eversions, all of which have been suddenly been lost since Adam mentioned it. The album was recorded over a couple of evenings in our Under The Eaves studio in the middle of the Yorkshire Moors.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eThe accompanying graphic novel is an accident, born of a conversation on a journey to Cornwall. \u003cbr\u003eMurray: “What on earth are we going to put in the booklet?”\u003cbr\u003eAdam: “Well, I have had a completely stupid idea that we are definitely definitely not going to do.”\u003cbr\u003eMurray: “Oh god. What?”\u003cbr\u003eAdam: “Well, a sort of comic, telling what the sheep did in each track”\u003cbr\u003eMurray: “That’s a ridiculously stupid idea.”\u003cbr\u003eAdam: “Yes, I told you that”\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eThe rest of the journey was spent listening to the finished tracks and working out the story - a story that turned out to be darker and more allegorical than we had expected, and revealed that, despite its undeniably danceable nature, our music had captured more of the darkness of our current times than we had intended and the despite being the ‘silly boys’ that Adam’s mother always describes us as, we might have some more sensible thoughts hidden deep down. \u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":49379964911935,"sku":"Sheep-TCRCD","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/files\/a4216177182_10.jpg?v=1719858740"},{"product_id":"tales-of-colonsay-double-audio-cd-from-the-ciderhouse-rebellion-and-jessie-summerhayes","title":"Tales of Colonsay - Double Audio CD from The Ciderhouse Rebellion and Jessie Summerhayes","description":"\u003cp\u003e A gift for a parent, changing landscapes and seascapes, skeletal Cetacean remains and a new journey in spoken word inspire the latest work from Cider With Jessie, aka The Ciderhouse Rebellion with Jessie Summerhayes. \u003cbr\u003e\u003cbr\u003eTales of Colonsay will be released as a double CD along with a book featuring Jessie’s poems and illustrations on all platforms on 7th June. \u003cbr\u003e\u003cbr\u003eBoth Summerhayes and Grainger have been inspired by the landscapes of their surroundings in the past. Tales of Colonsay is the third collaboration with Summerhayes’ daughter Jessie - who is an award-winning poet and spoken-word artist, and the second in which a very specific landscape serves as the creative inspiration (the first being Ironstone Tales). \u003cbr\u003e\u003cbr\u003eIn this case the basis of the album is a collection of poetry Jessie wrote for her father’s birthday, inspired by one particular journey to and on the Inner Hebridean island of Colonsay. 11 tracks drawn from the landscape itself, tracking her movements from Oban, across the sea and then along the pristine Atlantic shoreline on Colonsay, culminating in the searing, blow-away track that is Hangman’s Rock. \u003cbr\u003eThere’s an intense reciprocity between the trio, even\u003cspan class=\"bcTruncateMore\"\u003e though they recorded the album in three separate rooms, with Jessie reciting the poems in one, while Grainger and Summerhayes improvised, weaving everything together to create an intricate and beautiful piece of work. “The words are the music and the music is the words and it’s an incredible inter-relationship of poetry to music that you don’t often come across,” says Grainger. \u003cbr\u003e\u003cbr\u003eThese poems are many things, a loving gift, a celebration of the love for a place, an echo of childhood wonder, a terrified vision of the wormholes in reality that lead only to decay and death, a clear-eyed view of the horror that human emotion can bring - a promise of nature’s revolution against our crimes … but, above all, they are heartbreakingly beautiful. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eJessie explains “these poems arose from movement, the first written on the ferry-crossing as a beloved and much visited island crept closer, the rest walking along the shoreline. The stories stepped out from the shifting landscape around me: gannets fishing in a stormy sea, tormentil on grassy slopes, or a washed-up whale’s whitening bones. Each poem is very much an expression of a particular moment in a particular space — they do not tell the tale of Colonsay’s coastline, they tell the tales it told me one week in July.” \u003cbr\u003e\u003cbr\u003eAlthough organically created, with the music being written spontaneously, the album is structured from the original passage towards the island, then around and within it. Jessie continues “I arranged the poems into an order — starting with the ferry and Queen’s Bay, travelling northwards and eventually circling back around to the south-east coast. As I read the poems, the improvised music then continued the chain of storytelling, drawing on the descriptions and feelings caught in the poetry — as we performed together, the conversation continued, and that week in July was given another voice” \u003cbr\u003e\u003cbr\u003eThe Ciderhouse Rebellion’s Adam Summerhayes and Murray Grainger are known for their profound ability to create music spontaneously, with no prior planning nor conscious thought. It’s something they have been mastering for some years now, and are becoming increasingly recognised for. The album, with entirely improvised instrumentation and released on two CDs, continues their unique heritage and is their second album with the award-winning poet, whose work has been featured on BBC Radio 4.\u003c\/span\u003e\u003cspan\u003e  \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased June 7, 2024 \u003cbr\u003e\u003cbr\u003eAlbum: \u003cbr\u003eUNDER THE EAVES RECORDS CAT# UTE011 \u003cbr\u003eMusic by Adam Summerhayes \u0026amp; Murray Grainger \u003cbr\u003eSpoken word Jessie Summerhayes \u003cbr\u003eRecorded, produced and mixed by Murray Grainger \u003cbr\u003eMastered by Jon Astley \u003cbr\u003eRecorded at Under The Eaves studio, Rosedale \u003cbr\u003eBook: \u003cbr\u003eWords by Jessie Summeryahes \u003cbr\u003eIllustrated by Jessie Summerhayes \u003cbr\u003e© \u0026amp; P 2024 Adam Summerhayes, Murray Granger \u0026amp; Jessie Summerhayes\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\"\u003e\n\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003eall rights reserved\u003c\/div\u003e\n\u003c!----\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":49379985621311,"sku":"ToC-TCRJSCD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/files\/a2358759678_10.jpg?v=1719859040"}],"url":"https:\/\/thereedlounge.com\/de\/collections\/price-desc-books-cds-dvds.oembed?page=4","provider":"The Reed Lounge","version":"1.0","type":"link"}