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This results in a much clearer and more natural sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliability:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eThe AC5001-HQ system uses a Neutrik® jack, which guarantees the musician the best electrical contact the moment the cable is plugged in. The high quality, sealed potentiometers prevent any dust particles from entering into the electrical contacts. In addition, the AC5001-HQ uses the highest-standard locking connectors, ensuring the best connection quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVersatility and Invisibility:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable with either a mono or stereo output. If you select the mono version then the output is a sum of both hands on a single channel. If you choose the stereo version then the output is a stereo jack socket, giving independent signals for the left and right channels.\u003c\/p\u003e\n\u003cp\u003eThis system possesses the versatility to be adapted to accordions of any size – from 8 to 120 buttons, keyboard or button based, diatonic or chromatic. The AC5001-HQ has no need for external circuits in order to work, simply requiring a standard jack cable.\u003c\/p\u003e\n\u003cp\u003ePlease note this system requires professional fitting, please contact us for an appointment.\u003c\/p\u003e\n\u003ch4\u003eTechnical Specifications:\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboard Microphones: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePolar pattern: Cardioid (directional).\u003c\/li\u003e\n\u003cli\u003eFrequency response: 55Hz 22kHz ±3 dB.\u003c\/li\u003e\n\u003cli\u003eSignal\/noise ratio: 67 dB at 1 kHz.\u003c\/li\u003e\n\u003cli\u003eMaximum sound pressure: 147 dB S.P.L.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBass Microphone:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePolar pattern: Omnidirectional.\u003c\/li\u003e\n\u003cli\u003eFrequency response: 60Hz 20kHz ±3 dB.\u003c\/li\u003e\n\u003cli\u003eSignal\/noise ratio: 67 dB at 1 kHz.\u003c\/li\u003e\n\u003cli\u003eMaximum sound pressure: 147 dB S.P.L.\u003c\/li\u003e\n\u003cli\u003eOutput connector: P10 Mono or Stereo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003ePlease note this system requires professional fitting, please contact us for an appointment.\u003c\/span\u003e\u003cbr\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"Harmonik","offers":[{"title":"Mono","offer_id":4181699199017,"sku":"AC5001-HQ-M","price":625.0,"currency_code":"GBP","in_stock":true},{"title":"Stereo","offer_id":4181734228009,"sku":"AC5001-HQ-S","price":625.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ac5001hq_5.jpg?v=1569029503"},{"product_id":"harmonik-ac5001-plus-instrument-microphone","title":"Harmonik AC5001-PLUS Instrument Microphone","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThe AC5001-PLUS is the most powerful accordion microphone system on the market incorporating individual bass and treble tone control, allowing the accordionist to individually craft their sound. The AC5001-PLUS also has a Mono-Stereo switch, allowing the accordion player more flexibility on stage and in studio recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-End Microphones:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eThe AC5001-PLUS system utilizes condenser microphones especially selected for their technical features, with excellent frequency response and high-pressure sound tolerance capacity that results in distortion-free sound, even through the most rigorous playing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUniform Sound Capture:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eWith five directional microphones for the right hand and one omnidirectional microphone for the bass, this system is able to capture the full extension of keys at the same level, from the lowest to the highest notes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Feedback Resistance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AC5001-PLUS is a system with high feedback resistance, as the combination of its directional microphones with high fidelity electronics enables the system to ignore external sound up to 30dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplied Innovation:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eHarmonik has developed a unique Shock-Mount® system for its microphones, which mechanically isolates the microphones in the body of the accordion, absorbing the mechanical vibrations that are produced whilst playing. This results in a much clearer and more natural sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliability:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eThe AC5001-PLUS system uses a high quality jack, which guarantees the musician the best electrical contact the moment the cable is plugged in. The high quality, sealed potentiometers prevent any dust particles from entering into the electrical contacts. In addition, the AC5001-PLUS uses the highest-standard locking connectors, ensuring the best connection quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVersatility and Invisibility:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eThis system possesses the versatility to be adapted to accordions of any size – from 8 to 120 buttons, keyboard or button based, diatonic or chromatic. The AC5001-PLUS has no need for external circuits in order to work, simply requiring a jack cable. If using the stereo output then just use a stereo jack cable to allow you to have the left and right hand signal on two channels.\u003c\/p\u003e\n\u003cp\u003ePlease note this requires professional fitting, please contact us to arrange an appointment.\u003c\/p\u003e\n\u003ch4\u003eTechnical Specifications:\u003c\/h4\u003e\n\u003cstrong\u003eKeyboard Microphones\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePolar pattern: Cardioid (directional).\u003c\/li\u003e\n\u003cli\u003eFrequency response: 60Hz 22kHz ±3 dB.\u003c\/li\u003e\n\u003cli\u003eSignal\/noise ratio: 67 dB at 1 kHz.\u003c\/li\u003e\n\u003cli\u003eMaximum sound pressure: 147 dB S.P.L.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBass Microphone:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePolar pattern: Omnidirectional.\u003c\/li\u003e\n\u003cli\u003eFrequency response: 60Hz 20kHz ±3 dB.\u003c\/li\u003e\n\u003cli\u003eSignal\/noise ratio: 67 dB at 1 kHz.\u003c\/li\u003e\n\u003cli\u003eMaximum sound pressure: 147 dB S.P.L.\u003c\/li\u003e\n\u003cli\u003eOutput connector: P10 Stereo \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003ePlease note this requires professional fitting, please contact us to arrange an appointment.\u003c\/span\u003e\u003cbr\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"Harmonik","offers":[{"title":"Default Title","offer_id":4181849309225,"sku":"AC5001-PLUS","price":700.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ac5001plus_10.jpg?v=1527263113"},{"product_id":"english-pub-session-tunes-english-pub-session-series-cd-dave-mallinson","title":"English Pub Session Tunes English Pub Session Series CD: Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis is the CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe tunes are suitable for every instrument associated with traditional music, and only 14 notes are required to play them all. They are eminently suitable for playing at country dances, ceilidhs, barn dances and hoe-downs and most have been recorded by notable bands and personalities.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo facilitate musicians identifying repertoire suitable for their current personal ability, the tunes in each book are presented in order of difficulty, and start and finish progressively harder throughout the series, in the order listed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIntroduction to the series\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA friend remarked at Sidmouth Folk Week, ‰ÛÏMally, I‰۪m going to recommend your Easy Peasy book to everybody, it‰۪s great! It reflects very closely the repertoire we play at our local session.‰۝ Another friend commented at Cleethorpes Folk Festival, ‰ÛÏMally, you do a gross injustice to some really good and useful tunes by labelling them ‰Û÷Easy Peasy‰۪, it gives the impression that they are only of any use to beginners to cut their teeth on.‰۝ ‰ÛÏVery true,‰۝ I thought, ‰ÛÏI play many of these tunes myself at dances, in sessions and for the morris dancers. Wouldn‰۪t it be a great to extend Easy Peasy into a series.‰۝ The idea was born, and soon developed into this set of four books which contain the most popular tunes that are played in English pub sessions, at folk festivals and by country dance musicians and morris players. Each book has its own theme and identity. Given average luck, with these tunes under your belt, you‰۪ll be able to join in most of the time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBecause most traditional airs only require the fourteen notes D, E, F sharp, G, A, B, C, C sharp, D, E, F sharp, G, A and B, I decided it would be a good idea to continue the theme, meaning all the tunes can be played in the first position on the top three strings of the fiddle, all the notes are in the range of the wooden flute and tin whistle and all the music is within the scope of the D\/G melodeon without accidentals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout these books are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou‰۪ll notice many of the tunes are not English. It‰۪s the pubs, sessions, folk festivals, ceilidhs etc. that are English. In, what might be termed, a general English session, melodies from Northumberland, Ireland, Scotland, America, France and Scandinavia are to be heard alongside English airs, which tend to be associated with the more southern regions of the country\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHundreds of personalities, records, bands, books and sessions have, unknowingly, made tiny, almost imperceptible contributions to the settings and choice of the tunes found in these books (some of the more influential are listed below). They have also been moulded further by the limitations of my instrument, the D\/G melodeon, and, of course, the fourteen note rule. All the settings are my own versions and every tune has, to a greater or lesser degree, my own personal stamp on it. But, I‰۪m sure you‰۪ll find all the tunes ‰Û÷session friendly‰۪, you can learn them exactly as written and have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eThe Muffin Man\u003c\/li\u003e\n\u003cli\u003eJohnny Come Down to Hilo\u003c\/li\u003e\n\u003cli\u003eKelly, the Boy from Killan\u003c\/li\u003e\n\u003cli\u003ePlanxty Irwin\u003c\/li\u003e\n\u003cli\u003eSheebeg, Sheemore\u003c\/li\u003e\n\u003cli\u003eThe Munster Cloak\u003c\/li\u003e\n\u003cli\u003eThe Man in the Moon\u003c\/li\u003e\n\u003cli\u003eThe Drunken Sailor\u003c\/li\u003e\n\u003cli\u003eSaint Mary's Polka\u003c\/li\u003e\n\u003cli\u003eThe Wren\u003c\/li\u003e\n\u003cli\u003eA Starry Night for a Ramble\u003c\/li\u003e\n\u003cli\u003eNapoleon Crossing the Rhine\u003c\/li\u003e\n\u003cli\u003eClee Hill\u003c\/li\u003e\n\u003cli\u003eO‰۪Connor‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eAndrew Carr\u003c\/li\u003e\n\u003cli\u003eDennis Murphy's Polka\u003c\/li\u003e\n\u003cli\u003eThe Officer's Polka\u003c\/li\u003e\n\u003cli\u003eThe Tip Top Polka\u003c\/li\u003e\n\u003cli\u003eThe Ballydesmond Polka\u003c\/li\u003e\n\u003cli\u003eThe Ton\u003c\/li\u003e\n\u003cli\u003eThe Butterfly\u003c\/li\u003e\n\u003cli\u003eOrange in Bloom\u003c\/li\u003e\n\u003cli\u003eSonny's Mazurka\u003c\/li\u003e\n\u003cli\u003eBecause He Was a Bonny Lad\u003c\/li\u003e\n\u003cli\u003eDark Girl Dressed in Blue\u003c\/li\u003e\n\u003cli\u003eThe Quaker\u003c\/li\u003e\n\u003cli\u003eThe Sloe\u003c\/li\u003e\n\u003cli\u003eRig-a-Jig\u003c\/li\u003e\n\u003cli\u003eThe Evesham Stick Dance\u003c\/li\u003e\n\u003cli\u003eMichael Turner's Waltz\u003c\/li\u003e\n\u003cli\u003eChurch Street\u003c\/li\u003e\n\u003cli\u003eThe Seven Stars\u003c\/li\u003e\n\u003cli\u003eHexham Races\u003c\/li\u003e\n\u003cli\u003eRochdale Coconut Dance\u003c\/li\u003e\n\u003cli\u003eThe Heel and Toe Polka\u003c\/li\u003e\n\u003cli\u003eUncle‰۪s Jig\u003c\/li\u003e\n\u003cli\u003eThe Redowa Polka\u003c\/li\u003e\n\u003cli\u003eSmash the Windows\u003c\/li\u003e\n\u003cli\u003eThe Gasp̩ Reel\u003c\/li\u003e\n\u003cli\u003eThe Kirkgate Hornpipe\u003c\/li\u003e\n\u003cli\u003eLemmie Brazil‰۪s Hornpipe\u003c\/li\u003e\n\u003cli\u003eUpton upon Severn Stick Dance\u003c\/li\u003e\n\u003cli\u003eOver the Hills and Far Away\u003c\/li\u003e\n\u003cli\u003eFoul Weather Call\u003c\/li\u003e\n\u003cli\u003eWaiting for the Federals\u003c\/li\u003e\n\u003cli\u003eScan Tester's Polka No. 1\u003c\/li\u003e\n\u003cli\u003eScan Tester's Polka No. 2\u003c\/li\u003e\n\u003cli\u003eFoxhunter's Jig\u003c\/li\u003e\n\u003cli\u003eThe Fiery Clock Face\u003c\/li\u003e\n\u003cli\u003eMerrily Kiss the Quaker\u003c\/li\u003e\n\u003cli\u003eRoxburgh Castle\u003c\/li\u003e\n\u003cli\u003eGirl with the Blue Dress on\u003c\/li\u003e\n\u003cli\u003eOld Joe Clarke\u003c\/li\u003e\n\u003cli\u003eBonnie Kate\u003c\/li\u003e\n\u003cli\u003eHarper's Frolic\u003c\/li\u003e\n\u003cli\u003eJohn of Paris\u003c\/li\u003e\n\u003cli\u003eLiberty\u003c\/li\u003e\n\u003cli\u003eFamily Jig\u003c\/li\u003e\n\u003cli\u003eEnrico\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer's Polka No. 1\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer's Polka No. 2\u003c\/li\u003e\n\u003cli\u003eThe Little Burnt Potato\u003c\/li\u003e\n\u003cli\u003eMickey Chewing Bubble Gum\u003c\/li\u003e\n\u003cli\u003eThe Rocky Road to Dublin\u003c\/li\u003e\n\u003cli\u003eThe Lady in the Boat\u003c\/li\u003e\n\u003cli\u003eThe White Cockade\u003c\/li\u003e\n\u003cli\u003eSoldiers‰۪ Joy\u003c\/li\u003e\n\u003cli\u003eHot Punch\u003c\/li\u003e\n\u003cli\u003eThe Boys of Bluehill\u003c\/li\u003e\n\u003cli\u003eTripping Upstairs\u003c\/li\u003e\n\u003cli\u003eThe Rakes of Kildare\u003c\/li\u003e\n\u003cli\u003eSleep Soond i‰۪ da Moarning\u003c\/li\u003e\n\u003cli\u003eSaddle the Pony\u003c\/li\u003e\n\u003cli\u003eNavvy on the Line\u003c\/li\u003e\n\u003cli\u003eLa Bastringue\u003c\/li\u003e\n\u003cli\u003eStaten Island\u003c\/li\u003e\n\u003cli\u003eThe Redesdale Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Steamboat\u003c\/li\u003e\n\u003cli\u003eFrost Is All Over\u003c\/li\u003e\n\u003cli\u003eOff to California\u003c\/li\u003e\n\u003cli\u003eWillafjord\u003c\/li\u003e\n\u003cli\u003eFather O‰۪Flynn\u003c\/li\u003e\n\u003cli\u003eThe Eighth of January\u003c\/li\u003e\n\u003cli\u003eShandon Bells\u003c\/li\u003e\n\u003cli\u003eThe Irish Washerwoman\u003c\/li\u003e\n\u003cli\u003eSpeed the Plough\u003c\/li\u003e\n\u003cli\u003eHarvest Home\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eThe Marquis of Lorne\u003c\/li\u003e\n\u003cli\u003eThe Belfast Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Trumpet Hornpipe\u003c\/li\u003e\n\u003cli\u003eRickett's Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eWoodland Revels\u003c\/li\u003e\n\u003cli\u003eAthole Highlanders\u003c\/li\u003e\n\u003cli\u003eSir Sydney Smith's March\u003c\/li\u003e\n\u003cli\u003eThe Fairy Dance\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003cli\u003eThe College Hornpipe\u003c\/li\u003e\n\u003cli\u003eMiss McLeod's Reel\u003c\/li\u003e\n\u003cli\u003eThe Merry Blacksmith\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4240703619113,"sku":"AM303C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypub_9a818f03-524d-4607-a49e-db3ff0551217.jpg?v=1527263097"},{"product_id":"popular-english-session-tunes-english-pub-session-series-cd-dave-mallinson","title":"Popular English Session Tunes English Pub Session Series CD: Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis isåÊthe CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe tunes are suitable for every instrument associated with traditional music, and only 14 notes are required to play them all. They are eminently suitable for playing at country dances, ceilidhs, barn dances and hoe-downs and most have been recorded by notable bands and personalities.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo facilitate musicians identifying repertoire suitable for their current personal ability, the tunes in each book are presented in order of difficulty, and start and finish progressively harder throughout the series, in the order listed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIntroduction to the series\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA friend remarked at Sidmouth Folk Week, ‰ÛÏMally, I‰۪m going to recommend your Easy Peasy book to everybody, it‰۪s great! It reflects very closely the repertoire we play at our local session.‰۝ Another friend commented at Cleethorpes Folk Festival, ‰ÛÏMally, you do a gross injustice to some really good and useful tunes by labelling them ‰Û÷Easy Peasy‰۪, it gives the impression that they are only of any use to beginners to cut their teeth on.‰۝ ‰ÛÏVery true,‰۝ I thought, ‰ÛÏI play many of these tunes myself at dances, in sessions and for the morris dancers. Wouldn‰۪t it be a great to extend Easy Peasy into a series.‰۝ The idea was born, and soon developed into this set of four books which contain the most popular tunes that are played in English pub sessions, at folk festivals and by country dance musicians and morris players. Each book has its own theme and identity. Given average luck, with these tunes under your belt, you‰۪ll be able to join in most of the time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBecause most traditional airs only require the fourteen notes D, E, F sharp, G, A, B, C, C sharp, D, E, F sharp, G, A and B, I decided it would be a good idea to continue the theme, meaning all the tunes can be played in the first position on the top three strings of the fiddle, all the notes are in the range of the wooden flute and tin whistle and all the music is within the scope of the D\/G melodeon without accidentals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout these books are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou‰۪ll notice many of the tunes are not English. It‰۪s the pubs, sessions, folk festivals, ceilidhs etc. that are English. In, what might be termed, a general English session, melodies from Northumberland, Ireland, Scotland, America, France and Scandinavia are to be heard alongside English airs, which tend to be associated with the more southern regions of the country\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHundreds of personalities, records, bands, books and sessions have, unknowingly, made tiny, almost imperceptible contributions to the settings and choice of the tunes found in these books (some of the more influential are listed below). They have also been moulded further by the limitations of my instrument, the D\/G melodeon, and, of course, the fourteen note rule. All the settings are my own versions and every tune has, to a greater or lesser degree, my own personal stamp on it. But, I‰۪m sure you‰۪ll find all the tunes ‰Û÷session friendly‰۪, you can learn them exactly as written and have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eThe Railway\u003c\/li\u003e\n\u003cli\u003eOn Top of Old Smokey\u003c\/li\u003e\n\u003cli\u003eAuld Lang Syne\u003c\/li\u003e\n\u003cli\u003eThe Back o' Bennachie\u003c\/li\u003e\n\u003cli\u003eThe Lass o‰۪ Dallowgill\u003c\/li\u003e\n\u003cli\u003ePenny on the Water\u003c\/li\u003e\n\u003cli\u003eLeather Away the Whattle\u003c\/li\u003e\n\u003cli\u003eThe Rigged Ship\u003c\/li\u003e\n\u003cli\u003eMarie's Wedding\u003c\/li\u003e\n\u003cli\u003eBricks and Mortar\u003c\/li\u003e\n\u003cli\u003eThe Brown Banner\u003c\/li\u003e\n\u003cli\u003eScotland\u003c\/li\u003e\n\u003cli\u003eThe Big Ship\u003c\/li\u003e\n\u003cli\u003eNancy‰۪s Fancy\u003c\/li\u003e\n\u003cli\u003eLord Inchiquin\u003c\/li\u003e\n\u003cli\u003eTill the Tide Comes In\u003c\/li\u003e\n\u003cli\u003eThe Tombigbee Waltz\u003c\/li\u003e\n\u003cli\u003eThe Frisky Jig\u003c\/li\u003e\n\u003cli\u003eCaptain Maguire\u003c\/li\u003e\n\u003cli\u003eBabes in the Wood\u003c\/li\u003e\n\u003cli\u003eThe Stool of Repentance\u003c\/li\u003e\n\u003cli\u003eLouis' Waltz\u003c\/li\u003e\n\u003cli\u003eThe Feathers\u003c\/li\u003e\n\u003cli\u003eThe Nutting Girl\u003c\/li\u003e\n\u003cli\u003eAuld Donald\u003c\/li\u003e\n\u003cli\u003eHere's to a Maiden\u003c\/li\u003e\n\u003cli\u003eThe Road to Lisdoonvarna\u003c\/li\u003e\n\u003cli\u003eThe Derry Boat\u003c\/li\u003e\n\u003cli\u003eAll the Way to Galway\u003c\/li\u003e\n\u003cli\u003eThe Shaalds o' Foula\u003c\/li\u003e\n\u003cli\u003eGreenholm\u003c\/li\u003e\n\u003cli\u003eGreen Mountain Petronella\u003c\/li\u003e\n\u003cli\u003eHewlet\u003c\/li\u003e\n\u003cli\u003eThe Star Above the Garter\u003c\/li\u003e\n\u003cli\u003eFarewell to Whiskey\u003c\/li\u003e\n\u003cli\u003eTeahan's Polka\u003c\/li\u003e\n\u003cli\u003eSeventy Second's Farewell\u003c\/li\u003e\n\u003cli\u003eRattle the Cash\u003c\/li\u003e\n\u003cli\u003eBill Collins' Jig\u003c\/li\u003e\n\u003cli\u003eSister Jean\u003c\/li\u003e\n\u003cli\u003eThursday Night\u003c\/li\u003e\n\u003cli\u003eBonnets so Blue\u003c\/li\u003e\n\u003cli\u003eThe Barnacle Redowa\u003c\/li\u003e\n\u003cli\u003eThe Boys of Wexford\u003c\/li\u003e\n\u003cli\u003eWard's Brae\u003c\/li\u003e\n\u003cli\u003eThe Lass o' Patie's Mill\u003c\/li\u003e\n\u003cli\u003eLiberton Pipe Band\u003c\/li\u003e\n\u003cli\u003eThe Minstrel‰۪s Fancy\u003c\/li\u003e\n\u003cli\u003eThe Grahaemsie Jig\u003c\/li\u003e\n\u003cli\u003eMorgan Rattler\u003c\/li\u003e\n\u003cli\u003eThe Matelot\u003c\/li\u003e\n\u003cli\u003eLamshaw's Fancy\u003c\/li\u003e\n\u003cli\u003eThe Hullichan Jig\u003c\/li\u003e\n\u003cli\u003eGarryowen\u003c\/li\u003e\n\u003cli\u003eThe Boys of School Hill\u003c\/li\u003e\n\u003cli\u003eThe Lady of the Lake\u003c\/li\u003e\n\u003cli\u003eThe Saint Lawrence Jig\u003c\/li\u003e\n\u003cli\u003eLamb Skinnet\u003c\/li\u003e\n\u003cli\u003ePaddy Whack\u003c\/li\u003e\n\u003cli\u003eThe Shepton Hornpipe\u003c\/li\u003e\n\u003cli\u003eOne More Dance and Then\u003c\/li\u003e\n\u003cli\u003eKitty McGee\u003c\/li\u003e\n\u003cli\u003eO'Donnell Abu\u003c\/li\u003e\n\u003cli\u003eKate Dalrymple\u003c\/li\u003e\n\u003cli\u003eMerrily Danced Quaker's Wife\u003c\/li\u003e\n\u003cli\u003eElsie Marley\u003c\/li\u003e\n\u003cli\u003eThe Harmonica\u003c\/li\u003e\n\u003cli\u003eThe Kesh Jig\u003c\/li\u003e\n\u003cli\u003eThe Colosseum\u003c\/li\u003e\n\u003cli\u003eThe Pet o' the Pipers\u003c\/li\u003e\n\u003cli\u003eMorrison's Jig\u003c\/li\u003e\n\u003cli\u003eLa Grande Chaine\u003c\/li\u003e\n\u003cli\u003eWhinham's Reel\u003c\/li\u003e\n\u003cli\u003eOut on the Ocean\u003c\/li\u003e\n\u003cli\u003eThe Greencastle Hornpipe\u003c\/li\u003e\n\u003cli\u003eRory O'More\u003c\/li\u003e\n\u003cli\u003eBielbie‰۪s Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Wonder Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Breakdown\u003c\/li\u003e\n\u003cli\u003eStrike the Gay Harp\u003c\/li\u003e\n\u003cli\u003eThe Lark in the Morning\u003c\/li\u003e\n\u003cli\u003eThe Liverpool Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe Maid Behind the Bar\u003c\/li\u003e\n\u003cli\u003eThe Teetotaller\u003c\/li\u003e\n\u003cli\u003ePigtown Fling\u003c\/li\u003e\n\u003cli\u003eDonald Blue\u003c\/li\u003e\n\u003cli\u003eJack Broke da Prison Door\u003c\/li\u003e\n\u003cli\u003eFlowers of Edinburgh\u003c\/li\u003e\n\u003cli\u003eFar from Home\u003c\/li\u003e\n\u003cli\u003eThe Bellingham Boat\u003c\/li\u003e\n\u003cli\u003eSally Gardens\u003c\/li\u003e\n\u003cli\u003ePig Ankle Rag\u003c\/li\u003e\n\u003cli\u003eAngeline the Baker\u003c\/li\u003e\n\u003cli\u003eColored Aristocracy\u003c\/li\u003e\n\u003cli\u003eThe Devil Among the Taylors\u003c\/li\u003e\n\u003cli\u003eThe Random Jig\u003c\/li\u003e\n\u003cli\u003eThe Mason's Apron\u003c\/li\u003e\n\u003cli\u003eThe High Road to Linton\u003c\/li\u003e\n\u003cli\u003eThe High Level Hornpipe\u003c\/li\u003e\n\u003cli\u003eThe New High Level\u003c\/li\u003e\n\u003cli\u003eRagtime Annie\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4240802480169,"sku":"AM304C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypopeng_5d13ac05-341b-4d23-b228-83d7d8596095.jpg?v=1527265571"},{"product_id":"101-easy-irish-session-tunes-cd-dave-mallinson","title":"101 Easy Irish Session Tunes CD : Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis is the CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDave Mallinson has been known as Mally since his first day at school. He has been involved in music since the age of nine, when he learned to play the recorder. In his mid teens he played the pop music of the era on guitar, but his interest was always little more than half-hearted. In his late teens he discovered folk music but still the guitar was unable to inspire him.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt the age of twenty two, Mally discovered the melodeon and immediately felt the musical stimulation he had unconsciously been seeking for many years. Practice was no longer a chore, it was his favourite occupation, an addiction even.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough starting late in life makes virtuoso status unattainable, it is still possible to reach a good standard. Mally, through lengthy practice, hard work and dogged determination, has managed to achieve a high level of competence and has become a well respected player. However, his constant struggle to maintain his skill makes his days as a beginner never seem far away. He is well able to recognise, and is very much aware of, the problems and difficulties facing beginners and novices.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDuring the early days of learning a musical instrument, many budding musicians fall by the wayside. They soon tire of playing the same half dozen tunes over and over again and, because they are unable to find other suitable melodies to sustain their interest, they drop out. To prevent boredom getting the upper hand, it is necessary to quickly build up a reasonably sized repertoire. Mally has identified 101 relatively simple, but interesting, Irish tunes and presents them here, in graded order, to increase your chances of success. This book will help you quickly boost your repertoire and get you up and running in the Irish sessions in no time, giving you many hours of enjoyment in the process.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all ‰Û÷session friendly‰۪, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, it can be unwise to learn a tune from only one source and, when possible, it‰۪s best, when learning a new tune, to pay heed to other books, recordings and live performances. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAll the Way To Galway\u003c\/li\u003e\n\u003cli\u003eAnother Jig Will Do\u003c\/li\u003e\n\u003cli\u003eAnything for Jonjo?\u003c\/li\u003e\n\u003cli\u003eBallydesmond Polka, The\u003c\/li\u003e\n\u003cli\u003eBarnacle Redowa, The\u003c\/li\u003e\n\u003cli\u003eBarney Brannigan\u003c\/li\u003e\n\u003cli\u003eBelieve Me, If All Those Endearing Young Charms\u003c\/li\u003e\n\u003cli\u003eBill Harte‰۪s Jig\u003c\/li\u003e\n\u003cli\u003eBlack Velvet Band, The\u003c\/li\u003e\n\u003cli\u003eBlackthorn Stick, The\u003c\/li\u003e\n\u003cli\u003eBoolavogue\u003c\/li\u003e\n\u003cli\u003eBoys of Bluehill\u003c\/li\u003e\n\u003cli\u003eBoys of Wexford, The\u003c\/li\u003e\n\u003cli\u003eBritches Full of Stitches, The\u003c\/li\u003e\n\u003cli\u003eBrosna Slide, The\u003c\/li\u003e\n\u003cli\u003eBuachaill On Eirne\u003c\/li\u003e\n\u003cli\u003eBunratty Boys\u003c\/li\u003e\n\u003cli\u003eButterfly, The\u003c\/li\u003e\n\u003cli\u003eCaptain White\u003c\/li\u003e\n\u003cli\u003eCockles and Mussels\u003c\/li\u003e\n\u003cli\u003eDennis Enright‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eDennis Murphy‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eDerry Boat, The\u003c\/li\u003e\n\u003cli\u003eDin Tarrant‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eDingle Regatta\u003c\/li\u003e\n\u003cli\u003eDonegal Mazurka\u003c\/li\u003e\n\u003cli\u003eDown By the Sally Gardens\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eEnniskillen Dragoon, The\u003c\/li\u003e\n\u003cli\u003eFar From Home\u003c\/li\u003e\n\u003cli\u003eFine Toast to Hewlett, A\u003c\/li\u003e\n\u003cli\u003eFinnegan‰۪s Wake\u003c\/li\u003e\n\u003cli\u003eFoggy Dew, The\u003c\/li\u003e\n\u003cli\u003eFoxhunters‰۪ Jig\u003c\/li\u003e\n\u003cli\u003eFrost is all Over\u003c\/li\u003e\n\u003cli\u003eGreen Grow the Rushes-O\u003c\/li\u003e\n\u003cli\u003eHarp That Once Through Tara‰۪s Halls, The\u003c\/li\u003e\n\u003cli\u003eHarvest Home\u003c\/li\u003e\n\u003cli\u003eHills of Tara, The\u003c\/li\u003e\n\u003cli\u003eI‰۪ll Tell Me Ma\u003c\/li\u003e\n\u003cli\u003eIrish Washerwoman, The\u003c\/li\u003e\n\u003cli\u003eJohn Egan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eJohn Ryan‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey Barry‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eKathleen Hehir‰۪s Slide\u003c\/li\u003e\n\u003cli\u003eKelly, the Boy from Killan\u003c\/li\u003e\n\u003cli\u003eKerry Polka Number 1, The\u003c\/li\u003e\n\u003cli\u003eKerry Polka Number 2, The\u003c\/li\u003e\n\u003cli\u003eKesh Jig, The\u003c\/li\u003e\n\u003cli\u003eLakes of Sligo, The\u003c\/li\u003e\n\u003cli\u003eLannigan‰۪s Ball\u003c\/li\u003e\n\u003cli\u003eLeather Away the Wattle-O\u003c\/li\u003e\n\u003cli\u003eLeg of the Duck, The\u003c\/li\u003e\n\u003cli\u003eLeslie‰۪s Hornpipe\u003c\/li\u003e\n\u003cli\u003eLittle Diamond\u003c\/li\u003e\n\u003cli\u003eMadame Bonaparte\u003c\/li\u003e\n\u003cli\u003eMaggie in the Wood\u003c\/li\u003e\n\u003cli\u003eMagic Slipper, The\u003c\/li\u003e\n\u003cli\u003eMerrily Kissed the Quaker\u003c\/li\u003e\n\u003cli\u003eMickey Chewing Bubble Gum\u003c\/li\u003e\n\u003cli\u003eMountains of Mourne, The\u003c\/li\u003e\n\u003cli\u003eMuirsheen Durkin\u003c\/li\u003e\n\u003cli\u003eNew Rigged Ship, The\u003c\/li\u003e\n\u003cli\u003eO‰۪Connor‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eO‰۪Donnell Abu\u003c\/li\u003e\n\u003cli\u003eOff She Goes\u003c\/li\u003e\n\u003cli\u003eÌÒrÌ_ ‰Û÷S̩ Do Bheatha ‰Û÷Bhaile\u003c\/li\u003e\n\u003cli\u003ePlanxty Fanny Power\u003c\/li\u003e\n\u003cli\u003ePlanxty Irwin\u003c\/li\u003e\n\u003cli\u003ePortlÌÁirge\u003c\/li\u003e\n\u003cli\u003eRakes of Kildare\u003c\/li\u003e\n\u003cli\u003eRakes of Mallow\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003cli\u003eRoad to Lisdoonvarna, The\u003c\/li\u003e\n\u003cli\u003eRocky Road to Dublin, The\u003c\/li\u003e\n\u003cli\u003eRosin the Beau\u003c\/li\u003e\n\u003cli\u003eSaddle the Pony\u003c\/li\u003e\n\u003cli\u003eSaint Mary‰۪s Polka\u003c\/li\u003e\n\u003cli\u003eScartaglen Polka, The\u003c\/li\u003e\n\u003cli\u003eScattery Island Slide, The\u003c\/li\u003e\n\u003cli\u003eSean South of Garryowen\u003c\/li\u003e\n\u003cli\u003eShoo the Donkey\u003c\/li\u003e\n\u003cli\u003eSi Bheag, Si Mhor\u003c\/li\u003e\n\u003cli\u003eSome Say the Devil‰۪s Dead\u003c\/li\u003e\n\u003cli\u003eSonny‰۪s Mazurka\u003c\/li\u003e\n\u003cli\u003eSouth Wind, The\u003c\/li\u003e\n\u003cli\u003eSpancil Hill\u003c\/li\u003e\n\u003cli\u003eSpanish Lady\u003c\/li\u003e\n\u003cli\u003eStack of Wheat, The\u003c\/li\u003e\n\u003cli\u003eStar Above the Garter, The\u003c\/li\u003e\n\u003cli\u003eSweets of May, The\u003c\/li\u003e\n\u003cli\u003eTenpenny Bit\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eTripping Upstairs\u003c\/li\u003e\n\u003cli\u003eTureengarbh Glen\u003c\/li\u003e\n\u003cli\u003eWaxies‰۪ Dargle, The\u003c\/li\u003e\n\u003cli\u003eWearing of the Green, The\u003c\/li\u003e\n\u003cli\u003eWild Colonial Boy, The\u003c\/li\u003e\n\u003cli\u003eWild Rover, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4240870408233,"sku":"AM305C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yeasyirish_eb2f7dc0-ad2d-40a1-8cf2-3e5bbec229d4.jpg?v=1527263028"},{"product_id":"100-enduring-irish-session-tunes","title":"100 Enduring Irish Session Tunes","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis book of Irish session tunes diverges from the usual pattern in that the emphasis is not on the reels. Loosely speaking, the jigs and reels found in this book are the next most popular after those found in 100 Essential Irish Session Tunes. Another major feature of this book is the prominence given to the various other types of tune, such as slides, set dances, hornpipes etc. They always come a poor third to reels and jigs, but they constantly crop up in the sessions with such a significant frequency that they cannot be ignored. There are hornpipes, marches, a strong selection of jigs, some slip jigs and one or two other well-known melodies to spice up your repertoire.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e100 tunes (14 hornpipes, 15 slides, 34 jigs, 23 reels and 14 miscellaneous tunes) with chords, classified and alphabetical (with alternative titles) indexes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImportant note from Mally\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all 'session friendly', i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to settings in other books, on recordings and what you hear down the pub. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon. I've made a conscious effort to allow this to happen in order to give the book its own unique character. The list below would constitute an excellent nucleus towards forming a valuable Irish music library, many of them are available from mally.com. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says 'Learn to Play the Banjo', don't think it's of no use if you play the tin whistle.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of these books is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eReels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAnything for Jonjo?åÊ\u003c\/li\u003e\n\u003cli\u003eBlackthorn ReelåÊ\u003c\/li\u003e\n\u003cli\u003eClooneåÊ\u003c\/li\u003e\n\u003cli\u003eCraig's PipesåÊ\u003c\/li\u003e\n\u003cli\u003eCroghan HillåÊ\u003c\/li\u003e\n\u003cli\u003eFermoy LassesåÊ\u003c\/li\u003e\n\u003cli\u003eFlowers of EdinburghåÊ\u003c\/li\u003e\n\u003cli\u003eGreen Groves of ErinåÊ\u003c\/li\u003e\n\u003cli\u003eHigh Road to LintonåÊ\u003c\/li\u003e\n\u003cli\u003eHills of ClogheråÊ\u003c\/li\u003e\n\u003cli\u003eHunter's HouseåÊ\u003c\/li\u003e\n\u003cli\u003eJohnny Cronin's FancyåÊ\u003c\/li\u003e\n\u003cli\u003eJohnny MacclejohnåÊ\u003c\/li\u003e\n\u003cli\u003eLad O'Beirne'såÊ\u003c\/li\u003e\n\u003cli\u003eLucy CampbellåÊ\u003c\/li\u003e\n\u003cli\u003eMason's ApronåÊ\u003c\/li\u003e\n\u003cli\u003eNew CopperplateåÊ\u003c\/li\u003e\n\u003cli\u003eO'Rourke'såÊ\u003c\/li\u003e\n\u003cli\u003eOtter's HoltåÊ\u003c\/li\u003e\n\u003cli\u003eReel of RioåÊ\u003c\/li\u003e\n\u003cli\u003eSunny BanksåÊ\u003c\/li\u003e\n\u003cli\u003eSwallow's TailåÊ\u003c\/li\u003e\n\u003cli\u003eTrim the Velvet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigsåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBill Harte'såÊ\u003c\/li\u003e\n\u003cli\u003eBoys of the Town Bride's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eConnie O'Connell'såÊ\u003c\/li\u003e\n\u003cli\u003eCook in the KitchenåÊ\u003c\/li\u003e\n\u003cli\u003eEavesdropperåÊ\u003c\/li\u003e\n\u003cli\u003eFasten the Leggin'åÊ\u003c\/li\u003e\n\u003cli\u003eFrieze BritchesåÊ\u003c\/li\u003e\n\u003cli\u003eGander in the Pratie HoleåÊ\u003c\/li\u003e\n\u003cli\u003eGarrett Barry'såÊ\u003c\/li\u003e\n\u003cli\u003eGillian's ApplesåÊ\u003c\/li\u003e\n\u003cli\u003eGold RingåÊ\u003c\/li\u003e\n\u003cli\u003eHag at the ChurnåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of EnnistymonåÊ\u003c\/li\u003e\n\u003cli\u003eKilfenoraåÊ\u003c\/li\u003e\n\u003cli\u003eKnights of Saint PatrickåÊ\u003c\/li\u003e\n\u003cli\u003eLegacyåÊ\u003c\/li\u003e\n\u003cli\u003eLilting FishermanåÊ\u003c\/li\u003e\n\u003cli\u003eMaid in the MeadowåÊ\u003c\/li\u003e\n\u003cli\u003eMooncoin JigåÊ\u003c\/li\u003e\n\u003cli\u003eOld Joe'såÊ\u003c\/li\u003e\n\u003cli\u003ePipe on the Hob no. 1åÊ\u003c\/li\u003e\n\u003cli\u003ePipe on the Hob no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eRambling PitchforkåÊ\u003c\/li\u003e\n\u003cli\u003eRose in the HeatheråÊ\u003c\/li\u003e\n\u003cli\u003eStrike the Gay HarpåÊ\u003c\/li\u003e\n\u003cli\u003eTobin's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eTommy Peoples'åÊ\u003c\/li\u003e\n\u003cli\u003eTone Rowe'såÊ\u003c\/li\u003e\n\u003cli\u003eTrip to the Cottage Tune the FiddleåÊ\u003c\/li\u003e\n\u003cli\u003eWhelan'såÊ\u003c\/li\u003e\n\u003cli\u003eWhen Sick, is it TeaåÊ\u003c\/li\u003e\n\u003cli\u003eWillie Coleman's\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipesåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCity of SavannahåÊ\u003c\/li\u003e\n\u003cli\u003eCronin'såÊ\u003c\/li\u003e\n\u003cli\u003eDelahunty'såÊ\u003c\/li\u003e\n\u003cli\u003eFlowing TideåÊ\u003c\/li\u003e\n\u003cli\u003eGalwayåÊ\u003c\/li\u003e\n\u003cli\u003eGolden EagleåÊ\u003c\/li\u003e\n\u003cli\u003eHome RuleråÊ\u003c\/li\u003e\n\u003cli\u003eKing of the FairiesåÊ\u003c\/li\u003e\n\u003cli\u003eKitty's WeddingåÊ\u003c\/li\u003e\n\u003cli\u003eLittle BeggarmanåÊ\u003c\/li\u003e\n\u003cli\u003eRights of ManåÊ\u003c\/li\u003e\n\u003cli\u003eStack of BarleyåÊ\u003c\/li\u003e\n\u003cli\u003eStack of WheatåÊ\u003c\/li\u003e\n\u003cli\u003eSunshine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003eåÊ\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDan O'Keeffe's no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eDan O'Keeffe's no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eClogåÊ\u003c\/li\u003e\n\u003cli\u003eConnie Walsh'såÊ\u003c\/li\u003e\n\u003cli\u003eDenis Murphy'såÊ\u003c\/li\u003e\n\u003cli\u003eGoing to the Well for Water John Kelly'såÊ\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey'såÊ\u003c\/li\u003e\n\u003cli\u003eKathleen O'HehiråÊ\u003c\/li\u003e\n\u003cli\u003eLonesome Road to DingleåÊ\u003c\/li\u003e\n\u003cli\u003eOld FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003ePÌÁdraig O'Keeffe'såÊ\u003c\/li\u003e\n\u003cli\u003eRoad to LisdoonvarnaåÊ\u003c\/li\u003e\n\u003cli\u003eSiobhÌÁn Hurl'såÊ\u003c\/li\u003e\n\u003cli\u003eStar above the Garter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eMiscellanyåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBlackbirdåÊ\u003c\/li\u003e\n\u003cli\u003eBoys of BallisodareåÊ\u003c\/li\u003e\n\u003cli\u003eBrian Boru's MarchåÊ\u003c\/li\u003e\n\u003cli\u003eButterfly Carolan's ConcertoåÊ\u003c\/li\u003e\n\u003cli\u003eGive me your HandåÊ\u003c\/li\u003e\n\u003cli\u003eHalting MarchåÊ\u003c\/li\u003e\n\u003cli\u003eHardiman the FiddleråÊ\u003c\/li\u003e\n\u003cli\u003eHewlettåÊ\u003c\/li\u003e\n\u003cli\u003eHunt Kid on the MountainåÊ\u003c\/li\u003e\n\u003cli\u003eO'Neill's CavalcadeåÊ\u003c\/li\u003e\n\u003cli\u003eSonny's MazurkaåÊ\u003c\/li\u003e\n\u003cli\u003eWhinny Hills of Leitrim\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eåÊ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241039720489,"sku":"AM402","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yend.jpg?v=1527263019"},{"product_id":"100-evergreen-irish-session-tunes-cd","title":"100 Evergreen Irish Session Tunes CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis is the CD to accompany the book of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll the tunes in this book are again firm session favourites, particularly the reels. It follows on from Essential and Enduring by providing another 100 of the most popular Irish session tunes. The book echos the format of a typical Irish session; lots of reels, some jigs and a few hornpipes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e100 tunes ( 65 reels, 25 jigs, 10 hornpipes) with chords, classified and alphabetical (with alternative titles) indexes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImportant note from Mally\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all 'session friendly', i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to settings in other books, on recordings and what you hear down the pub. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon. I've made a conscious effort to allow this to happen in order to give the book its own unique character. The list below would constitute an excellent nucleus towards forming a valuable Irish music library, many of them are available from mally.com. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says 'Learn to Play the Banjo', don't think it's of no use if you play the tin whistle.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of these books is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReelsåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAh, Surely ...åÊ\u003c\/li\u003e\n\u003cli\u003eAnderson'såÊ\u003c\/li\u003e\n\u003cli\u003eAsh PlantåÊ\u003c\/li\u003e\n\u003cli\u003eBig Reel of CallightownåÊ\u003c\/li\u003e\n\u003cli\u003eBlackberry BlossomåÊ\u003c\/li\u003e\n\u003cli\u003eBoy in the GapåÊ\u003c\/li\u003e\n\u003cli\u003eBoys of the LoughåÊ\u003c\/li\u003e\n\u003cli\u003eBunker HillåÊ\u003c\/li\u003e\n\u003cli\u003eCameronianåÊ\u003c\/li\u003e\n\u003cli\u003eCaptain KellyåÊ\u003c\/li\u003e\n\u003cli\u003eCathal McConnell'såÊ\u003c\/li\u003e\n\u003cli\u003eCollege GrovesåÊ\u003c\/li\u003e\n\u003cli\u003eConnemara StockingsåÊ\u003c\/li\u003e\n\u003cli\u003eCrossing the ShannonåÊ\u003c\/li\u003e\n\u003cli\u003eDown the BroomåÊ\u003c\/li\u003e\n\u003cli\u003eDuke of LeinsteråÊ\u003c\/li\u003e\n\u003cli\u003eDwyer'såÊ\u003c\/li\u003e\n\u003cli\u003eFairy ReelåÊ\u003c\/li\u003e\n\u003cli\u003eFar from HomeåÊ\u003c\/li\u003e\n\u003cli\u003eFive Mile ChaseåÊ\u003c\/li\u003e\n\u003cli\u003eFlax in BloomåÊ\u003c\/li\u003e\n\u003cli\u003eFlower of the FlockåÊ\u003c\/li\u003e\n\u003cli\u003eFred Finn'såÊ\u003c\/li\u003e\n\u003cli\u003eGlentownåÊ\u003c\/li\u003e\n\u003cli\u003eGrogan's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eHand Me Down the Tackle Holy LandåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of CarrigaholtåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of LissadellåÊ\u003c\/li\u003e\n\u003cli\u003eIn the Tap RoomåÊ\u003c\/li\u003e\n\u003cli\u003eJenny's WeddingåÊ\u003c\/li\u003e\n\u003cli\u003eJohn Stenson'såÊ\u003c\/li\u003e\n\u003cli\u003eJosie McDermott'såÊ\u003c\/li\u003e\n\u003cli\u003eKilfenoraåÊ\u003c\/li\u003e\n\u003cli\u003eKilavel FancyåÊ\u003c\/li\u003e\n\u003cli\u003eKiss Me KateåÊ\u003c\/li\u003e\n\u003cli\u003eLads of LaoisåÊ\u003c\/li\u003e\n\u003cli\u003eLast Night's FunåÊ\u003c\/li\u003e\n\u003cli\u003eMaguire'såÊ\u003c\/li\u003e\n\u003cli\u003eMaids of CastlebaråÊ\u003c\/li\u003e\n\u003cli\u003eMaids of Mount CiscoåÊ\u003c\/li\u003e\n\u003cli\u003eMan of the HouseåÊ\u003c\/li\u003e\n\u003cli\u003eMaster McDermott'såÊ\u003c\/li\u003e\n\u003cli\u003eMatt Molloy'såÊ\u003c\/li\u003e\n\u003cli\u003eMiss Johnston'såÊ\u003c\/li\u003e\n\u003cli\u003eMiss Thornton's\u003c\/li\u003e\n\u003cli\u003eMy Love is in AmericaåÊ\u003c\/li\u003e\n\u003cli\u003eO'Brien'såÊ\u003c\/li\u003e\n\u003cli\u003eOak TreeåÊ\u003c\/li\u003e\n\u003cli\u003ePaddy Lynn's DelightåÊ\u003c\/li\u003e\n\u003cli\u003ePatsy CampbellåÊ\u003c\/li\u003e\n\u003cli\u003eReturn to Camden TownåÊ\u003c\/li\u003e\n\u003cli\u003eSailor on the Rock Saint Ruth's BushåÊ\u003c\/li\u003e\n\u003cli\u003eSandmountåÊ\u003c\/li\u003e\n\u003cli\u003eSeÌÁn Sa C̩o\u003c\/li\u003e\n\u003cli\u003eSheila Coyle'såÊ\u003c\/li\u003e\n\u003cli\u003eSporting PaddyåÊ\u003c\/li\u003e\n\u003cli\u003eSword in HandåÊ\u003c\/li\u003e\n\u003cli\u003eTim MoloneyåÊ\u003c\/li\u003e\n\u003cli\u003eTommy Peoples'åÊ\u003c\/li\u003e\n\u003cli\u003eTravelleråÊ\u003c\/li\u003e\n\u003cli\u003eTravers'åÊ\u003c\/li\u003e\n\u003cli\u003eVirginiaåÊ\u003c\/li\u003e\n\u003cli\u003eWithin a Mile of DublinåÊ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigsåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eApples in WinteråÊ\u003c\/li\u003e\n\u003cli\u003eBurnt Old ManåÊ\u003c\/li\u003e\n\u003cli\u003eCherish the LadiesåÊ\u003c\/li\u003e\n\u003cli\u003eColeman's CrossåÊ\u003c\/li\u003e\n\u003cli\u003eFair Haired BoyåÊ\u003c\/li\u003e\n\u003cli\u003eFraher'såÊ\u003c\/li\u003e\n\u003cli\u003eGeese in the BogåÊ\u003c\/li\u003e\n\u003cli\u003eHappy to Meet, SorryåÊ\u003c\/li\u003e\n\u003cli\u003eHumours of BallyloughlinåÊ\u003c\/li\u003e\n\u003cli\u003eJimmy Ward's FancyåÊ\u003c\/li\u003e\n\u003cli\u003eKnocknagowåÊ\u003c\/li\u003e\n\u003cli\u003eMillpondåÊ\u003c\/li\u003e\n\u003cli\u003eMist Covered Mountain MonaghanåÊ\u003c\/li\u003e\n\u003cli\u003eOld Grey GooseåÊ\u003c\/li\u003e\n\u003cli\u003eOld Hag, You Have KilledåÊ\u003c\/li\u003e\n\u003cli\u003ePaddy O'RaffertyåÊ\u003c\/li\u003e\n\u003cli\u003ePatsy Geary'såÊ\u003c\/li\u003e\n\u003cli\u003ePortarlingtonåÊ\u003c\/li\u003e\n\u003cli\u003eQueen of the FairåÊ\u003c\/li\u003e\n\u003cli\u003eSwallow's NeståÊ\u003c\/li\u003e\n\u003cli\u003eTatter Jack WalshåÊ\u003c\/li\u003e\n\u003cli\u003eTell Her I AmåÊ\u003c\/li\u003e\n\u003cli\u003eTrip to AthloneåÊ\u003c\/li\u003e\n\u003cli\u003eWandering Minstrel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipesåÊ\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAlexander'såÊ\u003c\/li\u003e\n\u003cli\u003eChief O'Neill's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eFairies'\u003c\/li\u003e\n\u003cli\u003eFisher'såÊ\u003c\/li\u003e\n\u003cli\u003eFriendly VisitåÊ\u003c\/li\u003e\n\u003cli\u003eHoneysuckleåÊ\u003c\/li\u003e\n\u003cli\u003eJapaneseåÊ\u003c\/li\u003e\n\u003cli\u003eLiverpoolåÊ\u003c\/li\u003e\n\u003cli\u003ePretty Maggie MorrisseyåÊ\u003c\/li\u003e\n\u003cli\u003eSmell of the Bog\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241246421033,"sku":"AM403C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yever_2b9dde9f-f20a-4719-b980-3c8d11bf378a.jpg?v=1527263023"},{"product_id":"100-vital-irish-session-tunes","title":"100 Vital Irish Session Tunes","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eMany of the tunes found in 100 Vital Irish Session Tunes might be described as \"old hat\" and would be shunned by many seasoned players. However, it's absolutely vital that you are familiar with these tunes, as you'll find them cropping up time and time again. They are the foundation on which Irish music sessions are built. You could say that these tunes are even more essential than those in 100 Essential Irish Session Tunes. Every type of dance tune is represented: reels, jigs, hornpipes, polkas, slides, slip jigs, marches, set dances, waltzes, mazurkas, flings, a varsovienne, a barn dance, a single reel and a single jig\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tune settings in this book are all ‰Û÷session friendly‰۪, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon (an accordion system rarely found in Irish music circles - B\/C and C sharp\/D are the norm). I‰۪ve made a conscious effort to allow this to happen in order to give the book its own unique character. The list below would constitute an excellent nucleus towards forming a valuable Irish music library. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says ‰Û÷Learn to Play the Banjo‰۪, don‰۪t think it‰۪s of no use if you play the tin whistle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout this book are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReels\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSheehan‰۪s\u003c\/li\u003e\n\u003cli\u003eCome West Along the Road\u003c\/li\u003e\n\u003cli\u003eDrowsy Maggie\u003c\/li\u003e\n\u003cli\u003eMaid in the Cherry Tree\u003c\/li\u003e\n\u003cli\u003eThe Old Torn Petticoat\u003c\/li\u003e\n\u003cli\u003eThe Donegal\u003c\/li\u003e\n\u003cli\u003eThe Wild Irishman\u003c\/li\u003e\n\u003cli\u003eThe Primrose Lass\u003c\/li\u003e\n\u003cli\u003eGreen Fields of America\u003c\/li\u003e\n\u003cli\u003eThe Teetotaller\u003c\/li\u003e\n\u003cli\u003eThe Flannel Jacket\u003c\/li\u003e\n\u003cli\u003eThe Heather Breeze\u003c\/li\u003e\n\u003cli\u003eRolling in the Ryegrass\u003c\/li\u003e\n\u003cli\u003eJohn Brennan‰۪s\u003c\/li\u003e\n\u003cli\u003eThe Scholar\u003c\/li\u003e\n\u003cli\u003eThe Fairy Dance\u003c\/li\u003e\n\u003cli\u003eA Rainy Day\u003c\/li\u003e\n\u003cli\u003eThe Kilmaley\u003c\/li\u003e\n\u003cli\u003eMiss McLeod‰۪s\u003c\/li\u003e\n\u003cli\u003ePigtown Fling\u003c\/li\u003e\n\u003cli\u003eThe Galway Rambler\u003c\/li\u003e\n\u003cli\u003eBonny Kate\u003c\/li\u003e\n\u003cli\u003eMorning Star\u003c\/li\u003e\n\u003cli\u003eThe Road to Lisdoonvarna\u003c\/li\u003e\n\u003cli\u003eThe Woman of the House\u003c\/li\u003e\n\u003cli\u003eThe Merry Blacksmith\u003c\/li\u003e\n\u003cli\u003eBoys of Ballinahinch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFather Kelly‰۪s\u003c\/li\u003e\n\u003cli\u003eShandon Bells\u003c\/li\u003e\n\u003cli\u003eRakes of Kildare\u003c\/li\u003e\n\u003cli\u003eLarry O‰۪Gaff\u003c\/li\u003e\n\u003cli\u003eThe Idle Road\u003c\/li\u003e\n\u003cli\u003eThe Irish Washerwoman\u003c\/li\u003e\n\u003cli\u003eFrost Is All Over\u003c\/li\u003e\n\u003cli\u003eSaddle the Pony\u003c\/li\u003e\n\u003cli\u003eGallagher‰۪s Frolics\u003c\/li\u003e\n\u003cli\u003eThe Sweets of May\u003c\/li\u003e\n\u003cli\u003eHumours of Donnybrook\u003c\/li\u003e\n\u003cli\u003ePaddy Whack\u003c\/li\u003e\n\u003cli\u003eTop of the Cork Road\u003c\/li\u003e\n\u003cli\u003eMunster Buttermilk\u003c\/li\u003e\n\u003cli\u003eThe Black Rogue\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eThe Mist on the Meadow\u003c\/li\u003e\n\u003cli\u003eThe Humours of Lisheen\u003c\/li\u003e\n\u003cli\u003ePay the Reckoning\u003c\/li\u003e\n\u003cli\u003eTongs by the Fire\u003c\/li\u003e\n\u003cli\u003eThe Maid on the Green\u003c\/li\u003e\n\u003cli\u003eThe Tenpenny Bit\u003c\/li\u003e\n\u003cli\u003eHaste to the Wedding\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBoys of Bluehill\u003c\/li\u003e\n\u003cli\u003eThe Plains of Boyle\u003c\/li\u003e\n\u003cli\u003eThe Belfast\u003c\/li\u003e\n\u003cli\u003eOff to California\u003c\/li\u003e\n\u003cli\u003eDunphy‰۪s\u003c\/li\u003e\n\u003cli\u003eHarvest Home\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePolkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Siege of Ennis\u003c\/li\u003e\n\u003cli\u003eMaggie in the Wood\u003c\/li\u003e\n\u003cli\u003eThe German Beau\u003c\/li\u003e\n\u003cli\u003eLeslie‰۪s HornpipeåÊ\u003c\/li\u003e\n\u003cli\u003eDennis Murphy‰۪s\u003c\/li\u003e\n\u003cli\u003eJohn Ryan‰۪s\u003c\/li\u003e\n\u003cli\u003eEgan‰۪s\u003c\/li\u003e\n\u003cli\u003eTralee Gaol\u003c\/li\u003e\n\u003cli\u003eRattlin‰۪ Bog\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDingle Regatta\u003c\/li\u003e\n\u003cli\u003ePete Bradley‰۪s\u003c\/li\u003e\n\u003cli\u003eScattery Island\u003c\/li\u003e\n\u003cli\u003eThe Cat Rambles to the Child‰۪s Saucepan\u003c\/li\u003e\n\u003cli\u003eBunratty Boys\u003c\/li\u003e\n\u003cli\u003eThe Weaver‰۪s\u003c\/li\u003e\n\u003cli\u003eMerrily Kiss the Quaker\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlip Jigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFoxhunters‰۪ Jig\u003c\/li\u003e\n\u003cli\u003eBarney Brannigan\u003c\/li\u003e\n\u003cli\u003eTo Limerick We Will Go\u003c\/li\u003e\n\u003cli\u003eThe Rocky Road to Dublin\u003c\/li\u003e\n\u003cli\u003eDrops of Brandy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eMarches\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eNapoleon Crossing the Rhine\u003c\/li\u003e\n\u003cli\u003eThe Boys of Wexford\u003c\/li\u003e\n\u003cli\u003eThe Triumphal\u003c\/li\u003e\n\u003cli\u003eThe Centenary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSet Dances\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThree Sea Captains\u003c\/li\u003e\n\u003cli\u003eSaint Patrick‰۪s Day\u003c\/li\u003e\n\u003cli\u003eMaggie Brown‰۪s Favourite\u003c\/li\u003e\n\u003cli\u003eThe Downfall of Paris\u003c\/li\u003e\n\u003cli\u003eMadam Bonaparte\u003c\/li\u003e\n\u003cli\u003eThe Piper through the Meadow Straying\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eWaltzes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePlanxty Irwin\u003c\/li\u003e\n\u003cli\u003eSi Bheag, Si Mhor\u003c\/li\u003e\n\u003cli\u003ePlanxty Fanny Power\u003c\/li\u003e\n\u003cli\u003eThe South Wind\u003c\/li\u003e\n\u003cli\u003eThe Munster Cloak\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eMazurkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Barnacle Redowa\u003c\/li\u003e\n\u003cli\u003eDonegal Mazurka\u003c\/li\u003e\n\u003cli\u003eVarsovienne\u003c\/li\u003e\n\u003cli\u003eShoo the Donkey\u003c\/li\u003e\n\u003cli\u003eBarn Dance\u003c\/li\u003e\n\u003cli\u003eThe Curlew Hills\u003c\/li\u003e\n\u003cli\u003eFlings\u003c\/li\u003e\n\u003cli\u003eLove, Will You Marry Me?\u003c\/li\u003e\n\u003cli\u003eGreen Grow the Rushes-o\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSingle Jig\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSmash the Windows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSingle Reel\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eRakes of Mallow\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241427202089,"sku":"AM405","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/yvital.jpg?v=1527263026"},{"product_id":"100-popular-irish-session-tunes","title":"100 Popular Irish Session Tunes","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eMally says \"The tune settings in this book are all ‰Û÷session friendly‰۪, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon (an accordion system rarely found in Irish music circles - B\/C and C sharp\/D are the norm). I‰۪ve made a conscious effort to allow this to happen in order to give the book its own unique character. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says ‰Û÷Learn to Play the Banjo‰۪, don‰۪t think it‰۪s of no use if you play the tin whistle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout this book are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eSuggested ornamentation has been kept to a minimum and is indicated by the symbol ~.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReels\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAmbrose Maloney's\u003c\/li\u003e\n\u003cli\u003eBag of Potatoes, The\u003c\/li\u003e\n\u003cli\u003eBelles of Tipperary, The\u003c\/li\u003e\n\u003cli\u003eBoys of Malin, The\u003c\/li\u003e\n\u003cli\u003eCastle Kelly\u003c\/li\u003e\n\u003cli\u003eColonel Frazer\u003c\/li\u003e\n\u003cli\u003eDairy Maid, The\u003c\/li\u003e\n\u003cli\u003eDinkie's\u003c\/li\u003e\n\u003cli\u003eDrunken Tinker, The\u003c\/li\u003e\n\u003cli\u003eDublin Reel, The\u003c\/li\u003e\n\u003cli\u003eEel in the Sink, The\u003c\/li\u003e\n\u003cli\u003eFarewell to Erin\u003c\/li\u003e\n\u003cli\u003eFirst Month of Summer, The\u003c\/li\u003e\n\u003cli\u003eFoxhunters' Reel\u003c\/li\u003e\n\u003cli\u003eGaltee Rangers\u003c\/li\u003e\n\u003cli\u003eGatehouse Maid, The\u003c\/li\u003e\n\u003cli\u003eGeorge White's Fancy\u003c\/li\u003e\n\u003cli\u003eGreen Mountain, The\u003c\/li\u003e\n\u003cli\u003eJackson's\u003c\/li\u003e\n\u003cli\u003eJenny Picking Cockles\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 1, The\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 2, The\u003c\/li\u003e\n\u003cli\u003eKing of the Clans\u003c\/li\u003e\n\u003cli\u003eLaington's\u003c\/li\u003e\n\u003cli\u003eLiffey Banks, The\u003c\/li\u003e\n\u003cli\u003eLucky in Love\u003c\/li\u003e\n\u003cli\u003eMamma's Pet\u003c\/li\u003e\n\u003cli\u003eMayor Harrison's Fedora\u003c\/li\u003e\n\u003cli\u003eMcDonagh's\u003c\/li\u003e\n\u003cli\u003eMcFadden's Handsome Daughter\u003c\/li\u003e\n\u003cli\u003eMichael Creamer's\u003c\/li\u003e\n\u003cli\u003eMichael Reilly's\u003c\/li\u003e\n\u003cli\u003eMilliner's Daughter, The\u003c\/li\u003e\n\u003cli\u003eMolloy's\u003c\/li\u003e\n\u003cli\u003eMonsignor's Blessing\u003c\/li\u003e\n\u003cli\u003eMountain Top, The\u003c\/li\u003e\n\u003cli\u003eMullingar Races\u003c\/li\u003e\n\u003cli\u003eMusic in the Glen\u003c\/li\u003e\n\u003cli\u003eMy Love and I in the Garden\u003c\/li\u003e\n\u003cli\u003ePaddy Cronin's\u003c\/li\u003e\n\u003cli\u003ePeter Street\u003c\/li\u003e\n\u003cli\u003ePiper's Despair, The\u003c\/li\u003e\n\u003cli\u003eRattigan's\u003c\/li\u003e\n\u003cli\u003eReconciliation, The\u003c\/li\u003e\n\u003cli\u003eRed Haired Lass, The\u003c\/li\u003e\n\u003cli\u003eStenson's\u003c\/li\u003e\n\u003cli\u003eStoney Steps, The\u003c\/li\u003e\n\u003cli\u003eSwinging on a Gate\u003c\/li\u003e\n\u003cli\u003eTom Ward's Downfall\u003c\/li\u003e\n\u003cli\u003eUnion Reel, The\u003c\/li\u003e\n\u003cli\u003eVolunteer, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBank of Turf, The\u003c\/li\u003e\n\u003cli\u003eBill Collins'\u003c\/li\u003e\n\u003cli\u003eBrian O'Lynn\u003c\/li\u003e\n\u003cli\u003eBush on the Hill, The\u003c\/li\u003e\n\u003cli\u003eButchers' March, The\u003c\/li\u003e\n\u003cli\u003eCome Have a Drink With Me\u003c\/li\u003e\n\u003cli\u003eCon Cassidy's\u003c\/li\u003e\n\u003cli\u003eGet Up Old Woman and Shake\u003c\/li\u003e\n\u003cli\u003eHole in the Hedge, The\u003c\/li\u003e\n\u003cli\u003eJerry's Beaver Hat\u003c\/li\u003e\n\u003cli\u003eKinnegad Slashers\u003c\/li\u003e\n\u003cli\u003eLeg of the Duck, The\u003c\/li\u003e\n\u003cli\u003eLeitrim Fancy\u003c\/li\u003e\n\u003cli\u003eOld Man Dillon\u003c\/li\u003e\n\u003cli\u003eOrphan, The\u003c\/li\u003e\n\u003cli\u003ePaddy Taylor's\u003c\/li\u003e\n\u003cli\u003eRambler, The\u003c\/li\u003e\n\u003cli\u003eRichard Brennan's Favourite\u003c\/li\u003e\n\u003cli\u003eRose's Delight\u003c\/li\u003e\n\u003cli\u003eScatter the Mud\u003c\/li\u003e\n\u003cli\u003eSeamus Cooley's\u003c\/li\u003e\n\u003cli\u003eSliabh Russell\u003c\/li\u003e\n\u003cli\u003eTrip to Sligo, A\u003c\/li\u003e\n\u003cli\u003eVisit to Ireland, A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eByrne's\u003c\/li\u003e\n\u003cli\u003eDerry, The\u003c\/li\u003e\n\u003cli\u003eHigh Level, The\u003c\/li\u003e\n\u003cli\u003ePoppy Leaf, The\u003c\/li\u003e\n\u003cli\u003eShowman‰۪s Fancy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePolkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAnnaghbeg, The\u003c\/li\u003e\n\u003cli\u003eGullane No. 2, The\u003c\/li\u003e\n\u003cli\u003eJohnny O'Leary's\u003c\/li\u003e\n\u003cli\u003eMany a Wild Night\u003c\/li\u003e\n\u003cli\u003ePete Bradleys\u003c\/li\u003e\n\u003cli\u003eTimmy O'Connors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlip Jigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eBarn Dances\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHills of Tara, The\u003c\/li\u003e\n\u003cli\u003ePeach Blossoms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241490837545,"sku":"AM406","price":10.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypopirish.jpg?v=1527263025"},{"product_id":"100-popular-irish-session-tunes-cd","title":"100 Popular Irish Session Tunes CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis CD is to accompany the book by the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMally says \"The tune settings in this book are all ‘session friendly’, i.e. you can learn them exactly as written and know that you will have a perfectly acceptable version. However, I consider it unwise to learn a tune from only one source and I would suggest strongly that, when learning a new tune, you pay heed to other books, recordings and live performances. It is important to note that the settings in this book are greatly influenced by the instrument I play, the D\/G melodeon (an accordion system rarely found in Irish music circles - B\/C and C sharp\/D are the norm). I’ve made a conscious effort to allow this to happen in order to give the book its own unique character. When choosing books, take care not to be put off by the title; some of the best sources of tunes are from tuition books. Just because the book cover says ‘Learn to Play the Banjo’, don’t think it’s of no use if you play the tin whistle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eBooks will only help you to learn the notes of a tune. To pick up the rhythm of Irish music you must devote a large amount of time listening to both recordings and live musicians. Of greatest importance, you must practise; the value of this book is directly proportional to the number of hours a day you spend practising.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eChord arrangements are more or less as played on the soundtrack, but nevertheless, are only suggestions. The dominant chords (i.e. D in the key of G, A in the key of D and E in the key of A etc.) throughout this book are noted as plain major chords, whereas many musicians prefer to play the seventh (D7, A7, E7 etc.). Feel free to play either type of chord as the mood takes you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eSuggested ornamentation has been kept to a minimum and is indicated by the symbol ~.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cstrong\u003eReels\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAmbrose Maloney's\u003c\/li\u003e\n\u003cli\u003eBag of Potatoes, The\u003c\/li\u003e\n\u003cli\u003eBelles of Tipperary, The\u003c\/li\u003e\n\u003cli\u003eBoys of Malin, The\u003c\/li\u003e\n\u003cli\u003eCastle Kelly\u003c\/li\u003e\n\u003cli\u003eColonel Frazer\u003c\/li\u003e\n\u003cli\u003eDairy Maid, The\u003c\/li\u003e\n\u003cli\u003eDinkie's\u003c\/li\u003e\n\u003cli\u003eDrunken Tinker, The\u003c\/li\u003e\n\u003cli\u003eDublin Reel, The\u003c\/li\u003e\n\u003cli\u003eEel in the Sink, The\u003c\/li\u003e\n\u003cli\u003eFarewell to Erin\u003c\/li\u003e\n\u003cli\u003eFirst Month of Summer, The\u003c\/li\u003e\n\u003cli\u003eFoxhunters' Reel\u003c\/li\u003e\n\u003cli\u003eGaltee Rangers\u003c\/li\u003e\n\u003cli\u003eGatehouse Maid, The\u003c\/li\u003e\n\u003cli\u003eGeorge White's Fancy\u003c\/li\u003e\n\u003cli\u003eGreen Mountain, The\u003c\/li\u003e\n\u003cli\u003eJackson's\u003c\/li\u003e\n\u003cli\u003eJenny Picking Cockles\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 1, The\u003c\/li\u003e\n\u003cli\u003eKilrush Polka No. 2, The\u003c\/li\u003e\n\u003cli\u003eKing of the Clans\u003c\/li\u003e\n\u003cli\u003eLaington's\u003c\/li\u003e\n\u003cli\u003eLiffey Banks, The\u003c\/li\u003e\n\u003cli\u003eLucky in Love\u003c\/li\u003e\n\u003cli\u003eMamma's Pet\u003c\/li\u003e\n\u003cli\u003eMayor Harrison's Fedora\u003c\/li\u003e\n\u003cli\u003eMcDonagh's\u003c\/li\u003e\n\u003cli\u003eMcFadden's Handsome Daughter\u003c\/li\u003e\n\u003cli\u003eMichael Creamer's\u003c\/li\u003e\n\u003cli\u003eMichael Reilly's\u003c\/li\u003e\n\u003cli\u003eMilliner's Daughter, The\u003c\/li\u003e\n\u003cli\u003eMolloy's\u003c\/li\u003e\n\u003cli\u003eMonsignor's Blessing\u003c\/li\u003e\n\u003cli\u003eMountain Top, The\u003c\/li\u003e\n\u003cli\u003eMullingar Races\u003c\/li\u003e\n\u003cli\u003eMusic in the Glen\u003c\/li\u003e\n\u003cli\u003eMy Love and I in the Garden\u003c\/li\u003e\n\u003cli\u003ePaddy Cronin's\u003c\/li\u003e\n\u003cli\u003ePeter Street\u003c\/li\u003e\n\u003cli\u003ePiper's Despair, The\u003c\/li\u003e\n\u003cli\u003eRattigan's\u003c\/li\u003e\n\u003cli\u003eReconciliation, The\u003c\/li\u003e\n\u003cli\u003eRed Haired Lass, The\u003c\/li\u003e\n\u003cli\u003eStenson's\u003c\/li\u003e\n\u003cli\u003eStoney Steps, The\u003c\/li\u003e\n\u003cli\u003eSwinging on a Gate\u003c\/li\u003e\n\u003cli\u003eTom Ward's Downfall\u003c\/li\u003e\n\u003cli\u003eUnion Reel, The\u003c\/li\u003e\n\u003cli\u003eVolunteer, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBank of Turf, The\u003c\/li\u003e\n\u003cli\u003eBill Collins'\u003c\/li\u003e\n\u003cli\u003eBrian O'Lynn\u003c\/li\u003e\n\u003cli\u003eBush on the Hill, The\u003c\/li\u003e\n\u003cli\u003eButchers' March, The\u003c\/li\u003e\n\u003cli\u003eCome Have a Drink With Me\u003c\/li\u003e\n\u003cli\u003eCon Cassidy's\u003c\/li\u003e\n\u003cli\u003eGet Up Old Woman and Shake\u003c\/li\u003e\n\u003cli\u003eHole in the Hedge, The\u003c\/li\u003e\n\u003cli\u003eJerry's Beaver Hat\u003c\/li\u003e\n\u003cli\u003eKinnegad Slashers\u003c\/li\u003e\n\u003cli\u003eLeg of the Duck, The\u003c\/li\u003e\n\u003cli\u003eLeitrim Fancy\u003c\/li\u003e\n\u003cli\u003eOld Man Dillon\u003c\/li\u003e\n\u003cli\u003eOrphan, The\u003c\/li\u003e\n\u003cli\u003ePaddy Taylor's\u003c\/li\u003e\n\u003cli\u003eRambler, The\u003c\/li\u003e\n\u003cli\u003eRichard Brennan's Favourite\u003c\/li\u003e\n\u003cli\u003eRose's Delight\u003c\/li\u003e\n\u003cli\u003eScatter the Mud\u003c\/li\u003e\n\u003cli\u003eSeamus Cooley's\u003c\/li\u003e\n\u003cli\u003eSliabh Russell\u003c\/li\u003e\n\u003cli\u003eTrip to Sligo, A\u003c\/li\u003e\n\u003cli\u003eVisit to Ireland, A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eHornpipes\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eByrne's\u003c\/li\u003e\n\u003cli\u003eDerry, The\u003c\/li\u003e\n\u003cli\u003eHigh Level, The\u003c\/li\u003e\n\u003cli\u003ePoppy Leaf, The\u003c\/li\u003e\n\u003cli\u003eShowman’s Fancy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003ePolkas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAnnaghbeg, The\u003c\/li\u003e\n\u003cli\u003eGullane No. 2, The\u003c\/li\u003e\n\u003cli\u003eJohnny O'Leary's\u003c\/li\u003e\n\u003cli\u003eMany a Wild Night\u003c\/li\u003e\n\u003cli\u003ePete Bradleys\u003c\/li\u003e\n\u003cli\u003eTimmy O'Connors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlides\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSlip Jigs\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCeanngulla, The\u003c\/li\u003e\n\u003cli\u003eCon Carthy's Favourite\u003c\/li\u003e\n\u003cli\u003eDan Cronin's\u003c\/li\u003e\n\u003cli\u003eDennis Enright's\u003c\/li\u003e\n\u003cli\u003eGlountane Frolics\u003c\/li\u003e\n\u003cli\u003eKishkeam, The\u003c\/li\u003e\n\u003cli\u003eScart, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eBarn Dances\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHills of Tara, The\u003c\/li\u003e\n\u003cli\u003ePeach Blossoms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4241511022633,"sku":"AM406C","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ypopirish_f9f6eaed-ba56-4f7f-bcd0-a5c015ef0b18.jpg?v=1527263025"},{"product_id":"nick-barbers-english-choice-nick-barber","title":"Nick Barber's English Choice : Nick Barber","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eWhat are the one hundred best session tunes? Ask a group of traditional musicians that question and you will provoke a great deal of thought, and, of course, end up with a completely different answer from each one.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is such an amazing wealth and variety of tunes out there, constantly shifting as they pass from person to person, medium to medium; song tunes, dance tunes, marches, polkas, waltzes, love songs, ancient tunes, dirges, made up tunes, sad tunes...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNick Barber has been part of traditional English music sessions up and down the country for many years. Recently he has been spotted playing melodeon, horn and recorder a bit less and asking about tunes a bit more. His copious scribbled notes have resulted in this tune book.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tunes are accurately transcribed, referring to original sources wherever possible. Also included is information about each tune, with Nick’s choice of chords suitable for squeezebox and guitar players alike.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf you’d like to join in with the delights of sharing tunes with others in an English session, this book is a good reference point. Every tune is a gem, tried and tested not just by Nick on melodeon and his wife Mary on fiddle, but by generations of players who, over the years, have made the tunes what they are.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlexandra Park\u003c\/li\u003e\n\u003cli\u003eAll in a Garden Green\u003c\/li\u003e\n\u003cli\u003eAnything for John Joe\u003c\/li\u003e\n\u003cli\u003eAye Me\u003c\/li\u003e\n\u003cli\u003eBattle of Prague\u003c\/li\u003e\n\u003cli\u003eBear Dance\u003c\/li\u003e\n\u003cli\u003eBeatrice Hill’s Three-Handed Reel\u003c\/li\u003e\n\u003cli\u003eBill Hall’s No. 1\u003c\/li\u003e\n\u003cli\u003eBill Hall’s No. 2\u003c\/li\u003e\n\u003cli\u003eBlack Nag\u003c\/li\u003e\n\u003cli\u003eBonny Kate\u003c\/li\u003e\n\u003cli\u003eCaptain Lanoe’s Quick March\u003c\/li\u003e\n\u003cli\u003eCentenary March\u003c\/li\u003e\n\u003cli\u003eDark Girl Dressed in Blue\u003c\/li\u003e\n\u003cli\u003eDoctor Fausters’ Tumblers\u003c\/li\u003e\n\u003cli\u003eDusty Miller, The\u003c\/li\u003e\n\u003cli\u003eEnrico\u003c\/li\u003e\n\u003cli\u003eFair Jenny\u003c\/li\u003e\n\u003cli\u003eFoul Weather Call\u003c\/li\u003e\n\u003cli\u003eFour Seasons\u003c\/li\u003e\n\u003cli\u003eFrom Night Till Morn\u003c\/li\u003e\n\u003cli\u003eGanglat fran Appelbo\u003c\/li\u003e\n\u003cli\u003eGanivelle\u003c\/li\u003e\n\u003cli\u003eGloucestershire Hornpipe\u003c\/li\u003e\n\u003cli\u003eGrandfather’s Tune\u003c\/li\u003e\n\u003cli\u003eGreen Mountain Petronella\u003c\/li\u003e\n\u003cli\u003eGypsies’ Hornpipe\u003c\/li\u003e\n\u003cli\u003eHarper’s Frolick\u003c\/li\u003e\n\u003cli\u003eHerbert the Sherbert\u003c\/li\u003e\n\u003cli\u003eHorses Brawl\u003c\/li\u003e\n\u003cli\u003eHunt the Squirrel\u003c\/li\u003e\n\u003cli\u003eIron Legs\u003c\/li\u003e\n\u003cli\u003eJamaic\u003c\/li\u003e\n\u003cli\u003eJeannet and Jeannot\u003c\/li\u003e\n\u003cli\u003eJust as the Tide Was Flowing\u003c\/li\u003e\n\u003cli\u003eKerry Mills Barn Dance\u003c\/li\u003e\n\u003cli\u003eKershaws\u003c\/li\u003e\n\u003cli\u003eKing’s Polka\u003c\/li\u003e\n\u003cli\u003eLast of June\u003c\/li\u003e\n\u003cli\u003eLe Canal en Octobre\u003c\/li\u003e\n\u003cli\u003eLemmie Brazil’s No. 2\u003c\/li\u003e\n\u003cli\u003eLodge Roa\u003c\/li\u003e\n\u003cli\u003eLondon Schottische\u003c\/li\u003e\n\u003cli\u003eLong Odds\u003c\/li\u003e\n\u003cli\u003eLovely Nancy\u003c\/li\u003e\n\u003cli\u003eMad Moll of the Cheshire Hunts\u003c\/li\u003e\n\u003cli\u003eMarch des Cabrettaires\u003c\/li\u003e\n\u003cli\u003eMichael Turner’s Jig\u003c\/li\u003e\n\u003cli\u003eMichael Turner’s Waltz\u003c\/li\u003e\n\u003cli\u003eMidnight on the Water\u003c\/li\u003e\n\u003cli\u003eMiss Richards’ Hornpipe\u003c\/li\u003e\n\u003cli\u003eMundess\u003c\/li\u003e\n\u003cli\u003eNipper\u003c\/li\u003e\n\u003cli\u003eOld Lancashire Reel\u003c\/li\u003e\n\u003cli\u003eOnce I Loved a Maiden Fair\u003c\/li\u003e\n\u003cli\u003eOne More Dance and Then\u003c\/li\u003e\n\u003cli\u003eOscar Woods' Jig\u003c\/li\u003e\n\u003cli\u003eOscar Woods’ Polka\u003c\/li\u003e\n\u003cli\u003ePepper in the Brandy\u003c\/li\u003e\n\u003cli\u003ePlane Tree, The\u003c\/li\u003e\n\u003cli\u003ePortobello\u003c\/li\u003e\n\u003cli\u003ePrince William\u003c\/li\u003e\n\u003cli\u003eQuarter Brawl\u003c\/li\u003e\n\u003cli\u003eRecovery\u003c\/li\u003e\n\u003cli\u003eRedowa Polka\u003c\/li\u003e\n\u003cli\u003eRochdale Coconut Dance\u003c\/li\u003e\n\u003cli\u003eRogues’ March\u003c\/li\u003e\n\u003cli\u003eRufty Tufty\u003c\/li\u003e\n\u003cli\u003eScan Tester’s Polka No. 1\u003c\/li\u003e\n\u003cli\u003eScan Tester’s Polka No. 2\u003c\/li\u003e\n\u003cli\u003eSchottis fran Idre\u003c\/li\u003e\n\u003cli\u003eSerpentiner och Konfetti\u003c\/li\u003e\n\u003cli\u003eSeven Stars\u003c\/li\u003e\n\u003cli\u003eSir Sidney Smith’s March\u003c\/li\u003e\n\u003cli\u003eSloe, The\u003c\/li\u003e\n\u003cli\u003eSonny Brogan’s Mazurka\u003c\/li\u003e\n\u003cli\u003eSpaniard, The\u003c\/li\u003e\n\u003cli\u003eSpirit of the Dance\u003c\/li\u003e\n\u003cli\u003eSportsman’s Hornpipe\u003c\/li\u003e\n\u003cli\u003eStaffordshire Hornpipe\u003c\/li\u003e\n\u003cli\u003eSteamboat Hornpipe\u003c\/li\u003e\n\u003cli\u003eSun Assembly\u003c\/li\u003e\n\u003cli\u003eSwiss Boy\u003c\/li\u003e\n\u003cli\u003eCentenary March\u003c\/li\u003e\n\u003cli\u003eThree Around Three\u003c\/li\u003e\n\u003cli\u003eThree Rusty Swords\u003c\/li\u003e\n\u003cli\u003eTip Top Polka\u003c\/li\u003e\n\u003cli\u003eVarsoviana\u003c\/li\u003e\n\u003cli\u003eWals voor Polle\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer’s Polka No. 1\u003c\/li\u003e\n\u003cli\u003eWalter Bulwer’s Polka No. 2\u003c\/li\u003e\n\u003cli\u003eWaterloo Dance\u003c\/li\u003e\n\u003cli\u003eWeavers’ March\u003c\/li\u003e\n\u003cli\u003eWhen Daylight Shines\u003c\/li\u003e\n\u003cli\u003eWill You Patch My Pants for Me?\u003c\/li\u003e\n\u003cli\u003eWorcestershire Hornpipe\u003c\/li\u003e\n\u003cli\u003eYoung May Moon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4242029510697,"sku":"AM107","price":11.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ybarber.jpg?v=1527263186"},{"product_id":"john-kirkpatricks-english-choice","title":"John Kirkpatrick's English Choice","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eIn this lively romp through seven centuries of English dance music, John Kirkpatrick shares the passion that has led him to become one of the foremost champions and interpreters of our native traditions. Driven always by his love of dancing, John has constantly been striving to inject the maximum amount of energy and life into these lovely simple old tunes. In fact, as any dance musician will tell you, the simpler the tune is, the more opportunity you are allowed to add your own kind of zest into its performance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere John presents 101 examples that are tailor-made for the strong rhythmic approach inspired by English dance steps and rhythms. With melody, chords and variations, the book is ideally suited for any instrument, but one of the prime factors in the selection of the tunes has been the fact that they sit so happily on the push-pull squeeze-box scale. Although the melodeon came along long after the style and substance of this music was well established, it's breathtaking how perfectly the one can match the other. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith over forty years' playing experience behind him, you couldn't be in safer hands. This collection is an absolute must not only for melodeon players, but for anybody who likes their music with an uncompromising English accent.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlexandra\u003c\/li\u003e\n\u003cli\u003eAlf Gray's Jig\u003c\/li\u003e\n\u003cli\u003eBattle of Prague, The\u003c\/li\u003e\n\u003cli\u003eBig Ship, The\u003c\/li\u003e\n\u003cli\u003eBlack Joak, The\u003c\/li\u003e\n\u003cli\u003eBobby Shafto\u003c\/li\u003e\n\u003cli\u003eBonnets So Blue\u003c\/li\u003e\n\u003cli\u003eBrickmakers, The\u003c\/li\u003e\n\u003cli\u003eBrunswick\u003c\/li\u003e\n\u003cli\u003eCaptain Macintosh\u003c\/li\u003e\n\u003cli\u003eCharming Maid, The\u003c\/li\u003e\n\u003cli\u003eColosseum, The\u003c\/li\u003e\n\u003cli\u003eContented Farmer, The\u003c\/li\u003e\n\u003cli\u003eCroaking Cardinal, The\u003c\/li\u003e\n\u003cli\u003eDam It\u003c\/li\u003e\n\u003cli\u003eDandy Dancer, The\u003c\/li\u003e\n\u003cli\u003eDannish Waltz, The\u003c\/li\u003e\n\u003cli\u003eDennis Crowther's No. 3\u003c\/li\u003e\n\u003cli\u003eDerby Hunt, The\u003c\/li\u003e\n\u003cli\u003eDouble Change Sides\u003c\/li\u003e\n\u003cli\u003eDown the Sides and Up the Middle\u003c\/li\u003e\n\u003cli\u003eDr. Fausters’ Tumblers\u003c\/li\u003e\n\u003cli\u003eDutch Pins\u003c\/li\u003e\n\u003cli\u003eEvesham Stick Dance, The\u003c\/li\u003e\n\u003cli\u003eFairy Prince, The\u003c\/li\u003e\n\u003cli\u003eFirst of September, The\u003c\/li\u003e\n\u003cli\u003eFlaxley Green Dance, The\u003c\/li\u003e\n\u003cli\u003eGarrick's Delight\u003c\/li\u003e\n\u003cli\u003eGeneral Hill's Favourite\u003c\/li\u003e\n\u003cli\u003eGoathland Square Eight, The\u003c\/li\u003e\n\u003cli\u003eGood Old Way, The\u003c\/li\u003e\n\u003cli\u003eGypsies' Round, The\u003c\/li\u003e\n\u003cli\u003eHaphazard\u003c\/li\u003e\n\u003cli\u003eHasty Money\u003c\/li\u003e\n\u003cli\u003eHexham Races\u003c\/li\u003e\n\u003cli\u003eHolborn March\u003c\/li\u003e\n\u003cli\u003eHunt the Hare\u003c\/li\u003e\n\u003cli\u003eHunt the Squirrel (Polka)\u003c\/li\u003e\n\u003cli\u003eHunt the Squirrel (Hornpipe)\u003c\/li\u003e\n\u003cli\u003eHunting the Squirrel (Jig)\u003c\/li\u003e\n\u003cli\u003eHyde Park\u003c\/li\u003e\n\u003cli\u003eIrish Washerwoman, The\u003c\/li\u003e\n\u003cli\u003eJack's Alive\u003c\/li\u003e\n\u003cli\u003eJingling Geordie, The\u003c\/li\u003e\n\u003cli\u003eJohn of Paris\u003c\/li\u003e\n\u003cli\u003eJohn of the Greeny Cheshire Way\u003c\/li\u003e\n\u003cli\u003eJohn Peel\u003c\/li\u003e\n\u003cli\u003eKing Edward The Second's Jig\u003c\/li\u003e\n\u003cli\u003eKirkgate Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eLass of Dallogill, The\u003c\/li\u003e\n\u003cli\u003eLeap Over The Garter\u003c\/li\u003e\n\u003cli\u003eLilliburlero\u003c\/li\u003e\n\u003cli\u003eLong Odds\u003c\/li\u003e\n\u003cli\u003eMerry Wakefield\u003c\/li\u003e\n\u003cli\u003eMilesian, The\u003c\/li\u003e\n\u003cli\u003eMilitia, The\u003c\/li\u003e\n\u003cli\u003eMiss Gayton's Hornpipe\u003c\/li\u003e\n\u003cli\u003eMr. Cosgill's Delight\u003c\/li\u003e\n\u003cli\u003eNew White Hart Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eNymph, The\u003c\/li\u003e\n\u003cli\u003eOrlando's Return\u003c\/li\u003e\n\u003cli\u003eOscar Woods’ Jig\u003c\/li\u003e\n\u003cli\u003ePenny on the Water\u003c\/li\u003e\n\u003cli\u003ePhilibelula All The Way\u003c\/li\u003e\n\u003cli\u003ePhysical Snob, The\u003c\/li\u003e\n\u003cli\u003ePolly Put The Kettle On\u003c\/li\u003e\n\u003cli\u003ePrince of Wales’ Jig, The\u003c\/li\u003e\n\u003cli\u003ePrince Regent, The\u003c\/li\u003e\n\u003cli\u003ePrince William\u003c\/li\u003e\n\u003cli\u003ePrincess Caroline's Waltz\u003c\/li\u003e\n\u003cli\u003eRadstock Jig, The\u003c\/li\u003e\n\u003cli\u003eRed Joak, The\u003c\/li\u003e\n\u003cli\u003eRed Lion Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eRegent's Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eRufty Tufty\u003c\/li\u003e\n\u003cli\u003eRunaway, The\u003c\/li\u003e\n\u003cli\u003eRussian Cavalry\u003c\/li\u003e\n\u003cli\u003eSailor's Delight, The\u003c\/li\u003e\n\u003cli\u003eShepton Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eSheringham Breakdown, The\u003c\/li\u003e\n\u003cli\u003eShrewsbury Waltz, The\u003c\/li\u003e\n\u003cli\u003eSick And Very Bad\u003c\/li\u003e\n\u003cli\u003eSoldier's Wedding, The\u003c\/li\u003e\n\u003cli\u003eSquirrel, The\u003c\/li\u003e\n\u003cli\u003eSussex Bonny Breast Knot, The\u003c\/li\u003e\n\u003cli\u003eTank, The\u003c\/li\u003e\n\u003cli\u003eTempest, The\u003c\/li\u003e\n\u003cli\u003eThorpe Malsor Trumpet Tune\u003c\/li\u003e\n\u003cli\u003eTink A Tink\u003c\/li\u003e\n\u003cli\u003eTouch the Thing\u003c\/li\u003e\n\u003cli\u003eTouchstone, The\u003c\/li\u003e\n\u003cli\u003eTrip to the Cottage\u003c\/li\u003e\n\u003cli\u003eTrue Joak, The\u003c\/li\u003e\n\u003cli\u003eWashington Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eWe Will Down with the French\u003c\/li\u003e\n\u003cli\u003eWelch Hornpipe, The\u003c\/li\u003e\n\u003cli\u003eWhite Joak, The\u003c\/li\u003e\n\u003cli\u003eWhitehaven Volunteers, The\u003c\/li\u003e\n\u003cli\u003eWilson's Favourite\u003c\/li\u003e\n\u003cli\u003eWiltshire Six-Hand Reel, The\u003c\/li\u003e\n\u003cli\u003eYellow Joak, The\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":4242066276393,"sku":"AP108","price":12.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/ykirkpatrick.jpg?v=1527263148"},{"product_id":"100-irish-polkas-dave-mallinson","title":"100 Irish Polkas - Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThe title says it all, a book crammed with juicy polkas to get your teeth into. A must for polka lovers as well as any other musician who is perhaps looking for easier Irish repertoire. Why not give yourself a break from the reels and jigs occasionally?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"The lowly, oft scorned polka\": take no notice, don't believe a word. In this book you'll find 100 really smashing tunes, some familiar, many not so familiar; play some slow, play some fast, play some very fast. With good phrasing and rhythm these tunes will stand their ground against reels and jigs any day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e100 tunes (100 polkas) with chords, classified and alphabetical (with alternative titles) indexes. The book also contains a comprehensive bibliography and discography listing every single book and recording referred to whilst researching the tunes.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAll the Way to Galway \u003c\/li\u003e\n\u003cli\u003eAs I went Out upon Ice \u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 1 \u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 2 \u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 3 \u003c\/li\u003e\n\u003cli\u003eBallynahulla no. 1 \u003c\/li\u003e\n\u003cli\u003eBallynahulla no. 2 \u003c\/li\u003e\n\u003cli\u003eBallyvournie \u003c\/li\u003e\n\u003cli\u003eBattle of Aughrim \u003c\/li\u003e\n\u003cli\u003eBelles of Ballinderry \u003c\/li\u003e\n\u003cli\u003eBiddy Martin's \u003c\/li\u003e\n\u003cli\u003eBill Sullivan's \u003c\/li\u003e\n\u003cli\u003eCamptown Races \u003c\/li\u003e\n\u003cli\u003eCaptain Byng \u003c\/li\u003e\n\u003cli\u003eCaptain Maguire \u003c\/li\u003e\n\u003cli\u003eCarroll's \u003c\/li\u003e\n\u003cli\u003eChurch Street \u003c\/li\u003e\n\u003cli\u003eClare Dragoons \u003c\/li\u003e\n\u003cli\u003eCousins' Delight \u003c\/li\u003e\n\u003cli\u003eDalaigh's \u003c\/li\u003e\n\u003cli\u003eDan Coakley's \u003c\/li\u003e\n\u003cli\u003eDan Mac's \u003c\/li\u003e\n\u003cli\u003eDark Girl \u003c\/li\u003e\n\u003cli\u003eDenis Doody's \u003c\/li\u003e\n\u003cli\u003eDenis Murphy's Din Tarrant's \u003c\/li\u003e\n\u003cli\u003eDin Tarrant's no. 3 \u003c\/li\u003e\n\u003cli\u003eDoyle's \u003c\/li\u003e\n\u003cli\u003eFarewell to Whiskey \u003c\/li\u003e\n\u003cli\u003eFinnegan's Wake \u003c\/li\u003e\n\u003cli\u003eFirst of May \u003c\/li\u003e\n\u003cli\u003eForty-two Pound Cheque \u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 1 \u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 2 \u003c\/li\u003e\n\u003cli\u003eAn Gallope \u003c\/li\u003e\n\u003cli\u003eGirl with the Blue Dress \u003c\/li\u003e\n\u003cli\u003eGlen Cottage no. 1 \u003c\/li\u003e\n\u003cli\u003eGlen Cottage no. 2 \u003c\/li\u003e\n\u003cli\u003eGneevgullia \u003c\/li\u003e\n\u003cli\u003eGullane \u003c\/li\u003e\n\u003cli\u003eHigh Caul'd Cap \u003c\/li\u003e\n\u003cli\u003eI have a Bonnet \u003c\/li\u003e\n\u003cli\u003eBonnet Trimmed with Blue \u003c\/li\u003e\n\u003cli\u003eJack Reedy's \u003c\/li\u003e\n\u003cli\u003eJer the Rigger \u003c\/li\u003e\n\u003cli\u003eJim Keeffe's \u003c\/li\u003e\n\u003cli\u003eJim Keeffe's no. 1 \u003c\/li\u003e\n\u003cli\u003eJimmy Doyle's Favourite \u003c\/li\u003e\n\u003cli\u003eJohn Egan's \u003c\/li\u003e\n\u003cli\u003eJohn McGovern's Johnny Ghabba \u003c\/li\u003e\n\u003cli\u003eJohnny, I Do Miss You! \u003c\/li\u003e\n\u003cli\u003eJohnny Leary's\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey Barry's \u003c\/li\u003e\n\u003cli\u003eJohn Walsh's \u003c\/li\u003e\n\u003cli\u003eJulia Clifford's \u003c\/li\u003e\n\u003cli\u003eKerry no. 1 \u003c\/li\u003e\n\u003cli\u003eKerry no. 2 \u003c\/li\u003e\n\u003cli\u003eKnocknaboul no. 1 \u003c\/li\u003e\n\u003cli\u003eKnocknaboul no. 2 \u003c\/li\u003e\n\u003cli\u003eLackagh Cross \u003c\/li\u003e\n\u003cli\u003eLakes of Sligo \u003c\/li\u003e\n\u003cli\u003eLisdoonvarna \u003c\/li\u003e\n\u003cli\u003eLittle Diamond \u003c\/li\u003e\n\u003cli\u003eMack's Rambles \u003c\/li\u003e\n\u003cli\u003eMagic Slipper \u003c\/li\u003e\n\u003cli\u003eMary Girl \u003c\/li\u003e\n\u003cli\u003eMatt Hayes' no. 1 \u003c\/li\u003e\n\u003cli\u003eMatt Hayes' no. 2 \u003c\/li\u003e\n\u003cli\u003eMike Coen's \u003c\/li\u003e\n\u003cli\u003eMrs Crowley's \u003c\/li\u003e\n\u003cli\u003eMrs Ryan's \u003c\/li\u003e\n\u003cli\u003eMunster Bank \u003c\/li\u003e\n\u003cli\u003eMurroe \u003c\/li\u003e\n\u003cli\u003eNewmarket O'Connor's \u003c\/li\u003e\n\u003cli\u003eO'Keeffe's \u003c\/li\u003e\n\u003cli\u003eO'Sullivan's Fancy \u003c\/li\u003e\n\u003cli\u003eBritches full of Stitches \u003c\/li\u003e\n\u003cli\u003ePaddy Kenny's \u003c\/li\u003e\n\u003cli\u003ePatsy Baker \u003c\/li\u003e\n\u003cli\u003eRose Tree \u003c\/li\u003e\n\u003cli\u003eSaint Mary's \u003c\/li\u003e\n\u003cli\u003eSéamus Cussen's \u003c\/li\u003e\n\u003cli\u003eSliabh Luachra \u003c\/li\u003e\n\u003cli\u003eSpanish Lady \u003c\/li\u003e\n\u003cli\u003eSprig of Shillelagh \u003c\/li\u003e\n\u003cli\u003eSweeney's \u003c\/li\u003e\n\u003cli\u003eTerry Teahan's \u003c\/li\u003e\n\u003cli\u003eTom Sullivan's \u003c\/li\u003e\n\u003cli\u003eTop of Maol \u003c\/li\u003e\n\u003cli\u003eTuar Mór no. 1 \u003c\/li\u003e\n\u003cli\u003eTuar Mór no. 2 \u003c\/li\u003e\n\u003cli\u003eTuar Mór no. 3 \u003c\/li\u003e\n\u003cli\u003eTureengarbh Glen \u003c\/li\u003e\n\u003cli\u003eUp and Away \u003c\/li\u003e\n\u003cli\u003eUp on the Waggon \u003c\/li\u003e\n\u003cli\u003eUpperchurch no. 1 \u003c\/li\u003e\n\u003cli\u003eUpperchurch no. 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A must for polka lovers as well as any other musician who is perhaps looking for easier Irish repertoire. Why not give yourself a break from the reels and jigs occasionally?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"The lowly, oft scorned polka\": take no notice, don't believe a word. In this book you'll find 100 really smashing tunes, some familiar, many not so familiar; play some slow, play some fast, play some very fast. With good phrasing and rhythm these tunes will stand their ground against reels and jigs any day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e100 tunes (100 polkas) with chords, classified and alphabetical (with alternative titles) indexes. The book also contains a comprehensive bibliography and discography listing every single book and recording referred to whilst researching the tunes.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAll the Way to GalwayåÊ\u003c\/li\u003e\n\u003cli\u003eAs I went Out upon IceåÊ\u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eBallydesmond no. 3åÊ\u003c\/li\u003e\n\u003cli\u003eBallynahulla no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eBallynahulla no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eBallyvournieåÊ\u003c\/li\u003e\n\u003cli\u003eBattle of AughrimåÊ\u003c\/li\u003e\n\u003cli\u003eBelles of BallinderryåÊ\u003c\/li\u003e\n\u003cli\u003eBiddy Martin'såÊ\u003c\/li\u003e\n\u003cli\u003eBill Sullivan'såÊ\u003c\/li\u003e\n\u003cli\u003eCamptown RacesåÊ\u003c\/li\u003e\n\u003cli\u003eCaptain ByngåÊ\u003c\/li\u003e\n\u003cli\u003eCaptain MaguireåÊ\u003c\/li\u003e\n\u003cli\u003eCarroll'såÊ\u003c\/li\u003e\n\u003cli\u003eChurch StreetåÊ\u003c\/li\u003e\n\u003cli\u003eClare DragoonsåÊ\u003c\/li\u003e\n\u003cli\u003eCousins' DelightåÊ\u003c\/li\u003e\n\u003cli\u003eDalaigh'såÊ\u003c\/li\u003e\n\u003cli\u003eDan Coakley'såÊ\u003c\/li\u003e\n\u003cli\u003eDan Mac'såÊ\u003c\/li\u003e\n\u003cli\u003eDark GirlåÊ\u003c\/li\u003e\n\u003cli\u003eDenis Doody'såÊ\u003c\/li\u003e\n\u003cli\u003eDenis Murphy's Din Tarrant'såÊ\u003c\/li\u003e\n\u003cli\u003eDin Tarrant's no. 3åÊ\u003c\/li\u003e\n\u003cli\u003eDoyle'såÊ\u003c\/li\u003e\n\u003cli\u003eFarewell to WhiskeyåÊ\u003c\/li\u003e\n\u003cli\u003eFinnegan's WakeåÊ\u003c\/li\u003e\n\u003cli\u003eFirst of MayåÊ\u003c\/li\u003e\n\u003cli\u003eForty-two Pound ChequeåÊ\u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eFour Shoves no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eAn GallopeåÊ\u003c\/li\u003e\n\u003cli\u003eGirl with the Blue DressåÊ\u003c\/li\u003e\n\u003cli\u003eGlen Cottage no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eGlen Cottage no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eGneevgulliaåÊ\u003c\/li\u003e\n\u003cli\u003eGullaneåÊ\u003c\/li\u003e\n\u003cli\u003eHigh Caul'd CapåÊ\u003c\/li\u003e\n\u003cli\u003eI have a BonnetåÊ\u003c\/li\u003e\n\u003cli\u003eBonnet Trimmed with BlueåÊ\u003c\/li\u003e\n\u003cli\u003eJack Reedy'såÊ\u003c\/li\u003e\n\u003cli\u003eJer the RiggeråÊ\u003c\/li\u003e\n\u003cli\u003eJim Keeffe'såÊ\u003c\/li\u003e\n\u003cli\u003eJim Keeffe's no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eJimmy Doyle's FavouriteåÊ\u003c\/li\u003e\n\u003cli\u003eJohn Egan'såÊ\u003c\/li\u003e\n\u003cli\u003eJohn McGovern's Johnny GhabbaåÊ\u003c\/li\u003e\n\u003cli\u003eJohnny, I Do Miss You!åÊ\u003c\/li\u003e\n\u003cli\u003eJohnny Leary's\u003c\/li\u003e\n\u003cli\u003eJohnny Mickey Barry'såÊ\u003c\/li\u003e\n\u003cli\u003eJohn Walsh'såÊ\u003c\/li\u003e\n\u003cli\u003eJulia Clifford'såÊ\u003c\/li\u003e\n\u003cli\u003eKerry no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eKerry no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eKnocknaboul no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eKnocknaboul no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eLackagh CrossåÊ\u003c\/li\u003e\n\u003cli\u003eLakes of SligoåÊ\u003c\/li\u003e\n\u003cli\u003eLisdoonvarnaåÊ\u003c\/li\u003e\n\u003cli\u003eLittle DiamondåÊ\u003c\/li\u003e\n\u003cli\u003eMack's RamblesåÊ\u003c\/li\u003e\n\u003cli\u003eMagic SlipperåÊ\u003c\/li\u003e\n\u003cli\u003eMary GirlåÊ\u003c\/li\u003e\n\u003cli\u003eMatt Hayes' no. 1åÊ\u003c\/li\u003e\n\u003cli\u003eMatt Hayes' no. 2åÊ\u003c\/li\u003e\n\u003cli\u003eMike Coen'såÊ\u003c\/li\u003e\n\u003cli\u003eMrs Crowley'såÊ\u003c\/li\u003e\n\u003cli\u003eMrs Ryan'såÊ\u003c\/li\u003e\n\u003cli\u003eMunster BankåÊ\u003c\/li\u003e\n\u003cli\u003eMurroeåÊ\u003c\/li\u003e\n\u003cli\u003eNewmarket 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It's been a massive project, but it's been well worth it, I've learned such a lot by writing it. When I got my first instrument there wasn't a single D\/G tutor book on the market, and even now, fifty years on, you'll be lucky to find a dozen, so acquire every book you can. If you are new to the instrument, use this book in conjunction with simpler tutors. The lessons start at rock bottom, but the degree of difficulty rises steeply. Above the music, in addition to the fingering instructions, there are icons with names you might find corny and mildly amusing. However, they are essential to describe the fingering patterns, and a useful handle to help you apply them to other tunes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou might think this book is a bit too complicated to be called “Beginners”. Yes, that may be so, but if you want to become proficient, you must practise, and without guidance you can easily find yourself practising unsound techniques. It's no use waiting until you've formed bad habits before you think you are ready to tackle these lessons. Once you've learned a tune thoroughly, it can be very difficult to change the way you play it, after discovering a superior fingering pattern. Presented in this book is knowledge that has slowly trickled in during half a century of study. It's my hope and desire that it will inspire players, boost their progress, propel their playing to excellence, and spur them on to perform with far greater skill, dexterity and aplomb, than I have been able to achieve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstant Melodeon, Absolute Beginners and Tunes and Techniques are three melodeon tuition books designed to be used simultaneously, not in any particular sequence.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eForeword by Saul Rose\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eThe D\/G Melodeon\u003c\/li\u003e\n\u003cli\u003eThe Treble and Bass Layout\u003c\/li\u003e\n\u003cli\u003eSupporting and Playing the Melodeon\u003c\/li\u003e\n\u003cli\u003eMusical Notes\u003c\/li\u003e\n\u003cli\u003eMusical Time\u003c\/li\u003e\n\u003cli\u003eThe Musical Ladder\u003c\/li\u003e\n\u003cli\u003eThe Circle of Firths\u003c\/li\u003e\n\u003cli\u003eThe Circle of Fourths\u003c\/li\u003e\n\u003cli\u003eFull Diamond\u003c\/li\u003e\n\u003cli\u003eHal Diamond\u003c\/li\u003e\n\u003cli\u003eQuick Cross\u003c\/li\u003e\n\u003cli\u003eSnappy Bellows\u003c\/li\u003e\n\u003cli\u003eChanging Hand Position Along the Row\u003c\/li\u003e\n\u003cli\u003eChanging Hand Position Using Row Crossing\u003c\/li\u003e\n\u003cli\u003eThe Bass Buttons\u003c\/li\u003e\n\u003cli\u003eChords\u003c\/li\u003e\n\u003cli\u003eCreating the Harmony Line\u003c\/li\u003e\n\u003cli\u003eThe Chord Symbols\u003c\/li\u003e\n\u003cli\u003ePlaying the Accompaniment\u003c\/li\u003e\n\u003cli\u003eOvercoming the Limitations and the Missing Minors\u003c\/li\u003e\n\u003cli\u003eTraditional Music\u003c\/li\u003e\n\u003cli\u003eTUNES\u003c\/li\u003e\n\u003cli\u003eCountry Gardens\u003c\/li\u003e\n\u003cli\u003eLittle Brown Jug\u003c\/li\u003e\n\u003cli\u003ePolly Wolly Doodle\u003c\/li\u003e\n\u003cli\u003eThe Market Rasen Quickstep\u003c\/li\u003e\n\u003cli\u003eNot for Joe\u003c\/li\u003e\n\u003cli\u003eThe Leeds Polka\u003c\/li\u003e\n\u003cli\u003ePercy Brownʼs Polka\u003c\/li\u003e\n\u003cli\u003eAlbert Farmerʼs Bonfire Tune\u003c\/li\u003e\n\u003cli\u003eThe Morisco\u003c\/li\u003e\n\u003cli\u003eMoston Rushcart\u003c\/li\u003e\n\u003cli\u003eMy Love My Love\u003c\/li\u003e\n\u003cli\u003eOne More Ribber\u003c\/li\u003e\n\u003cli\u003eThe Rogueʼs March\u003c\/li\u003e\n\u003cli\u003eCaptain Lanoeʼs Quick March\u003c\/li\u003e\n\u003cli\u003eWhose Jig?\u003c\/li\u003e\n\u003cli\u003eThe Squirrel in the Tree\u003c\/li\u003e\n\u003cli\u003eBurning Bridges\u003c\/li\u003e\n\u003cli\u003eThe Lollipop Man\u003c\/li\u003e\n\u003cli\u003eThe Rose Tree\u003c\/li\u003e\n\u003cli\u003eLord of the Dance\u003c\/li\u003e\n\u003cli\u003eMount Hills\u003c\/li\u003e\n\u003cli\u003eDark Girl\u003c\/li\u003e\n\u003cli\u003eUp and Away\u003c\/li\u003e\n\u003cli\u003eFred Pidgeonʼs Polka\u003c\/li\u003e\n\u003cli\u003eIʼll Go Enlist for a Sailor\u003c\/li\u003e\n\u003cli\u003eJack Robinson\u003c\/li\u003e\n\u003cli\u003eOwenʼs Jig\u003c\/li\u003e\n\u003cli\u003eThe Hills of Glenorchy\u003c\/li\u003e\n\u003cli\u003ePaddy Carey\u003c\/li\u003e\n\u003cli\u003eTripping to the Well\u003c\/li\u003e\n\u003cli\u003eThe West Kerry Polka\u003c\/li\u003e\n\u003cli\u003eMany a Wild Night\u003c\/li\u003e\n\u003cli\u003eThe Scartaglen Slide\u003c\/li\u003e\n\u003cli\u003eMoyglass Fair\u003c\/li\u003e\n\u003cli\u003eJoe Cooleyʼs Jig\u003c\/li\u003e\n\u003cli\u003eThe Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003eUp Leitrim\u003c\/li\u003e\n\u003cli\u003eThe Streets of Laredo\u003c\/li\u003e\n\u003cli\u003eThe Cumberland Waltz\u003c\/li\u003e\n\u003cli\u003eSéamus McManusʼs Waltz\u003c\/li\u003e\n\u003cli\u003eRed Haired Mary\u003c\/li\u003e\n\u003cli\u003eFairlop Park\u003c\/li\u003e\n\u003cli\u003eSir Philip McHugh\u003c\/li\u003e\n\u003cli\u003eThe Dusty Miller\u003c\/li\u003e\n\u003cli\u003eThe Rusty Gulley\u003c\/li\u003e\n\u003cli\u003eThe Old Lancashire Hornpipe\u003c\/li\u003e\n\u003cli\u003eRig-a-Jig\u003c\/li\u003e\n\u003cli\u003eThe Spirit of the Dance\u003c\/li\u003e\n\u003cli\u003eThe Farmersʼ Jamboree\u003c\/li\u003e\n\u003cli\u003eWoodland Flowers\u003c\/li\u003e\n\u003cli\u003ePostmanʼs Knock\u003c\/li\u003e\n\u003cli\u003eThe Little Burnt Potato\u003c\/li\u003e\n\u003cli\u003eThe Bodmin Riding March\u003c\/li\u003e\n\u003cli\u003eMoonshine\u003c\/li\u003e\n\u003cli\u003eColored Aristocracy\u003c\/li\u003e\n\u003cli\u003eThe Yarmouth Hornpipe\u003c\/li\u003e\n\u003cli\u003eValentine\u003c\/li\u003e\n\u003cli\u003eThe Auvergne Mazurka\u003c\/li\u003e\n\u003cli\u003eThe Old Donegal Mazurka\u003c\/li\u003e\n\u003cli\u003eMuch Wenlock Stick Dance\u003c\/li\u003e\n\u003cli\u003eJennyʼs Bawbee\u003c\/li\u003e\n\u003cli\u003eMarching Through Georgia\u003c\/li\u003e\n\u003cli\u003eMacNamaraʼs Band\u003c\/li\u003e\n\u003cli\u003eIf There Werenʼt Any Women\u003c\/li\u003e\n\u003cli\u003eThe Stack of Oats\u003c\/li\u003e\n\u003cli\u003eThe Shannon Waves\u003c\/li\u003e\n\u003cli\u003eGlise de Sherbrooke\u003c\/li\u003e\n\u003cli\u003eDurham Rangers\u003c\/li\u003e\n\u003cli\u003eThe Hesleyside Reel\u003c\/li\u003e\n\u003cli\u003eMonaʼs Delight\u003c\/li\u003e\n\u003cli\u003eThe Old Polka\u003c\/li\u003e\n\u003cli\u003eThe Portheinon Whim\u003c\/li\u003e\n\u003cli\u003eSheehanʼs Reel\u003c\/li\u003e\n\u003cli\u003eDa Mirrie Boys oʼ Greenland\u003c\/li\u003e\n\u003cli\u003eThree Jolly Sheepskins\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":20047665823832,"sku":"AM106","price":11.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/272c8e_522f083195fb4bcc9fc2b62c88efb21e_mv2_d_1600_1600_s_2.jpg?v=1553898225"},{"product_id":"beginners-melodeon-tunes-and-techniques-cd-dave-mallinson","title":"Beginners' Melodeon Tunes and Techniques CD - Dave Mallinson","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eThis CD accompanies the book of the same name.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis fine collection of traditional music introduces dance tunes from various regions of Britain, Ireland and North America They are all excellent tunes, well-known and popular, but not over-played, hackneyed or obscure. Most of the tunes can be heard on recordings by notable bands and personalities, they are all currently in use by traditional musicians and are regularly played at concerts, dances and pub sessions. All of the tunes introduce some aspect of melodeon playing, and they are all presented in their normal keys. Learn 75 traditional tunes from England, Scotland, Wales, Shetland, Orkney, Ireland, France, Flanders, Canada and America. Morris and Playford tunes. Reels, jigs, hornpipes, polkas, slides, mazurkas, waltzes, barn dances, marches, rants, slip jigs and triple hornpipes. The tunes are perfect for pub sessions, country dances, ceilidhs, barn dances and hoedowns.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Welcome to my melodeon book. It's full to bursting with useful ideas, hints, tricks, tips, techniques and great tunes to improve your playing style, speed up the learning process and to give you a better understanding of the instrument. It's been a massive project, but it's been well worth it, I've learned such a lot by writing it. When I got my first instrument there wasn't a single D\/G tutor book on the market, and even now, fifty years on, you'll be lucky to find a dozen, so acquire every book you can. If you are new to the instrument, use this book in conjunction with simpler tutors. The lessons start at rock bottom, but the degree of difficulty rises steeply. Above the music, in addition to the fingering instructions, there are icons with names you might find corny and mildly amusing. However, they are essential to describe the fingering patterns, and a useful handle to help you apply them to other tunes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou might think this book is a bit too complicated to be called “Beginners”. Yes, that may be so, but if you want to become proficient, you must practise, and without guidance you can easily find yourself practising unsound techniques. It's no use waiting until you've formed bad habits before you think you are ready to tackle these lessons. Once you've learned a tune thoroughly, it can be very difficult to change the way you play it, after discovering a superior fingering pattern. Presented in this book is knowledge that has slowly trickled in during half a century of study. It's my hope and desire that it will inspire players, boost their progress, propel their playing to excellence, and spur them on to perform with far greater skill, dexterity and aplomb, than I have been able to achieve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstant Melodeon, Absolute Beginners and Tunes and Techniques are three melodeon tuition books designed to be used simultaneously, not in any particular sequence.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan\u003eTrack Listing\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e  1. Scale 1\u003c\/li\u003e\n\u003cli\u003e  2. Scale 2\u003c\/li\u003e\n\u003cli\u003e  3. Scale 3\u003c\/li\u003e\n\u003cli\u003e  4. Scale 4\u003c\/li\u003e\n\u003cli\u003e  5. Scale 5\u003c\/li\u003e\n\u003cli\u003e  6. Scale 6\u003c\/li\u003e\n\u003cli\u003e  7. Scale 7\u003c\/li\u003e\n\u003cli\u003e  8. Scale 8\u003c\/li\u003e\n\u003cli\u003e  9. Country Gardens Mini\u003c\/li\u003e\n\u003cli\u003e10. Country Gardens\u003c\/li\u003e\n\u003cli\u003e11. Little Brown Jug\u003c\/li\u003e\n\u003cli\u003e12. Polly Wolly Doodle\u003c\/li\u003e\n\u003cli\u003e13. Market Rasen Quickstep\u003c\/li\u003e\n\u003cli\u003e14. Not for Joe\u003c\/li\u003e\n\u003cli\u003e15. The Leeds Polka\u003c\/li\u003e\n\u003cli\u003e16. Percy Brown’s Polka\u003c\/li\u003e\n\u003cli\u003e17. Albert Farmer’s\u003c\/li\u003e\n\u003cli\u003e18. The Morisco\u003c\/li\u003e\n\u003cli\u003e19. Moston Rushcart\u003c\/li\u003e\n\u003cli\u003e20. My Love My Love\u003c\/li\u003e\n\u003cli\u003e21. One More Ribber\u003c\/li\u003e\n\u003cli\u003e22. The Rogue’s March\u003c\/li\u003e\n\u003cli\u003e23. Captain Lanoe’s\u003c\/li\u003e\n\u003cli\u003e24. Whose Jig?\u003c\/li\u003e\n\u003cli\u003e25. The Squirrel in the Tree\u003c\/li\u003e\n\u003cli\u003e26. Burning Bridges\u003c\/li\u003e\n\u003cli\u003e27. The Lollipop Man Mini\u003c\/li\u003e\n\u003cli\u003e28. The Lollipop Man\u003c\/li\u003e\n\u003cli\u003e29. The Rose Tree\u003c\/li\u003e\n\u003cli\u003e30. Lord of the Dance\u003c\/li\u003e\n\u003cli\u003e31. Mount Hills Mini\u003c\/li\u003e\n\u003cli\u003e32. Mount Hills\u003c\/li\u003e\n\u003cli\u003e33. Dark Girl\u003c\/li\u003e\n\u003cli\u003e34. Up and Away\u003c\/li\u003e\n\u003cli\u003e35. Fred Pidgeon’s Polka\u003c\/li\u003e\n\u003cli\u003e36. I’ll Go Enlist for a Sailor\u003c\/li\u003e\n\u003cli\u003e37. Jack Robinson\u003c\/li\u003e\n\u003cli\u003e38. Owen’s Jig\u003c\/li\u003e\n\u003cli\u003e39. Hill of Glenorchy Mini\u003c\/li\u003e\n\u003cli\u003e40. Hills of Glenorchy\u003c\/li\u003e\n\u003cli\u003e41. Paddy Carey\u003c\/li\u003e\n\u003cli\u003e42. Tripping to the Well Mini\u003c\/li\u003e\n\u003cli\u003e43. Tripping to the Well\u003c\/li\u003e\n\u003cli\u003e44. The West Kerry Polka\u003c\/li\u003e\n\u003cli\u003e45. Many a Wild Night\u003c\/li\u003e\n\u003cli\u003e46. The Scartaglen Slide\u003c\/li\u003e\n\u003cli\u003e47. Moyglass Fair\u003c\/li\u003e\n\u003cli\u003e48. Joe Cooley’s Jig\u003c\/li\u003e\n\u003cli\u003e49. The Blackthorn Stick\u003c\/li\u003e\n\u003cli\u003e50. Up Leitrim\u003c\/li\u003e\n\u003cli\u003e51. The Streets of Laredo\u003c\/li\u003e\n\u003cli\u003e52. The Cumberland Waltz\u003c\/li\u003e\n\u003cli\u003e53. Séamus McManus’s\u003c\/li\u003e\n\u003cli\u003e54. Red Haired Mary\u003c\/li\u003e\n\u003cli\u003e55. Fairlop Park\u003c\/li\u003e\n\u003cli\u003e56. Sir Philip McHugh\u003c\/li\u003e\n\u003cli\u003e57. Dusty Miller\u003c\/li\u003e\n\u003cli\u003e58. Dusty Miller, less bass\u003c\/li\u003e\n\u003cli\u003e59. Rusty Gulley\u003c\/li\u003e\n\u003cli\u003e60. Rusty Gulley, less bass\u003c\/li\u003e\n\u003cli\u003e61. Old Lancashire\u003c\/li\u003e\n\u003cli\u003e62. Old Lancashire, less bass \u003c\/li\u003e\n\u003cli\u003e63. Rig-a-Jig\u003c\/li\u003e\n\u003cli\u003e64. The Spirit of the Dance\u003c\/li\u003e\n\u003cli\u003e65. The Farmers’ Jamboree\u003c\/li\u003e\n\u003cli\u003e66. Woodland Flowers\u003c\/li\u003e\n\u003cli\u003e67. Postman's Knock Mini\u003c\/li\u003e\n\u003cli\u003e68. Postman’s Knock\u003c\/li\u003e\n\u003cli\u003e69. The Little Burnt Potato\u003c\/li\u003e\n\u003cli\u003e70. Bodmin Riding March\u003c\/li\u003e\n\u003cli\u003e71. Moonshine\u003c\/li\u003e\n\u003cli\u003e72. Colored Aristocracy Mini\u003c\/li\u003e\n\u003cli\u003e73. Colored Aristocracy\u003c\/li\u003e\n\u003cli\u003e74. Yarmouth Hornpipe Mini\u003c\/li\u003e\n\u003cli\u003e75. The Yarmouth Hornpipe\u003c\/li\u003e\n\u003cli\u003e76. Valentine\u003c\/li\u003e\n\u003cli\u003e77. The Auvergne Mazurka\u003c\/li\u003e\n\u003cli\u003e78. Old Donegal Mazurka\u003c\/li\u003e\n\u003cli\u003e79. Much Wenlock\u003c\/li\u003e\n\u003cli\u003e80. Jenny’s Bawbee\u003c\/li\u003e\n\u003cli\u003e81. Marching Thro’ Georgia\u003c\/li\u003e\n\u003cli\u003e82. MacNamara’s Band\u003c\/li\u003e\n\u003cli\u003e83. If There Weren’t Any\u003c\/li\u003e\n\u003cli\u003e84. The Stack of Oats\u003c\/li\u003e\n\u003cli\u003e85. The Shannon Waves\u003c\/li\u003e\n\u003cli\u003e86. Glise de Sherbrooke Mini\u003c\/li\u003e\n\u003cli\u003e87. Glise de Sherbrooke\u003c\/li\u003e\n\u003cli\u003e88. Durham Ranges Mini\u003c\/li\u003e\n\u003cli\u003e89. Durham Rangers\u003c\/li\u003e\n\u003cli\u003e90. The Hesleyside Reel\u003c\/li\u003e\n\u003cli\u003e91. Mona’s Delight\u003c\/li\u003e\n\u003cli\u003e92. The Old Polka\u003c\/li\u003e\n\u003cli\u003e93. The Portheinon Whim\u003c\/li\u003e\n\u003cli\u003e94. Sheehan’s Reel\u003c\/li\u003e\n\u003cli\u003e95. Da Mirrie Boys\u003c\/li\u003e\n\u003cli\u003e96. Three Jolly Sheepskins\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mally.com","offers":[{"title":"Default Title","offer_id":20047914467416,"sku":"AM106","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/272c8e_adbc51faf5b746059a5e98aeb27a5327_mv2.jpg?v=1553898225"},{"product_id":"harmonik-ac1001-dual-instrument-microphone","title":"Harmonik AC1001-DUAL Instrument Microphone","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eDesigned to capture a more homogeneous and complete natural accordion sound, this model has two lines of microphones (10 microphones), the perfect solution for larger accordions, with both cassotto and non-cassotto, or melodeons with 3 rows of pallets. The two rows allow you to capture the full sound clearly and balanced across the range, a\u003c\/span\u003ellowing the accordionist to accurately balance the tone of the accordion, the AC1001-DUAL pickup has a BALANCE control between the two microphone lines, which can be adjusted by an internal trim pot or externally with a potentiometer (on demand).\u003c\/p\u003e\n\u003cp\u003eSuspended by a special bar, the AC1001-DUAL pickup microphones can be positioned freely to adapt to the constructional characteristics of every accordion from 8 to 120 basses\u003c\/p\u003e\n\u003cp\u003eThe AC1001-DUAL is the most powerful accordion microphone system on the market incorporating individual bass and treble tone control, allowing the accordionist to individually craft their sound. The \u003cspan\u003eAC\u003c\/span\u003e\u003cspan\u003e1001-DUAL\u003c\/span\u003e also has a Mono-Stereo switch, allowing the accordion player more flexibility on stage and in studio recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-End Microphones:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cspan\u003eAC\u003c\/span\u003e\u003cspan\u003e1001-DUAL\u003c\/span\u003e system utilizes condenser microphones especially selected for their technical features, with excellent frequency response and high-pressure sound tolerance capacity that results in distortion-free sound, even through the most rigorous playing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUniform Sound Capture:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eWith ten directional microphones for the right hand and one omnidirectional microphone for the bass, this system is able to capture the full extension of keys at the same level, from the lowest to the highest notes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Feedback Resistance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cspan\u003eAC\u003c\/span\u003e\u003cspan\u003e1001-DUAL\u003c\/span\u003e is a system with high feedback resistance, as the combination of its directional microphones with high fidelity electronics enables the system to ignore external sound up to 30dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliability:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cspan\u003eAC\u003c\/span\u003e\u003cspan\u003e1001-DUAL\u003c\/span\u003e system uses a high quality jack, which guarantees the musician the best electrical contact the moment the cable is plugged in. The high quality, sealed potentiometers prevent any dust particles from entering into the electrical contacts. In addition, the \u003cspan\u003eAC\u003c\/span\u003e\u003cspan\u003e1001-DUAL\u003c\/span\u003e uses the highest-standard locking connectors, ensuring the best connection quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVersatility and Invisibility:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eThis system possesses the versatility to be adapted to accordions of any size – from 8 to 120 buttons, keyboard or button based, diatonic or chromatic. The \u003cspan\u003eAC\u003c\/span\u003e\u003cspan\u003e1001-DUAL\u003c\/span\u003e has no need for external circuits in order to work, simply requiring a jack cable. If using the stereo output then just use a stereo jack cable to allow you to have the left and right hand signal on two channels.\u003c\/p\u003e\n\u003cp\u003ePlease note this requires professional fitting, please contact us to arrange an appointment.\u003c\/p\u003e\n\u003ch4\u003eTechnical Specifications:\u003c\/h4\u003e\n\u003cstrong\u003eKeyboard Microphones\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePolar pattern: Cardioid (directional).\u003c\/li\u003e\n\u003cli\u003eFrequency response: 60Hz 22kHz ±3 dB.\u003c\/li\u003e\n\u003cli\u003eSignal\/noise ratio: 67 dB at 1 kHz.\u003c\/li\u003e\n\u003cli\u003eMaximum sound pressure: 147 dB S.P.L.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBass Microphone:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePolar pattern: Omnidirectional.\u003c\/li\u003e\n\u003cli\u003eFrequency response: 60Hz 20kHz ±3 dB.\u003c\/li\u003e\n\u003cli\u003eSignal\/noise ratio: 67 dB at 1 kHz.\u003c\/li\u003e\n\u003cli\u003eMaximum sound pressure: 147 dB S.P.L.\u003c\/li\u003e\n\u003cli\u003eOutput connector: P10 Stereo \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003ePlease note this requires professional fitting, please contact us to arrange an appointment.\u003c\/span\u003e\u003cbr\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"Harmonik","offers":[{"title":"Default Title","offer_id":29153104986200,"sku":"AC1001-DUAL","price":825.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Screenshot_2019-06-18_at_09.16.25.png?v=1561155703"},{"product_id":"button-accordion-decorative-artwork","title":"Button Accordion Decorative Glassware","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eA beautiful and unique piece of glassware made by artist Heather Sirrel.\u003c\/p\u003e\n\u003cp\u003eFeaturing a button accordion this hand made work of art makes the perfect gift for any accordionist.\u003c\/p\u003e\n\u003cp\u003e23cm x 18cm in size this curved ornament has been custom made by Heather for The Reed Lounge.\u003c\/p\u003e\n\u003cp\u003eCustom designed versions are available on request, please contact us for more information\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eSpecification\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eHand crafted\u003c\/li\u003e\n\u003cli\u003eSolid glassware\u003c\/li\u003e\n\u003cli\u003eUnique\u003c\/li\u003e\n\u003cli\u003e23cm x 18cm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heather Sirrel","offers":[{"title":"Default Title","offer_id":31704436605016,"sku":"HSGW1","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/20191118_184907.jpg?v=1579904480"},{"product_id":"deluxe-button-accordion-decorative-glassware","title":"Deluxe Button Accordion Decorative Glassware","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eA beautiful and unique piece of glassware made by artist Heather Sirrel.\u003c\/p\u003e\n\u003cp\u003eFeaturing a button accordion this hand made work of art makes the perfect gift for any accordionist. \u003c\/p\u003e\n\u003cp\u003e23cm x 16cm in size this curved ornament has been custom made by Heather for The Reed Lounge.\u003c\/p\u003e\n\u003cp\u003eCustom designed versions are available on request, please contact us for more information\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003eSpecification\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eHand crafted\u003c\/li\u003e\n\u003cli\u003eSolid glassware\u003c\/li\u003e\n\u003cli\u003eUnique\u003c\/li\u003e\n\u003cli\u003e23cm x 16cm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heather Sirrel","offers":[{"title":"Default Title","offer_id":31704515248216,"sku":"HSGW2","price":99.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/20191118_184526.jpg?v=1579904482"},{"product_id":"untold-cd-from-the-ciderhouse-rebellion","title":"Untold - CD from The Ciderhouse Rebellion","description":"\u003cp\u003eUNTOLD is a unique, three track 50 minute improvisation recorded live in a single take. This is the debut album from new duo The Ciderhouse Rebellion: fiddle player Adam Summerhayes and master accordionist Murray Grainger.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/theciderhouserebellion.com\/?fbclid=IwAR2p0q7M3ehKOCpE9x1R24Q9nfgVQ8r4qWhTvswbq-BLK56NOz81gCplTlE\" data-ft='{\"tn\":\"-U\"}' rel=\"nofollow\" data-lynx-mode=\"origin\" data-lynx-uri=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Ftheciderhouserebellion.com%2F%3Ffbclid%3DIwAR2p0q7M3ehKOCpE9x1R24Q9nfgVQ8r4qWhTvswbq-BLK56NOz81gCplTlE\u0026amp;h=AT044ouVQC79fekz-h1GsC2oZjc7DdgtpckR_TxorGqQdh9d-j_877mtmpu7CflkhvPiN3sfxTCOmWworxlQS6B2LSzkxLx2-YLhl5HOjIu5qk_B1Fd9S6FX-mocoyfSvMBF7NSX5MoGuUMjWz8mg5zqPu4x5PoIg1RRXYmoBhIC8glVzb7zCH4tfmEl_WcgIbtHuYTn0xMNgN-q3Csd_skEYBAglPJD-SddT9_Lsvf_FIoL5yMg0CLRVj5kc3OYLhBG4Paq8Esvvzwjgmrc0BEn58b43UpHK-aOazkw4XOS4gO0hUtuqvNaxzLUbDOl8cZ7t8JcQRwGaex6wh15wXrLHm39EaP96cVNo514gtuu7mpLSmu7p0lXCtL8CNI4qN7Pu45bFED9YQlh5hQ0xgVEE0gFBgwJiQNy3x0nnZbSeBtEdQHWLKG1LdG4fXURHZyGo6TfHHZUNqecECLD39lZa_7pmBgjTzvKuOBLC6JzQjVE4WizWdz3BNN25XgDUjY5gUREVvd6MQ5u-Q5dglF0G2WhlIHGB_xYhpc-JJ8xG28Gn2W9SdLQ1qJCl-8n\" target=\"_blank\"\u003etheciderhouserebellion.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\"Two virtuoso musicians playing some of the most startling and original music you will ever encounter. Compelling, exciting and utterly original\" Phil Beer\u003c\/p\u003e\n\u003cdiv class=\"text_exposed_show\"\u003e\n\u003cp\u003e\"I became utterly bewitched by the beauty of what Summerhayes and Grainger had created. It could justifiably be described as a folk symphony, possessing cyclical completeness yet creating a form that is, at once, both elemental and pastoral.\" - David Auckland Fatea Magazine\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFor bookings and press, contact katie@fromthewhitehouse.com\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"...a stunningly beautiful track from the debut album from new duo The Ciderhouse Rebellion featuring fiddle player Adam Summerhayes and master accordionist Murray Grainger… UNTOLD is a unique three-track 50-minute improvisation recorded live in a single take. As you can hear below, the improvisational flow of their music has an almost cinematic feel, carried aloft by an air\u003c\/span\u003e\u003cspan class=\"text_exposed_show\"\u003e of emotion that registers on a deeper level with the listener immediately. It’s quite unlike anything else in the field and I applaud them both. It’s a stunningly beautiful creation, do yourself a favour, buy it and escape for 50-minutes.\" - Folk Radio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":32307450118232,"sku":"TCR","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/front.jpg?v=1581719735"},{"product_id":"the-haar-cd-album-from-the-haar","title":"The Haar - CD Album from The Haar","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThe Haar introduces the fresh talent of traditional Irish singer Molly Donnery combined with three of the most exciting instrumentalists on the folk and traditional music circuit: Cormac Byrne (Instrumentalist of the Year 2019, FATEA Magazine Music Awards), Adam Summerhayes (‘a Paganini of the traditional violin’ fROOTS) and Murray Grainger (‘Gorgeous stuff’ BBC Radio 3). Like the eponymous sea-mist, which rolls in both east and west from the Irish and North Seas, the music in their debut record varies in denseness and viscosity. It is at once tangible and fleeting, headily thick one moment and thinly dispersed the next. Three masterful instrumentalists provide an improvised space from which Molly’s pure and unadulterated vocals can emerge. The Haar is a collection of traditional Irish songs tackling love, poverty and oppression – common subjects that link the peoples of these islands. This is music that is not afraid to transcend borders - whilst recognisably born of the traditional musics that all members have grown up with and absorbed, it is unapologetic in pushing at the edges in order to create the band’s own unique and compelling sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTHE HAAR – THE ALBUM \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMolly Donnery – vocals\u003c\/p\u003e\n\u003cp\u003eCormac Byrne – bodhrán and percussion\u003c\/p\u003e\n\u003cp\u003eMurray Grainger – accordion\u003c\/p\u003e\n\u003cp\u003eAdam Summerhayes – fiddle\u003c\/p\u003e\n\u003cp\u003eTwo musicians stand in a crowded pub on the Irish island of Inis Oírr; a flame-haired girl silences the room with a quiet unaccompanied song – Molly’s voice was worth the silence.\u003c\/p\u003e\n\u003cp\u003eAn impulsive decision follows, and at sunset the next day, Molly, Adam and Cormac meet at a timeless shipwreck on the wild Atlantic shoreline. They sit on a rock and a simple traditional song emerges – just voice, fiddle and bodhrán. No rehearsal, no arrangement – the song performed intuitively … the seed of an idea that grows into The Haar, the lineup completed when Molly and Murray (accordion) meet for the first time in the studio to record Irish traditional songs tackling love, poverty and oppression –subjects that link the peoples of these islands.\u003c\/p\u003e\n\u003cp\u003eIn the studio, the music flows from the bands first notes together – reminiscent of the haar, a sea mist that rolls in from the Irish and North Seas: fleeting, intangible, headily thick, suddenly overwhelming and then unexpectedly clearing for a glimpse of precious sunlight. The band make no plans, just letting the music create itself; the tracks on the album are the first and only versions, as unpredictable and ephemeral as the haar itself.\u003cbr\u003e\u003c\/p\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":32704693731416,"sku":"TheHaarCD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/TheHaar-1.jpg?v=1587769080"},{"product_id":"the-incider-sessions-cd-from-the-ciderhouse-rebellion","title":"The InCider Sessions- CD from The Ciderhouse Rebellion","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eA LIMITED EDITION CD 'The InCider Sessions' is now released. A selection of tunes from the InCider Sessions broadcasts. 100 copies await you, signed and numbered.\u003c\/p\u003e\n\u003cp\u003eThe InCider Sessions CD is the second album from folk improv duo \u003ca class=\"profileLink\" href=\"https:\/\/www.facebook.com\/TheCiderhouseRebellion\/?__tn__=K-R\u0026amp;eid=ARCJHOkfN0MkM6Izcj96cVhdMKJjczXJA6O__h8Q22mNrPgxVNueGeCQkv7T4j_f5K0vKf8oMyC85kIJ\u0026amp;fref=mentions\u0026amp;__xts__%5B0%5D=68.ARDQimE7uwZI4ZVTqtXULPWrNRY5cMNp2SxenljRaKKjWVxkos27XakwimRTkrtYFeeBr1o3OPy0ynp6svkIEtEtVkEjH5wOpbOWP24y2x27R4NtA7qnF-r-b2IjJdQWTQrz_W5VQ7i1kdv_UAZGY2-aM2oyOwI5Z3zTh9FykX4kPNIWC_FB7ieXzpov40hQZ5hiPoj1eQD_F5b9SdyEIE-KlfSkhtfG15oy5AgIXoUmr3byCH0E7MdVfoasRbMX8TCvIE0Ez3xlw08I2kRWAQ9YbSjSbijZQjudZMH-XeSqfv7YLZObUG-8lLyyks5MgIymky2kyO94AMZql3Mp6cr0yYXh\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=1580266695440711\u0026amp;extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARCJHOkfN0MkM6Izcj96cVhdMKJjczXJA6O__h8Q22mNrPgxVNueGeCQkv7T4j_f5K0vKf8oMyC85kIJ%22%2C%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\"\u003eThe Ciderhouse Rebellion\u003c\/a\u003e. This is a limited edition of 100, signed and numbered CDs; a compilation of an extraordinary new body of music: 12 traditional and original tunes born of social distancing, forged in lockdown and created despite isolation. The album represents a refusal by master accordionist Murray Grainger and fiddle player Adam Summerhayes to let the potential to connect musically with each other, and with the world, be wiped out.\u003c\/p\u003e\n\u003cdiv class=\"text_exposed_show\"\u003e\u003c\/div\u003e\n\u003cp\u003eSupported by \u003ca class=\"profileLink\" href=\"https:\/\/www.facebook.com\/dunkertonsorganiccider\/?__tn__=K-R\u0026amp;eid=ARA6O-GF5FDy_gzo5-9hdWHojkSlIyoBcJzJRaZeb3y8Cgvw4ikCawpPffVx-9QOdihXoRU-rp6ot1rg\u0026amp;fref=mentions\u0026amp;__xts__%5B0%5D=68.ARDQimE7uwZI4ZVTqtXULPWrNRY5cMNp2SxenljRaKKjWVxkos27XakwimRTkrtYFeeBr1o3OPy0ynp6svkIEtEtVkEjH5wOpbOWP24y2x27R4NtA7qnF-r-b2IjJdQWTQrz_W5VQ7i1kdv_UAZGY2-aM2oyOwI5Z3zTh9FykX4kPNIWC_FB7ieXzpov40hQZ5hiPoj1eQD_F5b9SdyEIE-KlfSkhtfG15oy5AgIXoUmr3byCH0E7MdVfoasRbMX8TCvIE0Ez3xlw08I2kRWAQ9YbSjSbijZQjudZMH-XeSqfv7YLZObUG-8lLyyks5MgIymky2kyO94AMZql3Mp6cr0yYXh\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=506315566169710\u0026amp;extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARA6O-GF5FDy_gzo5-9hdWHojkSlIyoBcJzJRaZeb3y8Cgvw4ikCawpPffVx-9QOdihXoRU-rp6ot1rg%22%2C%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\"\u003eDunkertons Cider\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":32738195963992,"sku":"InCider","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Dunkertonsincider.jpg?v=1589583464"},{"product_id":"cd-from-the-ciderhouse-rebellion","title":"Rúnian, Words of a Fiddler’s Daughter - CD from The Ciderhouse Rebellion with Jessie Summerhayes","description":"\u003cp\u003eThe Ciderhouse Rebellion with Jessie Summerhayes\u003cbr\u003e\u003cbr\u003eThe Ciderhouse Rebellion’s third album - a new three way real-time collaboration with wordsmith Jessie Summerhayes that is something wholly new, built upon the foundations of The Ciderhouse Rebellion’s previous work, but with the added intimacy and connection of the human voice.\u003cbr\u003e\u003cbr\u003eJessie’s words are steeped in the same history and folklore that flows through the music of her father, Adam, inhabiting the protagonists and landscape of her beloved North East of England with her fresh and timeless voice. With these meticulously researched poems, drawing on the historical records and literary creations of the early-medieval period — The Magna Carta, the writings of The Venerable Bede, the Norse Sagas — it became clear that this body of evocative work should stand alone, and Words From a Fiddler’s Daughter was born.\u003c\/p\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":33141448507480,"sku":"Woafd-cd","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/171F3F50-4349-460B-8CCD-9DB5A4846B7B.jpg?v=1594728316"},{"product_id":"runian-collection-of-poetry-by-jessie-summerhayes","title":"Rúnian,  collection of poetry by Jessie Summerhayes","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cstrong\u003eRúnian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJessie Summerhayes\u003c\/p\u003e\n\u003cp\u003eIllustrated by Jessie \u0026amp; Adam Summerhayes\u003c\/p\u003e\n\u003cp\u003eA poem cycle — newly minted folk tales that feel centuries old — brought into being by inspiration from The Ciderhouse Rebellion’s InCider Sessions. Meticulously researched poems, drawing on the historical records and literary creations of the early-medieval period — The Magna Carta, the writings of The Venerable Bede, the Norse Sagas.\u003c\/p\u003e","brand":"The Ciderhouse Rebellion","offers":[{"title":"Default Title","offer_id":33141452439640,"sku":"Woafd-bk","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/D8A8FEF8-BA99-4F1E-A4B2-B9A6B30A6A09.jpg?v=1594728240"},{"product_id":"dodo-street-natural-selection-cd","title":"Dodo Street - Natural Selection CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eReturning from 300 years of extinction, Dodo Street have recorded a trailblazing, joyously wild musical odyssey, encompassing melodies from the shores of the Hebrides to the mountains of Eastern-Europe. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheir history-defying existence brings extreme velocity and inhuman precision from Adam Summerhayes ('astonishing, all-out virtuosity' New York Times) and Piers Adams ('superhuman' Washington Post) and the rest of the band is equally virtuosic. Master accordionist Murray Grainger and one of Europe's most renowned bass players, Malcolm Creese, provide the powerful core of the band as well as dynamic solos. The livewire Cormac Byrne, king of Irish percussion and BBC Folk Award-winning bodhran player, can easily steal the show. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut it is the music that is really remarkable. There is nothing predictable about their tunes. On Natural Selection, a famous Irish melody might take a wild Klezmer twist, an ancient Scottish wedding song is recast in a mesmeric soundscape that evokes the lonely island from which it came, gypsy tunes and Eastern European rhythms spiral faster and faster, impossible not to dance to. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstrumental limits are pushed to the extreme, but the band never lose control or tightness and the music is, above all, driven by potent melodies, whether centuries old or newly penned.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"This bunch of dodos is alive and doing fine. Do not be distracted by their hats their madness is medicated with jaw-dropping instrumental skills. Adam Summerhayes (violin and composition), Malcolm Creese (bass), Murray Grainger (accordion), Cormac Byrne (bodhran and percussion) and Piers Adams (recorder) have been round the musical block more times than they care to admit. But it is this experience and unsurpassed individual virtuosity that makes Natural Selection nothing short of phenomenal. From the delicate pianissimos of St Kilda through the wondrous melancholy of Dodos and Neil Gow s Laments to the soaring scapes of Larking, Flight of the Dodo or Cock at Sunrise, the musical precision and discipline are breathtaking as themes are moved masterfully between instruments. Klezmer, tango, Gypsy and Celtic echoes linger almost imperceptibly in these ear-worms. Hats off to the Dodo s collective genius.\" --MorningStar\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Dodo Street consists of five musicians. It would be a much longer piece to describe the background of the musicians in any way other than to quote from their publicity material. The band combine unbelievable fiddle virtuosity from international star Adam Summerhayes; outrageous brilliance from world number one recorder genius, Piers Adams; incredibly high-ABV insanity from accordion master, Murray Grainger; positively feverish power from bass legend, Malcolm Creese; and dazzling bodhran playing from king of folk percussion, Cormac Byrne . Any one of the five has a musical pedigree that you can only admire, collectively they work superbly together and it makes for a stunning sound (which they call Celtic Gypsy Klezmer) melding Scottish\/Irish folk, gypsy and Eastern European tunes and rhythms. The other aspect to mention is the humour. The album tracks are titled in some way to give a link to the dodo. To give a couple of examples: Flight Of The Dodo is described as Commemorating the invention of a mechanical flying machine by dodos in 1803 (and the subsequent suppression of the fact by humans) ; and Track 8 is called Historic 1632 recording of Dodo calls (Courtesy of the descendants of Midshipman Alex Whammond). The publicity material is unusually self-deprecating and, of many gems, my favourite is the description of Cormac Byrnes bodhran playing as complex morse-code-based rhythm patterns which he broadcasts from his bedroom to try and contact the intergalactic Space Dodos. You can only be this irreverent about your playing if you are very good or if you are sufficiently novice that you're unaware of it. Dodo Street are definitely not a band of novices.\"  --Folking.com\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003c\/h4\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":33395363315800,"sku":"DODOCD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/71-fAxn6RkL._AC_SL1371.jpg?v=1601760676"},{"product_id":"paperbird-cd-with-murray-grainger-and-amy-thatcher","title":"Paperbird - CD with Murray Grainger and Amy Thatcher","description":"\u003ch4\u003eDescription \u003c\/h4\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA cult classic known in the dark circles of the accordion world, this album displays all the talents of Amy Thatcher at age 16. She joins forces with virtuoso Murray Grainger to produce an extraordinary collection of accordion duets. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is a mix of traditional tunes and original compositions for this album entitled ‘Paper Bird’, a popular Mike McGoldrick tune featured on the recording. \u003c\/span\u003e\u003c\/p\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":33395373604952,"sku":"MGATCDPap","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/Amy_Thatcher_and_Murray_Grainger_-_Paper_Bird.jpg?v=1601760881"},{"product_id":"copy-of-paperbird-cd-with-murray-grainger-and-amy-thatcher","title":"LinnTilla - CD featuring Irish and Electronic music","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTaking Irish tunes and songs and blending them with the finest electronic grooves, this album will take you on a journey of groove and passion.\u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul class=\"list_no_style\"\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eAccordion, Keyboards\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/3859390-Murray-Grainger\" target=\"_blank\"\u003eMurray Grainger\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eArt Direction, Design\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/6337816-Kristofer-Massey\" target=\"_blank\"\u003eKristofer Massey\u003c\/a\u003e, \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/6337812-Neil-Frost\" target=\"_blank\"\u003eNeil Frost\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eDouble Bass, Electric Bass, Bass [Fretless]\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/2662731-Nye-Parsons\" target=\"_blank\"\u003eNye Parsons\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eDrums, Body Percussion [Hand]\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/4632840-Dave-Neville\" target=\"_blank\"\u003eDave Neville\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eFiddle, Viola, Cello\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/515908-Saskia-Tomkins\" target=\"_blank\"\u003eSaskia Tomkins\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eKeyboards, Guitar\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/116936-Declan-Flynn\" target=\"_blank\"\u003eDeclan Flynn\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eManagement\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/3859390-Murray-Grainger\" target=\"_blank\"\u003eMurray Grainger\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eMastered By\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/815905-Jason-Goz\" target=\"_blank\"\u003eJason Gosling\u003c\/a\u003e*\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003ePainting [Front Cover]\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/6337813-Suzanne-Ross\" target=\"_blank\"\u003eSuzanne Ross\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eProducer\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/70782-Al-Pha-X\" target=\"_blank\"\u003eAl-Pha-X\u003c\/a\u003e, \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/116936-Declan-Flynn\" target=\"_blank\"\u003eDeclan Flynn\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eUilleann Pipes, French Horn [French Pipes], Whistle, Flute, Clarinet [Turkish Clarinet], Oboe, Woodwind [Ethnic], Guitar, Guitar [Tenor], Bodhrán, Body Percussion [Hand]\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/361259-Ste%C3%A1f%C3%A1n-Hannigan\" target=\"_blank\"\u003eSteáfán Hannigan\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eVocals, Keyboards\u003c\/span\u003e – \u003ca class=\"rollover_link\" href=\"https:\/\/www.discogs.com\/artist\/1913203-Cecilia-Le-Poer-Power\" target=\"_blank\"\u003eCecilia Le Poer Power\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":33395381960792,"sku":"LinnT","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/R-11646596-1519988963-2048_jpeg.jpg?v=1601761029"},{"product_id":"heretique-cd","title":"Hérétique - CD","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eHérétique create fresh and innovative music based on foot-stomping traditional dance tunes and sensational songs from all over Europe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDazzling vocals and the unique sounds of accordion, bagpipe and hurdy-gurdy combine to create a powerful blend of infectious melodies and driving rhythm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInterlacing elements of jazz, classical music and furtive references to popular culture, every live performance is a riot of hilarity, virtuosity, laughter and showmanship. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGuaranteed to excite and entertain, Hérétique’s electrifying fusion of energy and humour will have audiences leaping to their feet and dancing in the aisles!\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA seriously talented and spirited performance throughout which also provides a long-overdue reminder that even top-quality music can be (indeed, ought to be) fun! You will never regret getting hold of this album!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e'I think the music is gorgeous...'\u003c\/p\u003e\n\u003cp\u003eGenevieve Tudor BBC Radio\u003c\/p\u003e\n\u003cul class=\"list_no_style\"\u003e\u003c\/ul\u003e","brand":"The Reed Lounge","offers":[{"title":"Default Title","offer_id":33395429965912,"sku":"H001CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1384\/4833\/products\/HeretiqueAlbum.jpg?v=1601762073"}],"url":"https:\/\/thereedlounge.com\/collections\/in-stock\/accordion+swing+single-cassotto.oembed","provider":"The Reed Lounge","version":"1.0","type":"link"}