{"title":"Accordion","description":"","products":[{"product_id":"saltarelle-impulse-piano-accordion-96-bass-30-key","title":"Saltarelle Impulse piano accordion, 96 bass 30 key","description":"\u003ch4\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis new piano accordion was created with and for Nathan Carter \u003c\/span\u003e\u003ca href=\"http:\/\/www.nathancartermusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ewww.nathancartermusic.com\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eIt's a very compact 96 basses accordion that allows for dynamic and frantic performance on stage. Its innovative look was also created according to Nathan's request.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe dark mother of pearl effect keys along with this new dark matte painting enhance the mysterious and intense look of the accordion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompact and lightweight but with a wonderfully full balanced sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eSpecification\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e30 key\u003c\/li\u003e\n\u003cli\u003e3 voice\u003c\/li\u003e\n\u003cli\u003e5 right hand registers\u003c\/li\u003e\n\u003cli\u003eHand finished reeds\u003c\/li\u003e\n\u003cli\u003e96 bass\u003c\/li\u003e\n\u003cli\u003e2 left hand registers\u003c\/li\u003e\n\u003cli\u003e7.5kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Saltarelle","offers":[{"title":"Dry","offer_id":33689926151,"sku":"ImpSalt-D","price":5499.0,"currency_code":"GBP","in_stock":false},{"title":"Mild Swing","offer_id":34543178119,"sku":"ImpSalt-MS","price":5499.0,"currency_code":"GBP","in_stock":false},{"title":"Swing","offer_id":34543178183,"sku":"ImpSalt-S","price":5499.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/image_ce4973a1-766d-42d0-bcca-3e0ce248ee39.jpg?v=1527265589"},{"product_id":"pigini-p30-cherrywood-piano-accordion","title":"Pigini P30 Cherrywood piano accordion","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eLight and compact piano accordion from Pigini. Made from Cherry wood this is a beautiful instrument, fast keyboard, responsive reeds and sweet tone.\u003c\/p\u003e\n\u003cp\u003eIt is a 2 voice, with a 30 note right hand keyboard, the range is from a G below middle C to C 2 octaves higher. 3 registers lets you choose the tone colour you wish. The keyboard is rightly renowned for its lightness of touch and responsive feel.\u003c\/p\u003e\n\u003cp\u003eThe left hand is a full 72 bass, 4 voice, balanced well against the right hand. \u003c\/p\u003e\n\u003cp\u003eComes complete in hard case with padded shoulder straps\u003c\/p\u003e\n\u003ch4\u003eSpecification\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e30 key Right Hand\u003c\/li\u003e\n\u003cli\u003e2 Voice Right Hand\u003c\/li\u003e\n\u003cli\u003eHand Finished Reeds\u003c\/li\u003e\n\u003cli\u003e3 Right Hand Registers\u003c\/li\u003e\n\u003cli\u003e72 Bass\u003c\/li\u003e\n\u003cli\u003e4 Voice Left Hand\u003c\/li\u003e\n\u003cli\u003eAvailable Dry, Mild Swing or Swing Tuned\u003c\/li\u003e\n\u003cli\u003e6 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Pigini","offers":[{"title":"Mild Swing","offer_id":33690966343,"sku":"P30CHMS","price":4340.0,"currency_code":"GBP","in_stock":false},{"title":"Swing","offer_id":33690966535,"sku":"P30CHS","price":4340.0,"currency_code":"GBP","in_stock":false},{"title":"Dry","offer_id":33690966663,"sku":"P30CHD","price":4340.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Preludio_P30_cherrywood_aperto.jpg?v=1527263199"},{"product_id":"pigini-preludio-p30-piano-accordion","title":"Pigini Preludio P30 Piano Accordion","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eLight and compact piano accordion from Pigini, this is a beautiful instrument, fast keyboard, responsive reeds and sweet tone.\u003c\/p\u003e\n\u003cp\u003eIt is a 2 voice, with a 30 note right hand keyboard, the range is from a G below middle C to C 2 octaves higher. 3 registers lets you choose the tone colour you wish. The keyboard is rightly renowned for its lightness of touch and responsive feel.\u003c\/p\u003e\n\u003cp\u003eThe left hand is a full 72 bass, 4 voice, balanced well against the right hand. \u003c\/p\u003e\n\u003cp\u003eComes as standard in Black but is available in other colours on request.\u003c\/p\u003e\n\u003cp\u003eComes complete in hard case with padded shoulder straps\u003c\/p\u003e\n\u003ch4\u003eSpecification\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e30 key Right Hand\u003c\/li\u003e\n\u003cli\u003e2 Voice Right Hand\u003c\/li\u003e\n\u003cli\u003eDural Reeds\u003c\/li\u003e\n\u003cli\u003e3 Right Hand Registers\u003c\/li\u003e\n\u003cli\u003e72 Bass\u003c\/li\u003e\n\u003cli\u003e4 Voice Left Hand\u003c\/li\u003e\n\u003cli\u003eAvailable Dry, Mild Swing or Swing Tuned\u003c\/li\u003e\n\u003cli\u003e6 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Pigini","offers":[{"title":"Mild Swing","offer_id":34431161095,"sku":"P30MS","price":3040.0,"currency_code":"GBP","in_stock":false},{"title":"Swing","offer_id":34431161159,"sku":"P30S","price":3040.0,"currency_code":"GBP","in_stock":false},{"title":"Dry","offer_id":34431161223,"sku":"P30D","price":3040.0,"currency_code":"GBP","in_stock":false},{"title":"Octave","offer_id":51687180743,"sku":"P30O","price":3040.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Preludio_P30_nero_aperto.jpg?v=1527263202"},{"product_id":"pigini-deluxe-preludio-p30-piano-accordion","title":"Pigini Deluxe Preludio P30 Piano Accordion","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThis is the Deluxe version of the renowned P30 from Pigini. Light and compact this accordion features 'A Mano' hand made reeds giving you great response and tone, fast keyboard, and a sweet tone.\u003c\/p\u003e\n\u003cp\u003eIt is a 2 voice, with a 30 note right hand keyboard, the range is from a G below middle C to C 2 octaves higher. 3 registers lets you choose the tone colour you wish. The keyboard is rightly renowned for its lightness of touch and responsive feel.\u003c\/p\u003e\n\u003cp\u003eThe left hand is a full 72 bass, 4 voice, balanced well against the right hand. \u003c\/p\u003e\n\u003cp\u003eComes as standard in Black but is available in other colours on request.\u003c\/p\u003e\n\u003cp\u003eComes complete in hard case with padded shoulder straps\u003c\/p\u003e\n\u003ch4\u003eSpecification\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e30 key Right Hand\u003c\/li\u003e\n\u003cli\u003e2 Voice Right Hand\u003c\/li\u003e\n\u003cli\u003eHand Made Reeds\u003c\/li\u003e\n\u003cli\u003e3 Right Hand Registers\u003c\/li\u003e\n\u003cli\u003e72 Bass\u003c\/li\u003e\n\u003cli\u003e4 Voice Left Hand\u003c\/li\u003e\n\u003cli\u003eAvailable Dry, Mild Swing or Swing Tuned\u003c\/li\u003e\n\u003cli\u003e6 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Pigini","offers":[{"title":"Mild Swing","offer_id":34431634951,"sku":"P30DXMS","price":3340.0,"currency_code":"GBP","in_stock":false},{"title":"Swing","offer_id":34431635015,"sku":"P30DXS","price":3340.0,"currency_code":"GBP","in_stock":false},{"title":"Dry","offer_id":34431635079,"sku":"P30DXD","price":3340.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Preludio_P30_nero_aperto_27a22a9c-3ee6-4a6e-9303-50e9b31b1db8.jpg?v=1527263197"},{"product_id":"pigini-preludio-p36-3-72-bass-piano-accordion","title":"Pigini Preludio P36-3 72 or 96 Bass Piano Accordion","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThe Pigini P36 is perhaps the most renowned piano accordion played on the traditional scene, and its reputation is justifiable!\u003c\/p\u003e\n\u003cp\u003eAmazingly fast right hand keyboard, incredible balance between the hands, and sweet and dynamic tone. \u003c\/p\u003e\n\u003cp\u003eYou will see this instrument on many of the top stages played by such players as Karen Tweed, Chris Parkinson, Murray Grainger. \u003c\/p\u003e\n\u003cp\u003e34 right hand keys with a range from G to E, 3 voices, 2 at pitch and one an octave lower. Tuning can be Dry, Mild Swing (4 cent gap) or Swing\u003c\/p\u003e\n\u003cp\u003eThe left hand is a 4 voice that balances will with the right hand. 2 registers gives you the choice of a full sound or a lighter sound for more sustained playing. As standard this is a 72 bass but it is also available with a 96 bass keyboard, the increase is minimal as this requires no extra reeds.\u003c\/p\u003e\n\u003cp\u003eComes complete with hard case and straps.\u003c\/p\u003e\n\u003ch4\u003eSpecification\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e34 right hand keys\u003c\/li\u003e\n\u003cli\u003e3 voice right hand\u003c\/li\u003e\n\u003cli\u003e5 registers, 8', 8'+8', 8'+8'+16', 8'+16', 16'\u003c\/li\u003e\n\u003cli\u003ePearl keys\u003c\/li\u003e\n\u003cli\u003eDural reeds\u003c\/li\u003e\n\u003cli\u003e72 bass or 96 bass\u003c\/li\u003e\n\u003cli\u003e4 voices left hand\u003c\/li\u003e\n\u003cli\u003e2 registers\u003c\/li\u003e\n\u003cli\u003eDry, Mild Swing or Swing\u003c\/li\u003e\n\u003cli\u003e7 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pigini","offers":[{"title":"Dry \/ 72 bass","offer_id":34432225607,"sku":"P3672D","price":3850.0,"currency_code":"GBP","in_stock":false},{"title":"Dry \/ 96 bass","offer_id":34432225671,"sku":"P3696D","price":3999.0,"currency_code":"GBP","in_stock":false},{"title":"Mild Swing \/ 72 bass","offer_id":34432225735,"sku":"P3672MS","price":3850.0,"currency_code":"GBP","in_stock":false},{"title":"Mild Swing \/ 96 bass","offer_id":34432225799,"sku":"P3696MS","price":3999.0,"currency_code":"GBP","in_stock":false},{"title":"Swing \/ 72 bass","offer_id":34432225863,"sku":"P3672S","price":3850.0,"currency_code":"GBP","in_stock":false},{"title":"Swing \/ 96 bass","offer_id":34432225927,"sku":"P3696S","price":3999.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Preludio_P_36_3_nero_aperto.jpg?v=1527263203"},{"product_id":"pigini-deluxe-preludio-p36-3-72-or-96-bass-piano-accordion","title":"Pigini Deluxe Preludio P36-3 72 or 96 Bass Piano Accordion","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThis model has been upgraded by fitting the finest hand made reeds. This gives you a sweeter tone, the harsher harmonics are less obvious. The dynamic range is also improved with the reeds responding quicker as well as being able to go louder before any pitch bend.\u003c\/p\u003e\n\u003cp\u003eAmazingly fast right hand keyboard, incredible balance between the hands, and sweet and dynamic tone. \u003c\/p\u003e\n\u003cp\u003eYou will see this instrument on many of the top stages played by such players as Karen Tweed, Chris Parkinson, Murray Grainger. \u003c\/p\u003e\n\u003cp\u003e34 right hand keys with a range from G to E, 3 voices, 2 at pitch and one an octave lower. Tuning can be Dry, Mild Swing (4 cent gap) or Swing\u003c\/p\u003e\n\u003cp\u003eThe left hand is a 4 voice that balances will with the right hand. 2 registers gives you the choice of a full sound or a lighter sound for more sustained playing. As standard this is a 72 bass but it is also available with a 96 bass keyboard, the increase is minimal as this requires no extra reeds.\u003c\/p\u003e\n\u003cp\u003eComes complete with hard case and straps.\u003c\/p\u003e\n\u003ch4\u003eSpecification\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eHand Made Reeds\u003c\/li\u003e\n\u003cli\u003e34 right hand keys\u003c\/li\u003e\n\u003cli\u003e3 voice right hand\u003c\/li\u003e\n\u003cli\u003e5 registers, 8', 8'+8', 8'+8'+16', 8'+16', 16'\u003c\/li\u003e\n\u003cli\u003ePearl keys\u003c\/li\u003e\n\u003cli\u003e72 bass or 96 bass\u003c\/li\u003e\n\u003cli\u003e4 voices left hand\u003c\/li\u003e\n\u003cli\u003e2 registers\u003c\/li\u003e\n\u003cli\u003eDry, Mild Swing or Swing\u003c\/li\u003e\n\u003cli\u003e7 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pigini","offers":[{"title":"Dry \/ 72 bass","offer_id":34433142279,"sku":"P3672dx-D","price":4150.0,"currency_code":"GBP","in_stock":false},{"title":"Dry \/ 96 bass","offer_id":34433142343,"sku":"P3696dx-D","price":4300.0,"currency_code":"GBP","in_stock":false},{"title":"Mild Swing \/ 72 bass","offer_id":34433142407,"sku":"P3672dx-MS","price":4150.0,"currency_code":"GBP","in_stock":false},{"title":"Mild Swing \/ 96 bass","offer_id":34433142471,"sku":"P3696dx-MS","price":4300.0,"currency_code":"GBP","in_stock":false},{"title":"Swing \/ 72 bass","offer_id":34433142535,"sku":"P3672dx-S","price":4300.0,"currency_code":"GBP","in_stock":false},{"title":"Swing \/ 96 bass","offer_id":34433142599,"sku":"P3696dx-S","price":4050.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Preludio_P_36_3_nero_aperto_fced9db7-3f83-4db7-a2cc-625c3962d9b7.jpg?v=1527263198"},{"product_id":"pigini-cherrywood-p36-3-72-bass-piano-accordion","title":"Pigini Cherrywood P36-3 72 Bass Piano Accordion","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThe Pigini P36 in wood is a thing of beauty, both to play and to look at!\u003c\/p\u003e\n\u003cp\u003eAmazingly fast right hand keyboard, incredible balance between the hands, and sweet and dynamic tone. 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Years of unrelenting dedication, practice and performance have given her a deep understanding of traditional music, and her skill on the piano accordion can only be described as awesome.\u003cbr\u003e \u003cbr\u003e Dave Mallinson didn‰۪t discover traditional music until the late age of twenty-two and is completely self taught. Hard work, sheer dogged determination and lengthy practice have had to be his way of life. His constant struggle to maintain his skill gives him a unique insight into the problems and difficulties facing beginners and novices.\u003cbr\u003e Karen‰۪s enormous skill and knowledge combined with Dave‰۪s affinity with beginners make an ideal combination to present this introduction to the piano accordion and traditional music.\u003cbr\u003e \u003cbr\u003e Foreword by Sam Pirt\u003cbr\u003e \u003cbr\u003e I first met Karen Tweed at the 1994 Folkworks Youth Summer School. 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Brandy\u003c\/li\u003e\n\u003cli\u003eScotland\u003c\/li\u003e\n\u003cli\u003eScattery Island\u003c\/li\u003e\n\u003cli\u003eO‰۪Keeffe‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eSpancil Hill\u003c\/li\u003e\n\u003cli\u003eCamptown Races\u003c\/li\u003e\n\u003cli\u003ePeat Fire Flame\u003c\/li\u003e\n\u003cli\u003eBallydesmond Polka\u003c\/li\u003e\n\u003cli\u003eUncle Reuben\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eSweeney‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eHundred Pipers\u003c\/li\u003e\n\u003cli\u003eThe Keel Row\u003c\/li\u003e\n\u003cli\u003eKatie Bairdie\u003c\/li\u003e\n\u003cli\u003eRoxburgh Castle\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eIrish Washerwoman\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eDurham Rangers\u003c\/li\u003e\n\u003cli\u003eDrowsy 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Years of unrelenting dedication, practice and performance have given her a deep understanding of traditional music, and her skill on the piano accordion can only be described as awesome.\u003cbr\u003e \u003cbr\u003e Dave Mallinson didn‰۪t discover traditional music until the late age of twenty-two and is completely self taught. Hard work, sheer dogged determination and lengthy practice have had to be his way of life. His constant struggle to maintain his skill gives him a unique insight into the problems and difficulties facing beginners and novices.\u003cbr\u003e Karen‰۪s enormous skill and knowledge combined with Dave‰۪s affinity with beginners make an ideal combination to present this introduction to the piano accordion and traditional music.\u003cbr\u003e \u003cbr\u003e Foreword by Sam Pirt\u003cbr\u003e \u003cbr\u003e I first met Karen Tweed at the 1994 Folkworks Youth Summer School. I was much younger and quieter then, but Karen‰۪s warmth and fantastic teaching style, as well as her lovely smile, soon brought out the best in me. I can remember she encouraged me to play in the ‰Û÷over to you‰۪ concert. I only knew the tune Winster Gallop (page 17) and I got an encore!! Since then she has remained a close friend, and a major musical influence on my playing.\u003cbr\u003e \u003cbr\u003e Karen has a wonderful style; she has the ability to really make the tunes speak for themselves. Any tune sounds great in her hands, but I know that this has come through her determination and dedication, also as a result of playing in many, many sessions, jams and gatherings. She is always up for learning new tunes and loves to encourage new players just taking up the accordion, as she did with me.\u003cbr\u003e \u003cbr\u003e I have known Dave Mallinson, or ‰Û÷Mally‰۪ as he is affectionately known, even longer than I have known Karen. The connection is Whitby Folk Week, to which I have been 31 times out of my 32 years. Mally was always there, in fact he was probably going to Whitby before I was born!! Whenever I think of Dave Mallinson, I think of music sessions. He is a great player, and always up for learning a tune or teaching one. His repertoire of tunes from brilliant sessions is second to none, and this becomes a great asset when putting a book like this together.\u003cbr\u003e \u003cbr\u003e Karen and Dave make a great team, Karen with her piano accordion expertise, and Dave with his vast session repertoire. Two masters to give you absolutely everything you need to know to get started on the Piano Accordion.\u003c\/p\u003e\n\u003ch4\u003eContents\u003c\/h4\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstrong\u003eTunes\u003c\/strong\u003e \u003cstrong\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJingle Bells\u003c\/li\u003e\n\u003cli\u003eWhen the Saints\u003c\/li\u003e\n\u003cli\u003eTwinkle Little Star\u003c\/li\u003e\n\u003cli\u003eBaa Baa Black Sheep\u003c\/li\u003e\n\u003cli\u003eSouth Australia\u003c\/li\u003e\n\u003cli\u003eBritish Grenadiers\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003cli\u003eSkip to My Lou\u003c\/li\u003e\n\u003cli\u003eBobby Shaftoe\u003c\/li\u003e\n\u003cli\u003eWinster Processional\u003c\/li\u003e\n\u003cli\u003eDonkey Riding\u003c\/li\u003e\n\u003cli\u003eShepherds‰۪ Hey\u003c\/li\u003e\n\u003cli\u003eShave the Donkey\u003c\/li\u003e\n\u003cli\u003eYoung Collins\u003c\/li\u003e\n\u003cli\u003eBanbury Bill\u003c\/li\u003e\n\u003cli\u003eThe Rose Tree\u003c\/li\u003e\n\u003cli\u003eWinster Gallop\u003c\/li\u003e\n\u003cli\u003eNelly Bligh\u003c\/li\u003e\n\u003cli\u003eBonny Breast Knot\u003c\/li\u003e\n\u003cli\u003eMichael Turner‰۪s Waltz\u003c\/li\u003e\n\u003cli\u003eSweet Jenny Jones\u003c\/li\u003e\n\u003cli\u003eThe South Wind\u003c\/li\u003e\n\u003cli\u003eShoe the Donkey\u003c\/li\u003e\n\u003cli\u003eSonny‰۪s Mazurka\u003c\/li\u003e\n\u003cli\u003eI Have a Bonnet\u003c\/li\u003e\n\u003cli\u003eRodney\u003c\/li\u003e\n\u003cli\u003eThe Man in the Moon\u003c\/li\u003e\n\u003cli\u003eCock of the North\u003c\/li\u003e\n\u003cli\u003eBalance the Straw\u003c\/li\u003e\n\u003cli\u003eConstant Billy\u003c\/li\u003e\n\u003cli\u003eMacNamara‰۪s Band\u003c\/li\u003e\n\u003cli\u003eUncle Bernard‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eThe Lass o‰۪ Dallowgill\u003c\/li\u003e\n\u003cli\u003eThe Derry Boat\u003c\/li\u003e\n\u003cli\u003eThe Bear Dance\u003c\/li\u003e\n\u003cli\u003eThe Rigged Ship\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003cli\u003eScotland\u003c\/li\u003e\n\u003cli\u003eScattery Island\u003c\/li\u003e\n\u003cli\u003eO‰۪Keeffe‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eSpancil Hill\u003c\/li\u003e\n\u003cli\u003eCamptown Races\u003c\/li\u003e\n\u003cli\u003ePeat Fire Flame\u003c\/li\u003e\n\u003cli\u003eBallydesmond Polka\u003c\/li\u003e\n\u003cli\u003eUncle Reuben\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eSweeney‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eHundred Pipers\u003c\/li\u003e\n\u003cli\u003eThe Keel Row\u003c\/li\u003e\n\u003cli\u003eKatie Bairdie\u003c\/li\u003e\n\u003cli\u003eRoxburgh Castle\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eIrish Washerwoman\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eDurham Rangers\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4184037654569,"sku":"AM102C","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/thepianoaccordion_dmpcd1106.jpg?v=1527265611"},{"product_id":"english-pub-session-tunes-english-pub-session-series-cd-dave-mallinson","title":"English Pub Session Tunes English Pub Session Series CD: Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis is the CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe tunes are suitable for every instrument associated with traditional music, and only 14 notes are required to play them all. They are eminently suitable for playing at country dances, ceilidhs, barn dances and hoe-downs and most have been recorded by notable bands and personalities.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo facilitate musicians identifying repertoire suitable for their current personal ability, the tunes in each book are presented in order of difficulty, and start and finish progressively harder throughout the series, in the order listed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIntroduction to the series\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA friend remarked at Sidmouth Folk Week, ‰ÛÏMally, I‰۪m going to recommend your Easy Peasy book to everybody, it‰۪s great! It reflects very closely the repertoire we play at our local session.‰۝ Another friend commented at Cleethorpes Folk Festival, ‰ÛÏMally, you do a gross injustice to some really good and useful tunes by labelling them ‰Û÷Easy Peasy‰۪, it gives the impression that they are only of any use to beginners to cut their teeth on.‰۝ ‰ÛÏVery true,‰۝ I thought, ‰ÛÏI play many of these tunes myself at dances, in sessions and for the morris dancers. Wouldn‰۪t it be a great to extend Easy Peasy into a series.‰۝ The idea was born, and soon developed into this set of four books which contain the most popular tunes that are played in English pub sessions, at folk festivals and by country dance musicians and morris players. Each book has its own theme and identity. Given average luck, with these tunes under your belt, you‰۪ll be able to join in most of the time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBecause most traditional airs only require the fourteen notes D, E, F sharp, G, A, B, C, C sharp, D, E, F sharp, G, A and B, I decided it would be a good idea to continue the theme, meaning all the tunes can be played in the first position on the top three strings of the fiddle, all the notes are in the range of the wooden flute and tin whistle and all the music is within the scope of the D\/G melodeon without accidentals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout these books are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou‰۪ll notice many of the tunes are not English. It‰۪s the pubs, sessions, folk festivals, ceilidhs etc. that are English. In, what might be termed, a general English session, melodies from Northumberland, Ireland, Scotland, America, France and Scandinavia are to be heard alongside English airs, which tend to be associated with the more southern regions of the country\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHundreds of personalities, records, bands, books and sessions have, unknowingly, made tiny, almost imperceptible contributions to the settings and choice of the tunes found in these books (some of the more influential are listed below). They have also been moulded further by the limitations of my instrument, the D\/G melodeon, and, of course, the fourteen note rule. All the settings are my own versions and every tune has, to a greater or lesser degree, my own personal stamp on it. But, I‰۪m sure you‰۪ll find all the tunes ‰Û÷session friendly‰۪, you can learn them exactly as written and have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eThe Muffin Man\u003c\/li\u003e\n\u003cli\u003eJohnny Come Down to Hilo\u003c\/li\u003e\n\u003cli\u003eKelly, the Boy from Killan\u003c\/li\u003e\n\u003cli\u003ePlanxty Irwin\u003c\/li\u003e\n\u003cli\u003eSheebeg, Sheemore\u003c\/li\u003e\n\u003cli\u003eThe Munster Cloak\u003c\/li\u003e\n\u003cli\u003eThe Man in the Moon\u003c\/li\u003e\n\u003cli\u003eThe Drunken Sailor\u003c\/li\u003e\n\u003cli\u003eSaint Mary's Polka\u003c\/li\u003e\n\u003cli\u003eThe Wren\u003c\/li\u003e\n\u003cli\u003eA Starry Night for a Ramble\u003c\/li\u003e\n\u003cli\u003eNapoleon Crossing the Rhine\u003c\/li\u003e\n\u003cli\u003eClee Hill\u003c\/li\u003e\n\u003cli\u003eO‰۪Connor‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eAndrew Carr\u003c\/li\u003e\n\u003cli\u003eDennis Murphy's Polka\u003c\/li\u003e\n\u003cli\u003eThe Officer's Polka\u003c\/li\u003e\n\u003cli\u003eThe Tip Top Polka\u003c\/li\u003e\n\u003cli\u003eThe Ballydesmond Polka\u003c\/li\u003e\n\u003cli\u003eThe Ton\u003c\/li\u003e\n\u003cli\u003eThe Butterfly\u003c\/li\u003e\n\u003cli\u003eOrange in Bloom\u003c\/li\u003e\n\u003cli\u003eSonny's Mazurka\u003c\/li\u003e\n\u003cli\u003eBecause He Was a Bonny Lad\u003c\/li\u003e\n\u003cli\u003eDark Girl Dressed in Blue\u003c\/li\u003e\n\u003cli\u003eThe Quaker\u003c\/li\u003e\n\u003cli\u003eThe Sloe\u003c\/li\u003e\n\u003cli\u003eRig-a-Jig\u003c\/li\u003e\n\u003cli\u003eThe Evesham Stick Dance\u003c\/li\u003e\n\u003cli\u003eMichael Turner's Waltz\u003c\/li\u003e\n\u003cli\u003eChurch Street\u003c\/li\u003e\n\u003cli\u003eThe Seven Stars\u003c\/li\u003e\n\u003cli\u003eHexham Races\u003c\/li\u003e\n\u003cli\u003eRochdale Coconut Dance\u003c\/li\u003e\n\u003cli\u003eThe Heel and Toe Polka\u003c\/li\u003e\n\u003cli\u003eUncle‰۪s Jig\u003c\/li\u003e\n\u003cli\u003eThe Redowa Polka\u003c\/li\u003e\n\u003cli\u003eSmash the Windows\u003c\/li\u003e\n\u003cli\u003eThe Gasp̩ Reel\u003c\/li\u003e\n\u003cli\u003eThe Kirkgate Hornpipe\u003c\/li\u003e\n\u003cli\u003eLemmie Brazil‰۪s Hornpipe\u003c\/li\u003e\n\u003cli\u003eUpton upon Severn Stick Dance\u003c\/li\u003e\n\u003cli\u003eOver the Hills and Far Away\u003c\/li\u003e\n\u003cli\u003eFoul Weather Call\u003c\/li\u003e\n\u003cli\u003eWaiting for the Federals\u003c\/li\u003e\n\u003cli\u003eScan Tester's Polka No. 1\u003c\/li\u003e\n\u003cli\u003eScan Tester's Polka No. 2\u003c\/li\u003e\n\u003cli\u003eFoxhunter's Jig\u003c\/li\u003e\n\u003cli\u003eThe Fiery Clock Face\u003c\/li\u003e\n\u003cli\u003eMerrily Kiss the Quaker\u003c\/li\u003e\n\u003cli\u003eRoxburgh Castle\u003c\/li\u003e\n\u003cli\u003eGirl with the Blue Dress on\u003c\/li\u003e\n\u003cli\u003eOld Joe Clarke\u003c\/li\u003e\n\u003cli\u003eBonnie Kate\u003c\/li\u003e\n\u003cli\u003eHarper's Frolic\u003c\/li\u003e\n\u003cli\u003eJohn of Paris\u003c\/li\u003e\n\u003cli\u003eLiberty\u003c\/li\u003e\n\u003cli\u003eFamily Jig\u003c\/li\u003e\n\u003cli\u003eEnrico\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer's Polka No. 1\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer's Polka No. 2\u003c\/li\u003e\n\u003cli\u003eThe Little Burnt Potato\u003c\/li\u003e\n\u003cli\u003eMickey Chewing Bubble Gum\u003c\/li\u003e\n\u003cli\u003eThe Rocky Road to Dublin\u003c\/li\u003e\n\u003cli\u003eThe Lady in the Boat\u003c\/li\u003e\n\u003cli\u003eThe White Cockade\u003c\/li\u003e\n\u003cli\u003eSoldiers‰۪ Joy\u003c\/li\u003e\n\u003cli\u003eHot Punch\u003c\/li\u003e\n\u003cli\u003eThe Boys of Bluehill\u003c\/li\u003e\n\u003cli\u003eTripping Upstairs\u003c\/li\u003e\n\u003cli\u003eThe Rakes of Kildare\u003c\/li\u003e\n\u003cli\u003eSleep Soond i‰۪ da Moarning\u003c\/li\u003e\n\u003cli\u003eSaddle the Pony\u003c\/li\u003e\n\u003cli\u003eNavvy on the Line\u003c\/li\u003e\n\u003cli\u003eLa Bastringue\u003c\/li\u003e\n\u003cli\u003eStaten Island\u003c\/li\u003e\n\u003cli\u003eThe Redesdale Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Steamboat\u003c\/li\u003e\n\u003cli\u003eFrost Is All Over\u003c\/li\u003e\n\u003cli\u003eOff to California\u003c\/li\u003e\n\u003cli\u003eWillafjord\u003c\/li\u003e\n\u003cli\u003eFather O‰۪Flynn\u003c\/li\u003e\n\u003cli\u003eThe Eighth of January\u003c\/li\u003e\n\u003cli\u003eShandon Bells\u003c\/li\u003e\n\u003cli\u003eThe Irish Washerwoman\u003c\/li\u003e\n\u003cli\u003eSpeed the Plough\u003c\/li\u003e\n\u003cli\u003eHarvest Home\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eThe Marquis of Lorne\u003c\/li\u003e\n\u003cli\u003eThe Belfast Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Trumpet Hornpipe\u003c\/li\u003e\n\u003cli\u003eRickett's Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eWoodland Revels\u003c\/li\u003e\n\u003cli\u003eAthole Highlanders\u003c\/li\u003e\n\u003cli\u003eSir Sydney Smith's March\u003c\/li\u003e\n\u003cli\u003eThe Fairy Dance\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003cli\u003eThe College Hornpipe\u003c\/li\u003e\n\u003cli\u003eMiss McLeod's Reel\u003c\/li\u003e\n\u003cli\u003eThe Merry Blacksmith\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4240703619113,"sku":"AM303C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypub_9a818f03-524d-4607-a49e-db3ff0551217.jpg?v=1527263097"},{"product_id":"popular-english-session-tunes-english-pub-session-series-cd-dave-mallinson","title":"Popular English Session Tunes English Pub Session Series CD: Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis isåÊthe CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe tunes are suitable for every instrument associated with traditional music, and only 14 notes are required to play them all. They are eminently suitable for playing at country dances, ceilidhs, barn dances and hoe-downs and most have been recorded by notable bands and personalities.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo facilitate musicians identifying repertoire suitable for their current personal ability, the tunes in each book are presented in order of difficulty, and start and finish progressively harder throughout the series, in the order listed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIntroduction to the series\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA friend remarked at Sidmouth Folk Week, ‰ÛÏMally, I‰۪m going to recommend your Easy Peasy book to everybody, it‰۪s great! It reflects very closely the repertoire we play at our local session.‰۝ Another friend commented at Cleethorpes Folk Festival, ‰ÛÏMally, you do a gross injustice to some really good and useful tunes by labelling them ‰Û÷Easy Peasy‰۪, it gives the impression that they are only of any use to beginners to cut their teeth on.‰۝ ‰ÛÏVery true,‰۝ I thought, ‰ÛÏI play many of these tunes myself at dances, in sessions and for the morris dancers. Wouldn‰۪t it be a great to extend Easy Peasy into a series.‰۝ The idea was born, and soon developed into this set of four books which contain the most popular tunes that are played in English pub sessions, at folk festivals and by country dance musicians and morris players. Each book has its own theme and identity. Given average luck, with these tunes under your belt, you‰۪ll be able to join in most of the time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBecause most traditional airs only require the fourteen notes D, E, F sharp, G, A, B, C, C sharp, D, E, F sharp, G, A and B, I decided it would be a good idea to continue the theme, meaning all the tunes can be played in the first position on the top three strings of the fiddle, all the notes are in the range of the wooden flute and tin whistle and all the music is within the scope of the D\/G melodeon without accidentals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout these books are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou‰۪ll notice many of the tunes are not English. It‰۪s the pubs, sessions, folk festivals, ceilidhs etc. that are English. In, what might be termed, a general English session, melodies from Northumberland, Ireland, Scotland, America, France and Scandinavia are to be heard alongside English airs, which tend to be associated with the more southern regions of the country\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHundreds of personalities, records, bands, books and sessions have, unknowingly, made tiny, almost imperceptible contributions to the settings and choice of the tunes found in these books (some of the more influential are listed below). They have also been moulded further by the limitations of my instrument, the D\/G melodeon, and, of course, the fourteen note rule. All the settings are my own versions and every tune has, to a greater or lesser degree, my own personal stamp on it. But, I‰۪m sure you‰۪ll find all the tunes ‰Û÷session friendly‰۪, you can learn them exactly as written and have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eThe Railway\u003c\/li\u003e\n\u003cli\u003eOn Top of Old Smokey\u003c\/li\u003e\n\u003cli\u003eAuld Lang Syne\u003c\/li\u003e\n\u003cli\u003eThe Back o' Bennachie\u003c\/li\u003e\n\u003cli\u003eThe Lass o‰۪ Dallowgill\u003c\/li\u003e\n\u003cli\u003ePenny on the Water\u003c\/li\u003e\n\u003cli\u003eLeather Away the Whattle\u003c\/li\u003e\n\u003cli\u003eThe Rigged Ship\u003c\/li\u003e\n\u003cli\u003eMarie's Wedding\u003c\/li\u003e\n\u003cli\u003eBricks and Mortar\u003c\/li\u003e\n\u003cli\u003eThe Brown Banner\u003c\/li\u003e\n\u003cli\u003eScotland\u003c\/li\u003e\n\u003cli\u003eThe Big Ship\u003c\/li\u003e\n\u003cli\u003eNancy‰۪s Fancy\u003c\/li\u003e\n\u003cli\u003eLord Inchiquin\u003c\/li\u003e\n\u003cli\u003eTill the Tide Comes In\u003c\/li\u003e\n\u003cli\u003eThe Tombigbee Waltz\u003c\/li\u003e\n\u003cli\u003eThe Frisky Jig\u003c\/li\u003e\n\u003cli\u003eCaptain Maguire\u003c\/li\u003e\n\u003cli\u003eBabes in the Wood\u003c\/li\u003e\n\u003cli\u003eThe Stool of Repentance\u003c\/li\u003e\n\u003cli\u003eLouis' Waltz\u003c\/li\u003e\n\u003cli\u003eThe Feathers\u003c\/li\u003e\n\u003cli\u003eThe Nutting Girl\u003c\/li\u003e\n\u003cli\u003eAuld Donald\u003c\/li\u003e\n\u003cli\u003eHere's to a Maiden\u003c\/li\u003e\n\u003cli\u003eThe Road to Lisdoonvarna\u003c\/li\u003e\n\u003cli\u003eThe Derry Boat\u003c\/li\u003e\n\u003cli\u003eAll the Way to Galway\u003c\/li\u003e\n\u003cli\u003eThe Shaalds o' Foula\u003c\/li\u003e\n\u003cli\u003eGreenholm\u003c\/li\u003e\n\u003cli\u003eGreen Mountain Petronella\u003c\/li\u003e\n\u003cli\u003eHewlet\u003c\/li\u003e\n\u003cli\u003eThe Star Above the Garter\u003c\/li\u003e\n\u003cli\u003eFarewell to Whiskey\u003c\/li\u003e\n\u003cli\u003eTeahan's Polka\u003c\/li\u003e\n\u003cli\u003eSeventy Second's Farewell\u003c\/li\u003e\n\u003cli\u003eRattle the Cash\u003c\/li\u003e\n\u003cli\u003eBill Collins' Jig\u003c\/li\u003e\n\u003cli\u003eSister Jean\u003c\/li\u003e\n\u003cli\u003eThursday Night\u003c\/li\u003e\n\u003cli\u003eBonnets so Blue\u003c\/li\u003e\n\u003cli\u003eThe Barnacle Redowa\u003c\/li\u003e\n\u003cli\u003eThe Boys of Wexford\u003c\/li\u003e\n\u003cli\u003eWard's Brae\u003c\/li\u003e\n\u003cli\u003eThe Lass o' Patie's Mill\u003c\/li\u003e\n\u003cli\u003eLiberton Pipe Band\u003c\/li\u003e\n\u003cli\u003eThe Minstrel‰۪s Fancy\u003c\/li\u003e\n\u003cli\u003eThe Grahaemsie Jig\u003c\/li\u003e\n\u003cli\u003eMorgan Rattler\u003c\/li\u003e\n\u003cli\u003eThe Matelot\u003c\/li\u003e\n\u003cli\u003eLamshaw's Fancy\u003c\/li\u003e\n\u003cli\u003eThe Hullichan Jig\u003c\/li\u003e\n\u003cli\u003eGarryowen\u003c\/li\u003e\n\u003cli\u003eThe Boys of School Hill\u003c\/li\u003e\n\u003cli\u003eThe Lady of the Lake\u003c\/li\u003e\n\u003cli\u003eThe Saint Lawrence Jig\u003c\/li\u003e\n\u003cli\u003eLamb Skinnet\u003c\/li\u003e\n\u003cli\u003ePaddy Whack\u003c\/li\u003e\n\u003cli\u003eThe Shepton Hornpipe\u003c\/li\u003e\n\u003cli\u003eOne More Dance and Then\u003c\/li\u003e\n\u003cli\u003eKitty McGee\u003c\/li\u003e\n\u003cli\u003eO'Donnell Abu\u003c\/li\u003e\n\u003cli\u003eKate Dalrymple\u003c\/li\u003e\n\u003cli\u003eMerrily Danced Quaker's Wife\u003c\/li\u003e\n\u003cli\u003eElsie Marley\u003c\/li\u003e\n\u003cli\u003eThe Harmonica\u003c\/li\u003e\n\u003cli\u003eThe Kesh Jig\u003c\/li\u003e\n\u003cli\u003eThe Colosseum\u003c\/li\u003e\n\u003cli\u003eThe Pet o' the Pipers\u003c\/li\u003e\n\u003cli\u003eMorrison's Jig\u003c\/li\u003e\n\u003cli\u003eLa Grande Chaine\u003c\/li\u003e\n\u003cli\u003eWhinham's Reel\u003c\/li\u003e\n\u003cli\u003eOut on the Ocean\u003c\/li\u003e\n\u003cli\u003eThe Greencastle Hornpipe\u003c\/li\u003e\n\u003cli\u003eRory O'More\u003c\/li\u003e\n\u003cli\u003eBielbie‰۪s Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Wonder Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Breakdown\u003c\/li\u003e\n\u003cli\u003eStrike the Gay Harp\u003c\/li\u003e\n\u003cli\u003eThe Lark in the Morning\u003c\/li\u003e\n\u003cli\u003eThe Liverpool Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Maid Behind the Bar\u003c\/li\u003e\n\u003cli\u003eThe Teetotaller\u003c\/li\u003e\n\u003cli\u003ePigtown Fling\u003c\/li\u003e\n\u003cli\u003eDonald Blue\u003c\/li\u003e\n\u003cli\u003eJack Broke da Prison Door\u003c\/li\u003e\n\u003cli\u003eFlowers of Edinburgh\u003c\/li\u003e\n\u003cli\u003eFar from Home\u003c\/li\u003e\n\u003cli\u003eThe Bellingham Boat\u003c\/li\u003e\n\u003cli\u003eSally Gardens\u003c\/li\u003e\n\u003cli\u003ePig Ankle Rag\u003c\/li\u003e\n\u003cli\u003eAngeline the Baker\u003c\/li\u003e\n\u003cli\u003eColored Aristocracy\u003c\/li\u003e\n\u003cli\u003eThe Devil Among the Taylors\u003c\/li\u003e\n\u003cli\u003eThe Random Jig\u003c\/li\u003e\n\u003cli\u003eThe Mason's Apron\u003c\/li\u003e\n\u003cli\u003eThe High Road to Linton\u003c\/li\u003e\n\u003cli\u003eThe High Level Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe New High Level\u003c\/li\u003e\n\u003cli\u003eRagtime Annie\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4240802480169,"sku":"AM304C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypopeng_5d13ac05-341b-4d23-b228-83d7d8596095.jpg?v=1527265571"},{"product_id":"101-easy-irish-session-tunes-cd-dave-mallinson","title":"101 Easy Irish Session Tunes CD : Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis is the CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDave Mallinson has been known as Mally since his first day at school. He has been involved in music since the age of nine, when he learned to play the recorder. In his mid teens he played the pop music of the era on guitar, but his interest was always little more than half-hearted. In his late teens he discovered folk music but still the guitar was unable to inspire him.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt the age of twenty two, Mally discovered the melodeon and immediately felt the musical stimulation he had unconsciously been seeking for many years. Practice was no longer a chore, it was his favourite occupation, an addiction even.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough starting late in life makes virtuoso status unattainable, it is still possible to reach a good standard. Mally, through lengthy practice, hard work and dogged determination, has managed to achieve a high level of competence and has become a well respected player. However, his constant struggle to maintain his skill makes his days as a beginner never seem far away. He is well able to recognise, and is very much aware of, the problems and difficulties facing beginners and novices.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDuring the early days of learning a musical instrument, many budding musicians fall by the wayside. They soon tire of playing the same half dozen tunes over and over again and, because they are unable to find other suitable melodies to sustain their interest, they drop out. To prevent boredom getting the upper hand, it is necessary to quickly build up a reasonably sized repertoire. Mally has identified 101 relatively simple, but interesting, Irish tunes and presents them here, in graded order, to increase your chances of success. This book will help you quickly boost your repertoire and get you up and running in the Irish sessions in no time, giving you many hours of enjoyment in the process.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all ‰Û÷session friendly‰۪, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, it can be unwise to learn a tune from only one source and, when possible, it‰۪s best, when learning a new tune, to pay heed to other books, recordings and live performances. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAll the Way To Galway\u003c\/li\u003e\n\u003cli\u003eAnother Jig Will Do\u003c\/li\u003e\n\u003cli\u003eAnything for Jonjo?\u003c\/li\u003e\n\u003cli\u003eBallydesmond Polka, The\u003c\/li\u003e\n\u003cli\u003eBarnacle Redowa, The\u003c\/li\u003e\n\u003cli\u003eBarney Brannigan\u003c\/li\u003e\n\u003cli\u003eBelieve Me, If All Those Endearing Young Charms\u003c\/li\u003e\n\u003cli\u003eBill Harte‰۪s Jig\u003c\/li\u003e\n\u003cli\u003eBlack Velvet Band, The\u003c\/li\u003e\n\u003cli\u003eBlackthorn Stick, The\u003c\/li\u003e\n\u003cli\u003eBoolavogue\u003c\/li\u003e\n\u003cli\u003eBoys of Bluehill\u003c\/li\u003e\n\u003cli\u003eBoys of Wexford, The\u003c\/li\u003e\n\u003cli\u003eBritches Full of Stitches, The\u003c\/li\u003e\n\u003cli\u003eBrosna Slide, The\u003c\/li\u003e\n\u003cli\u003eBuachaill On Eirne\u003c\/li\u003e\n\u003cli\u003eBunratty Boys\u003c\/li\u003e\n\u003cli\u003eButterfly, The\u003c\/li\u003e\n\u003cli\u003eCaptain White\u003c\/li\u003e\n\u003cli\u003eCockles and Mussels\u003c\/li\u003e\n\u003cli\u003eDennis Enright‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eDennis Murphy‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eDerry Boat, The\u003c\/li\u003e\n\u003cli\u003eDin Tarrant‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eDingle Regatta\u003c\/li\u003e\n\u003cli\u003eDonegal Mazurka\u003c\/li\u003e\n\u003cli\u003eDown By the Sally Gardens\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eEnniskillen Dragoon, The\u003c\/li\u003e\n\u003cli\u003eFar From Home\u003c\/li\u003e\n\u003cli\u003eFine Toast to Hewlett, A\u003c\/li\u003e\n\u003cli\u003eFinnegan‰۪s Wake\u003c\/li\u003e\n\u003cli\u003eFoggy Dew, The\u003c\/li\u003e\n\u003cli\u003eFoxhunters‰۪ Jig\u003c\/li\u003e\n\u003cli\u003eFrost is all Over\u003c\/li\u003e\n\u003cli\u003eGreen Grow the Rushes-O\u003c\/li\u003e\n\u003cli\u003eHarp That Once Through Tara‰۪s Halls, The\u003c\/li\u003e\n\u003cli\u003eHarvest Home\u003c\/li\u003e\n\u003cli\u003eHills of Tara, The\u003c\/li\u003e\n\u003cli\u003eI‰۪ll Tell Me Ma\u003c\/li\u003e\n\u003cli\u003eIrish Washerwoman, The\u003c\/li\u003e\n\u003cli\u003eJohn Egan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eJohn Ryan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey Barry‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eKathleen Hehir‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eKelly, the Boy from Killan\u003c\/li\u003e\n\u003cli\u003eKerry Polka Number 1, The\u003c\/li\u003e\n\u003cli\u003eKerry Polka Number 2, The\u003c\/li\u003e\n\u003cli\u003eKesh Jig, The\u003c\/li\u003e\n\u003cli\u003eLakes of Sligo, The\u003c\/li\u003e\n\u003cli\u003eLannigan‰۪s Ball\u003c\/li\u003e\n\u003cli\u003eLeather Away the Wattle-O\u003c\/li\u003e\n\u003cli\u003eLeg of the Duck, The\u003c\/li\u003e\n\u003cli\u003eLeslie‰۪s Hornpipe\u003c\/li\u003e\n\u003cli\u003eLittle Diamond\u003c\/li\u003e\n\u003cli\u003eMadame Bonaparte\u003c\/li\u003e\n\u003cli\u003eMaggie in the Wood\u003c\/li\u003e\n\u003cli\u003eMagic Slipper, The\u003c\/li\u003e\n\u003cli\u003eMerrily Kissed the Quaker\u003c\/li\u003e\n\u003cli\u003eMickey Chewing Bubble Gum\u003c\/li\u003e\n\u003cli\u003eMountains of Mourne, The\u003c\/li\u003e\n\u003cli\u003eMuirsheen Durkin\u003c\/li\u003e\n\u003cli\u003eNew Rigged Ship, The\u003c\/li\u003e\n\u003cli\u003eO‰۪Connor‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eO‰۪Donnell Abu\u003c\/li\u003e\n\u003cli\u003eOff She Goes\u003c\/li\u003e\n\u003cli\u003eÌÒrÌ_ ‰Û÷S̩ Do Bheatha ‰Û÷Bhaile\u003c\/li\u003e\n\u003cli\u003ePlanxty Fanny Power\u003c\/li\u003e\n\u003cli\u003ePlanxty Irwin\u003c\/li\u003e\n\u003cli\u003ePortlÌÁirge\u003c\/li\u003e\n\u003cli\u003eRakes of Kildare\u003c\/li\u003e\n\u003cli\u003eRakes of Mallow\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003cli\u003eRoad to Lisdoonvarna, The\u003c\/li\u003e\n\u003cli\u003eRocky Road to Dublin, The\u003c\/li\u003e\n\u003cli\u003eRosin the Beau\u003c\/li\u003e\n\u003cli\u003eSaddle the Pony\u003c\/li\u003e\n\u003cli\u003eSaint Mary‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eScartaglen Polka, The\u003c\/li\u003e\n\u003cli\u003eScattery Island Slide, The\u003c\/li\u003e\n\u003cli\u003eSean South of Garryowen\u003c\/li\u003e\n\u003cli\u003eShoo the Donkey\u003c\/li\u003e\n\u003cli\u003eSi Bheag, Si Mhor\u003c\/li\u003e\n\u003cli\u003eSome Say the Devil‰۪s Dead\u003c\/li\u003e\n\u003cli\u003eSonny‰۪s Mazurka\u003c\/li\u003e\n\u003cli\u003eSouth Wind, The\u003c\/li\u003e\n\u003cli\u003eSpancil Hill\u003c\/li\u003e\n\u003cli\u003eSpanish Lady\u003c\/li\u003e\n\u003cli\u003eStack of Wheat, The\u003c\/li\u003e\n\u003cli\u003eStar Above the Garter, The\u003c\/li\u003e\n\u003cli\u003eSweets of May, The\u003c\/li\u003e\n\u003cli\u003eTenpenny Bit\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eTripping Upstairs\u003c\/li\u003e\n\u003cli\u003eTureengarbh Glen\u003c\/li\u003e\n\u003cli\u003eWaxies‰۪ Dargle, The\u003c\/li\u003e\n\u003cli\u003eWearing of the Green, The\u003c\/li\u003e\n\u003cli\u003eWild Colonial Boy, The\u003c\/li\u003e\n\u003cli\u003eWild Rover, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4240870408233,"sku":"AM305C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yeasyirish_eb2f7dc0-ad2d-40a1-8cf2-3e5bbec229d4.jpg?v=1527263028"},{"product_id":"100-enduring-irish-session-tunes","title":"100 Enduring Irish Session Tunes","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis book of Irish session tunes diverges from the usual pattern in that the emphasis is not on the reels. Loosely speaking, the jigs and reels found in this book are the next most popular after those found in 100 Essential Irish Session Tunes. Another major feature of this book is the prominence given to the various other types of tune, such as slides, set dances, hornpipes etc. They always come a poor third to reels and jigs, but they constantly crop up in the sessions with such a significant frequency that they cannot be ignored. There are hornpipes, marches, a strong selection of jigs, some slip jigs and one or two other well-known melodies to spice up your repertoire.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e100 tunes (14 hornpipes, 15 slides, 34 jigs, 23 reels and 14 miscellaneous tunes) with chords, classified and alphabetical (with alternative titles) indexes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImportant note from Mally\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all 'session friendly', i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to settings in other books, on recordings and what you hear down the pub. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon. I've made a conscious effort to allow this to happen in order to give the book its own unique character. The list below would constitute an excellent nucleus towards forming a valuable Irish music library, many of them are available from mally.com. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says 'Learn to Play the Banjo', don't think it's of no use if you play the tin whistle.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of these books is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eReels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAnything for Jonjo?åÊ\u003c\/li\u003e\n\u003cli\u003eBlackthorn ReelåÊ\u003c\/li\u003e\n\u003cli\u003eClooneåÊ\u003c\/li\u003e\n\u003cli\u003eCraig's PipesåÊ\u003c\/li\u003e\n\u003cli\u003eCroghan HillåÊ\u003c\/li\u003e\n\u003cli\u003eFermoy LassesåÊ\u003c\/li\u003e\n\u003cli\u003eFlowers of EdinburghåÊ\u003c\/li\u003e\n\u003cli\u003eGreen Groves of ErinåÊ\u003c\/li\u003e\n\u003cli\u003eHigh Road to LintonåÊ\u003c\/li\u003e\n\u003cli\u003eHills of ClogheråÊ\u003c\/li\u003e\n\u003cli\u003eHunter's HouseåÊ\u003c\/li\u003e\n\u003cli\u003eJohnny Cronin's FancyåÊ\u003c\/li\u003e\n\u003cli\u003eJohnny MacclejohnåÊ\u003c\/li\u003e\n\u003cli\u003eLad O'Beirne'såÊ\u003c\/li\u003e\n\u003cli\u003eLucy CampbellåÊ\u003c\/li\u003e\n\u003cli\u003eMason's ApronåÊ\u003c\/li\u003e\n\u003cli\u003eNew CopperplateåÊ\u003c\/li\u003e\n\u003cli\u003eO'Rourke'såÊ\u003c\/li\u003e\n\u003cli\u003eOtter's HoltåÊ\u003c\/li\u003e\n\u003cli\u003eReel of RioåÊ\u003c\/li\u003e\n\u003cli\u003eSunny BanksåÊ\u003c\/li\u003e\n\u003cli\u003eSwallow's TailåÊ\u003c\/li\u003e\n\u003cli\u003eTrim the Velvet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigsåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBill Harte'såÊ\u003c\/li\u003e\n\u003cli\u003eBoys of the Town Bride's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eConnie O'Connell'såÊ\u003c\/li\u003e\n\u003cli\u003eCook in the KitchenåÊ\u003c\/li\u003e\n\u003cli\u003eEavesdropperåÊ\u003c\/li\u003e\n\u003cli\u003eFasten the Leggin'åÊ\u003c\/li\u003e\n\u003cli\u003eFrieze BritchesåÊ\u003c\/li\u003e\n\u003cli\u003eGander in the Pratie HoleåÊ\u003c\/li\u003e\n\u003cli\u003eGarrett Barry'såÊ\u003c\/li\u003e\n\u003cli\u003eGillian's ApplesåÊ\u003c\/li\u003e\n\u003cli\u003eGold RingåÊ\u003c\/li\u003e\n\u003cli\u003eHag at the ChurnåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of EnnistymonåÊ\u003c\/li\u003e\n\u003cli\u003eKilfenoraåÊ\u003c\/li\u003e\n\u003cli\u003eKnights of Saint PatrickåÊ\u003c\/li\u003e\n\u003cli\u003eLegacyåÊ\u003c\/li\u003e\n\u003cli\u003eLilting FishermanåÊ\u003c\/li\u003e\n\u003cli\u003eMaid in the MeadowåÊ\u003c\/li\u003e\n\u003cli\u003eMooncoin JigåÊ\u003c\/li\u003e\n\u003cli\u003eOld Joe'såÊ\u003c\/li\u003e\n\u003cli\u003ePipe on the Hob no. 1åÊ\u003c\/li\u003e\n\u003cli\u003ePipe on the Hob no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eRambling PitchforkåÊ\u003c\/li\u003e\n\u003cli\u003eRose in the HeatheråÊ\u003c\/li\u003e\n\u003cli\u003eStrike the Gay HarpåÊ\u003c\/li\u003e\n\u003cli\u003eTobin's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eTommy Peoples'åÊ\u003c\/li\u003e\n\u003cli\u003eTone Rowe'såÊ\u003c\/li\u003e\n\u003cli\u003eTrip to the Cottage Tune the FiddleåÊ\u003c\/li\u003e\n\u003cli\u003eWhelan'såÊ\u003c\/li\u003e\n\u003cli\u003eWhen Sick, is it TeaåÊ\u003c\/li\u003e\n\u003cli\u003eWillie Coleman's\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipesåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCity of SavannahåÊ\u003c\/li\u003e\n\u003cli\u003eCronin'såÊ\u003c\/li\u003e\n\u003cli\u003eDelahunty'såÊ\u003c\/li\u003e\n\u003cli\u003eFlowing TideåÊ\u003c\/li\u003e\n\u003cli\u003eGalwayåÊ\u003c\/li\u003e\n\u003cli\u003eGolden EagleåÊ\u003c\/li\u003e\n\u003cli\u003eHome RuleråÊ\u003c\/li\u003e\n\u003cli\u003eKing of the FairiesåÊ\u003c\/li\u003e\n\u003cli\u003eKitty's WeddingåÊ\u003c\/li\u003e\n\u003cli\u003eLittle BeggarmanåÊ\u003c\/li\u003e\n\u003cli\u003eRights of ManåÊ\u003c\/li\u003e\n\u003cli\u003eStack of BarleyåÊ\u003c\/li\u003e\n\u003cli\u003eStack of WheatåÊ\u003c\/li\u003e\n\u003cli\u003eSunshine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003eåÊ\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDan O'Keeffe's no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eDan O'Keeffe's no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eClogåÊ\u003c\/li\u003e\n\u003cli\u003eConnie Walsh'såÊ\u003c\/li\u003e\n\u003cli\u003eDenis Murphy'såÊ\u003c\/li\u003e\n\u003cli\u003eGoing to the Well for Water John Kelly'såÊ\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey'såÊ\u003c\/li\u003e\n\u003cli\u003eKathleen O'HehiråÊ\u003c\/li\u003e\n\u003cli\u003eLonesome Road to DingleåÊ\u003c\/li\u003e\n\u003cli\u003eOld FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003ePÌÁdraig O'Keeffe'såÊ\u003c\/li\u003e\n\u003cli\u003eRoad to LisdoonvarnaåÊ\u003c\/li\u003e\n\u003cli\u003eSiobhÌÁn Hurl'såÊ\u003c\/li\u003e\n\u003cli\u003eStar above the Garter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eMiscellanyåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBlackbirdåÊ\u003c\/li\u003e\n\u003cli\u003eBoys of BallisodareåÊ\u003c\/li\u003e\n\u003cli\u003eBrian Boru's MarchåÊ\u003c\/li\u003e\n\u003cli\u003eButterfly Carolan's ConcertoåÊ\u003c\/li\u003e\n\u003cli\u003eGive me your HandåÊ\u003c\/li\u003e\n\u003cli\u003eHalting MarchåÊ\u003c\/li\u003e\n\u003cli\u003eHardiman the FiddleråÊ\u003c\/li\u003e\n\u003cli\u003eHewlettåÊ\u003c\/li\u003e\n\u003cli\u003eHunt Kid on the MountainåÊ\u003c\/li\u003e\n\u003cli\u003eO'Neill's CavalcadeåÊ\u003c\/li\u003e\n\u003cli\u003eSonny's MazurkaåÊ\u003c\/li\u003e\n\u003cli\u003eWhinny Hills of Leitrim\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eåÊ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241039720489,"sku":"AM402","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yend.jpg?v=1527263019"},{"product_id":"100-evergreen-irish-session-tunes-cd","title":"100 Evergreen Irish Session Tunes CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis is the CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll the tunes in this book are again firm session favourites, particularly the reels. It follows on from Essential and Enduring by providing another 100 of the most popular Irish session tunes. The book echos the format of a typical Irish session; lots of reels, some jigs and a few hornpipes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e100 tunes ( 65 reels, 25 jigs, 10 hornpipes) with chords, classified and alphabetical (with alternative titles) indexes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImportant note from Mally\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all 'session friendly', i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to settings in other books, on recordings and what you hear down the pub. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon. I've made a conscious effort to allow this to happen in order to give the book its own unique character. The list below would constitute an excellent nucleus towards forming a valuable Irish music library, many of them are available from mally.com. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says 'Learn to Play the Banjo', don't think it's of no use if you play the tin whistle.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of these books is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReelsåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAh, Surely ...åÊ\u003c\/li\u003e\n\u003cli\u003eAnderson'såÊ\u003c\/li\u003e\n\u003cli\u003eAsh PlantåÊ\u003c\/li\u003e\n\u003cli\u003eBig Reel of CallightownåÊ\u003c\/li\u003e\n\u003cli\u003eBlackberry BlossomåÊ\u003c\/li\u003e\n\u003cli\u003eBoy in the GapåÊ\u003c\/li\u003e\n\u003cli\u003eBoys of the LoughåÊ\u003c\/li\u003e\n\u003cli\u003eBunker HillåÊ\u003c\/li\u003e\n\u003cli\u003eCameronianåÊ\u003c\/li\u003e\n\u003cli\u003eCaptain KellyåÊ\u003c\/li\u003e\n\u003cli\u003eCathal McConnell'såÊ\u003c\/li\u003e\n\u003cli\u003eCollege GrovesåÊ\u003c\/li\u003e\n\u003cli\u003eConnemara StockingsåÊ\u003c\/li\u003e\n\u003cli\u003eCrossing the ShannonåÊ\u003c\/li\u003e\n\u003cli\u003eDown the BroomåÊ\u003c\/li\u003e\n\u003cli\u003eDuke of LeinsteråÊ\u003c\/li\u003e\n\u003cli\u003eDwyer'såÊ\u003c\/li\u003e\n\u003cli\u003eFairy ReelåÊ\u003c\/li\u003e\n\u003cli\u003eFar from HomeåÊ\u003c\/li\u003e\n\u003cli\u003eFive Mile ChaseåÊ\u003c\/li\u003e\n\u003cli\u003eFlax in BloomåÊ\u003c\/li\u003e\n\u003cli\u003eFlower of the FlockåÊ\u003c\/li\u003e\n\u003cli\u003eFred Finn'såÊ\u003c\/li\u003e\n\u003cli\u003eGlentownåÊ\u003c\/li\u003e\n\u003cli\u003eGrogan's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eHand Me Down the Tackle Holy LandåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of CarrigaholtåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of LissadellåÊ\u003c\/li\u003e\n\u003cli\u003eIn the Tap RoomåÊ\u003c\/li\u003e\n\u003cli\u003eJenny's WeddingåÊ\u003c\/li\u003e\n\u003cli\u003eJohn Stenson'såÊ\u003c\/li\u003e\n\u003cli\u003eJosie McDermott'såÊ\u003c\/li\u003e\n\u003cli\u003eKilfenoraåÊ\u003c\/li\u003e\n\u003cli\u003eKilavel FancyåÊ\u003c\/li\u003e\n\u003cli\u003eKiss Me KateåÊ\u003c\/li\u003e\n\u003cli\u003eLads of LaoisåÊ\u003c\/li\u003e\n\u003cli\u003eLast Night's FunåÊ\u003c\/li\u003e\n\u003cli\u003eMaguire'såÊ\u003c\/li\u003e\n\u003cli\u003eMaids of CastlebaråÊ\u003c\/li\u003e\n\u003cli\u003eMaids of Mount CiscoåÊ\u003c\/li\u003e\n\u003cli\u003eMan of the HouseåÊ\u003c\/li\u003e\n\u003cli\u003eMaster McDermott'såÊ\u003c\/li\u003e\n\u003cli\u003eMatt Molloy'såÊ\u003c\/li\u003e\n\u003cli\u003eMiss Johnston'såÊ\u003c\/li\u003e\n\u003cli\u003eMiss Thornton's\u003c\/li\u003e\n\u003cli\u003eMy Love is in AmericaåÊ\u003c\/li\u003e\n\u003cli\u003eO'Brien'såÊ\u003c\/li\u003e\n\u003cli\u003eOak TreeåÊ\u003c\/li\u003e\n\u003cli\u003ePaddy Lynn's DelightåÊ\u003c\/li\u003e\n\u003cli\u003ePatsy CampbellåÊ\u003c\/li\u003e\n\u003cli\u003eReturn to Camden TownåÊ\u003c\/li\u003e\n\u003cli\u003eSailor on the Rock Saint Ruth's BushåÊ\u003c\/li\u003e\n\u003cli\u003eSandmountåÊ\u003c\/li\u003e\n\u003cli\u003eSeÌÁn Sa C̩o\u003c\/li\u003e\n\u003cli\u003eSheila Coyle'såÊ\u003c\/li\u003e\n\u003cli\u003eSporting PaddyåÊ\u003c\/li\u003e\n\u003cli\u003eSword in HandåÊ\u003c\/li\u003e\n\u003cli\u003eTim MoloneyåÊ\u003c\/li\u003e\n\u003cli\u003eTommy Peoples'åÊ\u003c\/li\u003e\n\u003cli\u003eTravelleråÊ\u003c\/li\u003e\n\u003cli\u003eTravers'åÊ\u003c\/li\u003e\n\u003cli\u003eVirginiaåÊ\u003c\/li\u003e\n\u003cli\u003eWithin a Mile of DublinåÊ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigsåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eApples in WinteråÊ\u003c\/li\u003e\n\u003cli\u003eBurnt Old ManåÊ\u003c\/li\u003e\n\u003cli\u003eCherish the LadiesåÊ\u003c\/li\u003e\n\u003cli\u003eColeman's CrossåÊ\u003c\/li\u003e\n\u003cli\u003eFair Haired BoyåÊ\u003c\/li\u003e\n\u003cli\u003eFraher'såÊ\u003c\/li\u003e\n\u003cli\u003eGeese in the BogåÊ\u003c\/li\u003e\n\u003cli\u003eHappy to Meet, SorryåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of 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FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eFairies'\u003c\/li\u003e\n\u003cli\u003eFisher'såÊ\u003c\/li\u003e\n\u003cli\u003eFriendly VisitåÊ\u003c\/li\u003e\n\u003cli\u003eHoneysuckleåÊ\u003c\/li\u003e\n\u003cli\u003eJapaneseåÊ\u003c\/li\u003e\n\u003cli\u003eLiverpoolåÊ\u003c\/li\u003e\n\u003cli\u003ePretty Maggie MorrisseyåÊ\u003c\/li\u003e\n\u003cli\u003eSmell of the Bog\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241246421033,"sku":"AM403C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yever_2b9dde9f-f20a-4719-b980-3c8d11bf378a.jpg?v=1527263023"},{"product_id":"100-vital-irish-session-tunes","title":"100 Vital Irish Session Tunes","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eMany of the tunes found in 100 Vital Irish Session Tunes might be described as \"old hat\" and would be shunned by many seasoned players. However, it's absolutely vital that you are familiar with these tunes, as you'll find them cropping up time and time again. They are the foundation on which Irish music sessions are built. You could say that these tunes are even more essential than those in 100 Essential Irish Session Tunes. Every type of dance tune is represented: reels, jigs, hornpipes, polkas, slides, slip jigs, marches, set dances, waltzes, mazurkas, flings, a varsovienne, a barn dance, a single reel and a single jig\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all ‰Û÷session friendly‰۪, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon (an accordion system rarely found in Irish music circles - B\/C and C sharp\/D are the norm). I‰۪ve made a conscious effort to allow this to happen in order to give the book its own unique character. The list below would constitute an excellent nucleus towards forming a valuable Irish music library. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says ‰Û÷Learn to Play the Banjo‰۪, don‰۪t think it‰۪s of no use if you play the tin whistle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout this book are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReels\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSheehan‰۪s\u003c\/li\u003e\n\u003cli\u003eCome West Along the Road\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003cli\u003eMaid in the Cherry Tree\u003c\/li\u003e\n\u003cli\u003eThe Old Torn Petticoat\u003c\/li\u003e\n\u003cli\u003eThe Donegal\u003c\/li\u003e\n\u003cli\u003eThe Wild Irishman\u003c\/li\u003e\n\u003cli\u003eThe Primrose Lass\u003c\/li\u003e\n\u003cli\u003eGreen Fields of America\u003c\/li\u003e\n\u003cli\u003eThe Teetotaller\u003c\/li\u003e\n\u003cli\u003eThe Flannel Jacket\u003c\/li\u003e\n\u003cli\u003eThe Heather Breeze\u003c\/li\u003e\n\u003cli\u003eRolling in the Ryegrass\u003c\/li\u003e\n\u003cli\u003eJohn Brennan‰۪s\u003c\/li\u003e\n\u003cli\u003eThe Scholar\u003c\/li\u003e\n\u003cli\u003eThe Fairy Dance\u003c\/li\u003e\n\u003cli\u003eA Rainy Day\u003c\/li\u003e\n\u003cli\u003eThe Kilmaley\u003c\/li\u003e\n\u003cli\u003eMiss McLeod‰۪s\u003c\/li\u003e\n\u003cli\u003ePigtown Fling\u003c\/li\u003e\n\u003cli\u003eThe Galway Rambler\u003c\/li\u003e\n\u003cli\u003eBonny Kate\u003c\/li\u003e\n\u003cli\u003eMorning Star\u003c\/li\u003e\n\u003cli\u003eThe Road to Lisdoonvarna\u003c\/li\u003e\n\u003cli\u003eThe Woman of the House\u003c\/li\u003e\n\u003cli\u003eThe Merry Blacksmith\u003c\/li\u003e\n\u003cli\u003eBoys of Ballinahinch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFather Kelly‰۪s\u003c\/li\u003e\n\u003cli\u003eShandon Bells\u003c\/li\u003e\n\u003cli\u003eRakes of Kildare\u003c\/li\u003e\n\u003cli\u003eLarry O‰۪Gaff\u003c\/li\u003e\n\u003cli\u003eThe Idle Road\u003c\/li\u003e\n\u003cli\u003eThe Irish Washerwoman\u003c\/li\u003e\n\u003cli\u003eFrost Is All Over\u003c\/li\u003e\n\u003cli\u003eSaddle the Pony\u003c\/li\u003e\n\u003cli\u003eGallagher‰۪s Frolics\u003c\/li\u003e\n\u003cli\u003eThe Sweets of May\u003c\/li\u003e\n\u003cli\u003eHumours of Donnybrook\u003c\/li\u003e\n\u003cli\u003ePaddy Whack\u003c\/li\u003e\n\u003cli\u003eTop of the Cork Road\u003c\/li\u003e\n\u003cli\u003eMunster Buttermilk\u003c\/li\u003e\n\u003cli\u003eThe Black Rogue\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eThe Mist on the Meadow\u003c\/li\u003e\n\u003cli\u003eThe Humours of Lisheen\u003c\/li\u003e\n\u003cli\u003ePay the Reckoning\u003c\/li\u003e\n\u003cli\u003eTongs by the Fire\u003c\/li\u003e\n\u003cli\u003eThe Maid on the Green\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eHaste to the Wedding\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBoys of Bluehill\u003c\/li\u003e\n\u003cli\u003eThe Plains of Boyle\u003c\/li\u003e\n\u003cli\u003eThe Belfast\u003c\/li\u003e\n\u003cli\u003eOff to California\u003c\/li\u003e\n\u003cli\u003eDunphy‰۪s\u003c\/li\u003e\n\u003cli\u003eHarvest Home\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePolkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Siege of Ennis\u003c\/li\u003e\n\u003cli\u003eMaggie in the Wood\u003c\/li\u003e\n\u003cli\u003eThe German Beau\u003c\/li\u003e\n\u003cli\u003eLeslie‰۪s HornpipeåÊ\u003c\/li\u003e\n\u003cli\u003eDennis Murphy‰۪s\u003c\/li\u003e\n\u003cli\u003eJohn Ryan‰۪s\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDingle Regatta\u003c\/li\u003e\n\u003cli\u003ePete Bradley‰۪s\u003c\/li\u003e\n\u003cli\u003eScattery Island\u003c\/li\u003e\n\u003cli\u003eThe Cat Rambles to the Child‰۪s Saucepan\u003c\/li\u003e\n\u003cli\u003eBunratty Boys\u003c\/li\u003e\n\u003cli\u003eThe Weaver‰۪s\u003c\/li\u003e\n\u003cli\u003eMerrily Kiss the Quaker\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlip Jigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFoxhunters‰۪ Jig\u003c\/li\u003e\n\u003cli\u003eBarney Brannigan\u003c\/li\u003e\n\u003cli\u003eTo Limerick We Will Go\u003c\/li\u003e\n\u003cli\u003eThe Rocky Road to Dublin\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eMarches\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eNapoleon Crossing the Rhine\u003c\/li\u003e\n\u003cli\u003eThe Boys of Wexford\u003c\/li\u003e\n\u003cli\u003eThe Triumphal\u003c\/li\u003e\n\u003cli\u003eThe Centenary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSet Dances\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThree Sea Captains\u003c\/li\u003e\n\u003cli\u003eSaint Patrick‰۪s Day\u003c\/li\u003e\n\u003cli\u003eMaggie Brown‰۪s Favourite\u003c\/li\u003e\n\u003cli\u003eThe Downfall of Paris\u003c\/li\u003e\n\u003cli\u003eMadam Bonaparte\u003c\/li\u003e\n\u003cli\u003eThe Piper through the Meadow Straying\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eWaltzes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePlanxty Irwin\u003c\/li\u003e\n\u003cli\u003eSi Bheag, Si Mhor\u003c\/li\u003e\n\u003cli\u003ePlanxty Fanny Power\u003c\/li\u003e\n\u003cli\u003eThe South Wind\u003c\/li\u003e\n\u003cli\u003eThe Munster Cloak\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eMazurkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Barnacle Redowa\u003c\/li\u003e\n\u003cli\u003eDonegal Mazurka\u003c\/li\u003e\n\u003cli\u003eVarsovienne\u003c\/li\u003e\n\u003cli\u003eShoo the Donkey\u003c\/li\u003e\n\u003cli\u003eBarn Dance\u003c\/li\u003e\n\u003cli\u003eThe Curlew Hills\u003c\/li\u003e\n\u003cli\u003eFlings\u003c\/li\u003e\n\u003cli\u003eLove, Will You Marry Me?\u003c\/li\u003e\n\u003cli\u003eGreen Grow the Rushes-o\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSingle Jig\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSmash the Windows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSingle Reel\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eRakes of Mallow\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241427202089,"sku":"AM405","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yvital.jpg?v=1527263026"},{"product_id":"100-popular-irish-session-tunes","title":"100 Popular Irish Session Tunes","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eMally says \"The tune settings in this book are all ‰Û÷session friendly‰۪, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon (an accordion system rarely found in Irish music circles - B\/C and C sharp\/D are the norm). I‰۪ve made a conscious effort to allow this to happen in order to give the book its own unique character. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says ‰Û÷Learn to Play the Banjo‰۪, don‰۪t think it‰۪s of no use if you play the tin whistle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout this book are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eSuggested ornamentation has been kept to a minimum and is indicated by the symbol ~.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReels\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAmbrose Maloney's\u003c\/li\u003e\n\u003cli\u003eBag of Potatoes, The\u003c\/li\u003e\n\u003cli\u003eBelles of Tipperary, The\u003c\/li\u003e\n\u003cli\u003eBoys of Malin, The\u003c\/li\u003e\n\u003cli\u003eCastle Kelly\u003c\/li\u003e\n\u003cli\u003eColonel Frazer\u003c\/li\u003e\n\u003cli\u003eDairy Maid, The\u003c\/li\u003e\n\u003cli\u003eDinkie's\u003c\/li\u003e\n\u003cli\u003eDrunken Tinker, The\u003c\/li\u003e\n\u003cli\u003eDublin Reel, The\u003c\/li\u003e\n\u003cli\u003eEel in the Sink, The\u003c\/li\u003e\n\u003cli\u003eFarewell to Erin\u003c\/li\u003e\n\u003cli\u003eFirst Month of Summer, The\u003c\/li\u003e\n\u003cli\u003eFoxhunters' Reel\u003c\/li\u003e\n\u003cli\u003eGaltee Rangers\u003c\/li\u003e\n\u003cli\u003eGatehouse Maid, The\u003c\/li\u003e\n\u003cli\u003eGeorge White's Fancy\u003c\/li\u003e\n\u003cli\u003eGreen Mountain, The\u003c\/li\u003e\n\u003cli\u003eJackson's\u003c\/li\u003e\n\u003cli\u003eJenny Picking Cockles\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 1, The\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 2, The\u003c\/li\u003e\n\u003cli\u003eKing of the Clans\u003c\/li\u003e\n\u003cli\u003eLaington's\u003c\/li\u003e\n\u003cli\u003eLiffey Banks, The\u003c\/li\u003e\n\u003cli\u003eLucky in Love\u003c\/li\u003e\n\u003cli\u003eMamma's Pet\u003c\/li\u003e\n\u003cli\u003eMayor Harrison's Fedora\u003c\/li\u003e\n\u003cli\u003eMcDonagh's\u003c\/li\u003e\n\u003cli\u003eMcFadden's Handsome Daughter\u003c\/li\u003e\n\u003cli\u003eMichael Creamer's\u003c\/li\u003e\n\u003cli\u003eMichael Reilly's\u003c\/li\u003e\n\u003cli\u003eMilliner's Daughter, The\u003c\/li\u003e\n\u003cli\u003eMolloy's\u003c\/li\u003e\n\u003cli\u003eMonsignor's Blessing\u003c\/li\u003e\n\u003cli\u003eMountain Top, The\u003c\/li\u003e\n\u003cli\u003eMullingar Races\u003c\/li\u003e\n\u003cli\u003eMusic in the Glen\u003c\/li\u003e\n\u003cli\u003eMy Love and I in the Garden\u003c\/li\u003e\n\u003cli\u003ePaddy Cronin's\u003c\/li\u003e\n\u003cli\u003ePeter Street\u003c\/li\u003e\n\u003cli\u003ePiper's Despair, The\u003c\/li\u003e\n\u003cli\u003eRattigan's\u003c\/li\u003e\n\u003cli\u003eReconciliation, The\u003c\/li\u003e\n\u003cli\u003eRed Haired Lass, The\u003c\/li\u003e\n\u003cli\u003eStenson's\u003c\/li\u003e\n\u003cli\u003eStoney Steps, The\u003c\/li\u003e\n\u003cli\u003eSwinging on a Gate\u003c\/li\u003e\n\u003cli\u003eTom Ward's Downfall\u003c\/li\u003e\n\u003cli\u003eUnion Reel, The\u003c\/li\u003e\n\u003cli\u003eVolunteer, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBank of Turf, The\u003c\/li\u003e\n\u003cli\u003eBill Collins'\u003c\/li\u003e\n\u003cli\u003eBrian O'Lynn\u003c\/li\u003e\n\u003cli\u003eBush on the Hill, The\u003c\/li\u003e\n\u003cli\u003eButchers' March, The\u003c\/li\u003e\n\u003cli\u003eCome Have a Drink With Me\u003c\/li\u003e\n\u003cli\u003eCon Cassidy's\u003c\/li\u003e\n\u003cli\u003eGet Up Old Woman and Shake\u003c\/li\u003e\n\u003cli\u003eHole in the Hedge, The\u003c\/li\u003e\n\u003cli\u003eJerry's Beaver Hat\u003c\/li\u003e\n\u003cli\u003eKinnegad Slashers\u003c\/li\u003e\n\u003cli\u003eLeg of the Duck, The\u003c\/li\u003e\n\u003cli\u003eLeitrim Fancy\u003c\/li\u003e\n\u003cli\u003eOld Man Dillon\u003c\/li\u003e\n\u003cli\u003eOrphan, The\u003c\/li\u003e\n\u003cli\u003ePaddy Taylor's\u003c\/li\u003e\n\u003cli\u003eRambler, The\u003c\/li\u003e\n\u003cli\u003eRichard Brennan's Favourite\u003c\/li\u003e\n\u003cli\u003eRose's Delight\u003c\/li\u003e\n\u003cli\u003eScatter the Mud\u003c\/li\u003e\n\u003cli\u003eSeamus Cooley's\u003c\/li\u003e\n\u003cli\u003eSliabh Russell\u003c\/li\u003e\n\u003cli\u003eTrip to Sligo, A\u003c\/li\u003e\n\u003cli\u003eVisit to Ireland, A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eByrne's\u003c\/li\u003e\n\u003cli\u003eDerry, The\u003c\/li\u003e\n\u003cli\u003eHigh Level, The\u003c\/li\u003e\n\u003cli\u003ePoppy Leaf, The\u003c\/li\u003e\n\u003cli\u003eShowman‰۪s Fancy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePolkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAnnaghbeg, The\u003c\/li\u003e\n\u003cli\u003eGullane No. 2, The\u003c\/li\u003e\n\u003cli\u003eJohnny O'Leary's\u003c\/li\u003e\n\u003cli\u003eMany a Wild Night\u003c\/li\u003e\n\u003cli\u003ePete Bradleys\u003c\/li\u003e\n\u003cli\u003eTimmy O'Connors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlip Jigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eBarn Dances\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHills of Tara, The\u003c\/li\u003e\n\u003cli\u003ePeach Blossoms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241490837545,"sku":"AM406","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypopirish.jpg?v=1527263025"},{"product_id":"100-popular-irish-session-tunes-cd","title":"100 Popular Irish Session Tunes CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis CD is to accompany the book by the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMally says \"The tune settings in this book are all ‘session friendly’, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon (an accordion system rarely found in Irish music circles - B\/C and C sharp\/D are the norm). I’ve made a conscious effort to allow this to happen in order to give the book its own unique character. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says ‘Learn to Play the Banjo’, don’t think it’s of no use if you play the tin whistle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout this book are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eSuggested ornamentation has been kept to a minimum and is indicated by the symbol ~.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReels\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAmbrose Maloney's\u003c\/li\u003e\n\u003cli\u003eBag of Potatoes, The\u003c\/li\u003e\n\u003cli\u003eBelles of Tipperary, The\u003c\/li\u003e\n\u003cli\u003eBoys of Malin, The\u003c\/li\u003e\n\u003cli\u003eCastle Kelly\u003c\/li\u003e\n\u003cli\u003eColonel Frazer\u003c\/li\u003e\n\u003cli\u003eDairy Maid, The\u003c\/li\u003e\n\u003cli\u003eDinkie's\u003c\/li\u003e\n\u003cli\u003eDrunken Tinker, The\u003c\/li\u003e\n\u003cli\u003eDublin Reel, The\u003c\/li\u003e\n\u003cli\u003eEel in the Sink, The\u003c\/li\u003e\n\u003cli\u003eFarewell to Erin\u003c\/li\u003e\n\u003cli\u003eFirst Month of Summer, The\u003c\/li\u003e\n\u003cli\u003eFoxhunters' Reel\u003c\/li\u003e\n\u003cli\u003eGaltee Rangers\u003c\/li\u003e\n\u003cli\u003eGatehouse Maid, The\u003c\/li\u003e\n\u003cli\u003eGeorge White's Fancy\u003c\/li\u003e\n\u003cli\u003eGreen Mountain, The\u003c\/li\u003e\n\u003cli\u003eJackson's\u003c\/li\u003e\n\u003cli\u003eJenny Picking Cockles\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 1, The\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 2, The\u003c\/li\u003e\n\u003cli\u003eKing of the Clans\u003c\/li\u003e\n\u003cli\u003eLaington's\u003c\/li\u003e\n\u003cli\u003eLiffey Banks, The\u003c\/li\u003e\n\u003cli\u003eLucky in Love\u003c\/li\u003e\n\u003cli\u003eMamma's Pet\u003c\/li\u003e\n\u003cli\u003eMayor Harrison's Fedora\u003c\/li\u003e\n\u003cli\u003eMcDonagh's\u003c\/li\u003e\n\u003cli\u003eMcFadden's Handsome Daughter\u003c\/li\u003e\n\u003cli\u003eMichael Creamer's\u003c\/li\u003e\n\u003cli\u003eMichael Reilly's\u003c\/li\u003e\n\u003cli\u003eMilliner's Daughter, The\u003c\/li\u003e\n\u003cli\u003eMolloy's\u003c\/li\u003e\n\u003cli\u003eMonsignor's Blessing\u003c\/li\u003e\n\u003cli\u003eMountain Top, The\u003c\/li\u003e\n\u003cli\u003eMullingar Races\u003c\/li\u003e\n\u003cli\u003eMusic in the Glen\u003c\/li\u003e\n\u003cli\u003eMy Love and I in the Garden\u003c\/li\u003e\n\u003cli\u003ePaddy Cronin's\u003c\/li\u003e\n\u003cli\u003ePeter Street\u003c\/li\u003e\n\u003cli\u003ePiper's Despair, The\u003c\/li\u003e\n\u003cli\u003eRattigan's\u003c\/li\u003e\n\u003cli\u003eReconciliation, The\u003c\/li\u003e\n\u003cli\u003eRed Haired Lass, The\u003c\/li\u003e\n\u003cli\u003eStenson's\u003c\/li\u003e\n\u003cli\u003eStoney Steps, The\u003c\/li\u003e\n\u003cli\u003eSwinging on a Gate\u003c\/li\u003e\n\u003cli\u003eTom Ward's Downfall\u003c\/li\u003e\n\u003cli\u003eUnion Reel, The\u003c\/li\u003e\n\u003cli\u003eVolunteer, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBank of Turf, The\u003c\/li\u003e\n\u003cli\u003eBill Collins'\u003c\/li\u003e\n\u003cli\u003eBrian O'Lynn\u003c\/li\u003e\n\u003cli\u003eBush on the Hill, The\u003c\/li\u003e\n\u003cli\u003eButchers' March, The\u003c\/li\u003e\n\u003cli\u003eCome Have a Drink With Me\u003c\/li\u003e\n\u003cli\u003eCon Cassidy's\u003c\/li\u003e\n\u003cli\u003eGet Up Old Woman and Shake\u003c\/li\u003e\n\u003cli\u003eHole in the Hedge, The\u003c\/li\u003e\n\u003cli\u003eJerry's Beaver Hat\u003c\/li\u003e\n\u003cli\u003eKinnegad Slashers\u003c\/li\u003e\n\u003cli\u003eLeg of the Duck, The\u003c\/li\u003e\n\u003cli\u003eLeitrim Fancy\u003c\/li\u003e\n\u003cli\u003eOld Man Dillon\u003c\/li\u003e\n\u003cli\u003eOrphan, The\u003c\/li\u003e\n\u003cli\u003ePaddy Taylor's\u003c\/li\u003e\n\u003cli\u003eRambler, The\u003c\/li\u003e\n\u003cli\u003eRichard Brennan's Favourite\u003c\/li\u003e\n\u003cli\u003eRose's Delight\u003c\/li\u003e\n\u003cli\u003eScatter the Mud\u003c\/li\u003e\n\u003cli\u003eSeamus Cooley's\u003c\/li\u003e\n\u003cli\u003eSliabh Russell\u003c\/li\u003e\n\u003cli\u003eTrip to Sligo, A\u003c\/li\u003e\n\u003cli\u003eVisit to Ireland, A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eByrne's\u003c\/li\u003e\n\u003cli\u003eDerry, The\u003c\/li\u003e\n\u003cli\u003eHigh Level, The\u003c\/li\u003e\n\u003cli\u003ePoppy Leaf, The\u003c\/li\u003e\n\u003cli\u003eShowman’s Fancy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePolkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAnnaghbeg, The\u003c\/li\u003e\n\u003cli\u003eGullane No. 2, The\u003c\/li\u003e\n\u003cli\u003eJohnny O'Leary's\u003c\/li\u003e\n\u003cli\u003eMany a Wild Night\u003c\/li\u003e\n\u003cli\u003ePete Bradleys\u003c\/li\u003e\n\u003cli\u003eTimmy O'Connors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlip Jigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eBarn Dances\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHills of Tara, The\u003c\/li\u003e\n\u003cli\u003ePeach Blossoms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241511022633,"sku":"AM406C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypopirish_f9f6eaed-ba56-4f7f-bcd0-a5c015ef0b18.jpg?v=1527263025"},{"product_id":"nick-barbers-english-choice-nick-barber","title":"Nick Barber's English Choice : Nick Barber","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eWhat are the one hundred best session tunes? Ask a group of traditional musicians that question and you will provoke a great deal of thought, and, of course, end up with a completely different answer from each one.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is such an amazing wealth and variety of tunes out there, constantly shifting as they pass from person to person, medium to medium; song tunes, dance tunes, marches, polkas, waltzes, love songs, ancient tunes, dirges, made up tunes, sad tunes...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNick Barber has been part of traditional English music sessions up and down the country for many years. Recently he has been spotted playing melodeon, horn and recorder a bit less and asking about tunes a bit more. His copious scribbled notes have resulted in this tune book.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tunes are accurately transcribed, referring to original sources wherever possible. Also included is information about each tune, with Nick’s choice of chords suitable for squeezebox and guitar players alike.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf you’d like to join in with the delights of sharing tunes with others in an English session, this book is a good reference point. Every tune is a gem, tried and tested not just by Nick on melodeon and his wife Mary on fiddle, but by generations of players who, over the years, have made the tunes what they are.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlexandra Park\u003c\/li\u003e\n\u003cli\u003eAll in a Garden Green\u003c\/li\u003e\n\u003cli\u003eAnything for John Joe\u003c\/li\u003e\n\u003cli\u003eAye Me\u003c\/li\u003e\n\u003cli\u003eBattle of Prague\u003c\/li\u003e\n\u003cli\u003eBear Dance\u003c\/li\u003e\n\u003cli\u003eBeatrice Hill’s Three-Handed Reel\u003c\/li\u003e\n\u003cli\u003eBill Hall’s No. 1\u003c\/li\u003e\n\u003cli\u003eBill Hall’s No. 2\u003c\/li\u003e\n\u003cli\u003eBlack Nag\u003c\/li\u003e\n\u003cli\u003eBonny Kate\u003c\/li\u003e\n\u003cli\u003eCaptain Lanoe’s Quick March\u003c\/li\u003e\n\u003cli\u003eCentenary March\u003c\/li\u003e\n\u003cli\u003eDark Girl Dressed in Blue\u003c\/li\u003e\n\u003cli\u003eDoctor Fausters’ Tumblers\u003c\/li\u003e\n\u003cli\u003eDusty Miller, The\u003c\/li\u003e\n\u003cli\u003eEnrico\u003c\/li\u003e\n\u003cli\u003eFair Jenny\u003c\/li\u003e\n\u003cli\u003eFoul Weather Call\u003c\/li\u003e\n\u003cli\u003eFour Seasons\u003c\/li\u003e\n\u003cli\u003eFrom Night Till Morn\u003c\/li\u003e\n\u003cli\u003eGanglat fran Appelbo\u003c\/li\u003e\n\u003cli\u003eGanivelle\u003c\/li\u003e\n\u003cli\u003eGloucestershire Hornpipe\u003c\/li\u003e\n\u003cli\u003eGrandfather’s Tune\u003c\/li\u003e\n\u003cli\u003eGreen Mountain Petronella\u003c\/li\u003e\n\u003cli\u003eGypsies’ Hornpipe\u003c\/li\u003e\n\u003cli\u003eHarper’s Frolick\u003c\/li\u003e\n\u003cli\u003eHerbert the Sherbert\u003c\/li\u003e\n\u003cli\u003eHorses Brawl\u003c\/li\u003e\n\u003cli\u003eHunt the Squirrel\u003c\/li\u003e\n\u003cli\u003eIron Legs\u003c\/li\u003e\n\u003cli\u003eJamaic\u003c\/li\u003e\n\u003cli\u003eJeannet and Jeannot\u003c\/li\u003e\n\u003cli\u003eJust as the Tide Was Flowing\u003c\/li\u003e\n\u003cli\u003eKerry Mills Barn Dance\u003c\/li\u003e\n\u003cli\u003eKershaws\u003c\/li\u003e\n\u003cli\u003eKing’s Polka\u003c\/li\u003e\n\u003cli\u003eLast of June\u003c\/li\u003e\n\u003cli\u003eLe Canal en Octobre\u003c\/li\u003e\n\u003cli\u003eLemmie Brazil’s No. 2\u003c\/li\u003e\n\u003cli\u003eLodge Roa\u003c\/li\u003e\n\u003cli\u003eLondon Schottische\u003c\/li\u003e\n\u003cli\u003eLong Odds\u003c\/li\u003e\n\u003cli\u003eLovely Nancy\u003c\/li\u003e\n\u003cli\u003eMad Moll of the Cheshire Hunts\u003c\/li\u003e\n\u003cli\u003eMarch des Cabrettaires\u003c\/li\u003e\n\u003cli\u003eMichael Turner’s Jig\u003c\/li\u003e\n\u003cli\u003eMichael Turner’s Waltz\u003c\/li\u003e\n\u003cli\u003eMidnight on the Water\u003c\/li\u003e\n\u003cli\u003eMiss Richards’ Hornpipe\u003c\/li\u003e\n\u003cli\u003eMundess\u003c\/li\u003e\n\u003cli\u003eNipper\u003c\/li\u003e\n\u003cli\u003eOld Lancashire Reel\u003c\/li\u003e\n\u003cli\u003eOnce I Loved a Maiden Fair\u003c\/li\u003e\n\u003cli\u003eOne More Dance and Then\u003c\/li\u003e\n\u003cli\u003eOscar Woods' Jig\u003c\/li\u003e\n\u003cli\u003eOscar Woods’ Polka\u003c\/li\u003e\n\u003cli\u003ePepper in the Brandy\u003c\/li\u003e\n\u003cli\u003ePlane Tree, The\u003c\/li\u003e\n\u003cli\u003ePortobello\u003c\/li\u003e\n\u003cli\u003ePrince William\u003c\/li\u003e\n\u003cli\u003eQuarter Brawl\u003c\/li\u003e\n\u003cli\u003eRecovery\u003c\/li\u003e\n\u003cli\u003eRedowa Polka\u003c\/li\u003e\n\u003cli\u003eRochdale Coconut Dance\u003c\/li\u003e\n\u003cli\u003eRogues’ March\u003c\/li\u003e\n\u003cli\u003eRufty Tufty\u003c\/li\u003e\n\u003cli\u003eScan Tester’s Polka No. 1\u003c\/li\u003e\n\u003cli\u003eScan Tester’s Polka No. 2\u003c\/li\u003e\n\u003cli\u003eSchottis fran Idre\u003c\/li\u003e\n\u003cli\u003eSerpentiner och Konfetti\u003c\/li\u003e\n\u003cli\u003eSeven Stars\u003c\/li\u003e\n\u003cli\u003eSir Sidney Smith’s March\u003c\/li\u003e\n\u003cli\u003eSloe, The\u003c\/li\u003e\n\u003cli\u003eSonny Brogan’s Mazurka\u003c\/li\u003e\n\u003cli\u003eSpaniard, The\u003c\/li\u003e\n\u003cli\u003eSpirit of the Dance\u003c\/li\u003e\n\u003cli\u003eSportsman’s Hornpipe\u003c\/li\u003e\n\u003cli\u003eStaffordshire Hornpipe\u003c\/li\u003e\n\u003cli\u003eSteamboat Hornpipe\u003c\/li\u003e\n\u003cli\u003eSun Assembly\u003c\/li\u003e\n\u003cli\u003eSwiss Boy\u003c\/li\u003e\n\u003cli\u003eCentenary March\u003c\/li\u003e\n\u003cli\u003eThree Around Three\u003c\/li\u003e\n\u003cli\u003eThree Rusty Swords\u003c\/li\u003e\n\u003cli\u003eTip Top Polka\u003c\/li\u003e\n\u003cli\u003eVarsoviana\u003c\/li\u003e\n\u003cli\u003eWals voor Polle\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer’s Polka No. 1\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer’s Polka No. 2\u003c\/li\u003e\n\u003cli\u003eWaterloo Dance\u003c\/li\u003e\n\u003cli\u003eWeavers’ March\u003c\/li\u003e\n\u003cli\u003eWhen Daylight Shines\u003c\/li\u003e\n\u003cli\u003eWill You Patch My Pants for Me?\u003c\/li\u003e\n\u003cli\u003eWorcestershire Hornpipe\u003c\/li\u003e\n\u003cli\u003eYoung May Moon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4242029510697,"sku":"AM107","price":11.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ybarber.jpg?v=1527263186"},{"product_id":"john-kirkpatricks-english-choice","title":"John Kirkpatrick's English Choice","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eIn this lively romp through seven centuries of English dance music, John Kirkpatrick shares the passion that has led him to become one of the foremost champions and interpreters of our native traditions. Driven always by his love of dancing, John has constantly been striving to inject the maximum amount of energy and life into these lovely simple old tunes. In fact, as any dance musician will tell you, the simpler the tune is, the more opportunity you are allowed to add your own kind of zest into its performance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere John presents 101 examples that are tailor-made for the strong rhythmic approach inspired by English dance steps and rhythms. With melody, chords and variations, the book is ideally suited for any instrument, but one of the prime factors in the selection of the tunes has been the fact that they sit so happily on the push-pull squeeze-box scale. Although the melodeon came along long after the style and substance of this music was well established, it's breathtaking how perfectly the one can match the other. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith over forty years' playing experience behind him, you couldn't be in safer hands. This collection is an absolute must not only for melodeon players, but for anybody who likes their music with an uncompromising English accent.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlexandra\u003c\/li\u003e\n\u003cli\u003eAlf Gray's Jig\u003c\/li\u003e\n\u003cli\u003eBattle of Prague, The\u003c\/li\u003e\n\u003cli\u003eBig Ship, The\u003c\/li\u003e\n\u003cli\u003eBlack Joak, The\u003c\/li\u003e\n\u003cli\u003eBobby Shafto\u003c\/li\u003e\n\u003cli\u003eBonnets So Blue\u003c\/li\u003e\n\u003cli\u003eBrickmakers, The\u003c\/li\u003e\n\u003cli\u003eBrunswick\u003c\/li\u003e\n\u003cli\u003eCaptain Macintosh\u003c\/li\u003e\n\u003cli\u003eCharming Maid, The\u003c\/li\u003e\n\u003cli\u003eColosseum, The\u003c\/li\u003e\n\u003cli\u003eContented Farmer, The\u003c\/li\u003e\n\u003cli\u003eCroaking Cardinal, The\u003c\/li\u003e\n\u003cli\u003eDam It\u003c\/li\u003e\n\u003cli\u003eDandy Dancer, The\u003c\/li\u003e\n\u003cli\u003eDannish Waltz, The\u003c\/li\u003e\n\u003cli\u003eDennis Crowther's No. 3\u003c\/li\u003e\n\u003cli\u003eDerby Hunt, The\u003c\/li\u003e\n\u003cli\u003eDouble Change Sides\u003c\/li\u003e\n\u003cli\u003eDown the Sides and Up the Middle\u003c\/li\u003e\n\u003cli\u003eDr. Fausters’ Tumblers\u003c\/li\u003e\n\u003cli\u003eDutch Pins\u003c\/li\u003e\n\u003cli\u003eEvesham Stick Dance, The\u003c\/li\u003e\n\u003cli\u003eFairy Prince, The\u003c\/li\u003e\n\u003cli\u003eFirst of September, The\u003c\/li\u003e\n\u003cli\u003eFlaxley Green Dance, The\u003c\/li\u003e\n\u003cli\u003eGarrick's Delight\u003c\/li\u003e\n\u003cli\u003eGeneral Hill's Favourite\u003c\/li\u003e\n\u003cli\u003eGoathland Square Eight, The\u003c\/li\u003e\n\u003cli\u003eGood Old Way, The\u003c\/li\u003e\n\u003cli\u003eGypsies' Round, The\u003c\/li\u003e\n\u003cli\u003eHaphazard\u003c\/li\u003e\n\u003cli\u003eHasty Money\u003c\/li\u003e\n\u003cli\u003eHexham Races\u003c\/li\u003e\n\u003cli\u003eHolborn March\u003c\/li\u003e\n\u003cli\u003eHunt the Hare\u003c\/li\u003e\n\u003cli\u003eHunt the Squirrel (Polka)\u003c\/li\u003e\n\u003cli\u003eHunt the Squirrel (Hornpipe)\u003c\/li\u003e\n\u003cli\u003eHunting the Squirrel (Jig)\u003c\/li\u003e\n\u003cli\u003eHyde Park\u003c\/li\u003e\n\u003cli\u003eIrish Washerwoman, The\u003c\/li\u003e\n\u003cli\u003eJack's Alive\u003c\/li\u003e\n\u003cli\u003eJingling Geordie, The\u003c\/li\u003e\n\u003cli\u003eJohn of Paris\u003c\/li\u003e\n\u003cli\u003eJohn of the Greeny Cheshire Way\u003c\/li\u003e\n\u003cli\u003eJohn Peel\u003c\/li\u003e\n\u003cli\u003eKing Edward The Second's Jig\u003c\/li\u003e\n\u003cli\u003eKirkgate Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eLass of Dallogill, The\u003c\/li\u003e\n\u003cli\u003eLeap Over The Garter\u003c\/li\u003e\n\u003cli\u003eLilliburlero\u003c\/li\u003e\n\u003cli\u003eLong Odds\u003c\/li\u003e\n\u003cli\u003eMerry Wakefield\u003c\/li\u003e\n\u003cli\u003eMilesian, The\u003c\/li\u003e\n\u003cli\u003eMilitia, The\u003c\/li\u003e\n\u003cli\u003eMiss Gayton's Hornpipe\u003c\/li\u003e\n\u003cli\u003eMr. Cosgill's Delight\u003c\/li\u003e\n\u003cli\u003eNew White Hart Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eNymph, The\u003c\/li\u003e\n\u003cli\u003eOrlando's Return\u003c\/li\u003e\n\u003cli\u003eOscar Woods’ Jig\u003c\/li\u003e\n\u003cli\u003ePenny on the Water\u003c\/li\u003e\n\u003cli\u003ePhilibelula All The Way\u003c\/li\u003e\n\u003cli\u003ePhysical Snob, The\u003c\/li\u003e\n\u003cli\u003ePolly Put The Kettle On\u003c\/li\u003e\n\u003cli\u003ePrince of Wales’ Jig, The\u003c\/li\u003e\n\u003cli\u003ePrince Regent, The\u003c\/li\u003e\n\u003cli\u003ePrince William\u003c\/li\u003e\n\u003cli\u003ePrincess Caroline's Waltz\u003c\/li\u003e\n\u003cli\u003eRadstock Jig, The\u003c\/li\u003e\n\u003cli\u003eRed Joak, The\u003c\/li\u003e\n\u003cli\u003eRed Lion Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eRegent's Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eRufty Tufty\u003c\/li\u003e\n\u003cli\u003eRunaway, The\u003c\/li\u003e\n\u003cli\u003eRussian Cavalry\u003c\/li\u003e\n\u003cli\u003eSailor's Delight, The\u003c\/li\u003e\n\u003cli\u003eShepton Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eSheringham Breakdown, The\u003c\/li\u003e\n\u003cli\u003eShrewsbury Waltz, The\u003c\/li\u003e\n\u003cli\u003eSick And Very Bad\u003c\/li\u003e\n\u003cli\u003eSoldier's Wedding, The\u003c\/li\u003e\n\u003cli\u003eSquirrel, The\u003c\/li\u003e\n\u003cli\u003eSussex Bonny Breast Knot, The\u003c\/li\u003e\n\u003cli\u003eTank, The\u003c\/li\u003e\n\u003cli\u003eTempest, The\u003c\/li\u003e\n\u003cli\u003eThorpe Malsor Trumpet Tune\u003c\/li\u003e\n\u003cli\u003eTink A Tink\u003c\/li\u003e\n\u003cli\u003eTouch the Thing\u003c\/li\u003e\n\u003cli\u003eTouchstone, The\u003c\/li\u003e\n\u003cli\u003eTrip to the Cottage\u003c\/li\u003e\n\u003cli\u003eTrue Joak, The\u003c\/li\u003e\n\u003cli\u003eWashington Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eWe Will Down with the French\u003c\/li\u003e\n\u003cli\u003eWelch Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eWhite Joak, The\u003c\/li\u003e\n\u003cli\u003eWhitehaven Volunteers, The\u003c\/li\u003e\n\u003cli\u003eWilson's Favourite\u003c\/li\u003e\n\u003cli\u003eWiltshire Six-Hand Reel, The\u003c\/li\u003e\n\u003cli\u003eYellow Joak, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4242066276393,"sku":"AP108","price":12.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ykirkpatrick.jpg?v=1527263148"},{"product_id":"100-irish-polkas-dave-mallinson","title":"100 Irish Polkas - Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThe title says it all, a book crammed with juicy polkas to get your teeth into. A must for polka lovers as well as any other musician who is perhaps looking for easier Irish repertoire. Why not give yourself a break from the reels and jigs occasionally?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"The lowly, oft scorned polka\": take no notice, don't believe a word. In this book you'll find 100 really smashing tunes, some familiar, many not so familiar; play some slow, play some fast, play some very fast. With good phrasing and rhythm these tunes will stand their ground against reels and jigs any day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e100 tunes (100 polkas) with chords, classified and alphabetical (with alternative titles) indexes. The book also contains a comprehensive bibliography and discography listing every single book and recording referred to whilst researching the tunes.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAll the Way to Galway \u003c\/li\u003e\n\u003cli\u003eAs I went Out upon Ice \u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 1 \u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 2 \u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 3 \u003c\/li\u003e\n\u003cli\u003eBallynahulla no. 1 \u003c\/li\u003e\n\u003cli\u003eBallynahulla no. 2 \u003c\/li\u003e\n\u003cli\u003eBallyvournie \u003c\/li\u003e\n\u003cli\u003eBattle of Aughrim \u003c\/li\u003e\n\u003cli\u003eBelles of Ballinderry \u003c\/li\u003e\n\u003cli\u003eBiddy Martin's \u003c\/li\u003e\n\u003cli\u003eBill Sullivan's \u003c\/li\u003e\n\u003cli\u003eCamptown Races \u003c\/li\u003e\n\u003cli\u003eCaptain Byng \u003c\/li\u003e\n\u003cli\u003eCaptain Maguire \u003c\/li\u003e\n\u003cli\u003eCarroll's \u003c\/li\u003e\n\u003cli\u003eChurch Street \u003c\/li\u003e\n\u003cli\u003eClare Dragoons \u003c\/li\u003e\n\u003cli\u003eCousins' Delight \u003c\/li\u003e\n\u003cli\u003eDalaigh's \u003c\/li\u003e\n\u003cli\u003eDan Coakley's \u003c\/li\u003e\n\u003cli\u003eDan Mac's \u003c\/li\u003e\n\u003cli\u003eDark Girl \u003c\/li\u003e\n\u003cli\u003eDenis Doody's \u003c\/li\u003e\n\u003cli\u003eDenis Murphy's Din Tarrant's \u003c\/li\u003e\n\u003cli\u003eDin Tarrant's no. 3 \u003c\/li\u003e\n\u003cli\u003eDoyle's \u003c\/li\u003e\n\u003cli\u003eFarewell to Whiskey \u003c\/li\u003e\n\u003cli\u003eFinnegan's Wake \u003c\/li\u003e\n\u003cli\u003eFirst of May \u003c\/li\u003e\n\u003cli\u003eForty-two Pound Cheque \u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 1 \u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 2 \u003c\/li\u003e\n\u003cli\u003eAn Gallope \u003c\/li\u003e\n\u003cli\u003eGirl with the Blue Dress \u003c\/li\u003e\n\u003cli\u003eGlen Cottage no. 1 \u003c\/li\u003e\n\u003cli\u003eGlen Cottage no. 2 \u003c\/li\u003e\n\u003cli\u003eGneevgullia \u003c\/li\u003e\n\u003cli\u003eGullane \u003c\/li\u003e\n\u003cli\u003eHigh Caul'd Cap \u003c\/li\u003e\n\u003cli\u003eI have a Bonnet \u003c\/li\u003e\n\u003cli\u003eBonnet Trimmed with Blue \u003c\/li\u003e\n\u003cli\u003eJack Reedy's \u003c\/li\u003e\n\u003cli\u003eJer the Rigger \u003c\/li\u003e\n\u003cli\u003eJim Keeffe's \u003c\/li\u003e\n\u003cli\u003eJim Keeffe's no. 1 \u003c\/li\u003e\n\u003cli\u003eJimmy Doyle's Favourite \u003c\/li\u003e\n\u003cli\u003eJohn Egan's \u003c\/li\u003e\n\u003cli\u003eJohn McGovern's Johnny Ghabba \u003c\/li\u003e\n\u003cli\u003eJohnny, I Do Miss You! \u003c\/li\u003e\n\u003cli\u003eJohnny Leary's\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey Barry's \u003c\/li\u003e\n\u003cli\u003eJohn Walsh's \u003c\/li\u003e\n\u003cli\u003eJulia Clifford's \u003c\/li\u003e\n\u003cli\u003eKerry no. 1 \u003c\/li\u003e\n\u003cli\u003eKerry no. 2 \u003c\/li\u003e\n\u003cli\u003eKnocknaboul no. 1 \u003c\/li\u003e\n\u003cli\u003eKnocknaboul no. 2 \u003c\/li\u003e\n\u003cli\u003eLackagh Cross \u003c\/li\u003e\n\u003cli\u003eLakes of Sligo \u003c\/li\u003e\n\u003cli\u003eLisdoonvarna \u003c\/li\u003e\n\u003cli\u003eLittle Diamond \u003c\/li\u003e\n\u003cli\u003eMack's Rambles \u003c\/li\u003e\n\u003cli\u003eMagic Slipper \u003c\/li\u003e\n\u003cli\u003eMary Girl \u003c\/li\u003e\n\u003cli\u003eMatt Hayes' no. 1 \u003c\/li\u003e\n\u003cli\u003eMatt Hayes' no. 2 \u003c\/li\u003e\n\u003cli\u003eMike Coen's \u003c\/li\u003e\n\u003cli\u003eMrs Crowley's \u003c\/li\u003e\n\u003cli\u003eMrs Ryan's \u003c\/li\u003e\n\u003cli\u003eMunster Bank \u003c\/li\u003e\n\u003cli\u003eMurroe \u003c\/li\u003e\n\u003cli\u003eNewmarket O'Connor's \u003c\/li\u003e\n\u003cli\u003eO'Keeffe's \u003c\/li\u003e\n\u003cli\u003eO'Sullivan's Fancy \u003c\/li\u003e\n\u003cli\u003eBritches full of Stitches \u003c\/li\u003e\n\u003cli\u003ePaddy Kenny's \u003c\/li\u003e\n\u003cli\u003ePatsy Baker \u003c\/li\u003e\n\u003cli\u003eRose Tree \u003c\/li\u003e\n\u003cli\u003eSaint Mary's \u003c\/li\u003e\n\u003cli\u003eSéamus Cussen's \u003c\/li\u003e\n\u003cli\u003eSliabh Luachra \u003c\/li\u003e\n\u003cli\u003eSpanish Lady \u003c\/li\u003e\n\u003cli\u003eSprig of Shillelagh \u003c\/li\u003e\n\u003cli\u003eSweeney's \u003c\/li\u003e\n\u003cli\u003eTerry Teahan's \u003c\/li\u003e\n\u003cli\u003eTom Sullivan's \u003c\/li\u003e\n\u003cli\u003eTop of Maol \u003c\/li\u003e\n\u003cli\u003eTuar Mór no. 1 \u003c\/li\u003e\n\u003cli\u003eTuar Mór no. 2 \u003c\/li\u003e\n\u003cli\u003eTuar Mór no. 3 \u003c\/li\u003e\n\u003cli\u003eTureengarbh Glen \u003c\/li\u003e\n\u003cli\u003eUp and Away \u003c\/li\u003e\n\u003cli\u003eUp on the Waggon \u003c\/li\u003e\n\u003cli\u003eUpperchurch no. 1 \u003c\/li\u003e\n\u003cli\u003eUpperchurch no. 2 \u003c\/li\u003e\n\u003cli\u003eWalsh's\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4242571657257,"sku":"AM404","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypolka.jpg?v=1527263023"},{"product_id":"100-irish-polkas-cd-dave-mallinson","title":"100 Irish Polkas CD - Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis CD is to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe title says it all, a book crammed with juicy polkas to get your teeth into. A must for polka lovers as well as any other musician who is perhaps looking for easier Irish repertoire. Why not give yourself a break from the reels and jigs occasionally?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"The lowly, oft scorned polka\": take no notice, don't believe a word. In this book you'll find 100 really smashing tunes, some familiar, many not so familiar; play some slow, play some fast, play some very fast. With good phrasing and rhythm these tunes will stand their ground against reels and jigs any day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e100 tunes (100 polkas) with chords, classified and alphabetical (with alternative titles) indexes. The book also contains a comprehensive bibliography and discography listing every single book and recording referred to whilst researching the tunes.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAll the Way to GalwayåÊ\u003c\/li\u003e\n\u003cli\u003eAs I went Out upon IceåÊ\u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 3åÊ\u003c\/li\u003e\n\u003cli\u003eBallynahulla no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eBallynahulla no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eBallyvournieåÊ\u003c\/li\u003e\n\u003cli\u003eBattle of AughrimåÊ\u003c\/li\u003e\n\u003cli\u003eBelles of BallinderryåÊ\u003c\/li\u003e\n\u003cli\u003eBiddy Martin'såÊ\u003c\/li\u003e\n\u003cli\u003eBill Sullivan'såÊ\u003c\/li\u003e\n\u003cli\u003eCamptown RacesåÊ\u003c\/li\u003e\n\u003cli\u003eCaptain ByngåÊ\u003c\/li\u003e\n\u003cli\u003eCaptain MaguireåÊ\u003c\/li\u003e\n\u003cli\u003eCarroll'såÊ\u003c\/li\u003e\n\u003cli\u003eChurch StreetåÊ\u003c\/li\u003e\n\u003cli\u003eClare DragoonsåÊ\u003c\/li\u003e\n\u003cli\u003eCousins' DelightåÊ\u003c\/li\u003e\n\u003cli\u003eDalaigh'såÊ\u003c\/li\u003e\n\u003cli\u003eDan Coakley'såÊ\u003c\/li\u003e\n\u003cli\u003eDan Mac'såÊ\u003c\/li\u003e\n\u003cli\u003eDark GirlåÊ\u003c\/li\u003e\n\u003cli\u003eDenis Doody'såÊ\u003c\/li\u003e\n\u003cli\u003eDenis Murphy's Din Tarrant'såÊ\u003c\/li\u003e\n\u003cli\u003eDin Tarrant's no. 3åÊ\u003c\/li\u003e\n\u003cli\u003eDoyle'såÊ\u003c\/li\u003e\n\u003cli\u003eFarewell to WhiskeyåÊ\u003c\/li\u003e\n\u003cli\u003eFinnegan's WakeåÊ\u003c\/li\u003e\n\u003cli\u003eFirst of MayåÊ\u003c\/li\u003e\n\u003cli\u003eForty-two Pound ChequeåÊ\u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eAn GallopeåÊ\u003c\/li\u003e\n\u003cli\u003eGirl with the Blue DressåÊ\u003c\/li\u003e\n\u003cli\u003eGlen Cottage no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eGlen Cottage no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eGneevgulliaåÊ\u003c\/li\u003e\n\u003cli\u003eGullaneåÊ\u003c\/li\u003e\n\u003cli\u003eHigh Caul'd CapåÊ\u003c\/li\u003e\n\u003cli\u003eI have a BonnetåÊ\u003c\/li\u003e\n\u003cli\u003eBonnet Trimmed with BlueåÊ\u003c\/li\u003e\n\u003cli\u003eJack Reedy'såÊ\u003c\/li\u003e\n\u003cli\u003eJer the RiggeråÊ\u003c\/li\u003e\n\u003cli\u003eJim Keeffe'såÊ\u003c\/li\u003e\n\u003cli\u003eJim Keeffe's no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eJimmy Doyle's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eJohn Egan'såÊ\u003c\/li\u003e\n\u003cli\u003eJohn McGovern's Johnny GhabbaåÊ\u003c\/li\u003e\n\u003cli\u003eJohnny, I Do Miss You!åÊ\u003c\/li\u003e\n\u003cli\u003eJohnny Leary's\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey Barry'såÊ\u003c\/li\u003e\n\u003cli\u003eJohn Walsh'såÊ\u003c\/li\u003e\n\u003cli\u003eJulia Clifford'såÊ\u003c\/li\u003e\n\u003cli\u003eKerry no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eKerry no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eKnocknaboul no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eKnocknaboul no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eLackagh CrossåÊ\u003c\/li\u003e\n\u003cli\u003eLakes of SligoåÊ\u003c\/li\u003e\n\u003cli\u003eLisdoonvarnaåÊ\u003c\/li\u003e\n\u003cli\u003eLittle DiamondåÊ\u003c\/li\u003e\n\u003cli\u003eMack's RamblesåÊ\u003c\/li\u003e\n\u003cli\u003eMagic SlipperåÊ\u003c\/li\u003e\n\u003cli\u003eMary GirlåÊ\u003c\/li\u003e\n\u003cli\u003eMatt Hayes' no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eMatt Hayes' no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eMike Coen'såÊ\u003c\/li\u003e\n\u003cli\u003eMrs Crowley'såÊ\u003c\/li\u003e\n\u003cli\u003eMrs Ryan'såÊ\u003c\/li\u003e\n\u003cli\u003eMunster BankåÊ\u003c\/li\u003e\n\u003cli\u003eMurroeåÊ\u003c\/li\u003e\n\u003cli\u003eNewmarket O'Connor'såÊ\u003c\/li\u003e\n\u003cli\u003eO'Keeffe'såÊ\u003c\/li\u003e\n\u003cli\u003eO'Sullivan's FancyåÊ\u003c\/li\u003e\n\u003cli\u003eBritches full of StitchesåÊ\u003c\/li\u003e\n\u003cli\u003ePaddy Kenny'såÊ\u003c\/li\u003e\n\u003cli\u003ePatsy BakeråÊ\u003c\/li\u003e\n\u003cli\u003eRose TreeåÊ\u003c\/li\u003e\n\u003cli\u003eSaint Mary'såÊ\u003c\/li\u003e\n\u003cli\u003eS̩amus Cussen'såÊ\u003c\/li\u003e\n\u003cli\u003eSliabh LuachraåÊ\u003c\/li\u003e\n\u003cli\u003eSpanish LadyåÊ\u003c\/li\u003e\n\u003cli\u003eSprig of ShillelaghåÊ\u003c\/li\u003e\n\u003cli\u003eSweeney'såÊ\u003c\/li\u003e\n\u003cli\u003eTerry Teahan'såÊ\u003c\/li\u003e\n\u003cli\u003eTom Sullivan'såÊ\u003c\/li\u003e\n\u003cli\u003eTop of MaolåÊ\u003c\/li\u003e\n\u003cli\u003eTuar MÌ_r no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eTuar MÌ_r no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eTuar MÌ_r no. 3åÊ\u003c\/li\u003e\n\u003cli\u003eTureengarbh GlenåÊ\u003c\/li\u003e\n\u003cli\u003eUp and 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